Join us for our Fall Colours Writing Retreat in Muskoka

 

Fall Colours Writing Retreat in Muskoka

Sunday, Oct 18 – Thursday, Oct 22, 2026
Register early  to be sure of a spot!
Sherwood Inn on Lake Joseph
1090 Sherwood Road, Port Carling, Ontario, Canada (Map here)

This retreat is a day longer than all our previous retreats. Give yourself five days of writing time – five days of instruction, inspiration and creativity. Five days of being treated like royalty. No distractions, no dishes to do, delicious food at every meal, and with the leisure you need to sit with your feet up and write.

The retreat will feature both instruction and guided writing exercises, plus one-on-one critiquing and coaching from Brian.  You’ll also have lots of time to relax, rejuvenate, and reconnect with your creativity. All writing levels welcome. Whether you’re just beginning or have a novel in progress, please join us. 

The setting: Sherwood is an elegant resort started some eighty years ago by Harry Draper, a Toronto lawyer who fell in love with the Muskokas. He envisioned Sherwood as a charming estate rather than as a sprawling hotel and wanted guests to feel as if they were staying at a friend’s cottage.  Sherwood Inn, especially the Inn building itself, still maintains that warm, old-Muskoka charm.  

Thomas B. Costain, author of numerous best-selling historical novels, including The Chalice and The Black Rose, was a regular guest, so the Inn has a track record as a good spot for writing. Lawren Harris and George Thomson (brother of Tom Thomson) both painted here, though the century-old pines surrounding the Inn would have been a bit younger then.

Read about a visit to Sherwood Inn, in 1943 and then again in 2023 here.

Rates include accommodation. Rooms are located in the main Inn. Each room includes a queen bed, an en-suite three-piece bathroom, and a desk (for writing).

All meals – Sunday dinner, Monday, Tuesday, and Wednesday breakfast, lunch and dinner, Thursday breakfast and lunch – are provided, as are coffee & snack breaks on Monday, Tuesday and Wednesday. Alcoholic beverages are extra, as are golf and Spa treatments.

Activities included: We’re between seasons – too late for swimming, too early for cross-country skiing – but if we have a warm fall so that the water is not yet too cold, canoes and kayaks will still be available. There are also hiking trails, fat bikes, tennis courts and shuffleboard, and a regular bonfire. Unlike our Algonquin retreats, there is also Internet (alas), so if you must know what’s going on in the world, you can keep up.  We recommend, though, that you relax in one of the many strategically placed Muskoka chairs throughout the property, enjoy the soothing wilderness sounds and let your creative juices flow.

Additional activities: The Inn also features a comfortable licensed lounge and a spa. “True North MVMNT is dedicated to getting you moving towards your happiest and healthiest self! We provide professional Massage Therapy and Esthetic services for all ages and backgrounds.” Spa treatments are not included in the package, but if you're interested, you should certainly book an appointment (here).  

There are various attractions in the area, including the Muskoka Lakes (Cranberry) Farm and Winery, just 8 minutes down the road, cruises out of Port Carling, weather permitting, plus an outstanding golf course that will still be open, depending on the weather. (Something of a theme here.)  

Check-in on Sunday is 4 p.m. Our first writing get-together will be at 5 p.m. Check-out on Thursday is at 11:30 a.m. Followed by lunch. Feel free to arrive early – your room may well be ready – and in any case, before 4 p.m. on Sunday and after lunch on Thursday, you're welcome to use the resort's facilities. 

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada's most popular blog for writers, taught creative writing at Ryerson University (now known as Toronto Metropolitan University) and has led workshops everywhere from Boston to Buffalo and from Saskatoon to Toronto to Saint John. But his proudest boast is that he has helped many of his students get their first book published and launch their careers as authors.

Read more about previous retreats (and pieces inspired by retreats) at Sherwood, Arowhon, The Briars, and Elm Hurst here {and scroll down}.

Fees: 

Including both the writing retreat and accommodation, meals, coffee & snack service, and all resort amenities: $2061.06, plus 13% hst, for all four nights.

All fees include tips.

Not included in any quoted prices: alcoholic drinks, spa services, golf, or other extras (tipping for these is also extra).

Bring a (non-participating) significant other along for the weekend to share your Inn room for an additional $176.11 plus hst per night ($199 per night). Includes accommodation, meals and all resort amenities, but not the writing part of the retreat or our coffee breaks. 

Book early – space is limited! 

For more information or to register, email: brianhenry@sympatico.ca

Note: Bookings for accommodations for this retreat must be done through Brian (unlike our retreats in Algonquin, where you book your accommodations through the resort). Participants may be able to tack on additional nights at the resort before or after the retreat; these are offered at a special discounted rate. Additional nights need to be booked directly with the resort, after booking your space in the workshop.

Who can attend the retreat?

Everyone interested in developing their writing skills is welcome to attend, whether you're aspiring writer or an accomplished author or simply enjoy writing as a hobby. There is no requirement for you to have been previously published or even to have an intention to publish.

Should I bring my work in progress?

Yes! If you have an on-going writing project, bring it with you. Bring more than you expect to get to; you'll have lots of time for writing. Besides, you may want to switch projects or share a project that’s just started or one that’s all done, except for reading it to a small, appreciative audience. If you’re not currently working on anything, don’t worry, we’ll get you writing.

Should I bring my laptop?

Yes! Unless you only work on paper. Even better, bring both – your laptop and your writing pad. No sense being short of essential supplies.

I'm a poet / playwright / other writer. Is this retreat for me?

The retreat is open to anyone who enjoys writing. Instruction will focus on narrative writing; i.e., stories, whether fiction or memoir. But if you’re an essayist or poet or whatever, you’re entirely welcome.

Can you cater to specific dietary requirements?

Yes! But please let me know ASAP. The resort would like those sorts of details at least a month in advance. 

I want to stay longer or arrive early. Is that possible?

If you want to arrive early or stay longer, that’s fine. You’ll book Sunday, Monday, Tuesday, and Wednesday nights with Brian, and arrange any additional nights with the resort; just make sure they know you’re with Brian Henry’s writing group – they’ve got a good rate for you.

Is there cell phone reception and WIFI?

Yes.

How about alcohol?

The resort serves alcohol with meals and has a licensed lounge. Guests are also welcome to bring their own wine, beer or whatever for consumption in their room. (Though do note that Hemingway’s advice to write drunk, mostly produces drivel.)

Can I use the spa at the resort or play a round of golf?

Yes, you can certainly book a spa treatment, though that’s extra, and you book these directly with the resort {not through Brian}. See here. And just before you go up, you can check with the resort whether golf courses in the area are open. Muskoka Highlands Golf Links and The Fairways at Kirrie Glen, both in Bracebridge, typically stay open late into October, weather allowing.  

Can I bring my spouse (or partner or friend)?

If you want to share your room with a partner, they’re very welcome. Just let your partner know you’ll be spending most of your time writing, (though you will have some free time every day). Inn rooms each have one queen bed. If you want a king bed, upgrade to a room in the Maplewood, a separate building a short walk from the inn. If you’re interested in this upgrade, email me.

For more information or to register, email: brianhenry@sympatico.ca   

***

See all of Brian’s upcoming weekly writing classes, afternoon workshops, and writing retreats here.

One book publisher and two literary journals seeking fiction, poetry, and nonfiction

Gordon Hill Press & The Porcupine’s Quill

Guelph, Ontario

https://ghp-pql.com/

Gordon Hill Press & The Porcupine’s Quill seek submissions of poetry, innovative fiction, lyric nonfiction, and literary criticism.

• The Porcupine's Quill – Full-length titles of poetry, fiction, non-fiction, and criticism.
• Gordon Hill Press – Full-length titles by authors with invisible disability.
• The Sheffield Chapbooks – Chapbook-length titles of poetry by New Brunswick authors.
• mad / sick / different – Chapbook-length titles of poetry by disabled authors
• Scrummage Chapbooks – Chapbook-length titles for anything else you can imagine.

They do not publish children's books, YA titles, self-help books, genre fiction, travel writing, or previously published manuscripts. 

Please send submissions to submit@gordonhillpress.com

Include your full name and manuscript title in the subject heading. Include a cover letter with a brief description of your completed manuscript, your bio statement, and your publication history. If submitting poetry, poetry criticism, or chapbooks, provide your whole manuscript. If submitting fiction, provide an excerpt of up to 25 pages. All submissions should be sent in .doc or .docx format.

Full submission guidelines here.

If submitting nonfiction, you should do so through …

The Molly Peacock Nonfiction Prize

Deadline June 30, 2027

Molly Peacock is a distinguished Canadian-American author who has championed creativity in her two biographies The Paper Garden: Mrs. Delany Begins Her Life’s Work at 72 (book of the year in The Globe and Mail, Maclean's, The Economist, The Irish Times, The London Evening Standard, and The Sunday Telegraph); and Flower Diary: Mary Hiester Reid Paints, Travels, Marries & Opens a Door, an IPPY Award Winner. 

Her essays have appeared in The Globe and Mail, the Toronto Star, House & Garden, and Oprah Magazine. Her memoir, Paradise Piece by Piece, helped spark the contemporary childfree movement. Author of eight volumes of poetry, including The Widow’s Crayon Box, Peacock’s work is widely anthologized, notably in A Century of Poetry from The New Yorker.

Gordon Hill Press and The Porcupine's Quill are pleased to honour her legacy through the Molly Peacock Nonfiction Prize, which is open to unpublished creative nonfiction manuscripts by Canadian authors. To submit, purchase the $50 Molly Peacock Nonfiction Prize Submission Fee here.

Then submit your completed manuscript along with a bio statement and your publication history to submit@gordonhillpress.com

Include your full name and manuscript title in the subject heading. All submissions should be sent in .doc or .docx format.

The winner will receive $1000 award upon acceptance of an offer of publication. Additional submissions may also receive an offer of publication.

Submissions are open until June 30. The winner will be announced in September.

 

Hello, Brian. 

I am the editor of a new Canadian literary journal devoted to blending flash fiction and art. 

Just read your blog post about “32 Canadian literary journals that pay” (here) and would love to have NUNUM included on your next post of a similar nature.

Details about NUNUM 

- website: https://www.nunum.ca

- submission period: year-round – submission guidelines here.

- issues per year: quarterly online and annual print anthology

- looking for flash fiction of up to 500 words and visual art

- submission fee: $3 (for either three flash fiction pieces or three visual art pieces)

- payment: $20 per accepted piece

Also, we publish two anthologies annually, one Done in a Hundred, which focuses on work of a hundred words or less (fourth addition coming out in Dec 26) and Opolis, which focuses on science fiction of a thousand words or less (third addition coming out in July 26). The anthologies have no submission fee.

Have a nice summer,

Geoffrey Miller 

Editor 

NUNUM

 

Yolk

A Montreal-based literary journal, Yolk publishes fiction, poetry, nonfiction, and visual arts in our print (Canadian citizens and residents of Canada) and digital (Canadian + international) publications. Their mandate is to publish fine work by established and emerging artists. 

They’ll open for submissions for the fall print issue on July 1.

Pays $100 honorarium for their digital publication and $30 per page to a maximum of $200 for print. Pays $200 for cover art.

Full submission guidelines here. 

***

See more writing contests and markets for your short pieces here (and scroll down).

For more publishers looking for manuscripts, see here.

See all of Brian Henry’s upcoming weekly writing classes, one-day workshops, and weekend retreats here.

Navigation tips: Always check out the Labels underneath a post; they’ll lead you to various distinct collections of postings. If you're searching for a literary agent who represents a particular type of book, check out this post.  

Orca Books will open for submissions in August, and now's the time to get ready

Orca Books

1016 Balmoral Road
Victoria, BC

https://www.orcabook.com/

You can now get new postings on Quick Brown Fox delivered straight to your Inbox as I publish them. Subscribe to Quick Brown Fox on Substack here: https://brian999.substack.com/ 

Founded in 1984, Orca Book Publishers is an independently owned Canadian children’s book publisher. With over 1,000 titles in print and more than 80 new titles a year, Orca prides itself on publishing Canadian authors (only) and bringing them to a wider market.

Orca accepts submissions in February and August. Look for announcements on their social media: OrcaBook Publishers on Facebook or @orcabook on Twitter, and doubtless they’re on other platforms, too. To submit to Orca, create an account on CanSubmit.

In February and August, Orca will be looking for manuscripts in the following genres:

New: Indigenous Books by Indigenous Creators

Submissions should follow the general requirements for each genre outlined [above/below] (board books, picture books, chapter books, middle-grade fiction, etc.).

We're looking for well-told stories that draw from lived experience and are authentic to Indigenous voices and communities.

Stories should be engaging and well-crafted, whether rooted in traditional culture or exploring contemporary themes.

Please send a cover letter and complete manuscript to the attention of Tara Solomon.

Board Books

Manuscripts should have minimal text and be aimed at ages 0–24 months.

No art should be included with board book submissions unless you are a professional illustrator. Original art should never be included.

Please send submissions to the attention of Sarah Howden.

Picture Books

Good stories, well told. Any lesson or moral should be secondary to credible characters, an engaging plot and strong writing. The point of view should invite the child reader into the story.

Even if you have written a series, please send only one submission. “We rarely publish sequels to our picture books, and then only if the first book has been very successful.”

Picture book manuscripts should typically be 1,500 words or less.

No art should be included with picture book submissions unless you are a professional illustrator. Original art should never be included.

Complete manuscripts (no queries, please) should be sent to the attention of Sarah Howden.

Orca Echoes

Early chapter books aimed at ages six to eight

Contemporary stories or fantasy with a universal theme, a compelling, unified plot and a strong, sympathetic child protagonist who grows through the course of the story and solves the central problem him/herself

Currently seeking stories where humour, imagination and play are at the forefront. Any lesson or moral should be well-disguised, and secondary to an engaging plot, strong characters, and child-appeal. 

7,500 to 8,000 words (max.)

Submissions should be sent in their entirety to the attention of Sarah Howden.

Middle Grade fiction

Contemporary stories with a universal theme, a compelling, unified plot and a strong, sympathetic child protagonist who grows through the course of the story and solves the central problem themselves

30,000 to 50,000 words

Target audience: readers for this genre can range anywhere from 8 to 12 years old. Please be clear about the target age group for your work in your cover letter.

A cover letter and the complete manuscript should be sent to the attention of Sarah Howden.

Orca Shivers

High-interest contemporary horror novels aimed at readers aged 9–12 with a reading level approximately at age (grade 4-6)

Relatable protagonists between 11 and 14 years old in stories with fairly intense, high-stakes horror plots. Moderate violence, mild gore and death are okay.

Supernatural (vampires, ghosts etc.) or natural horror (crazed animals, serial killers) are both welcome.

10,000–20,000 words, short chapters, each with cliff-hanger endings (shorter novels  of 6000+ words will be considered).

Please send a cover letter, a short (100–200 words) synopsis, a chapter-by-chapter outline and three sample chapters to the attention of Gabrielle Prendergast.

Orca Currents

High-interest novels aimed at reluctant readers ages 9-12, with a reading level of grades 1.0-4.5

Protagonists are between 12 and 14 years old and should be appealing and believable.

These stories should have middle-school-appropriate story lines (family issues, humor, sports, adventure, mystery/suspense, sci-fi/fantasy, etc.).

12,000 to 15,000 words, 12 to 16 chapters.

Submit a cover letter, a short (100–200 words) synopsis, and a chapter-by-chapter outline, and a sample chapter to the attention of Gabrielle Prendergast.

Orca Soundings

High-interest novels aimed at reluctant readers aged 12 and up, with a reading level of grade 2.0-4.5, preferably closer to 3.0

Protagonists are between 14 and 17 years old and should be appealing and believable.

These stories should reflect the universal struggles that young people face. They need not be limited to "gritty" urban tales. Can include adventures, mystery/suspense, performing arts, romance, sport, and fsci-fi/antasy

12,000 to 15,000 words, 12 to 16 chapters

Submit a cover letter, a short (100–200 words) synopsis, a chapter-by-chapter outline, and a sample chapter to the attention of Gabrielle Prendergast.

Orca Anchor

High-interest novels for reluctant teen readers ages 12 and up, with a reading level below grade 2.0, preferably closer to 1.0

Protagonists are between 14 and 17 years old and should be appealing and believable.

These stories should reflect the universal struggles that young people face. They need not be limited to "gritty" urban tales. Can include adventures, mystery/suspense, performing arts, romance, sport, and fsci-fi/antasy

6,000 to 8,000 words, 8 to 10 chapters

Submit a cover letter, a short (100–200 words) synopsis, a chapter-by-chapter outline, and a sample chapter to the attention of Gabrielle Prendergast.

Graphic Novels

Orca is looking for stories for all ages that can be told in graphic novel format, but no manga or anime.

Submissions should include a cover letter, synopsis and full text of the story. The more complete the submission, the better.

If you are working with an illustrator, please include samples of their work and any finished art (copies only).

Note: If you’re interested in meeting an agent and in getting published, join us for a “How to Get Published” workshop with a literary agent as a guest speaker. See what's coming here.    

Orca Footprints

Nonfiction books about the complex environmental issues that kids face every day. 

Each 48-page book aims to inspire kids to take action.

Geared to readers ages 9 to 12 who are asking questions about the state of the natural world. 

Please submit query only to Jenna Campbell.

Orca Biography

Nonfiction books that introduce young readers to inspiring individuals who have made positive impacts on the world.

The series aims to celebrate the legacies of lesser-known figures who have made a difference in their communities and beyond.

Material should be appropriate for middle-grade readers, ages 9 to 12.

Please submit QUERY ONLY to Jenna Campbell.

Orca Take Action

Nonfiction books that explore big problems facing the world today.

The series helps young readers understand these important issues and shows them how they can make changes for a better future.

Material should be appropriate for middle-grade readers, ages 9 to 12.

Please submit QUERY ONLY to the attention of Jenna Campbell.

Orca Think

Nonfiction books that introduce readers to the issues making headlines today

Well-researched topics by authors with a connection to the subject matter

Please submit query only to Jenna Campbell.

Navigation tip: For more book publishers, see here {and scroll down}.

Orca Timeline

Nonfiction books that explore how big ides have shaped humanity in the past, present, and into the future.

Well-researched topics by authors with a connection to the subject matter

Material should be appropriated for middle-grade readers, ages 9 to 12

Please submit query only to Jenna Campbell.

Orca Wild

Nonfiction books that challenge us to think about our relationships, both good and bad, with vulnerable species and habitats.

Well-researched topics by authors with a connection to the subject matter

Material should be appropriate for middle grade readers, ages 9 to 12

Please submit query only to Jenna Campbell.

Other Nonfiction

Orca is looking for unique projects that will have broad appeal to young North American readers. These could be nonfiction picture books for elementary readers (ages 4 to 8) or books for middle grade readers (ages 9 to 12) outside the scope of the series above. Material should be age appropriate.

Please submit a query only to Jenna Campbell.

To submit to Orca, create an account on CanSubmit.

See full submission guidelines here. See guidelines for illustrators here. 

See all of Brian’s upcoming weekly writing classes, one-day workshops, and weekend writing retreats here.