Wednesday, February 4, 2026

“Memories of Arowhon Pines” by Lucia Saja

 

It was a hot June day in 1964 and I was crammed inside a crowded bus, full of screaming, singing, excited kids heading to camp.  I wasn’t one of the campers.  I was about to turn 17 and about to start my first fulltime summer job.  I thought I’d be working in the kitchen at Camp Arowhon, but when the bus got there, the kids got off and a small group of us were told to stay on.

The next stop was the sublime opposite of the camp.  Arowhon Pines was a luxury resort nestled among tall pines on a peaceful lake.  The rustic setting was spectacular and completely foreign to me.  I was 100% a city girl.  I’d never even gone camping, and, here I was in the middle of Algonquin Park.  Little did I know, I was about to start the adventure of a lifetime.

We were shown to our quarters in what is now called the “L”.  The girls were on the left side, the boys on the right.  The communal washrooms were in the junction of the two wings.  I was so self-conscious.  I’d never shared space with so many people before.

We got our rooms and assignments.  My first shift was in the laundry at 7am the next day.  The good news was, I would have afternoons off.  The bad news was, I had to earn them by working in the steamy laundry, washing bedding in huge machines, putting sheets through the mangle (a giant set of cloth covered rollers that pressed the sheets and pillowcases flat), and ironing campers’ shirts.  The work was hot and repetitious, but I loved my new-found freedom.

I remember that first morning at Arowhon.  It was 6 a.m.  The air was cool and fresh.  A pale gray mist covered the ground and swirled around my legs as I walked.  The only sound was that of leaves rustling and a lone chickadee somewhere in the woods.  

As the weeks passed friendships formed and the “L” became a community.  Like any community, it was rife with characters.  The matriarch and owner, Lillian Kates, was a small solid woman with tanned skin, snow-white hair and a commanding manner.  She visited on a regular basis, even though she’d passed on most of the responsibilities to her son Eugene.  When she was on the property, we all knew to look smart and look busy.  Her philosophy was that everything should be done correctly at all times.

Then there was Aunt Sarah.  She was as fiery as her bright auburn hair and fire engine red lipstick.  Aunt Sarah ran the snack shop.  She kept everyone supplied with junk food and entertained us with outrageous stories about her life.

My boss in the laundry was Mike, a large man in overhauls, who revelled in the noise and steam let off by the giant machines in his kingdom.

There was also a rotating crew of short-term workers.  They were unshaven, older men who sat behind the staff cabins drinking on Saturday nights.

Lucia and Melinda

My real education came from Melinda.  She was from Altoona, Pennsylvania, and she’d graduated from Penn State.  I thought she was the smartest, most exciting person I’d ever met.  She owned a motorcycle.  She read poetry for pleasure!  

She talked about world affairs and literature and religion.  No one I knew talked about that stuff.  She had joined the Peace Corps and worked in Afghanistan for two years.  In 1964, I didn’t even know where Afghanistan was.  

All I knew was that I wanted to be like her.  I wanted to go to university, read poetry and change the world.

I learned so much that summer.  I learned to be independent, to make beds properly, to mangle sheets, to work collaboratively, to open my mind to ideas and possibilities. I developed a lifelong appreciation for people in the service industry.  

I also learned that meals could be more than overcooked meat, boiled potatoes and limp veggies.  The generous chefs at Arowhon informed my palate,  offering me exotic, delicious foods that sent me into waves of rapture.  I learned to paddle a canoe on my own and discovered that not paddling and just floating on a silent lake could be transformative.

I returned two more summers and became one of the veterans.  I cleaned rooms as chambermaid and eventually worked as waitress.  I remember the giant fireplace that dominated the dining room even then and the linen covered tables filled with guests “dressed” for dinner: men in sports jackets and ties and ladies in cocktail dresses and heels.   

In September 2023, just shy of sixty years later I returned, as a guest, fulfilling a promise I’d made to myself decades earlier.  Wonder of wonders, little had changed.  It was perfect, just as I remembered.  And the food, it still set off waves of rapture.  Instead of getting treats from the chef out the back door of the kitchen, I had my choice of fresh exciting meals with sublime flavours.

The greatest impact was when I walked over to see the former staff quarters.  The building sits on a little hilltop surrounded by trees.  It is now used for storage.  As soon as I saw it, I felt a rush of emotion.  The years disappeared; the cabin doors flew open and the ghosts poured out.  I saw us bustling back and forth to the bathroom, getting ready for work.  In the evening, sitting at the edge of the walkway swinging our legs and joking.  The cabins were alive again, filled with laughter and talk.  We sure did talk and talk and talk.

The summer of ‘64 was a magical time, one that helped shape the adult I became.  I did keep learning and never stopped being curious and open to new ideas and experiences.  I didn’t change the world, but spent most of my life reporting on global events as a news writer.  A few years ago, I searched for and found Melinda.  She is in her eighties and living in Hawaii.  She said she still rides a motorcycle.      

***

Lucia visiting former staff quarters at Arowhon in 2023

Lucia Saja spent most of her professional life with with CTV New. She started in the News Library in 1979 and over the next 30 years she to learn every aspect of news production, including video production, story development, line-up, and script writing. 

She retired as Senior Script Writer for CTV News, which meant she edited scripts for accuracy and grammar before going to air. She also trained new writers and worked on all the news specials over the decades.  

In September 2023, Lucia returned to Arowhon Pines Resort for one of our writing retreats. See upcoming retreats at Arowhon and elsewhere here {and scroll down}.

See more pieces about our writing retreats, or inspired by them, here.

See Brian Henry’s upcoming weekly writing classes, one-day workshops, and weekend retreats here.

 

Sunday, February 1, 2026

“Rolling Thunder” by Matt Sagan

 

Below the Chedoke Rehabilitation Centre lay a whole network of underground tunnels used to transport medical supplies and equipment throughout the facility. Their second purpose was to torture rehab patients. In particular, there was a ramp below the room I stayed in. It was a mere couple metres with a slight incline, though to a Quad (individual with damage or paralysis in all four limbs) it was equivalent to Mount Rushmore. While learning the mechanics of, how to push and maneuver my chair, trying to wheel up that ramp was an intimidating and frustrating experience (Paraplegics, you had it easy! 😁).

I remember one evening in mid-December, I wanted to show my progress to my dad while he was visiting me. Dinner was done, all residents were left to their own devices, and Pops and I were down in the tunnel (a.k.a The Dungeon). I was struggling to get momentum, as it had been a busy day of rehab. Plus, I was getting used to being in a wheelchair for a whole day and fighting exhaustion.

I had made it about a quarter of the way along rehab hill when we heard a noise coming from the tunnel depths behind us. A slowly growing thumping noise, followed by a couple squeaking horns, a flute testing sounds, throats clearing along with cheerful voices. I envisioned the pulsing cup in the mechanical jeep of Jurassic Park as the T-Rex was approaching. “Shit Pops, it’s the Salvation Army Choir. We better haul ass!” 

Instead of my dad helping, he merely smiled. “Better push faster then, shouldn’t you?” 

I will not repeat the words that came across my mind, but I then thought to myself, It’s go time!  

I bit my lip and pushed as bloody hard as I could humanly muster.

And soon … soon I feel like I’m flying through the tunnel at lightspeed – though maybe closer to a fast snails’ crawl. Sweat feels like it’s streaming down my body. But quads don’t sweat due to the nerve damage, so it wasn’t that bad. I’m giving it my all, the music is growing closer, and my dad is laughing his ass off. I can see the top of the hill just as my shoulders start screaming bloody murder. 

I can do it, I can do it. Push, Matt. Push! I’m chanting to myself as the thumping drums start pounding closer and my strength is quickly draining. Almost there, Matt. You can do it! 

I see the elevators as the band starts climbing the ramp towards me and the singers start the chorus.

“Push that button, Old Man!” I yell at my dad, but he’s bent over laughing. He finally stands up, pushes the button and I hear the heavenly ding of the elevator door opening. I see my salvation and push the last few feet in absolute agony while my dad keeps smiling like a grinning idiot. Then we’re in the elevator and doors close. I’ve escaped the terrifying dinosaur (Salvation Army Choir in reality).

“Thanks for your help, Pops,” I say

“Well, you made it didn’t you?” my dad says with a big smile and gives me a hug. “Great work, kid.” 

The elevator dings and lets us out onto the main floor.

And now all panic is past and we’re out of lightspeed. I rolled to the front door with my dad and thanked him for the visit. I watched him stroll to the parking lot before I turned and headed back to the ward where I was staying. I’d rolled into my room and was waving at the guys I was rooming with when I heard a thumping noise from down the hall.

A nurse stepped into our room. “The Salvation Army Choir is here to sing some Christmas carols for us,” she announced joyfully. “Why don’t you all come out to enjoy it?”

I looked up to the ceiling, dropped my head, and started laughing.

“Why not.”

Matt Sagan is a York graduate with a double major in Kinesiology and English despite breaking his neck at 15 and becoming a quadriplegic.    He also suffered an ABI at the age of 27 due to a severe car accident.  Even though he suffered two severe accidents, one taking the life of his mother, he still chooses to find the happier side of life and tends to see the lighter side of life’s foibles then focusing on the sad.

For more essays, short stories, and poetry by you fellow writers see here (and scroll down).

See Brian Henry's upcoming weekly writing classes, one-day workshops, and four-day retreats here.

Thursday, January 22, 2026

Kudos to Erin, Jill, Nella, and Melanie, plus a special call-out


Hello, everyone.

This is a special call out: If you have some writing news to share, send me an email. And especially if you’ve already sent me an email and I haven’t posted your news, please send again. Sometimes I miss emails (because I get a lot of them). But one of my new year’s resolutions is to try to keep more on top of things.

So if you’ve had a story (or a book!) published, if you’ve won or placed in a writing contest, if you’ve gotten yourself an agent, or if you have any other news, send me an email so I can share your success. As writers, we’re all in this together, and your good news gives us all a boost.

Or if you’re looking for Beta readers – or have anything else you want to get out to your fellow writers, let me know.

In the subject line, put: Writing news

And email me at: brain.henry123@gmail.com


Hi, Brian. 

New book alert! Gone Forever? Places to See (and Save) Before They Disappear is out February 17. I took an informative (not literal!) trip around the world to write this book. Thank you @orcabook, @xulinillu and everyone who shared their work and stories with me. So many people and organizations to name:

#torontozoo #elladjbaldé #colinparker #elizabethenglishdesign #drjackiereed #natalieknowles #impossible2possible #earthrangers #galapagosconservancy #culturalfiremanagementcouncil #jessicasantacruz #ecopeacemiddleeast #climateresiliencecentre #TREDJENATUR #antarcticandsouthernoceancoalition @alisoncriscitiello

Yours,

Erin Silver

Read more about Gone Forever? Places to See (and Save) Before They Disappear or pre-order your copy from Orca Books here.

For information about submitting to Orca, see here.

Note: If you’re interested in getting published, join our “How to Get Published” workshop on Feb 8, with literary agent Olga Filina of Five Otter Literary (see here), and if you’re especially interested in Kid Lit, join our “Writing for Children and for Young Adults” workshop with literary agent Andrea Cascardi of the Transatlantic Agency (see here).


Hi, Brian. 

I hope you are well. I am writing to tell you about my good news. This year I was one of the two winners in the Picture Book category in CANSCAIP for my children's story "A Bus for Placid Street". The story will be submitted to publishers in the new year. I will let you know if it gets picked up and published. Fingers crossed.

I only knew about this competition because of taking your classes, and several writers I respect were submitting. 

Thank you for your ongoing support of emerging writers.

Best,

Jill Malleck 

(writing as MJ Malleck)

 

Hello, Brian.

I am happy to announce the launch of Nuances of Love, from Guernica Editions. This 40th anniversary anthology (AICW) includes one of my short stories, “The Quiet One,” work-shopped some years ago in your class.

Many thanks for your many years of being there to provide direction, information, support and guidance to so many aspiring writers. 

With my warmest good wishes,

Nella

Nella Cotrupi

Writer, Scholar, Translator

Note: Nuances of Love is an anthology of prose and poetry in celebration of the Association of Italian Canadian Writers' 40th anniversary. The theme of the anthology is love and friendship. It’s available from Guernica Editions here.

For information about submitting to Guernica Editions, see here.

 

Brian,

It's been a while, but I was a frequent attendee at your workshops in North Bay and Sudbury and I remain a subscriber to your newsletter and Substack.

I'd like to share the following news:

First: I’m pleased to announce that my poem "Vasilisa," originally published by Graeme Cameron in Polar Borealis 30 is in the Year’s Best Canadian Fantasy and Science Fiction, Volume 3.

I’m deeply honoured to be among such stellar company.

Second: I was on two panels at this year's Can-Con (October 17 to 19, 2025 at the Brookstreet Hotel, Kanata, Ontario)!

The first was “The Art of Rest” and the second was “The Taste of Sadness: Writing Emotional Dysregulation.”

best regards,

Melanie Marttila

https:// melaniemarttila.substack.com/

https:// melaniemarttila.ca/

 

Note: See all my upcoming weekly writing classes, one-day workshops, and four-day  retreats here. ~Brian

See where else your fellow writers are getting short pieces published here (and scroll down).

See new books by your fellow writers here (and scroll down).

Wednesday, January 21, 2026

Guernica Editions wants your manuscripts, plus Guernica Prize for Literary Fiction is open for entries

Guernica Editions

1241 Marble Rock Road
Gananoque, ON, K7G 2V4

https://guernicaeditions.com/

Guernica Editions was founded in Montreal in 1978 by writer and filmmaker Antonio D'Alfonso with the expressed mission to publish books that address social justice issues, discover and cultivate our innate humanity, and transcend individual cultures and nations.

n 1991, Guernica’s head office was moved to Ontario where. In 2010, writers Michael Mirolla and Connie Guzzo-McParland took over the reins from Antonio D’Alfonso, maintaining the same original commitment of tearing down borders and creating ties between cultural and social groups. Since its founding, Guernica Editions has published over six hundred titles. 

Guernica seeks out books that are fresh, terse, edgy and self-aware; that dare to cross boundaries and that speak to readers on a universal level.

Imprints:

Guernica Editions

This imprint features the publisher’s Essential Prose, Poetry, Essays, Writers Series, Anthologies and First Poets Series. Novellas.

Submission period: February 1st - February 28th

MiroLand

Created in 2013 under the management of Michael Mirolla and Connie Guzzo-McParland, MiroLand is an imprint for more commercial projects. Since its inception, MiroLand has published genre literature, including mysteries, thrillers, speculative fiction and fantasy, cookbooks, self-help and how-to’s, memoirs, political nonfiction, YA and children’s books, self-help books and more.

Submission period: February 1st - February 28th

Note: If you’re interested in writing for children or for young adults, sign up for our upcoming   “Writing for Children and for Young Adults” workshop, where we’ll have an industry insider (either an editor from a children’s publisher or a literary agent specializing in kid lit) as the guest speaker. Details here.

Guernica World Editions

Guernica World Editions is for authors outside of Canada’s borders. To date, Guernica has published authors from the US, the UK, France, Israel, Dubai, Italy, Switzerland, Japan, and many other countries across the world. 

Submission period: Year-round

Submitting:

Guernica will only accept manuscript queries by email. Please send manuscripts as Word documents (.doc or .docx) to michaelmirolla@guernicaeditions.com

The manuscripts should be single-spaced, in a 12-point easy-to-read type. If at all possible, please give the manuscripts a name that includes the title and the author: The Dubliners, James Joyce.

Please note: Guernica is not accepting nonfiction submissions for the 2026 submissions period

1366 Books

1366Books is home to works of accessible yet innovative and experimental fiction – works that challenge the conventions of narrative and form, and perhaps even challenge the conventions of the sentence or the page itself. 1366Books seeks to explode readers’ expectations and explore the possibilities of the novel and the short story.

They welcome manuscripts that meet the above criteria by all Canadian writers, including writers of colour, Indigenous writers, LGBTQ+ writers, writers with disabilities, and others who identify as part of marginalized groups.

Manuscripts should be about 20,000 to 40,000 words.

Submission period: Year-round

Please email 1366 editor Stuart Ross at: 1366Books@gmail.com 

Include a brief cover letter and a PDF of your manuscript.

Note: If you’re interested in meeting an agent and in getting published, join us for a “How to Get Published” workshop where we’ll have a literary agent as a guest speaker. Details here.  

The Guernica Prize for Literary Fiction

Now open for submissions!

The Guernica Prize recognizes the best literary fiction novel that pushes boundaries and is cutting edge. Each entry must be an unpublished novel of at least 40,000 words. A $50 entry fee (online submission through Submittable only) must accompany each submission. Authors may submit more than one manuscript but each manuscript must include a separate entry fee. The name of the author or anything identifying the author should appear nowhere in the manuscript.

The prize consists of $1,000 and a publication contract with Guernica Editions. The winning author agrees to publication with Guernica. Please name your file your manuscript title or the first three words of the manuscript title if the title is longer than three words.

The Guernica Prize is open to Canadian citizens and/or residents of Canada only. Please note that submissions to the prize are final. If a submission is retracted, there is no refund of the entry fee.

Click here to see a list of previous winners

Submission period: January 1st – April 30th 

Note: For more children’s and young adult publishers, see here {and scroll down}. For book publishers in general, see here {and scroll down}.

See all my upcoming weekly writing classes, one-day workshops, and four-day retreats here~Brian

 

Monday, January 19, 2026

Join us for a Kid Lit workshop with literary agent Andrea Cascardi

A Wolf Called Fire by Roasanne Parry
represented by Transatlantic Agency

Writing for Children
      and for Young Adults

With Andrea Cascardi 
        ~ Senior Literary Agent
           
at Transatlantic Literary Agency

Sunday, March 1, 2026
 1:15 – 5:00 p.m.
Online via Zoom and accessible wherever there’s Internet

If you want to write the next best-selling children’s books or just want to create stories for your own kids, this workshop is for you. Learn how to write stories kids and young adults will love and find out what you need to know to sell your book.

This is your chance to speak with someone within the publishing industry in a small group setting and to pull back the curtain and see how it all works. Be sure to bring your questions – we'll have lots of time for interaction.

Special option: Participants are invited to submit the opening couple pages (first 500 words) of your children’s book or young adult novel (or up to 800 words if that gets you to the end of your picture book or to the end of your first chapter). Email your pages to me prior to our workshop.

Andrea and I will publicly critique about half a dozen submissions so everyone can see what works, what doesn’t, and how to improve your story-telling. Get your pages in early if you want to be part of this. If you’re not currently working on a children’s story, don’t worry, we’ll get you started! ~Brian

Guest speaker Andrea Cascardi is a senior literary agent with the Transatlantic Agency, a leading literary management company with a team of 22 experienced agents based in New York, Los Angeles, Denver, Portland, Oregon, Boston, Montreal, Toronto and Vancouver. Andrea herself is based in New York.

Transatlantic offers a full spectrum of career representation to authors (Adult, Children’s & YA, and illustrators) and storytellers (Speakers, Industry leaders & Influencers) across all genres and formats for book, content development, speaking, and TV & Film.

Andrea has held senior editorial positions at Random House, Disney/Hyperion, and Egmont USA. As an editor she acquired and edited Caldecott Honor and Coretta Scott King winner Tar Beach by Faith Ringgold, the Raffi Songs to Read series, and Pura Belpre winner Before We Were Free by Julia Alvarez, among many other award-winning books.

As an agent she has represented many bestselling and award-winning titles including Clare Vanderpool’s Newbery winner Moon Over Manifest and Printz Honor winner Navigating Early;  e.E. Charlton-Truillo’s Stonewall winner Fat Angie, New York Times Bestseller Nubs: A Mutt, A Marine, and a Miracle, and Texas Bluebonnet winner Ten Rules You Absolutely Must Not Break if You Want to Survive the School Bus.

Workshop leader Brian Henry has been a book editor, author, and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada’s most popular blog for writers and is the author of a children’s version of Dr. Jekyll and Mr. Hyde (Tribute Publishing Inc). But his proudest boast is that he’s has helped many of his students get published.

Read reviews and reflections on Brian’s retreats, classes and workshops here.

Fee: $45.13 + 13% hst = $51 paid in advance by mail or Interac

To reserve a spot now, email: brianhenry@sympatico.ca

See all of Brian’s upcoming weekly writing classes, one-day workshops, and four-day retreats here.