Monday, August 24, 2026

“Do You Have Demons?” by Andrea Whittle

 

Amelia, Andrea's cat. Yes, she has demons - she's a cat!

“Friday’d give me time, Saturday could wait, but Sunday’d be too late…                 
  “Seven Days,” Sting

“I’ll do it later” – every teenager, everywhere, has said this at least once. Spoiler: they never do.

I shouldn’t throw stones, for me, it’s the height of hypocrisy, because I am a terrible procrastinator. It’s a curse. Partly ADHD – self-diagnosed, but before you scoff, try having a conversation with me.

What else inspires my procrastination? Fear of failure maybe? Hard to be sure.

I was visiting family when we found ourselves watching their still-kittenish cat rolling around on the floor, apparently playing with air. My friend studied the cat for a moment before asking (with a laconic air I’d dearly love to emulate), “Do you have demons?”

Well, yes, obviously for the cat – all cats do.

And yes, me, too. I have demons. Well, one demon.

No, I am not schizophrenic.

My demon is my narrator. Think The Wonder Years: grown-up Kevin Arnold calmly explaining to the audience what was really going on while his younger self blundered enthusiastically through life.

Unlike Kevin, however, I'm a fifty-something, grown-ass-looking adult still faking my way through life while my internal narrator placidly comments on whichever ridiculous rabbit hole has most recently caught my attention.

I’m just a girl with an iPhone, a perpetually open Notes app, and a narrator who seems convinced the bathtub is the ideal place to workshop an essay. Yes, it’s a bizarre premise, but don’t knock it. There are still people who think gummy bears and Frank’s RedHot can’t be a wonderful combination. How is a sensory deprivation bathtub writing space any stranger?

I have a bone-deep faith in the Wizard of Oz business model – hide behind a curtain and fake it! Or perhaps it’s simply this: if it looks like a writer, acts like a writer, and sounds like a writer… then, egad, it must be a writer.

For years, I comforted myself by insisting I simply wasn’t a writer. Other than an admiring English teacher or two – about as objective as your mother telling you you’re pretty – the concept of being a writer belonged to other people. My friends with agents, journal publications, and six fantasy novels – or is it seven? The closest I’d ever come was a three-year stint as a book blogger.

Ask me how pissed I am that it wasn’t my blog that gave Ice Planet Barbarians its big break, but some BookToker’s! Four years after I’d read Ice Planet Barbarian and raved about it.

Ugh.

Not to worry. Here’s my next step toward World Domination: I shall conquer BookTok, bend it toward nonfiction, essays, to be specific.  

But I’m getting ahead of myself. (Another good way to procrastinate.) Six months ago, my self-image was best described as … murky. I was the last one to know writing was my path. Even my internal narrator hadn’t caught on. She just kept talking about stuff. I was like one of those people you read about who show up with a complete tiny human being and earnestly tell people they had no idea they were pregnant.

Perhaps I assumed everyone had internal commentary on their life, the universe and everything going on inside their skull. It never occurred to me that writing any of it down might become a vocation. My entry into writing was more akin to a harassed mother finally exclaiming, "Fine, we'll go to the park NOW!"

So, I began writing without much of a destination, simply following the white rabbit – or, in this case, my demon.

When I shared this disturbing development with a friend, her advice was refreshingly straightforward: “You should take a course.”

Not just any course. Brian Henry’s “Writing Personal Stories” happened to be starting a new session just a couple of weeks later. I wasn’t entirely sold on what I assumed was the memoir aspect.

Memoirs are things people like Greta Thunberg write, not hockey moms in the middle of an existential crisis.

My pieces were certainly personal. I just wasn't convinced they were stories.

None of my bathtub recollections could reasonably be considered memoir any more than a conversation that begins, “This reminds me of this one time at band camp…” before abruptly veering into, “Did you know dolphins and whales are both cetaceans – and closely related to hippopotamuses?”

Regardless, I decided professional help was in order. One of our first exercises was to draw our childhood home, street, or neighbourhood. Brian is a delightfully flexible instructor.

We were then asked to write something inspired by it.

I wrote a confessional about the death of a neighbourhood pet.

We were witnesses, not future serial killers. Rest easy.

But it still amazes me that a rudimentary – not even remotely to scale – floor plan of my childhood home somehow unearthed the memory of a blistering summer day straight out of Cujo, complete with second-guessing ourselves over the fate of a stray cat that had somehow gone from being the neighbourhood’s pet to mine. And then died.

At the end of class, Brian outlined our homework. I’ve since dubbed it the Choose Your Own Adventure approach to creative writing.

Option one: continue the piece we’d started.

Option two: write about something else we’d discussed in class.

And if neither of those appealed?

Write whatever we wanted. Just write.

Week after week, I did.

I wrote.

I started a Substack. I researched; I read and researched some more. All the while, I kept writing.

The essays wandered drunkenly from The Three Little Pigs as an analogy for birth order to a rumination on why Prince Harry gets on my last nerve, from hockey fandom as a meditation on business practices to… well… octopuses.

Lots of octopuses. And crows.

Looking back, none of this should have surprised me.

Even in my twenties, I imagined my life revolving around books. Publishing. Editing. Marketing. Eventually, book blogging. I seemed determined to find every job adjacent to writing while avoiding the uncomfortable business of becoming a writer.

Perhaps it was lack of confidence. Or much more likely procrastination dressed up as practicality. They can look remarkably similar from the inside.

Somewhere along the way, I stopped focusing on what a writer was and simply wrote.

These days, whenever someone tells me they’d love to write someday, I hear echoes of my former self: “I’d love to write, but …

“I don’t have enough time.”

“I need another course.”

“I should read a few more books first.”

“I’m waiting until I feel like a writer.”

I understand the instinct to avoid, to procrastinate; I spent decades perfecting it. But apparently, all those hippies and yogi types were onto something:

Sometimes the doing comes first.

Being catches up.

“Later” has an uncanny habit of becoming “never.”

Andrea Whittle is a writer and market analyst with a longstanding habit of looking for patterns and asking why things work the way they do. After spending much of her career finding patterns in data, she now finds them everywhere – which is either useful for an essayist or a terrible way to get anything else done.

Her creative nonfiction combines personal narrative, cultural observation, and whatever has most recently sent her down a rabbit hole. Previous subjects have included hockey, fairy tales, Prince Harry, octopuses, crows, and the occasional existential crisis.

Andrea previously published "Do you have demons" on  The Intellectual Peacock, her weekly Substack about culture, behaviour, books, media, and the wonderfully strange business of paying attention.

See more pieces about or inspired by Brian’s retreats, workshops and classes here (and scroll down).

For more essays, short stories, and poetry by you fellow writers see here (and scroll down).

See Brian’s upcoming  weekly writing classes (including a “Writing Personal Stories” class), afternoon workshops, and wonderful writing retreats here.


 

Friday, August 14, 2026

There's a brand new Canadian literary agency: The READ Agency

The Read Agency

Toronto, Canada

https://thereadagency.com/

Olga Filina recently left 5 Otter Literary to create her own agency: The READ Agency. How new is this agency? Well, when I started preparing this post, her website wasn’t up yet and I had to get the scoop on how to submit straight from Olga. If you’re looking for representation, this strikes me as good opportunity to get in on the ground floor. ~Brian

Olga’s worked at every level of the publishing industry for over twenty-five years: bookselling, buying, directing literary festivals, editing, consulting, and agenting, and she’s a founding member and former executive treasurer of PACLA, the Professional Association of Canadian Literary Agents.

“Understanding how books are sold and discovered allows me to position the clients I represent in both English language and translation markets,” says Olga. “I'm drawn to work that's intellectually stimulating, ambitious, or written from a perspective that hasn't yet been heard. As an immigrant, I have a particular affinity for stories of belonging, displacement, and international experience. If your book could be banned in the current political climate, I want to read it.”

If you have a project ready to share, here’s what you need to know to submit:

Currently, Olga is looking for literary and upmarket fiction, narrative nonfiction, cultural criticism, and projects from experts in their subject matter.

Plus, children's literature across all ages.  

She also has particular focus on underrepresented voices, international stories, and the global diaspora.

Query Olga at: submissions@thereadagency.com

Submit your query and the first ten pages of your manuscript pasted into the body of your email.

Full submission guidelines here.

Note: If you’re interested in getting published and meeting an agent, check out upcoming “How to Get Published” workshops here. We always have a literary agent as a guest speaker at these workshops.

See all our upcoming weekly writing classes, afternoon workshops, and glorious writing retreats here.

 

Wednesday, August 5, 2026

Three good places to send your short fiction, poetry, and personal essays

The Summerset Review

This online journal invites submissions of literary fiction or nonfiction of up to eight thousand words. Poets may submit up to five poems.

While primarily an online publication, the Summerset Review does periodically generate print issues.

To get more of an idea of what we they’re looking for, The Summerset Review asks writers to please read the journal. Writers can also consult their list of Recommended Reading or may be interested in additional advice (contains no mandatory requirements). To learn more about the history, aesthetic, and underpinning of the journal, you may be interested in an interview with the editor, held at Lit Mag News in March, 2024.

Full submission guidelines here. No deadline – open for submissions year-round.

  

The Globe and Mail – First Person Essays

The daily First Person essay (formerly called Facts&Arguments) is a great forum for you to share your own experiences, viewpoints and writing flair with other Globe readers.

So what makes a good essay?

They look for an original voice; an unexpected view; an unfamiliar perspective; humour; vivid details that show rather than tell; anecdotes that illuminate a wider theme.

A successful First Person essay may be funny, surprising, touching or enlightening – or all of these. It may present a slice of life or a powerful experience that changed you in some way. It may be a meditation on something that matters to you. It goes beyond a rant, and it is deft in moving from the particular to the universal.

Above all, an essay should be personal rather than political. It must be true, not fictional.

Essays should run between 700 and 900 words.

Full submission guidelines here. No deadlines. The Globe needs a First Person essay 5 days a week, every week of the year.

 

Pure Slush

Pure Slush publishes anthologies of flash fiction, nonfiction and poetry. Curently, they’s looking for submissions for Volume 25. Theme: Someday

Your Someday submission must be:

  • original, so previously unpublished online or in print (so that includes authors’ websites and blogs)
  • 150-word minimum limit for fiction and nonfiction, stories and essays / maximum 1000 words. (That’s for each story / essay: maximum number of prose pieces you can submit is 3.)
  • 80-word minimum limit for poetry / maximum 1000 words. (That’s for each poem: maximum number of poems you can submit is 5.)
  • must include something about plans or hopes or wishes or wants or desires about the future … “some day something will happen” …

Full submission guidelines here. Deadline: August 31, 2026

Their next submission period will run October 1 – November 30, 2026. They’ll be looking for fiction, nonfiction and poetry that includes the City or Rome. Details here.

*** 

See more writing contests and markets for your short pieces here (and scroll down).

See information about all our upcoming weekly writing classes, afternoon workshops, and writing retreats here.

Tuesday, August 4, 2026

Join us with Gaby Sheiner, a new agent with a major U.S. agency

Margaret Atwood is one of many
major authors represented by CAA
"How to Get Published"

 ~ With literary agent Gaby Sheiner
       of Creative Artists Agency 

Sunday, September 27, 2026
1:15 – 5:00 p.m. Toronto time
Offered online and accessible wherever there's Internet

If you've ever dreamed of becoming a published author, this workshop is for you. We’ll focus on the process of submitting to an agent or publisher, and show you exactly how to write a query letter that will get a “yes.” Bring all your questions. Come and get ready to be published!

Special Option: Participants are invited to prepare a draft of a query letter you might use to interest an agent or publisher in your book. You don't need to prepare anything, but if you like, email me a draft of your query prior to our workshop. Gaby and I will critique several queries, perhaps half a dozen, so everyone can see what works, what doesn’t and how to improve your query. Do remember that agents come to these events wanting to hear what you’ve got. ~Brian

Guest speaker Gaby Sheiner works in the publishing department at leading entertainment and sports agency Creative Artists Agency (CAA), where she represents authors across fiction and nonfiction. 

On the fiction side, she represents commercial and upmarket authors and is always on the lookout for buzzy book club fiction, thrillers and suspense, romance, and family sagas. 

On the nonfiction side, she is particularly interested in cookbooks and lifestyle, psychology, memoirs, and books by experts with distinctive perspectives and authority in their fields. 

Gabby began her career at CAA in 2023. She is from Toronto, Ontario, and is a graduate of Tufts University.

Workshop leader Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada’s most popular blog for writers, taught creative writing at Ryerson University (now known as Toronto Metropolitan University), and has led workshops everywhere from Boston to Buffalo and from Saskatoon to Toronto to Charlottetown. But his proudest boast is that he has helped many of his students get their first book published and launch their careers as authors.  

See reviews of and works inspired by Brian's classes, workshops, and retreats here.

Fee: $46.90 + 13% hst = $53 paid in advance by mail or Interac

To reserve a spot now, email: brianhenry@sympatico.ca

See all of Brian’s upcoming weekly writing classes, one-day workshops, and weekend retreats here

Note: To get new posting delivered to your Inbox as they go up, go to the Quick Brown Fox Substack and subscribe: https://brian999.substack.com/

Sunday, August 2, 2026

Two book publishers that favour older writers: House of Anansi and Book*hug

House of Anansi Press and Groundwood Books

Here are two Canadian book publishers that explicitly invite submissions from older writers:

House of Anansi Press is looking for literary fiction, especially from Canadian authors. Anansi is always open for submissions and they particularly welcome submissions from authors launching their literary careers later in life.  

Groundwood is looking for Picture Books, Middle Grade and Young Adult fiction and nonfiction. They open for submissions in August and September.

More about Anansi and Groundwood here.


Book*hug Press is a radically optimistic Canadian-owned publisher based in Toronto.

“We are deeply committed to advancing and integrating equity, diversity, inclusion, and accessibility in all our publishing activities. We prioritize submissions from equity-deserving writers marginalized by attitudinal, historical, social, and environmental barriers based on race, ethnicity, nationality, disability, economic status, age, gender, and sexual orientation.”

Book*hug Press publishes contemporary, innovative, and boundary-pushing books of literary fiction, translated literature, poetry, and creative nonfiction.

They do not publish commercial fiction, thrillers, crime fiction, fantasy, children’s books, YA books, graphic novels, cookbooks, scholarly or academic texts, or self-help books.

Book*hug seeks to acquire innovative, groundbreaking, and adventurous literary books that thoughtfully engage with contemporary cultural and social issues. They’re most excited by bold, dynamic writing that challenges and pushes the boundaries of cultural expectations and conventions, and that offers new ideas and perspectives.

They love formally innovative writing that takes risks and plays with form and style, but we are not interested in experimentation for its own sake. We love hybrid, genre-defying writing. Above all else, they value the quality and craft of the writing. 

Book*hug books and authors receive regular recognition and acclaim in the media and from literary awards. Their authors have been nominated for and won national and international awards, including the Governor General’s Literary Awards, the Giller Prize, the Amazon Canada First Novel Award, the League of Canadian Poets’ Book Awards, the Griffin Poetry Prize and more.

Book*Hug will open for submissions in September. Full submission guidelines here.

***

See all of Brian’s upcoming weekly writing classes, afternoon workshops, and writing retreats here.

For information about other publishers looking for manuscripts, see here (and scroll down).

Saturday, August 1, 2026

Look ahead – plan to join us for a spring writing retreat


Spring Writers’ Retreat

At the Elm Hurst Inn & Spa

Friday, April 23 – Monday, April 26, 2027
Register early to be sure of a spot!
The Elm Hurst Inn & Spa
415 Harris Street, Ingersoll, Ontario. (1½–2 hours west of Toronto / 1 hour west of Hamilton / 1–1 ¼ hours east of Sarnia and Port Huron, Michigan / 2 hours east of Windsor and Detroit. Map 
here)

Give yourself four days of writing time  a long weekend of instruction, inspiration and creativity. Award yourself with time away from distractions, with no dishes to do, delicious food at every meal, and with the leisure you need to sit with your feet up and write.

The retreat will feature both instruction and guided writing exercises, plus one-on-one critiquing and coaching from Brian.  You’ll also have lots of time to relax, rejuvenate, and reconnect with your creativity. All writing levels welcome. Whether you’re just beginning or have a novel in progress, please join us. 

The setting: Nestled on 30 acres of beautiful rolling countryside, the Elm Hurst mansion was built in 1872 as the personal residence of James Harris and family. A fine example of the Gothic Revival style, it remained a family home for more than a century.

The last Harris heir sold the property in the mid 1970s, and the house was transformed into a popular dining establishment that opened in 1979. An addition was added to the rear of the original structure five years later, with the 49-room Elm Hurst Inn & Spa being built in 1988.

The original mansion and its beautiful carriage house with its rustic wooden beams (often used for weddings) remain integral parts of the Inn.

James Harris made his fortune partly from the apple orchard planted on the grounds but mostly from the cheese business. He erected the James Harris Cheese Factory in 1865. To establish the area as the cheese capital of Ontario, he and other local cheese makers created a giant, 7,300-pound cheese ball. The Mammoth Cheese toured exhibitions in Toronto, Chicago, New York, Paris, and London (Yes, the cities in France and England, not the Ontario versions).

Ingersoll still boasts a cheese museum, which is a two-minute drive or twenty-minute walk from the Inn (here).

James McIntyre, a local poet, wrote an ode to the big cheese ball. McIntyre possessed a talent for writing poetry so truly awful that experts in the field of Good Bad Verse consider him one of the greats and cite his “Ode on the Mammoth Cheese” as a world-class example poetry so bad that it exhibits a certain genius. (For more on Good Bad Verse, see here and here.) 

Much later, the Town of Ingersoll created an annual poetry contest in McIntyre’s honor, though the object was to write good poetry, not bad. For many years Brian Henry had the honor of judging the children’s division of the contest.

Rates for the retreat include accommodation and meals. Each room has a king bed or two queens, an en-suite four-piece bathroom, and a desk for writing.

All meals are provided, from dinner on Friday through to lunch on Monday, including the Elm Hurst’s wonderful Sunday brunch. And of course, we’ll also have coffee service for our meetings. Alcoholic beverages are extra, as are Spa treatments – but you might want to check those out (here).

All activities included. When you’re not writing, or for spouses who accompany you, the inn has an indoor sauna and steam room and an exercise room. The rural Oxford County setting offers idyllic opportunities for biking and hiking, with numerous trails in the area (here). The Inn itself has beautiful grounds – it’s a great place to get away and relax.

Check-in on Friday is 3 p.m. Our first writing get-together will be at 5 p.m. On Monday, we'll have our last writing get-together at 9:30 a.m. Check out is at 11 a.m. followed by lunch and our final get-together.

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada's most popular blog for writers, teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Saskatoon, to Toronto, to Saint John. But his proudest boast is that he has helped many of his students get their first book published and launch their careers as authors.

Read pieces related to Brian’s previous writing retreats, workshops, and classes here.

Feeincluding both the writing retreat and accommodation, meals, coffee & snack service, tips, and all inn amenities, for all three nights: $1,708.85 plus 13% hst.

Not included: alcoholic drinks, spa services, or other extras.

Bring a (non-participating) significant other along for the weekend to share your room for an additional $548.67 plus hst for the three nights. (No change from last year. Includes accommodation, meals and all amenities, but not the writing part of the retreat).

Book early – space is limited! And this retreat may fill up quickly.

For more information or to register, email: brianhenry@sympatico.ca

Note: Bookings for accommodations for this retreat must be done through Brian (unlike our retreats in Algonquin, where you book your accommodations through the resort).

Should I bring my work in progress?

Yes! If you have an on-going writing project, bring it with you. Bring more than you expect to get to; you'll have lots of time for writing. Besides, you may want to switch projects or share a project that’s just started or one that’s all done, except for reading it to a small, appreciative audience. If you’re not currently working on anything, don’t worry, we’ll get you writing.

Should I bring my laptop?

Yes! Unless you only work on paper. Or bring both – your laptop and your writing pad. No sense being short of essential supplies.

Who can attend the retreat?

Everyone interested in developing their writing skills is welcome to attend, whether you're an aspiring writer or an accomplished author or simply enjoy writing as a hobby. There is no requirement for you to have been previously published or even to have an intention to publish.

I'm a poet / playwright / other writer. Is this retreat for me?

The retreat is open to anyone who enjoys writing. Instruction will focus on narrative writing; i.e., stories, whether fiction or memoir. But if you’re an essayist or poet or whatever, you’re entirely welcome.

Can you cater to specific dietary requirements?

Yes. But you need to let me know early, so I can let the staff know about your needs.

I want to stay longer or arrive early. Is that possible?

If you want to arrive early or stay longer, that’s fine. You’ll book the Friday, Saturday, and Sunday night with Brian, and arrange any additional nights with the inn; just make sure they know you’re with Brian Henry’s writing group.

Is there cell phone reception and WIFI?

Alas, yes.

Can I use the spa at the inn or play a round of golf in the area?

Yes, you can certainly book a spa treatment (here) though that’s extra, and you book that directly with the inn (not through Brian). As for golf, yes there’s a nearby course (see here).

Can I bring my spouse (or partner or friend)?

If you want to share your room with a partner, they’re very welcome. Just let them know you’ll be spending most of your time writing, (though you will have some free time every day).

For more information or to register, email: brianhenry@sympatico.ca 

***

See all of Brian’s upcoming weekly writing classes, afternoon workshops, and writing retreats here.


Thursday, July 30, 2026

“Arowhon Pines – I’ve already reserved my spot for next time” by Joyce Schacter

I’ve just returned from an inspiring weekend of writing with the Quick Brown Fox himself, Brian Henry.

This retreat reminded me that the craft is an interactive process: write, read, receive feedback, revise. Brian encouraged, coached, cajoled and helped us apply ourselves to what we love: the stuff of stories. He presented key topics, led discussions, organized us into reader-feedback buddies, put us at ease in his kind and funny way, and set up an environment that nurtured the writer in us. 

In one-on-one sessions, our fearless leader applied his laser vision and editorial savvy to our writing projects and brought them to new levels of clarity. 

The beautiful natural setting at Arowhon Pines Resort in Algonquin Park was ideal for a writing retreat. Ethereal mist moved across the lake in the cool early mornings of mid-September.

We hiked, canoed, kayaked, and swam in the still waters of Little Joe Lake, and had a boat tour of the area. Though the word “retreat” suggests temples and robes, the only monastic feature of Arowhon Pines is the old-fashioned bell clanging call to the dining hall for delicious gourmet meals. Dining together gave us wonderful opportunities to connect and draw motivation from each other. 

We were an eclectic dozen, including a feng shui expert, a painter in search of a new artistic medium, an accountant with an interest in Depression-era prostitution, and a retired jail warden, to name a few.

After I slipped into Little Joe Lake for a pre-breakfast swim one misty morning, I was designated Chief Lemming in the line up for the Go Jump in the Lake exercise that we’re planning next time ... I’ve already reserved my spot.

***

This piece arose out of Joyce's retreat with us a few years ago. To read more about Arowhon Pines Resort, see here. And read more pieces about – or inspired by – Brian’s retreats, workshops and weekly classes here (and scroll down).

For information about upcoming writers’ retreats, at both Arowhon Pines in Algonquin Park, Sherwood Inn on Lake Joseph in Muskoka, and at the Elm Hurst Inn and Spa in Ingersoll, see here (and scroll down). 

See all my upcoming weekly writing classes, one-day workshops, and four-day  retreats here~Brian