Saturday, March 14, 2026

“The Bamboo Season” by Kyla McGrath

Image by Keisuke Kuribara

An excerpt from a forthcoming memoir

The basement lights were off. Only a strip of afternoon sunlight cut across the floor. I was in the home gym. Steel racks. Plates stacked against the wall. Mirrors splintering the light. A sermon about discipline and healing was paused on the screen. The house was too quiet. Just the dull drone of the treadmill and my own breathing.

I was crying so hard I had to grip the rails to steady myself. I finally stepped off and planted my feet on the sides. The belt kept moving beneath me, humming. Still running.

What if it’s worse than they think?

What if I don’t make it through surgery?

What if my body is never the same?

What if I’m ruined?

For years my body had been proof of my discipline. I knew how to train it. Push it. Shape it. Now they were going to remove parts of it. Half my pancreas. Portions of my liver. Maybe more. It wasn’t just the surgery itself that scared me. It was what came after. I was afraid I wouldn’t be the same. Less capable. Less strong. Less me.

Then my phone rang. It was Paul.

He had been my trainer and my friend for more than twenty years. I met him in my twenties when I was still trying to figure out who I was and what I was capable of. Back then, we were training for fitness competitions. We trained through pain. I complained. He ignored me. Early mornings. Late nights. Workouts that left my legs shaking in the parking lot. 

He had seen me at my strongest. He had seen me at my worst. And he’d talked me off the ledge before. But this was different. This wasn’t about walking onto a stage. This was about walking into an operating room.

I answered the phone and the words spilled out.

What if they find more?

What if it’s worse?

What if I don’t wake up?

What if my body is never the same?

How big will the scar be?

What if I don’t recognize myself?

Paul let me talk. When I finally stopped, he exhaled. “Okay,” he said. “Listen to me. Treat this like a show prep.”

“I can’t do this.”

“You can.”

“This isn’t a show. This is surgery.”

A pause. “But treat it like a show.”

I almost laughed. “You’re not serious.”

“I am. You know how to lock in. You know how to build a plan. You know how to do hard things. This is no different.”

“This is different,” I said.

“Yes. Because it matters more.”

My panic didn’t disappear. But it stopped running the conversation.

“You get something locked in your mind,” Paul said, “and you’re unstoppable.”

I swallowed. He wasn’t wrong. When a date was set, something in me flipped. Blinders on. No negotiation. One step at a time until the job was done. Somewhere between diagnosis and fear, I had forgotten that. He was there to remind me. Not to rescue me. But to hold up a mirror.

“You’re bamboo,” he said.

I let out a short laugh. “Bamboo?”

“Yeah, with bamboo, you see nothing for five years. You plant the seed. You water it. You tend the soil. And nothing breaks the surface. No stalk. No leaves. No proof. But underground, the roots are spreading. Wide. Deep. Strong enough to hold what’s coming. Then, in six weeks, it rises eighty feet. Not because it grew overnight, but because it was growing the whole time. Underground. Unseen.”

“That can’t be true,” I said.

“Look it up, it’s real.”

I didn’t know if the numbers were exact. It didn’t matter. It felt true. The weeks leading up to surgery weren’t wasted. They were preparation. Now I knew what I had to do.

The surgery date became my show day. The treadmill became my prep. Morning salads on the couch, the house still and quiet. My husband at work. My daughter at school. Just me and the dog at my feet. More water than I wanted. Lifting even when my body felt weak.

I fed my mind as carefully as I fed my body. I drew on my faith. Sermons in my ears and scripture on repeat. Shutting down negative thoughts fast. My survival depended on it. It wasn’t about aesthetics anymore. It was about living.

When fear tried to creep in, I replaced the image. Instead of imagining myself broken after surgery, I visualized myself strong.

Standing. Walking. Coming home from the hospital.

I did cardio and visualized healing. I trained and visualized strength returning.

I treated it like a competition. Except the trophy was time.

Before that call, fear was running me. After it, I said no more.

The ugly crying didn’t disappear. I let it come. But I didn’t stay there. It stopped running the show. I had a plan.

Strength didn’t look like confidence. It looked like hysteria followed by discipline. Repeating the same steps even when nothing seemed to change. When the surgery doors closed weeks later, I was still afraid. But I was prepared. I had done all I could do.

All that training. All those years. All those reps in the gym. They weren’t just about winning. They were rehearsal.

Discipline. Focus. A refusal to negotiate with doubt. Those were the roots. They had been forming me long before I knew I would need them. This wasn’t the beginning of strength. It was proof it had been growing long before I saw it.

And now it was time to use it.

 ***

Kyla McGrath is a writer originally from Newfoundland, now living in Ontario with her husband and daughter. A speechwriter by profession, her personal writing explores identity, resilience, and the strength formed in life’s hardest seasons. She writes from lived experience and a deep belief in growth through difficulty. She is currently completing her first memoir.

For more essays, short stories, and poetry by you fellow writers see here (and scroll down).

See Brian Henry's upcoming weekly writing classes, one-day workshops, and four-day retreats here.

 

 

Friday, March 13, 2026

Join us in June for a writing retreat in Algonquin Park



Algonquin Park Writing Retreat

Friday, June 5 – Monday, June 8, 2026
But register by April to be sure of a spot!
Arowhon Pines Resort
Arowhon Pines Road
Little Joe Lake, Algonquin Park
Ontario, Canada

Give yourself a long weekend of writing time  a weekend of instruction, inspiration and creativity. Award yourself with time away from distractions, with no dishes to do and wonderful food at every meal, as you sit with your feet up and write in the most beautiful wilderness setting in Ontario. This is where the Group of Seven got its inspiration (Tom Thompson is buried just a couple of lakes over); it’s a wonderful place for you to find your inspiration, too.

The retreat will feature both instruction and guided writing exercises, plus one-on-one critiquing and coaching from Brian.  You’ll also have lots of time to relax, rejuvenate, and reconnect with your creativity.

All writing levels welcome. Whether you are just beginning or have a novel in progress, please join us. 

This year, the retreat will be limited to ten or eleven participants. This will mean plenty of one-on-one time with the instructor.

The setting: Arowhon Pines is a peaceful, quiet resort nestled in the woods on Little Joe Lake inside Algonquin Park. There are no motorboats on the lake, except for the resort’s own pontoon boat which takes guests on occasional wildlife tours.

The resort is without TV and is far from the roar of traffic. The cry of a loon is the loudest noise you’re likely to hear all day.

Rates include charming accommodation (rooms have a mix of queen beds for one person or couples or twin beds for two people rooming together, and a private bathroom of course, and each cabin has a lounge with fireplace to share with your fellow writers). 

Three all-you-can-eat gourmet meals per day are provided, featuring an abundance of fresh food prepared by master chefs and an inspired kitchen staff. (Bring your own wine or beer!)

All activities included. When you’re not writing or for spouses who accompany you, there is plenty to do: canoe or kayak a series of lakes or hike trails to see wildlife (moose, loons, beaver, turtles, fox, deer), swim in the lake, sail, stand up paddleboard, play tennis or pickleball, enjoy a sauna. and simply relax.

For indoor activities there is a games room with table tennis, shuffleboard, books, and board games. Your stay also includes access to all Algonquin Park programs and activities including a car pass for you to fully enjoy the park.

Check-in isn’t until 3 p.m., but guests can arrive in the morning to fully take advantage of the facilities (though the meals included in your package don’t begin until after check-in time, so lunch on Friday is extra if you arrive early). Each guest will have a day pass for Algonquin Park.

The formal retreat will begin late Friday afternoon. On Monday morning, we'll have our last formal get-together going to 11:30 a.m. Check out time is at 12 noon.  Most guests have lunch while the bellhops load the car. But once you’ve had lunch, don’t feel you have to rush off!

Participants are welcome to bring spouses, partners or friends, as there will be plenty to do while you’re writing – canoeing, kayaking or sailing, swimming if warm enough, tennis, pickleball, reading and just plain resting and unwinding, enjoying the wilderness.

Read about a stay at Arowhon Pines here, and scroll down for more pieces about or inspired by retreats at Arowhon.

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada’s most popular blog for writers, taught creative writing at Ryerson University (now Toronto Metropolitan University),  and has led workshops everywhere from Boston to Buffalo and from Sarnia to Saint John.

But his proudest boast is that he has helped many of his students get their first book published and launch their careers as authors.

For more pieces about, or inspired by,  Brian’s writing retreats, weekly courses and Saturday workshops, see here (and scroll down).

Seminar fee: For the full 4-day, 3-night retreat: $243.36 plus HST

Accommodation fee (including accommodation and food, plus use of all the resort’s facilities):
$478 per night single occupancy, $382 per person per night double occupancy ($764 per couple) plus 15% service charge (in lieu of tipping), then plus 13% HST. 

Book early – space is strictly limited! Full receipts issued.

For more information or to register, email: brianhenry@sympatico.ca

If you have questions or need more information about the accommodations,
phone the resort: 1-866-633-5661

Who can attend the retreat?

Everyone interested in developing their writing skills is welcome to attend, whether you're aspiring writer or an accomplished author or simply enjoy writing as a hobby. There is no requirement for you to have been previously published or even to have an intention to publish.

I'm a poet / playwright / other writer. Is this retreat for me?

The retreat is open to anyone who enjoys writing. Instruction will focus on narrative writing; i.e., stories, whether fiction or memoir. But if you’re an essayist or poet or whatever, you’re entirely welcome.  

Should I bring my work in progress?

Yes! If you have an on-going writing project, bring it with you. Bring more than you expect to get to; you'll have lots of time for writing. Besides, you may want to switch projects or share a project that’s just started or one that’s all done, except for reading it to a small, appreciative audience. If you’re not currently working on anything, don’t worry, we’ll get you writing.

Should I bring my laptop?

Yes, if you prefer to work on your laptop. If you prefer to work on paper bring that. Or go crazy and bring both your laptop and your notebook. Bring everything you might want.

Can you cater to specific dietary requirements?

Yes, just let the staff at Arowhon Pines know beforehand about your needs.

I want to stay longer or arrive early. Is that possible?

Yes, absolutely. There is plenty to see and do in the park, and Arowhon Pines is a lovely base from which to explore. Arowhon will keep the same rate throughout your stay.

Is there cell phone reception and WIFI

Arowhon Pines is an island of luxury, but in the midst of wilderness, so spotty cell phone at best and no WIFI, though there are landlines and there’s access to the resort’s Internet connection. (Contact the resort for details.) But be sure to have your writing projects on your laptop or on paper when you come, not stored in the Cloud.

How about alcohol?

Arowhon does not serve alcohol, but guests are welcome to bring their own wine, beer or whatever to have with meals or back at your cabin or wherever. (Though do note that Hemingway’s advice to write drunk, mostly produces drivel.)

Can I bring my spouse?

Certainly. Just let them know you’ll be spending most of your time writing, (though you will have some free time every day), and make sure they enjoy superb food, beautiful wilderness, and relaxing on the deck or the dock or out on a canoe as they glide past a moose munching on water lilies.

For more information about the resort, visit their website here.

For more information or to register, email: brianhenry@sympatico.ca 

To book your accommodation at Arowhon Pines, phone toll free: 1-866-633-5661
And be sure to tell them you're with the writing retreat!

Or you can book on-line here~ But be sure to also phone and tell them you're with Brian’s writing retreat!

See all of Brian’s upcoming weekly writing classes, one-day workshops, and weekend retreats here.

Thursday, March 12, 2026

ECW Press wants your manuscripts

ECW Press

665 Gerrard Street East
Toronto, ON M4M 1Y2

https://ecwpress.com/

ECW Press ECW Press has published close to 1,000 books that are distributed throughout the English-speaking world and translated into dozens of languages. They release 50+ new titles each year. They publish poetry and fiction – both literary fiction and genre fiction, including speculative fiction, science fiction, fantasy and horror – pop-culture and political analysis, sports books, biography, and travel guides. Books by both established writers and new authors. 

ECW accepts fiction and poetry submissions by Canadians only; there are no citizenship restrictions on writers submitting nonfiction. Like everyone else, they are “are especially seeking submissions from underrepresented voices, including Black, Indigenous, and people of colour; LGBTQ2IA+ people; people living with disabilities; and women.” They do not publish books for audiences younger than young adult.

ECW also has a BIPOC mentoring program. Details here.

Each of the acquiring editors has different interests. You might pitch your manuscript to the best match. Click on the name for a link to details of what they’re looking for:

Pia Singhal is the newest member of the team at ECW and like all new editors, she needs authors. She’s looking for “a lot” in both fiction and nonfiction.

Jen Sookfong Lee acquires fiction and nonfiction that “explores the complicated identities, intersections, and interests of our contemporary world, whether that’s a historical novel with a subversive twist, or a memoir that reveals a story we haven’t yet seen in literature, or a collection of short stories with a varied cast of characters who collide in unexpected ways.” 

Jack David, Co-Publisher. Acquires fiction and nonfiction. “I enjoy reading unsolicited proposals; I live in hope. I sometimes find myself reading a line or a passage to anyone who happens to be within earshot. I do this spontaneously because I like to share what I’m enjoying; and then I observe myself and register the fact that I want others to take pleasure in what I’m reading. That’s the impetus for signing up a book.”

David Caron, Co-Publisher. Mostly acquires fantasy and sci-fi, but is open to fall in love with anything.

Jen Albert, Editor. Acquires speculative fiction of all kinds for adults and teens: innovative space opera, horror, fantasy, literary post-apocalypse, epic sci-fantasy, etc. “I’m especially taken by fiction that is uplifting and fundamentally good-hearted, as in Katherine Addison’s The Goblin Emperor, one of my favorite-ever novels.” 

She also acquire engaging nonfiction, especially popular science and most especially love work grounded in biology that is interested in making broader points on behaviour and culture. 

She’s also interested in philosophy, queer studies, alternative lifestyles, social evolution, and writing on ideological, economic, and political alternatives to capitalism. She’s a fan of any well-researched book that explores the bigger picture and adds to the important conversations of our times. She will happily work with authors to develop a non-fiction project from the proposal stage.

Jen Knoch, Senior Editor. Acquires fiction (though generally not genre fiction), and nonfiction, including memoir, pop culture books, especially music books, health, social issues, women’s issues, and the environment. She especially loves when those things intersect.

Jennifer Smith, Acquisitions & Business Development. Acquires nonfiction, “with some emphasis on business, leadership, entrepreneurship, corporate history, and celebratory or commemorative books for organizations and institutions. And I never turn down the opportunity to consider a great cookbook!”

Michael Holmes, Executive Editor. Acquires literary fiction, poetry, and nonfiction. “I look for smart, culturally-, socially- and politically-engaged writing that takes risks, pushes limits, colours way outside the lines.” 

Query ECW at: submissions@ecwpress.com 

Put your manuscript’s title in the subject line. Include cover letter. A sample of the manuscript 15–25 pages. A brief bio, including your city of residence and publication history (if any). For nonfiction, please also send an outline of the entire work as you envision it. (For tips on writing a good nonfiction proposal, check out this sample from ECW author Michael Hingston.)

See full submission guidelines here.

ECW is also looking for Pop Classics: 

“You might be best known for writing about music, politics, primates, or the adventures of made-up people, but ECW wants to give you a chance to expound on something different. On that thing that makes an evangelist of you, that makes you hold party guests hostage long after the coffee has gone cold or has you giving a well-intentioned Skinny Puppy CD to your grandma or Empire DVDs to your dad.

“ECW staffers share your pop culture passion, and we’re looking to expand our successful pop culture list with a new series that gives you a soapbox to preach from. Pop Classics will offer intelligent but accessible arguments about why a particular pop phenomenon matters. Possible subjects include TV, music, books series/authors, film, and video games. It can be something nostalgic (Babysitters Club novels) or contemporary (Beyoncé), as long as it’s something meaningful: to you, to its genre, to pop culture, and maybe even to society as a whole.

“Running between 20,000 and 40,000 words, Pop Classics are short books that pack a big punch, and just might be the thing to give your dinner companions some peace . . . or give you a legitimate reason to keep on talking.”

To submit a Pop Classics proposal, send an email to Jen Sookfong Lee at: jenl@ecwpress.com

Put “Pop Classics Proposal: Friday Night Lights” (or whatever your subject may be) in the subject line.

Your proposal should include the following elements:

1. Who: A CV that details your writing experience and includes links to previously published work

2. What: An outline of your proposed book: Your central thesis and a proposed table of contents to show us how that argument would develop

3. Why: Some basic information on the subject, target audience and why the time is right for writing about this topic

See full guidelines for a Pop Classics proposal here

 

***

For more publishers looking for manuscripts, see here.

See all of Brian Henry’s upcoming weekly writing classes, one-day workshops, and weekend retreats here.

Navigation tips: Always check out the Labels underneath a post; they’ll lead you to various distinct collections of postings. If you're searching for a literary agent who represents a particular type of book, check out this post.  

Monday, March 9, 2026

"Dear Brian" ~ a love letter about my Personal Stories courses


Dear Brian,

It's my third session as part of your Personal Stories classes, and I want to take a moment to thank you for what has become a transformational experience for me. Although I've been writing since I was very young, this course has been a different level of understanding for me of what it means to be a storyteller. 

For me, the classes are part therapy, part safe space for sharing, and most importantly, they’ve brought me the realization that all of us human beings are, at heart, storytellers. Some of the stories I write are amusing, some are sad, but all of them bring back memories and a different perspective on experiences through the different decades of my life. 

Your ability to teach and mentor, critique and praise, is something I look forward to each week.  There's always that brief moment when I think that I have nothing to say, and then you provide a few prompts, and the words simply flow.

Thank you for providing a weekly moment of joy, introspection and sharing.

Warmest regards,

Aldona Barysas

***

This letter was originally posted in July, 2024, but I love it so much couldn’t resist re-posting it. ~Brian

See all of my upcoming weekly writing classes, one-day workshops, and four-day retreats (including a weekly Personal Stories course and an afternoon workshop) here