Wednesday, August 26, 2026

Congratulations to Connie, Sue, Yvonne, Evelyn, and Nella!

If you’ve had a story (or a book!) published, if you’ve won or placed in a writing contest, if you’ve gotten yourself an agent, or if you have any other news, send me an email so I can share your success. As writers, we’re all in this together, and your good news gives us all a boost. 

Email me at: brianhenry@sympatico.ca



Hi, Brian.

Been a while since I wrote this during your writing classes in Burlington and Mississauga, but The Queen of Swords: A Tarot Card Murder Mystery is finally out. It’s available on Kobo, Kindle, Friesen Press publishing and on Amazon. Many thanks to you and the fellow writers I met along the way.and for your help in my first book published in 2021, Follow the Money, A Diana Darling Private Investigator Novel.

Kind Regards,

Connie Cook

Read more about The Queen of Swords here and Follow the Money here.

 

Hi, Brian.

Two publishers are interested in A is for Ancestor and CANSCAIP just longlisted Grandmother Moon.

Colour me happy – couldn't have done it without you.

😊🩷

Sue Kelly

 

Hi, Brian.

Views to Die For is longlisted for CANSCAIP. I like the competition – it keeps me writing. Now I better get this book done. I do have it sketched out. See you in the fall course for sure! 

Couldn’t do it without you and the class :-)

Yvonne Denomy

 

Congratulations also especially to Andrea Bishop, Kyla McGrath, Sally Wylie and to everyone else who made the longlist for CANSCAIP’s Writing for Children competition. Full list here.

 

Hi, Brian.

I'm pleased say I won 2nd prize at the writing contest hosted by the Friends of The Library here in Linsday for a short story that I submitted. There were 27 entries and this was my first entry into this contest.

I actually won last summer as well. The Town of Lindsay had a promo for the bus shelters called “Words While You Wait.” I was awarded a $200 honorarium for it. My words were paired with an artist who happens to be a writing friend but had no idea who the owner of the words was, so for me it was a double win.

Thanks Brian

Evelyn Anne Nielsen

 

Dear Brian,

I am writing to let you know that my collected translations of Carol Shields' poetry, La Poesia di Carol Shields, have been published by I Quaderni del Bardo Edizioni di Stefano Donno in Italy. I have just returned from Italy where the Italian launch was generously hosted by Carol Shield's daughter, Anne Giardini. What a wonderful way to release this unique collection! 

My hope is that this work will bring awareness of Carol Shields' unique poetic voice to readers who may know her only as an accomplished, award-winning novelist.  Before the novels, though, came the poems, her initial foray into the world of literature. 

This is a first bilingual collection, with facing English and Italian versions of the poems. It is now available from the publisher, IQdB Edizioni, or from Amazon. I attach the cover image and hope you will pass this information on to your wide circle of followers, including my past classmates from your wonderfully helpful workshop sessions. 

With my warm regards and thanks,

Nella 

Nella Cotrupi 

Writer, Scholar, Translator
Member, The Writers' Union of Canada
www.NellaCotrupi.com

La Poesia di Carol Shields is available here.

 

See where else your fellow writers are winning accolades or getting short pieces published here (and scroll down). 

And see more new books by your fellow authors here (and scroll down).


See all of Brian’s upcoming weekly writing classes, afternoon workshops, and wonderful writing retreats here.

Monday, August 24, 2026

“Tyger, Tyger, Burning Bright” by Margaret Ruttan

I passed by the Strip Club on the corner many times, and although women taking off their clothes and dancing naked for a living had always intrigued me, I never felt compelled enough to go inside. That is, until I heard about the tiger.

The long white semi-trailer was parked on the side street next to the club for several weeks. The newspaper said the show was held over for just one more week and featured the lovely Jane Jones and her lovable co-star, Qadesh, a 465-pound Siberian tiger. The act also featured a large python, a boa constrictor and exotic birds.

The python, boa constrictor and birds didn’t particularly interest me, but the tiger. This I had to see.

Maybe it was the writer in me looking for new material for my next novel or short story, but I was determined I wasn’t going to miss my chance to see it before they left town.

My mom, who was in her eighties, was visiting from Toronto for the weekend. Of course, she wasn’t my first choice. I asked a couple of my friends to accompany me, but they weren’t interested, and the more I tried to convince them, the more I feared I sounded like a bit of a weirdo.

So, I thought, maybe I could convince my mom to come with me.

“Aren’t you at all curious?” I asked her.

“Not really.”

“Don’t you want to see the tiger?”

“Nope.”

“Oh, c’mon, Mom. I can’t go by myself.”

“Can’t you get one of your friends to go with you?”

“I would, but they’re busy this weekend.” Which wasn’t quite true.

“Please mom, I’d go alone, but I’d feel better if someone came with me and I don’t have anybody else.” 

Even my husband wasn’t interested in going, which frankly surprised me.

 “I’m too old for this,” my mom protested.

“No, you’re not. I’m sure people of all ages will be there.”

I was right. There was at least one other elderly person, a man sitting to the right of the stage who appeared to be there alone. He gave my mom a welcoming smile when we looked his way. She snubbed him, turning her head in the opposite direction.

There was an admission fee of $5.00.

The man at the door asked us to hold out the back of our hand so he could stamp it, just in case we left and tried to come back in on another night without paying. I watched as the black ink from the ink pad smudged over my mom’s thin, wrinkled skin.  What was I thinking, bringing my mom to a place like this?

The room was dark and I wondered if that was so people wouldn’t recognize one another or if they couldn’t afford good lighting. I read later it was deliberate to create a sense of privacy for the patrons and to lower inhibitions. For whom, I wondered, the performers or the people watching?

We found some seats not too far from the front of the stage. When I leaned my arm on the table, my skin felt sticky when I lifted it off again, perhaps another reason for the dim lighting – to hide the lack of attention to cleanliness.

I looked around me to see if I recognized anybody. I thought I saw a woman I knew and her boyfriend, but it was hard to tell, two familiar silhouettes.

We ordered a drink and waited for the show to begin.

A petite blonde woman who looked somewhere in her late twenties to early thirties walked by our table towards the stage. She was dressed in a buckskin thong and tight top. She stood about 5 feet tall and didn’t seem to have an ounce of fat on her small, toned body.

The noise in the room went quiet as she walked on stage, removed her clothes and began painting herself in multi-colours. She then turned on an overhead shower washing all the paint off as she ran her hands over every part of her body.

Once she was dried off sufficiently, she reached into a bag and pulled out a flute. I couldn’t imagine what she had in mind for that, until she raised it to her mouth and began to play.

I turned to mom and whispered, “She’s clearly multi-talented.”

The old man at the side of the stage was jumping up and down in excitement, clapping his hands.

“Look at him,” my mom said. “He’s making a spectacle of himself.”

We watched as the dancer twisted her naked, compact body around a rope hanging from the ceiling, climbing high in the air and slid back down again.

Then she walked to the back of the room and in less than a minute returned, dragging a heavy braided rope along the thin, stained carpeted floor.

At the end of that rope was a nine-foot-long female Siberian Tiger named Qadesh, pronounced Kadesh. I’d done my research and the name originated from an ancient Semitic root meaning holy or sacred.

The room fell silent as all eyes were now on the tiger.

As the beast sauntered right past our table, we heard the sound of its heavy breathing.  It was so close mom could have reached out and patted it.

The lovely Jane Jones, as it said in the newspaper, guided her oversized pet to an area on the stage and instructed it to lie down. Then she lay naked against the tiger, cuddling into it like a giant soft plush toy.           

Across the table, I looked at my mom, her mouth open and her eyes wide. 

We stared at that majestic beast, huge and golden and its naked mistress, the tiger’s solemn eyes staring back at us.

In that moment that tiger truly was holy.

Margaret Ruttan is an award-winning contemporary visual artist, performing artist and published author based in Belleville, Ontario. 

During the past several years, she turned her hand to writing one-act plays, several of which were performed in local community theatres and one even went international being performed in the United Kingdom earlier this summer. Presently, she is working on a novel with the feedback and support of online classes offered by Brian Henry.

See some of Margaret's artwork here

For more short stories, poetry, and essays by you fellow writers see here (and scroll down).

See Brian’s upcoming weekly writing classes, afternoon workshops, and wonderful writing retreats here.


Saturday, August 22, 2026

Tanya has a new book out: Carrying War: A Memoir

Carrying War: A Memoir
 
 by Tanya Bellehumeur-Allat 

Instead of letting fear rule her life, Tanya found ways to overcome it.
Terrorism first intersected Tanya’s life in 1982 when she was twelve years old and living in Israel. Its shadow loomed closer when her family moved to Beirut at the height of the Lebanese Civil War to accompany her father on his United Nations peacekeeping mission. That was forty years ago. But the aftershock, the trauma, and the imprint of terror remain.

In these narrative essays, the reader moves from the Middle East to Europe, from Quebec’s Eastern Townships to Yellowknife in a personal exploration of terror — psychic, criminal, spiritual, and political. The journey is challenging, yet it carries both redemption and hope.

When asked how to defeat terrorism, Salman Rushdie answered, “Don’t be terrorized. Don’t let fear rule your life. Even if you are scared.” The essays in Carrying War are about one woman’s lifelong struggle with fear and the ways she has found to overcome it.

Carrying War: A Memoir is available from the publisher Dundurn Press here.

Tanya Bellehumeur-Allatt is the author of the critically acclaimed Peacekeeper’s Daughter: A Middle East Memoir (Thistledown, 2021, see here) and two collections of poetry: Chaos Theories of Goodness, (Shoreline, 2022, see here) and The Hospitality of Trees (Shoreline, 2025, see here).

Tanya’s award-winning essays, poems and fictions have been published in numerous journals and anthologies, including Grain, Prairie Fire, Malahat Review, The New Quarterly, and Best Canadian Essays 2015 and 2019. She holds an MA in English Literature from McGill and an MFA in Creative Writing from UBC.

Visit Tanya at her website here: https://tanyaallattbellehumeur.com/

For information about submitting to Dundurn Press, see here.

See more new books by your fellow writers  here (and scroll down).

If you’ve had a story (or a book!) published, if you’ve won or placed in a writing contest, if you’ve gotten yourself an agent, or if you have any other news, send me an email so I can share your success. As writers, we’re all in this together, and your good news gives us all a boost. Email me at: brianhenry@sympatico.ca  

See all my upcoming weekly writing classes, afternoon workshops, and wonderful writing retreats here~Brian

Monday, August 17, 2026

“Do You Have Demons?” by Andrea Whittle

 

Amelia, Andrea's cat. Yes, she has demons - she's a cat!

“Friday’d give me time, Saturday could wait, but Sunday’d be too late…                 
  “Seven Days,” Sting

“I’ll do it later” – every teenager, everywhere, has said this at least once. Spoiler: they never do.

I shouldn’t throw stones, for me, it’s the height of hypocrisy, because I am a terrible procrastinator. It’s a curse. Partly ADHD – self-diagnosed, but before you scoff, try having a conversation with me.

What else inspires my procrastination? Fear of failure maybe? Hard to be sure.

I was visiting family when we found ourselves watching their still-kittenish cat rolling around on the floor, apparently playing with air. My friend studied the cat for a moment before asking (with a laconic air I’d dearly love to emulate), “Do you have demons?”

Well, yes, obviously for the cat – all cats do.

And yes, me, too. I have demons. Well, one demon.

No, I am not schizophrenic.

My demon is my narrator. Think The Wonder Years: grown-up Kevin Arnold calmly explaining to the audience what was really going on while his younger self blundered enthusiastically through life.

Unlike Kevin, however, I'm a fifty-something, grown-ass-looking adult still faking my way through life while my internal narrator placidly comments on whichever ridiculous rabbit hole has most recently caught my attention.

I’m just a girl with an iPhone, a perpetually open Notes app, and a narrator who seems convinced the bathtub is the ideal place to workshop an essay. Yes, it’s a bizarre premise, but don’t knock it. There are still people who think gummy bears and Frank’s RedHot can’t be a wonderful combination. How is a sensory deprivation bathtub writing space any stranger?

I have a bone-deep faith in the Wizard of Oz business model – hide behind a curtain and fake it! Or perhaps it’s simply this: if it looks like a writer, acts like a writer, and sounds like a writer… then, egad, it must be a writer.

For years, I comforted myself by insisting I simply wasn’t a writer. Other than an admiring English teacher or two – about as objective as your mother telling you you’re pretty – the concept of being a writer belonged to other people. My friends with agents, journal publications, and six fantasy novels – or is it seven? The closest I’d ever come was a three-year stint as a book blogger.

Ask me how pissed I am that it wasn’t my blog that gave Ice Planet Barbarians its big break, but some BookToker’s! Four years after I’d read Ice Planet Barbarian and raved about it.

Ugh.

Not to worry. Here’s my next step toward World Domination: I shall conquer BookTok, bend it toward nonfiction, essays, to be specific.  

But I’m getting ahead of myself. (Another good way to procrastinate.) Six months ago, my self-image was best described as … murky. I was the last one to know writing was my path. Even my internal narrator hadn’t caught on. She just kept talking about stuff. I was like one of those people you read about who show up with a complete tiny human being and earnestly tell people they had no idea they were pregnant.

Perhaps I assumed everyone had internal commentary on their life, the universe and everything going on inside their skull. It never occurred to me that writing any of it down might become a vocation. My entry into writing was more akin to a harassed mother finally exclaiming, "Fine, we'll go to the park NOW!"

So, I began writing without much of a destination, simply following the white rabbit – or, in this case, my demon.

When I shared this disturbing development with a friend, her advice was refreshingly straightforward: “You should take a course.”

Not just any course. Brian Henry’s “Writing Personal Stories” happened to be starting a new session just a couple of weeks later. I wasn’t entirely sold on what I assumed was the memoir aspect.

Memoirs are things people like Greta Thunberg write, not hockey moms in the middle of an existential crisis.

My pieces were certainly personal. I just wasn't convinced they were stories.

None of my bathtub recollections could reasonably be considered memoir any more than a conversation that begins, “This reminds me of this one time at band camp…” before abruptly veering into, “Did you know dolphins and whales are both cetaceans – and closely related to hippopotamuses?”

Regardless, I decided professional help was in order. One of our first exercises was to draw our childhood home, street, or neighbourhood. Brian is a delightfully flexible instructor.

We were then asked to write something inspired by it.

I wrote a confessional about the death of a neighbourhood pet.

We were witnesses, not future serial killers. Rest easy.

But it still amazes me that a rudimentary – not even remotely to scale – floor plan of my childhood home somehow unearthed the memory of a blistering summer day straight out of Cujo, complete with second-guessing ourselves over the fate of a stray cat that had somehow gone from being the neighbourhood’s pet to mine. And then died.

At the end of class, Brian outlined our homework. I’ve since dubbed it the Choose Your Own Adventure approach to creative writing.

Option one: continue the piece we’d started.

Option two: write about something else we’d discussed in class.

And if neither of those appealed?

Write whatever we wanted. Just write.

Week after week, I did.

I wrote.

I started a Substack. I researched; I read and researched some more. All the while, I kept writing.

The essays wandered drunkenly from The Three Little Pigs as an analogy for birth order to a rumination on why Prince Harry gets on my last nerve, from hockey fandom as a meditation on business practices to… well… octopuses.

Lots of octopuses. And crows.

Looking back, none of this should have surprised me.

Even in my twenties, I imagined my life revolving around books. Publishing. Editing. Marketing. Eventually, book blogging. I seemed determined to find every job adjacent to writing while avoiding the uncomfortable business of becoming a writer.

Perhaps it was lack of confidence. Or much more likely procrastination dressed up as practicality. They can look remarkably similar from the inside.

Somewhere along the way, I stopped focusing on what a writer was and simply wrote.

These days, whenever someone tells me they’d love to write someday, I hear echoes of my former self: “I’d love to write, but …

“I don’t have enough time.”

“I need another course.”

“I should read a few more books first.”

“I’m waiting until I feel like a writer.”

I understand the instinct to avoid, to procrastinate; I spent decades perfecting it. But apparently, all those hippies and yogi types were onto something:

Sometimes the doing comes first.

Being catches up.

“Later” has an uncanny habit of becoming “never.”

Andrea Whittle is a writer and market analyst with a longstanding habit of looking for patterns and asking why things work the way they do. After spending much of her career finding patterns in data, she now finds them everywhere – which is either useful for an essayist or a terrible way to get anything else done.

Her creative nonfiction combines personal narrative, cultural observation, and whatever has most recently sent her down a rabbit hole. Previous subjects have included hockey, fairy tales, Prince Harry, octopuses, crows, and the occasional existential crisis.

Andrea previously published "Do you have demons" on  The Intellectual Peacock, her weekly Substack about culture, behaviour, books, media, and the wonderfully strange business of paying attention.

See more pieces about or inspired by Brian’s retreats, workshops and classes here (and scroll down).

For more essays, short stories, and poetry by you fellow writers see here (and scroll down).

See Brian’s upcoming  weekly writing classes (including a “Writing Personal Stories” class), afternoon workshops, and wonderful writing retreats here.