Monday, June 1, 2026

“The Salty Cat” by Natasha Boomer

First, I was a witch, alone in my basement apartment, lighting candles, burning sage, sprinkling powders, making potions to spread along doorways, and casting spells. Enchanted words whispered soft enough to keep secret but loud enough to release the spirits to do my bidding, which, for me, was about boys and my size 14 waistline, which I would prefer to be about a 10.

However, being a witch isn’t all bedknobs and broomsticks; in fact, there is almost no flying beds. It mostly involves bathing in walnuts and pine cones, then taking that bath water to the closest intersection and throwing it away, completely naked.

But in those days, the most naked I could be, half a block from the corner of Delaware and Hallam, was braless and shoeless. I don’t know if you have ever walked barefoot at midnight under a full moon, balancing your own bath water in a bucket with a faulty handle, but a bra and shoes are the most effective tools for a witchy endeavour such as this.

I never really wanted to be a witch; I got caught up in all the Pagan pomp and circumstance, and there was a really cool girl in my improv class who called herself a High Priestess. I was well into my 30s until I realized I just wanted crystals, house plants, a garden with an estranged door in the middle of it and whatever number of cats makes average men wrinkle their noses, in a bad way.

The trajectory from witch to cat lady is easy; it’s a path of very little resistance once you know which way you are sliding, it spins out around availability. Dogs are too needy, so I was never going to be a dog lady. I wasn’t old enough to be a bird lady and not young enough to be into hamsters.

I could have been a pig lady, but in all fairness, my access to pigs was very limited, especially in my 30s. I had a very lurking landlord and an upstairs neighbour who rode a unicycle … everywhere … by choice. Plus, I didn’t need an animal who was more stubborn than I was, but at the same time more emotionally available. The choice was practically made for me. It would be cats.

Being a cat lady is very much all-encompassing. There are days when you wonder, am I a lady who loves cats or is the cat lady who I am? Over time, the veil becomes razor thin, not because you have eight cat shirts in rotation, two of them “taco cat,” which you wear proudly and unironically, almost always have cat hair on your clothes or, worse, in your nose, and have not once but twice mistakenly drunk cat urine.

It is because, at any given moment when you meet a kindred within three minutes, you both have your phones out, showing each other 5 to 95 pictures of your cat in different shades of sun, but mostly because you, through no fault of your own, start recruiting normal women into cat ladies.

Like my friend Samantha. Sam was twenty years younger than me and wasn’t necessarily a friend at first, but she was a client who came so often for Reiki treatments that she became one. After a while, it was impossible to keep our souls apart.

Within six months of my knowing Sam, she had two cats, and I am not saying I am responsible, but she did call me one night to discuss the possibility of getting a kitten, and at the end of the phone call, she had two kittens and a new, long-lasting pejorative term that men would slur towards her when she told them she wasn’t interested.

Reiki brought us together, our love of cats tied our bonds, and for a period of time, we walked a path of shared obsessions. Crystals, cleanses, celery juice, long concrete-jungle walks, in Toronto, where we discussed spirit guides, and essential oils. Samantha was my shadow; whatever I loved, she followed. I showed her the Kool-Aid, and she willingly drank.

It was nice to have a buddy who was equally obsessed with the accoutrements of a healing world. We each had every single essential oil you could buy, all the Medical Medium books, we knew when all the crystal shows were touring, and had a growing obsession with salt lamps, especially since we found out that Winner had different-shaped ones.

“I heard they have a cat salt lamp,” she said, face down on my table.

“A freaking what? An actual cat? Are you kidding me? I need this in my life.” The tone in my voice was only amplified by the Reiki, which used my body as a conduit. How could I possibly be a cat lady with no cat salt lamp? This seems like something that needed to be fixed immediately.

“I know. Me too, I need this in my life.” She matched my energy.

“Then we will have cat salt lamps, Samantha … what’s your last name?”

“McLeallan.”

“Then we will have cat salt lamps, Samantha McLeallan.” The declaration was made. Even though I no longer identify as a witch, the spell was cast, and the spirits sent out to do our bidding, which would not be easy, because we would both need one.

We decided I’d borrow my mother’s car and we would travel to every single Winners and HomeSense in the Greater Toronto Area in a single weekend until we tracked down the cat salt lamps, and who knows what other interesting shapes.

For us, it did not matter how many actual plugs we had in each of our own apartments, each no bigger than 600 Square feet; we were on a mission, and not unlike Buzz Aldrin, Neil Armstrong and Michael what’s his face, it was going to be epic.

At first glance, it didn’t look like our inaugural stop at Leeside, and Laird would produce any salt lamps with any shape. I mean, we were not settling for regular hunks of rocks; we were looking for shapes, hearts, bricks, globes, a leaf, a teardrop, the cube; we were beyond a shapeless lump of salt. So I went off to grab some snacks, six bags of different lentil chips, each one worse than the next.

As I made my way up to the cash, I heard in a deep, familiar whisper, ““Boomer,” she was crouched down, half-hidden, and opening a box in between her leg.

““Samantha, what are you doing?” I knew exactly what she was doing; she had found a broken box, poorly wrapped with packing tape, and she was opening it back up. “What are you doing?” I asked again to fill the space between her getting caught and us finding out what was in the box. Which would come first, only seconds would tell.

Her face morphed from consternation to a joy that could fuel a light bulb, accompanied by a low-pitched squeal that, I think, in the 1800’s, did fuel lightbulbs. By the neck, she pulled out the elusive cat salt lamp. We were both in shock and dismay, and it felt a little bit like we were in The Lion King at the edge of a cliff.

“OMG, Samantha, how did you know?” The bags and bags of chips I cradled in my arms kept me from reaching out to touch the cat.

“You take it.” She launched it towards me.

“No Way! You found it. You illegally opened that box You had the knowing it was there.” I crushed the salt snacks against my chest to contain my ugly envy. I didn’t want her to see it and ruin this moment. “How did you know?” I asked in a more rational tone.

“I just did. I don’t know, I just did.” She was still hunched over the box.

“Then it’s yours, babe. There will be more; this is only our first store, and the first box? What are the chances? There will be so many more!”

There was not. We filled that hatchback with salt lamps for two full weekends and a Wednesday evening, neither of us saying no to a single new shape. We giggled and rolled our eyes at ourselves as we filled my mother’s red Honda Fit with heavy salt lamps. Two crazy cat ladies, on the road, searching for a collection of things that the rest of the world would never understand.

Despite the fact that she had found hers right out of the gate, she never wavered in her commitment to find mine. “We will find it,” she said. “We just need some magic.” When she said it, you believed her.

We were big and outrageous together, kindred spirits whose passions were ginormous but honest. We laughed, sat in traffic way too long and sang “That’s What Friends Are For!” eight times at the top of our lungs on the Garner Expressway, with the windows rolled up, because she had never heard it before, which was the only disgusting thing about her.

Three months later, moving into the cold, dampness of late fall, that part of fall that might as well be winter, Samantha had left my house after a Reiki treatment: “I think I will walk home before it snows.”

Thirty minutes later, she called me, not long enough for her to be at Pape yet. I could only hear a squeal, one that could light a light bulb in the 1800’s.

““I found it.”

On her way home, she’s stopped in at Winners at Bay and Bloor.

““Now, Boomer, it has a broken ear, but we like that. I think it’s fitting, ‘cause we like stray cats.”

“Oh my god, Sam, you just went on a whim? For me? How did you know?”

““I just did. I don’t know, I just did. You want it right?” She did not wait for my response. “I’m getting it!”

I think Samantha was happier than me that day, but that was her enchantment. Neither of us considered ourselves witches, just crazy cat ladies whose ability to understand each other was magical.

***

Natasha Boomer is a Bohemian. A wanderer, collector and teller of stories, writer of eight one-woman shows and four plays, lover of animals, server of tables, walker of miles and miles a day, teacher of improv and chakras, master of Reiki, eater of vegan cuisine, driver of a 2010 red Honda Fit, speaker to most strangers in all grocery store lines, propagator of plants, maker of gardens, and a prominent laminator of anything and everything.  Life is good, life is hard, and in between are our stories.

For more short stories, poetry, and essays by you fellow writers see here (and scroll down).

See Brian Henry's upcoming weekly writing classes, one-day workshops, and four-day retreats here.

Sunday, May 31, 2026

Congratulations Katherine, Christina and Wendy

Congratulations to the winners and runner-up of the Writer’s Federation of New Brunswick’s children’s writing competition!

Here’s the official list (and the official name of the prize):

The WeyMedia (Money Genius) Books for Young People Prize

Judge: Brian Henry

First Place: The Blue Jogging Suit (picture book) – Katherine Adlam, Peterborough, Ontario           

Second Place:  Annie Dobbler, Animal Cobbler (nonfiction graphic novel script) – Christina Foster, Fredericton     

Third Place: Mortimer Murphy and the Best Science Project Ever (juvenile fiction) – Wendy Kitts, Shediac

Honourable Mention: The Wrong Book (picture book) – Christina Foster, Fredericton

It was an honour judging this contest – and difficult, as so many of the entries were fresh and brilliant. So, congratulations to everyone who entered!

Congratulations also to the winners of all the other awards (fiction, poetry, nonfiction, etc. – complete list here). Congratulations as well to everyone who entered the contest and to the Writers’ Federation of New Brunswick (WFNB) for arranging it – well done, one and all! ~Brian

***

See where else your fellow writers are winning accolades and getting short pieces published here (and scroll down).

See new books by your fellow writers here (and scroll down).

See all my upcoming weekly writing classes, one-day workshops, and four-day  retreats here. ~Brian

Sunday, May 24, 2026

Join us for a free "Writing Kid Lit" workshop in St. Catharines

The St. Catharines Public Library presents: 

Writing Kid Lit – a free workshop

In person: Saturday, October 3
10 a.m. – 12:00 noon
Merritt Branch Library
221 Glendale Avenue, St. Catharines, Ontario
On the north side of the Niagara Pen Centre, next to the Dollarama (Map here)

This workshop is for adults (or teens) interested in writing Board Books, Picture Books, Chapter Books, Middle Grade books, or Young Adult novels, whether fiction or nonfiction, traditional text or a script for a graphic book. Whether you want to write the next best-selling children’s books or just want to create stories for your own kids, this workshop is for you. Learn how to write stories kids and young adults will love and find out what you need to know to sell your book.

Workshop leader Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada’s most popular blog for writers, taught creative writing at Ryerson University, and has led workshops everywhere from Boston to Buffalo and from Saskatoon to Toronto to Charlottetown. But his proudest boast is that he has helped many of his students get their first book published and launch their careers as authors.  

See reviews of and works inspired by Brian's classes, workshops, and retreats here.

Register through the library website here.

See all of Brian’s upcoming weekly writing classes, one-day workshops, and four-day retreats here.

Thursday, May 21, 2026

Get your manuscript ready to submit


Manuscript evaluations

As a book editor, my job to help you make your manuscript as good as it can be. That’s what I’m trained to do. I work with all sorts of fiction and personal stories for adults. In kid lit, I work on everything from board books, to picture books, to middle grade and young adult books, both fiction and nonfiction.

My aim is to tell you what’s working, what’s not, and to explain how to make your manuscript live up to your vision.

For a manuscript evaluation, I’ll have a long Zoom meeting with you to discuss your work’s strengths and weaknesses and to explain what you need to do to develop it to its full publishing potential. 

In addition to the evaluation itself, I’ll mark up your manuscript with detailed comments in the margins and on the backs of pages so that you can see exactly where you're doing something right and where you could make your work stronger, and how to fully develop your manuscript so it’s the very best it can be.

In addition to full manuscripts, I’m also happy to help with shorter projects, such as writing query letters or working with you on your picture book(s) or strategizing on aspects of your manuscript or ideas. But that, I can do throughout the year. In the summer – starting in June – I have time to work on several complete, novel-length projects.

So, if you’d like a spot for your manuscript on my summer schedule, please let me know – as soon as possible, while those spots on my schedule are still open.

What previous clients say:

"Brian’s the real deal.  He isn't just an inspiring teacher – he's plugged into the publishing world! He got me an agent who sold my first novel, to publishers around the world.  My 13th novel, The Awakening – a YA urban fantasy – hit number 1 on the New York Times bestsellers list."

~ Kelley Armstrong, Aylmer, Ontario (Currently, Kelley has about 60 books published)

Hello, Brian. I’m writing to thank you for your help and advice in both tweaking the manuscript and crafting the query letter for my novel, THE NAME’S GEORGE. I’ve had four requests for the full manuscript as well as one request for a partial. I'm thrilled and hopeful that I can write you again soon with news that I’ve secured an agent. Thanks again and all the best,
Shauna Clinning, Oakville, Ontario [P.S. Shauna did get an agent.]

Brian, You helped me re-work my query letter. Before that, I'd queried dozens of agents, and guess how many of them asked to see my manuscript? None. After you helped me rewrite, I sent my new query to six agents and all of them asked to see my full manuscript. It was like I discovered the secret password.  Thank you so much,
Sohan S Koonar, Windsor, Ontario. 

“Brian Henry is a skilled query doctor – I've had a look at some queries he's worked on with authors. He took a query that would have been an immediate "Pass" and transformed it to a compelling query that made me want to read the book right away. I highly recommend Brian to any author who is struggling with getting manuscript requests and needs to take their query to the next level.”

~ Michelle Johnson, Literary Agent and Founder of Inklings Literary Agency

P.S. If you want to know how to write a query that’s gets a yes from an agent, you can also come to one of my “How to Get Published” workshops. See here.

Rates: 

For very short works: Query letters and picture book manuscripts

$80 per hour, plus hst. Assume it will take me about an hour to read and to write in suggestions and edits or to rewrite your query, as needed, and then (included in that time) I’ll email you your edited work and we’ll chat on the phone about it.

For short works, to 52 pages (13,000 words): $55, plus $5 per page. 

For example, three 5-page short stories costs:

Each story: $55 + 5 x $5  = $80 + 13% hst = $90.40 x 3 = $271

For longer works, over 52 pages: $210 + $2.00 per page. 

For example, a 200-page manuscript costs:

200 x $2 + $210 = $610 + 13% hst = $689.30

Note: Rates are based on standard length manuscript pages of 250 words. So “per page” means “per 250 words.” Every 1,000 words counts as 4 pages. To calculate the number of standard size pages, multiply your word count by 4 divided by 1,000. For example, a 75,000-word manuscript is 75 x 4 = 300 standard pages. A 50,000-word manuscript is 50 x 4 = 200 standard pages.

Also, add 30 cents per page (includes hst) to partly cover the cost of printing your manuscript and mailing it back to you. 

The easiest and cheapest way to send your manuscript is to email it as an attachment.

And the easiest way to pay is by Interac e-transfer or go old-school and mail your cheque separately.

To reserve a place on my summer schedule, email me at: brianhenry@sympatico.ca

Note: Get new postings from Quick Brown Fox delivered to your In Box as they go up. Subscribe to my Substack here. ~Brian

See all of my upcoming weekly writing classes, one-day workshops, and four-day retreats here.

Wednesday, May 20, 2026

5 Otter Literary

Casandra, Olga, and Ali

5 Otter Literary

Toronto, Canada

https://fiveotterliterary.com/

5 Otter Literary is a full-service, international literary agency founded by long-time friends and publishing industry colleagues, Olga Filina, Casandra Rodgers, and Ali McDonald, who all previously worked together at The Rights Factory. Though Olaga have since left the agency.

5 Otter represents literature across all audiences, categories, genres, and formats, for traditional publishing as well as audio, translation, and film/TV. 

Ali McDonald – literary agent and partner

Ali has been an internati0nal literary agent for 15 years and has represented many award-winning and bestselling authors and illustrators. Specializing in children’s and young adult literature, she works on projects ranging from concept and novelty books, board books, picture books, early readers, chapter books, middle grade, young adult, and new adult fiction and nonfiction, to graphic novels for all ages.

Her clients include international bestselling author Laura Nowlin (If He Had Been With Me, If Only I Had Told Her, and This Song is (Not) For You), and critically-acclaimed author Matteo L. Cerilli (Lockjaw, Something’s Up With Arlo, Bad in the Blood, and Fathom Fall), among select others.

Cassandra Rodgers – literary agent and partner 

Cassie has worked with a diverse group of clients on both adult fiction and nonfiction projects. Her clients’ books have been featured in publications such as Oprah, New York Times, and USA Today.

Focused exclusively on adult work, Cassandra is looking for upmarket commercial fiction, historical fiction, and suspense. On the non-fiction side, she is looking for fresh views on topics such as politics, history, science, finance, and sports. Inspiring and meaningful memoirs are always on her wish list.

Cassandra will open for submissions this summer.

See the 5 Otter submissions page here.

Note: For information about our upcoming “How to Get Published” workshop, where you’ll have a chance to meet a literary agent, see here

See all of Brian’s upcoming weekly writing classes, one-day workshops, and four-day retreats here.

Navigation tips: Always check out the Labels underneath a post; they’ll lead you to various distinct collections of postings. If you're searching for a literary agent who represents a particular type of book, check out this post: here.

Tuesday, May 19, 2026

Join us this summer for “Intensive Creative Writing”

Intensive Creative Writing

Offered online at 2 different times:

Tuesday evenings 6:30 – 9:00
First readings emailed June 30.
Classes:
July 7 – August 18 (or to Aug 25 if the class fills up)

Wednesday afternoons 12:30 – 3:00
First readings emailed July 2.
July 8 – August 19 (or Aug 26 if the class fills up)

Note: We also have an online “Writing Personal Stories” course this summer on Tuesday afternoons, July 7 – Aug 18. See all upcoming classes, workshops, and retreats here.

Intensive Creative Writing is not for beginners; it's for people who are working on their own writing projects. You’ll be asked to bring in several pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand-alone pieces, such as short stories or essays. You bring whatever you want to work on. 

Besides critiquing pieces, the instructor will give short lectures addressing the needs of the group, and in addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada's most popular blog for writers, taught creative writing at Ryerson University (now called Toronto Metropolitan University) and has led workshops everywhere from Boston to Buffalo and from Saskatoon to Toronto to Saint John. But his proudest boast is that he’s has helped many of his students get published.  

Read pieces about ~ or inspired by ~ Brian's retreats, courses and workshops here (and scroll down).

Fee: $256.64 + hst = $290

To reserve your spot, email: brianhenry@sympatico.ca

See all upcoming weekly writing classes, one-day workshops, and four-day retreats here.

Get new postings from Quick Brown Fox delivered to your In Box as they go up. Subscribe to my Substack here. ~Brian

Saturday, May 16, 2026

The Algonquin Park Writers’ Retreat – How Perfect! by Barbara Baker

Arowhon Pines Resort resident fox, photo by Barbara Baker

The road was gravel. It twisted through tall, leafy, overhanging trees that created a tunnel-like effect. After the first kilometer, my cell phone binged. I checked. No Service. Really? I tucked it away.

The next eight kilometers took us farther into Algonquin Park and finally ended in a parking lot at the edge of the blue waters of Little Joe Lake. I got out of the car and followed the signs on the walking path through the woods to the lodge.

The initial shock of no cell phone reception was ... shocking. Add no tv, radio, wifi or even a clock. How will any of us writers survive in this archaic environment?

The reality of all that was not accessible wore off within minutes as the beauty and peacefulness of Arrowhon Pines Resort encapsulated me.

I was taken to one of the many log cabins tucked away in the forest. A giant bed with crisp white linens, private bathroom, a stone fireplace, veranda overlooking the water, roomies to share the beauty of the setting and the cabin (though certainly not my room), as well as the ups and downs of our writing projects – how perfect! I only checked my phone two more times to make sure it really had no reception.

Brian Henry, our writing mentor for the retreat, opened the session. Cheerful, quirky, enthusiastic, funny – the list goes on to describe his attributes but he’s probably already blushing so I’ll stop.

A cabin at Arowhon Pines, photo by Barbara Baker
After the “fortune cookie” warm-up exercise, the room was a hub of voices and chatter and excitement. What a variety of storytellers! The energy flowed intravenously through the group and followed me back to my writing corner.

Coming from Calgary, I thought I might get the prize for the furthest distance travelled but since I only had to fly for four hours maybe the people that drove seven hours would get it. But there was no Furthest Distance Travelled prize. We were all winners.

Breaks from the writing sessions and private writing times were spent kayaking, hiking to the 400-year-old medicine tree, early morning coffee on the deck watching the mist rise, following the resident fox for photo ops or just walking without a destination in mind. Pure bliss.

And then there was the food, the amazing food of Arowhon! Add the camaraderie of all those writers in one location and you encounter unstoppable laughter, encouragement, support, understanding, some very tall tales and so many new friendships.

Another highlight of the retreat was the one-on-one mentoring session with Brian to discuss individual projects. Intuitive, enlightening – Brian was full of suggestions and ideas, offered support and encouragement and dished it all out with honesty, in confidence and with sincerity. This man has a thing about helping writers improve their voices and write their stories. How great is that?

When it was over and time to go back to the binging of cell phones and our normal lives, it was very hard to leave the hugs and the companionship of like-minded souls and one of the prettiest places to visit. Thank you Brian Henry for making it all happen!
***
For information about upcoming writers’ retreats, see here (and scroll down). 
To reserve a spot, email brianhenry@sympatico.ca

Barbara at Arowhon Pines
Barbara Wackerle Baker grew up in Banff, Alberta, and spends her free time racing up and down the Rockies trying to keep up with an active family of outdoor enthusiasts. Her passions include writing, photography, exploring landscapes and time with her grandchildren (the most beautiful grandchildren ever). 

Three of her stories have found homes in Chicken Soup publications, a dozen others are in short story contest anthologies, one of her stories won the 2016 John Kenneth Galbraith Literary Award, and her short story "Life Support," initially published in the Globe and Mail, was made into a short film that premiered at the Totonnto International Film Festival (here). She's also published three YA novels: Summer of Lies, What About Me, and Jillian of Banff XO (see here).

See all upcoming weekly writing classes, one-day workshops, and four-day retreats here.