Friday, June 5, 2026

Join us in-person for “Intensive Creative Writing” this fall

Intensive Creative Writing

In-person: Thursday afternoons, 12:30 – 3:00 p.m.
First readings emailed 
September 10, 2026.
Sept 17 Nov 26 (no class Oct 22) and we'll extend it to Dec 3 or 10 if it fills up. 
Burlington Anglican Lutheran Church
3455 Lakeshore Rd, Burlington, Ontario (Map here)

Intensive Creative Writing isn't for beginners; it's for people who are working on their own writing projects. You’ll be asked to bring in several pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand-alone pieces, such as short stories or essays.

You bring whatever you want to work on. Besides critiquing pieces, we’ll have discussions on topics of interest to the class. In addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada's most popular blog for writers, teaches creative writing at Ryerson University (now called Toronto Metropolitan University) and has led workshops everywhere from Boston to Buffalo and from Saskatoon to Toronto to Saint John. But his proudest boast is that he’s has helped many of his students get published.    

Read reviews and other pieces about, or inspired by, Brian's various courses, workshops and retreats here (and scroll down).

Fee: $292.04  + hst = $330

To reserve your spot, email: brianhenry@sympatico.ca 

See all upcoming weekly writing classes, one-day workshops, and four-day retreats here.


Tuesday, June 2, 2026

Congratulations to Anne B, Anne P, and Dianne! Plus, Beta readers wanted


 Hi, Brian.

My novel, Val's Story, won in the best unpublished category for Canadian Crime Writers.

I'm shocked and over the moon in equal amounts.  

I'm shocked and over the moon in equal amounts. 

Anne Burlakoff

Congratulations, Anne! And to all the finalists (here)!

Note: For general information about Crime Writers of Canada, see hereand for information about their annual Awards of Excellence and specifically about their award for Best Unpublished Crime Novel, see here.

For information about submitting to ECW Press (the sponsor of the Best Unpublished Crime Novel award), see here.

 

Hi, Brian.

Commuter lit published my story, “The Wisdom of Lily and the Fishbowl.” Yay!

Anne Pittens

Read Anne’s story on CommuterLit here. Or read the beautifully illustrated version on Quick Brown Fox here.

For information about submitting to CommuterLit (and to a few other places), see here.


Hi, Brian.

In a span of less than 24 hours this week, I experienced a huge swing in the highs and lows of the writing life. 

I received a rejection letter for a submission I believed held great promise for a book contract. It came with above average feelings of despair and imposter syndrome and the usual thoughts: Who am I kidding? No one will want to publish my lousy writing. 

Maybe not the best thing to be above average in...  

About 24 hours later, I received a congratulations email saying my TV sitcom pilot, Moosekeg County FM, is a Second Round Selection in the International Screenwriters' Association Diversity Initiative. What a delightful surprise! It came with a little award badge to display, and probably above average feelings of excitement and how fabulous the writing life is.

Thanks for cheering me on through the ups and downs of writing.

Dianne Koebel-Pede

 

Writer to Writer

Hello,

I’m looking for a few people to provide feedback on my novel, Conrad’s Journal, all of it or even short sections. You can contact me at: Seanmjlindsay@gmail.com

Any help is appreciated!

Here’s what it’s about:

After accepting that he's better off on his own, Conrad Peters moves into the backyard shed to pursue a simpler life. Removed from friends and family, his yard becomes a sanctuary which he shares with his only true friend, a like-minded squirrel. As Conrad seeks peace of mind, he must navigate family tensions, and face old truths about his father’s death. A funny, satirical, sometimes absurd, sometimes dark story, written as a daily journal. 70,000 words.

Thanks,

Sean Lindsay

Note: If you’ve had a story (or a book!) published, if you’ve won or placed in a writing contest, if you’ve gotten yourself an agent, or if you have any other news, send me an email so I can share your success. As writers, we’re all in this together, and your good news gives us all a boost. 

Also, be sure to let know if you're looking for a writers' group or beta readers; a notice in Quick Brown Fox, will help you find them. 

Email me at: brianhenry@sympatico.ca

 See where else your fellow writers are winning accolades and getting short pieces published here (and scroll down).

See new books by your fellow writers here (and scroll down).

See all my upcoming weekly writing classes, one-day workshops, and four-day  retreats here. ~Brian 

Monday, June 1, 2026

“The Salty Cat” by Natasha Boomer

First, I was a witch, alone in my basement apartment, lighting candles, burning sage, sprinkling powders, making potions to spread along doorways, and casting spells. Enchanted words whispered soft enough to keep secret but loud enough to release the spirits to do my bidding, which, for me, was about boys and my size 14 waistline, which I would prefer to be about a 10.

However, being a witch isn’t all bedknobs and broomsticks; in fact, there is almost no flying beds. It mostly involves bathing in walnuts and pine cones, then taking that bath water to the closest intersection and throwing it away, completely naked.

But in those days, the most naked I could be, half a block from the corner of Delaware and Hallam, was braless and shoeless. I don’t know if you have ever walked barefoot at midnight under a full moon, balancing your own bath water in a bucket with a faulty handle, but a bra and shoes are the most effective tools for a witchy endeavour such as this.

I never really wanted to be a witch; I got caught up in all the Pagan pomp and circumstance, and there was a really cool girl in my improv class who called herself a High Priestess. I was well into my 30s until I realized I just wanted crystals, house plants, a garden with an estranged door in the middle of it and whatever number of cats makes average men wrinkle their noses, in a bad way.

The trajectory from witch to cat lady is easy; it’s a path of very little resistance once you know which way you are sliding, it spins out around availability. Dogs are too needy, so I was never going to be a dog lady. I wasn’t old enough to be a bird lady and not young enough to be into hamsters.

I could have been a pig lady, but in all fairness, my access to pigs was very limited, especially in my 30s. I had a very lurking landlord and an upstairs neighbour who rode a unicycle … everywhere … by choice. Plus, I didn’t need an animal who was more stubborn than I was, but at the same time more emotionally available. The choice was practically made for me. It would be cats.

Being a cat lady is very much all-encompassing. There are days when you wonder, am I a lady who loves cats or is the cat lady who I am? Over time, the veil becomes razor thin, not because you have eight cat shirts in rotation, two of them “taco cat,” which you wear proudly and unironically, almost always have cat hair on your clothes or, worse, in your nose, and have not once but twice mistakenly drunk cat urine.

It is because, at any given moment when you meet a kindred within three minutes, you both have your phones out, showing each other 5 to 95 pictures of your cat in different shades of sun, but mostly because you, through no fault of your own, start recruiting normal women into cat ladies.

Like my friend Samantha. Sam was twenty years younger than me and wasn’t necessarily a friend at first, but she was a client who came so often for Reiki treatments that she became one. After a while, it was impossible to keep our souls apart.

Within six months of my knowing Sam, she had two cats, and I am not saying I am responsible, but she did call me one night to discuss the possibility of getting a kitten, and at the end of the phone call, she had two kittens and a new, long-lasting pejorative term that men would slur towards her when she told them she wasn’t interested.

Reiki brought us together, our love of cats tied our bonds, and for a period of time, we walked a path of shared obsessions. Crystals, cleanses, celery juice, long concrete-jungle walks, in Toronto, where we discussed spirit guides, and essential oils. Samantha was my shadow; whatever I loved, she followed. I showed her the Kool-Aid, and she willingly drank.

It was nice to have a buddy who was equally obsessed with the accoutrements of a healing world. We each had every single essential oil you could buy, all the Medical Medium books, we knew when all the crystal shows were touring, and had a growing obsession with salt lamps, especially since we found out that Winner had different-shaped ones.

“I heard they have a cat salt lamp,” she said, face down on my table.

“A freaking what? An actual cat? Are you kidding me? I need this in my life.” The tone in my voice was only amplified by the Reiki, which used my body as a conduit. How could I possibly be a cat lady with no cat salt lamp? This seems like something that needed to be fixed immediately.

“I know. Me too, I need this in my life.” She matched my energy.

“Then we will have cat salt lamps, Samantha … what’s your last name?”

“McLeallan.”

“Then we will have cat salt lamps, Samantha McLeallan.” The declaration was made. Even though I no longer identify as a witch, the spell was cast, and the spirits sent out to do our bidding, which would not be easy, because we would both need one.

We decided I’d borrow my mother’s car and we would travel to every single Winners and HomeSense in the Greater Toronto Area in a single weekend until we tracked down the cat salt lamps, and who knows what other interesting shapes.

For us, it did not matter how many actual plugs we had in each of our own apartments, each no bigger than 600 Square feet; we were on a mission, and not unlike Buzz Aldrin, Neil Armstrong and Michael what’s his face, it was going to be epic.

At first glance, it didn’t look like our inaugural stop at Leeside, and Laird would produce any salt lamps with any shape. I mean, we were not settling for regular hunks of rocks; we were looking for shapes, hearts, bricks, globes, a leaf, a teardrop, the cube; we were beyond a shapeless lump of salt. So I went off to grab some snacks, six bags of different lentil chips, each one worse than the next.

As I made my way up to the cash, I heard in a deep, familiar whisper, ““Boomer,” she was crouched down, half-hidden, and opening a box in between her leg.

““Samantha, what are you doing?” I knew exactly what she was doing; she had found a broken box, poorly wrapped with packing tape, and she was opening it back up. “What are you doing?” I asked again to fill the space between her getting caught and us finding out what was in the box. Which would come first, only seconds would tell.

Her face morphed from consternation to a joy that could fuel a light bulb, accompanied by a low-pitched squeal that, I think, in the 1800’s, did fuel lightbulbs. By the neck, she pulled out the elusive cat salt lamp. We were both in shock and dismay, and it felt a little bit like we were in The Lion King at the edge of a cliff.

“OMG, Samantha, how did you know?” The bags and bags of chips I cradled in my arms kept me from reaching out to touch the cat.

“You take it.” She launched it towards me.

“No Way! You found it. You illegally opened that box You had the knowing it was there.” I crushed the salt snacks against my chest to contain my ugly envy. I didn’t want her to see it and ruin this moment. “How did you know?” I asked in a more rational tone.

“I just did. I don’t know, I just did.” She was still hunched over the box.

“Then it’s yours, babe. There will be more; this is only our first store, and the first box? What are the chances? There will be so many more!”

There was not. We filled that hatchback with salt lamps for two full weekends and a Wednesday evening, neither of us saying no to a single new shape. We giggled and rolled our eyes at ourselves as we filled my mother’s red Honda Fit with heavy salt lamps. Two crazy cat ladies, on the road, searching for a collection of things that the rest of the world would never understand.

Despite the fact that she had found hers right out of the gate, she never wavered in her commitment to find mine. “We will find it,” she said. “We just need some magic.” When she said it, you believed her.

We were big and outrageous together, kindred spirits whose passions were ginormous but honest. We laughed, sat in traffic way too long and sang “That’s What Friends Are For!” eight times at the top of our lungs on the Garner Expressway, with the windows rolled up, because she had never heard it before, which was the only disgusting thing about her.

Three months later, moving into the cold, dampness of late fall, that part of fall that might as well be winter, Samantha had left my house after a Reiki treatment: “I think I will walk home before it snows.”

Thirty minutes later, she called me, not long enough for her to be at Pape yet. I could only hear a squeal, one that could light a light bulb in the 1800’s.

““I found it.”

On her way home, she’s stopped in at Winners at Bay and Bloor.

““Now, Boomer, it has a broken ear, but we like that. I think it’s fitting, ‘cause we like stray cats.”

“Oh my god, Sam, you just went on a whim? For me? How did you know?”

““I just did. I don’t know, I just did. You want it right?” She did not wait for my response. “I’m getting it!”

I think Samantha was happier than me that day, but that was her enchantment. Neither of us considered ourselves witches, just crazy cat ladies whose ability to understand each other was magical.

***

Natasha Boomer is a Bohemian. A wanderer, collector and teller of stories, writer of eight one-woman shows and four plays, lover of animals, server of tables, walker of miles and miles a day, teacher of improv and chakras, master of Reiki, eater of vegan cuisine, driver of a 2010 red Honda Fit, speaker to most strangers in all grocery store lines, propagator of plants, maker of gardens, and a prominent laminator of anything and everything.  Life is good, life is hard, and in between are our stories.

For more short stories, poetry, and essays by you fellow writers see here (and scroll down).

See Brian Henry's upcoming weekly writing classes, one-day workshops, and four-day retreats here.

Sunday, May 31, 2026

Congratulations Katherine, Christina and Wendy

Congratulations to the winners and runner-up of the Writer’s Federation of New Brunswick’s children’s writing competition!

Here’s the official list (and the official name of the prize):

The WeyMedia (Money Genius) Books for Young People Prize

Judge: Brian Henry

First Place: The Blue Jogging Suit (picture book) – Katherine Adlam, Peterborough, Ontario           

Second Place:  Annie Dobbler, Animal Cobbler (nonfiction graphic novel script) – Christina Foster, Fredericton     

Third Place: Mortimer Murphy and the Best Science Project Ever (juvenile fiction) – Wendy Kitts, Shediac

Honourable Mention: The Wrong Book (picture book) – Christina Foster, Fredericton

It was an honour judging this contest – and difficult, as so many of the entries were fresh and brilliant. So, congratulations to everyone who entered!

Congratulations also to the winners of all the other awards (fiction, poetry, nonfiction, etc. – complete list here). Congratulations as well to everyone who entered the contest and to the Writers’ Federation of New Brunswick (WFNB) for arranging it – well done, one and all! ~Brian

***

See where else your fellow writers are winning accolades and getting short pieces published here (and scroll down).

See new books by your fellow writers here (and scroll down).

See all my upcoming weekly writing classes, one-day workshops, and four-day  retreats here. ~Brian

Monday, May 25, 2026

Contests and markets for Kid Lit, Poetry, Nonfiction, Memoir, Short Stories, etc.

Event Magazine

2026 Non-Fiction Contest

Deadline on my birthday – October 15, 2026 ðŸ˜‰

Genre: Creative Nonfiction. Writers are encouraged to explore the form.

Prizes: $3,000 in total, plus publication in EVENT: $1,500 First Place; $1,000 Second Place; $500 Third Place.

Entry Fee: $34.95 per entry; includes a one-year subscription (or renewal) to EVENT and all applicable taxes and shipping

New Student Entry Fee: $19.95 per entry; includes a one-year subscription (or renewal) to EVENT and all applicable taxes and shipping

Full contest details here.

EVENT will open for regular submissions in July and August (and then again in December and January.

Fiction: They look for compelling characters and voice, fresh plots, and narratives that move us. Full details and eligibility requirements on Submittable.

Poetry: They look for arresting imagery, polished language, emotional impact, and lyricism without pretension.

Reviews: Read sample reviews on their website for an idea of their format and style, and before writing or submitting, please contact their Reviews Editor at: eventmagreviews@gmail.com 

Nonfiction: The creative nonfiction EVENT publishes mainly comes through their annual Non-Fiction Contest. The 2026 contest is now open for entries. They look for real-life experiences told as riveting narratives with distinct voices.

Submission guidelines here.


Anthology Short Story Competition

Deadline July 1, 2026

Anthology Magazine is a modern, inspirational and beautifully designed magazine that features luxury goods and services such as exciting travel destinations, fine interiors, the latest in fashion and beauty and the best in arts and culture… Because beautiful things belong in print.

With a combination of high-profile interviews, fabulous fashion spreads, exotic travel stories, and the latest from today’s most innovative practitioners across arts and cultureAnthology is at the forefront of current trends.

Anthology established its short story competitions to recognize and encourage creative writing and provide a platform for publication. Open to original and previously unpublished short stories in the English language by a writer of any nationality, living anywhere in the world. There is no restriction on theme or style. Stories submitted must not exceed the maximum of 1,500 words.

Genre: Short Story
Entry Fee: €18 per entry
Deadline: July 31, 2026
Prize: First prize of €1,000 and publication in a future issue of Anthology: second prize of €250; third prize of €150

Full contest details
here.

Anthology also offers awards for poetry, photography, cover art, travel fiction, flash fiction, and personal memoir – so whatever you’re writing, you might check them out here. 


The International Amy MacRae Award for Memoir 

Deadline July 1, 2026

Memoir writing, or personal essay, is defined as a work of creative nonfiction that illustrates a personal experience using literary techniques and narrative devices such as dialogue, character, setting and scene.

Rather than simply recounting past events, successful memoir tends to offer a higher perspective on that past, use personal experience as an illustration of universal themes and/or endeavour to derive meaning, understanding or wisdom from the story it sketches. The quality of the writing is as important as the content of the story.

Note: Travel writing told from a personal perspective does qualify as memoir.

This is a prose competition, so poetic prose (or prose poetry) is eligible, but poetry that is not prose is better submitted to a poetry contest. (Still not sure if your work qualifies? If your work looks like poetry, then that is what it is.)

Submissions must be no longer than 2,000 words. There is no minimum word count requirement. An excerpt of a longer unpublished work is eligible, so long as it works as a stand-alone piece.

Entry Fee: $25 per submission, payable in the writer’s home currency (including AUD, NZD, GB£).

Proceeds from the contest are donated to Amy’s Living Legacy for ovarian cancer research.

Full contest details here.


The CBC Poetry Prize

Deadline: June 1 at 4:59 p.m. ET

ET. Make sure you read the complete rules and regulations before submitting. If you are ready to submit, you may do so here.

The winner receives $6,000 from the Canada Council for the Arts, a two-week writing residency at Banff Centre for Arts and Creativity and their work will be published on CBC Books.

Four finalists each receive $1,000 from the Canada Council for the Arts and their work is also published on CBC Books.

The prize is open to all Canadian citizens and permanent residents of Canada who have reached the age of majority in their province or territory of residence, whether living in Canada or abroad.

You can submit an original, unpublished poem or collection of poems. The submission will be judged as a whole and must be a maximum of 600 words (including titles). There is no minimum word requirement.

Work that has been published online or in print or recorded for broadcast is considered "previously published" and is not eligible.

While the competition is active, submit online by creating an account through Submittable. A fee of $25 (taxes included) for administration purposes is required for each entry.

Full contest rules here.

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Note: Get new postings from Quick Brown Fox delivered to your In Box as they go up. Subscribe to my Substack here. ~Brian

 

CANSCAIP’s Writing for Children Competition 

Deadline May 31 2025.

Every entry receives a written evaluation from a traditionally published CANSCAIP member volunteer reader. Entries advancing to the second round receive another evaluation, and entries on the shortlist receive evaluations from each jury member.  

Four $500 cash prizes are awarded to the winning Middle Grade and Young Adult entries, and to the top two Picture Book entries. Two finalists in each category are also selected. The winners and finalists are given time to revise their entries before CANSCAIP submits them to Annick Press, Kids Can Press and Scholastic Canada for evaluations. 

Writers retain full copyright of their entries.

Entries must be in English and can be fiction or nonfiction.

Picture Book: submit complete story up to 1,000 words

Middle Grade or Young Adult: submit first 1,500 words

Text only; no illustrations for all entries

Previously submitted entries may be resubmitted

Eligibility:

Canadian citizens or permanent residents over the age of 18.

Unpublished or self-published writers with no traditionally published books for any age, and not currently under contract with a traditional publisher. 

Writers are eligible if prior publication is limited to articles or other content in collections or anthologies, textbooks, magazines or newspapers, legal or academic publications, etc.

Entry fee:

CANSCAIP Friends: $40 one entry, $70 two entries, $90 three entries. 

Non-members: $50 one entry, $85 two entries, $105 three entries. 

Want to become a Friend to get the lower entry fee? Join before you register.

Complete submission guidelines here.

***

Get new postings from Quick Brown Fox delivered to your In Box as they go up. Subscribe to my Substack here. ~Brian

See all upcoming weekly writing classes, one-day workshops, and four-day retreats here.