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Wednesday, March 16, 2022

The Blair Partnership literary agency has 3 agents looking for new authors ~ picture books to YA to adult fiction and nonfiction

Bear Shaped by Dawn Coulter-Cruttenden,
represented by The Blair Partnership

The Blair Partnership

PO Box 7828
London W1a 4gE

https://www.theblairpartnership.com/

Don't ever miss what’s happening with Quick Brown Fox. If you’re not yet on my newsletter, send me an email, including your locale to:  brianhenry@sympatico.ca   ~Brian

The Blair Partnership is a UK agency that represents fiction, nonfiction, adult and children’s and YA Authors, as well as representing clients for entertainment, broadcast, speaking and more. The agency has four agents on staff, three or whom are taking on new clients.

Jordan Lees is an Associate Agent. He represents crime and thrillers of all stripes, book club fiction, historical fiction, literary fiction, true crime and smart nonfiction. He’s drawn to writing with a darker and/or upmarket edge, and he’s open to anything high concept or speculative.

“I’m interested in any kind of crime/thriller, whether commercial or literary, conventional or high-concept,” says Jordan. “I read very widely across the genre, whether it’s Belinda Bauer, John Grisham, Fiona Barton, Nikki French, C.J Tudor, Tana French, Karin Slaughter or Ruth Ware.

“I’m eager to find elegant literary thrillers in the vein of Leila Slimani’s books, and am fascinated by folklore, fable and horror – so anything which includes those kind of elements will likely grab my attention, whether in crime/thrillers, historical fiction or upmarket/literary.

“I’m also a big fan of detective fiction so would definitely want to see anything in that area. I’d love to find something which innovates or subverts the genre in the vein of EVELYN HARDCASTLE by Stuart Turton, EIGHT DETECTIVES by Alex Pavesi or something fun and clever like KNIVES OUT.”

Query Jordan at: jordansubmissions@theblairpartnership.com

Include the working title of your submission in the subject line. In the email, include a one-line elevator pitch, a short blurb and the target market and genre of your writing and any competitions or prizes you’ve won. Attach the first 30 pages and a 1-page synopsis in one Word document or as a PDF.

For nonfiction, send your full proposal instead of the first 30 pages.

Full submission guidelines here.

Rachel Petty is a full agent, but also the newest member of the team. She was previously Editorial Director at Macmillan Children’s Books. 

Rachel represents children’s fiction and nonfiction, from picture books up to young adult and crossover. She’s looking for ambitious story-telling, a bold approach to structure and voice, and a fresh take on genre.

She likes YA romance, horror and thrillers (or a combination of all three, especially with a twist), hooky sweeping fantasy (with excellent world-building and a simple, clever pitch). She also likes hilarious middle grade, bold graphic picture books, and anything that has potential to jump off the page and onto the screen.

She’s particularly interested in submissions from author/illustrators

And like everyone else, wants submissions from underrepresented and marginalized communities.

Query Rachel at: rachelsubmissions@theblairpartnership.com

Include the working title of your submission in the subject line. In the email, include a one-line elevator pitch, a short blurb and the target market and genre of your writing and any competitions or prizes you’ve won. Attach the first 30 pages and a 1-page synopsis in one Word document or as a PDF.

For nonfiction, send your full proposal instead of the first 30 pages.

Full submission guidelines here.

Hattie GrΓΌnewald is a full agent. She represents commercial and upmarket fiction, including women’s fiction, crime and thriller, historical, and book club fiction. She also represents some nonfiction in the areas of lifestyle and personal development.

“I am currently open to commercial and upmarket fiction submissions with a strong pitch, believable characters and an engaging voice,” says Hattie. “In contemporary fiction, I am looking for zeitgeisty novels. These may tackle complex issues or feature captivating and multi-layered family dramas, high concept love stories and other conversation-starting topics with a ‘you need to read this’ quality.

“In historical fiction, I’m looking for unusual, escapist settings or characters that are often overlooked by history – from atmospheric gothic fiction through to sweeping historical romance.

“In crime and thriller, I’m looking for ambitious, immaculately-plotted detective fiction, tense, page-turning psychological thrillers and humorous yet clever cosy crime. Regional crime stories are always high on my wish list, as well as a strong sense of character and novels that use the crime genre to explore broader social issues.

“My favourite authors are Tana French, Elizabeth Gilbert, Liane Moriarty and Margaret Atwood.”

like everyone else, she’s looking for books from marginalised authors.

“I am interested in LGBTQ+ stories and books that aren’t afraid to call themselves feminist,” says Hattie. “I am always keen to see books about mental health, as well as books by disabled or chronically ill authors.

Query Hattie at: hattiesubmissions@theblairpartnership.com

Include the working title of your submission in the subject line. In the email, include a one-line elevator pitch, a short blurb and the target market and genre of your writing and any competitions or prizes you’ve won. Attach the first 30 pages and a 1-page synopsis in one Word document or as a PDF.

For nonfiction, send your full proposal instead of the first 30 pages.

Full submission guidelines here.

Author Lana Button

If you’re especially interested in Kid Lit, don’t miss: Writing for Children and for Young Adults, an online workshop with  Jennifer Stokes, editorial director Owlkids Books, and picture book author Lana Button, Saturday, April 9. Details here.

And Writing Little Kid Lit: Board books, picture books, chapter books, and middle grade, an online weekly class Monday afternoons 1 – 3 p.m. April 11 – June 20 {no class May 23 or June 6}. Details here.

Beyond that, Brian Henry’s schedule continues to take shape:

Online: How to Build Your Novel workshop, Saturday, May 7, Details here.

Weekly classes: (Details of all spring classes here):

Online: Writing Little Kid Lit: Board books, picture books, chapter books, and middle grade, Monday afternoons 1 – 3 p.m. April 11 – June 20 {no class May 23 or June 6}. Details here.

Online: Welcome to Creative Writing, Monday evenings, 7 – 9 p.m. April 11 – June 20 {no class May 23 or June 6}. Details here.

Online: Writing Personal Stories, Tuesday afternoons, 1 – 3 p.m. April 12 – June 21 {no class June 7}. Details here.

In-person: Welcome to Creative Writing, in Burlington,  Thursday evenings, 7 – 9 p.m. April 14 – June 23 (no class June 2)  Details here.

Online: Intensive Creative Writing, Tuesday evenings, 6:30 – 9:00 p.m. First readings emailed April 5. Classes April 12 – June 21 {no class June 7}. Details here.

In-person: Extreme Creative Writing, Thursday afternoons, 12:30 – 3:00 p.m. April 7 – June 23Details here.

Writing Retreats:

Algonquin Park: Writing Retreat at Arowhon Pines Resort, June 3  June 6. Join us for a weekend of creativity and fine dining in the midst of the Algonquin wilderness. Details here.

Muskoka Writing Retreat at Sherwood Inn, Friday, Oct 14 – Monday Oct 17, 2022. Details here. Mark your calendars and reserve early before it fills up! 

To reserve a spot or for more details about any course, workshop or retreat, email brianhenry@sympatico.ca

Navigation tips: Always check out the Labels underneath a post; they’ll lead you to various distinct collections of postings. If you're searching for more interviews with literary agents or a literary agent who represents a particular type of book, check out this post.

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