Thursday, March 20, 2025

“Everywhere’s a starting place” by Catherine Brazeau

Its always a joy to meet other people who are doing the thing Im still learning to do. Its also intimidating as I think about my own feeble attempts at writing. It’s hard not to feel like an imposter, especially when your inner voice steps in to remind you that you haven’t taken enough writing classes or spent enough time editing.

Even though Im more practiced than I was a few years ago, that doesn’t get rid of my doubts or my insecurities.

Its our last class and I have nothing to share,” says my inner voice.

Then God says, Write about that.”

What do you mean?”

Write about your inability to write anything worth sharing. Lets see what happens.”

And so, I begin. I take a deep breath and start writing something that’s sort of coherent but mostly about what Im wallowing in and its a miserable slog and its sounding very self-indulgent and incredibly boring to anyone who isn’t me. Nobodys here for a front row seat for my navel gazing!

I get so far along and suddenly Im fed up with it. Im fed up with my lack of talent. Im fed up with winter. I start to question why Im showing up here at all.

But then, little bits of words show up; sentences begin to form. Its a bit limp and theres blood. Like a cat bringing a dead mouse to the door. A sacramental offering to the gods of thoughts and words?

Maybe I have something to share after all! I feel my pleasure rising like a dopamine hit after a run. Suddenly, I am here. I have left there behind. The blank page shifts from intimidation to invitation.

And the great mystery begins again.

*** 

Catherine Brazeau is a retired designer and brand consultant who enjoys cooking, running, and exploring creativity through writing. Most of all, she delights in spending time with her four grandchildren, whom she calls the greatest antidote to ageism. My grandkids dont ignore me yet,” she jokes. She lives in Pelham with her husband of 40 years—also an artist. You can read more of her musings at The Next Iteration, on Substack here

Read more short pieces about reading and writing here (and scroll down). Read other short stories, essays, and reviews by your fellow writers here (and scroll down).

See Brian Henry's upcoming weekly writing classes, one-day workshops, and four-day retreats here.

 

 

Wednesday, March 19, 2025

“Coffee, No Money” by Glenys Smith Elliott

What does it mean when you arrive at a coffee shop, salivating from the smell of coffee and rich pastries with creamy icing, with your computer in tow and ready to write, but when you go to pay, you have no money and no cards? Does it mean anything in particular?

This moment in time is wrought with choices. Self-judgment beckons with open arms and rough talk, escalating anger and misery. Embarrassment with hot red cheeks, stuttering explanations, and over-apologizing offer a shrinking possibility and a great coffee place to avoid for the rest of your life.

Paranoia lurks in every dark corner, convincing you that the barista is rolling her eyes and wondering how often this has worked for you before. Two chatting women in bright yellow armchairs in the front window convey their disgust not with words but with subtle eyebrow lifting, shaking of their heads, and silence as they list their ears closer to hear.

A vague thought of quickly bolting is tempered with the fragrance of freshly ground coffee beans. You begin to see the humour in your situation as you search again in the same places in your bag, as if the cards or money will magically appear. Your sense of the absurd grows as you see the discomfort the barista is experiencing in tandem with your own.

You realize you want the coffee and pastry more than you care about your lack of financial means. Now, this does seem humorous to you. I suppose you don’t care what people think anymore.

You simply take your coffee and orange-cranberry square to a comfy chair and settle in. Surely, something will work out short of getting arrested.

You have an inspiration and text your friend:

Join me for coffee at the Thistle and bring your credit card. I’ve already ordered and have no money.

Can’t. On my way to exercise class.

Shit, you think.

You pull out your computer and open your most recent project, noticing that you’re flustered and lack the one-pointed concentration to continue writing the piece. A few feeble clicks later, you are interrupted by the smiling manager gently asking your name. He tells you your friend is on the phone paying for the order with her credit card.

Relief! Your nervousness unravels, beginning in your feet as they stop twitching. Gentle warmth expands from your tummy toward your chest. You inhale and exhale deeply and only realize now you’ve been breathing shallowly. You can feel your eyes brighten and relax, and suddenly, you know what to do. You open a new blank file and start writing about this morning's experience.

***

Glenys Smith Elliott is a retired mental health and addiction educator who now enjoys sharing her time with family and friends, is obsessed with fitness but is never fit, and has a newly found curiosity about writing. She is inspired by how people endure hardship and make changes in their lives.

She has lived in Auckland, New Zealand, Vancouver, and Toronto while raising her family. She looks forward to extended travel to exotic places in retirement.

Her earliest memories of writing are poems about her own childhood emotions in early grade school, and she wishes she could find some of them now. Through Genealogy, Glenys has explored her family’s rich history, reaching back to World War II and plans on writing a memoir to honour some of these brave stories.

P.S. Yes, the Thistle Bookshop and Café is a real place. It's in St. Catharines and is as comfy and nice as you can imagine (here).

See Brian Henry's upcoming weekly writing classes, one-day workshops, and four-day retreats here.

Read more short pieces about reading and writing here (and scroll down).  Read other stories, essays, and reviews by your fellow writers here (and scroll down).

Monday, March 17, 2025

Join us for an in-person class: “(Not so) Extreme Creative Writing” or “Writing Personal Stories & Other Nonfiction”

“(Not so) Extreme Creative Writing”

 ~ For more experienced writers 

In-person: Thursday afternoons, 12:30 – 3:00 p.m.
Classes: March 27 – June 5 (or to June 19 if the course fills up. No class April 24, May 8 or June 12).
Burlington Anglican Lutheran Church, 3455 Lakeshore Rd, Burlington, Ontario (Map 
here)

Note: “Intensive Creative Writing” courses and an “Intensive Picture Book” course are offered online. See all upcoming weekly writing courses here.

Extreme Creative Writing isn't like an extreme sport – it doesn't demand something crazy – but it is meant for writers who have been writing for a while or who have done a course or two before and are working on their own projects. You’ll be asked to bring in a few pieces of your writing for detailed feedback, including a couple longish pieces. All your pieces may be from the same work, such as a novel in progress, or they may be stand-alone pieces, such as essays, picture book manuscripts, or short stories. You bring whatever you want to work on. 

Besides critiquing pieces, we’ll have discussions on topics of interest to the class. In addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.

Fee: $292.04 + hst = $330

To reserve your spot, email: brianhenry@sympatico.ca

“Writing Personal Stories & Other Nonfiction”

In person: Thursday evenings, 7 – 9 p.m.
April 3 – May 29 (or going to June 5 if the course fills up. No class April 24 or May 8)
Burlington Anglican Lutheran Church, 3455 Lakeshore Rd, Burlington, Ontario (Map 
here)

Note: “Writing Personal Stories” is also offered online. See all upcoming weekly writing courses here.

If you want to write any kind of true story, this course is for you. Personal stories will be front and centre – we’ll look at memoirs, travel writing, personal essays, family history – but we’ll also look at writing feature articles, creative nonfiction and other more informational writing. Plus, of course, we’ll work on creativity and writing technique and have fun doing it. 

Whether you want to write a book or just get your thoughts down on paper, this weekly course will get you going. We'll reveal the tricks and conventions of telling true stories, and we’ll show you how to use the techniques of the novel to recount actual events. Weekly writing exercises and friendly feedback from the instructor will help you move forward on this writing adventure. Whether you want to write for your family and friends or for a wider public, don't miss this course.

We’ll also have a published author as a guest speaker.

Fee: $220.35 plus 13% hst = $259

To reserve your spot, email: brianhenry@sympatico.ca

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada's most popular blog for writers, teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Saint John. But his proudest boast is that he’s has helped many of his students get published.  

Read reviews and other pieces about Brian's various courses and workshops here (and scroll down).

See all of Brian’s upcoming weekly writing classes, one-day workshops, and weekend retreats here.

Mark Baker has a new novel out: The Wrecker's Daughter

Hi, Brian.

This is to let you know that my new historical novel, 
The Wrecker's Daughter, has just been released.

Here's the blurb:

Welcome to St. Rose, Cornwall, where the merry villagers make their living by wrecking ships and stealing their cargoes, where weddings are interrupted to loot shipwrecked schooners, where the parson is in the wrecker's pay and preaches a wrecker's gospel and Christmas is celebrated with fist fights and pistol shots.

Meet Hannah Pendarves, first daughter of the village, who thinks anyone from as far away as the next town is a foreigner and not to be trusted. But Hannah's small world cracks open when she discovers that her father is part of a vast syndicate of wreckers and smugglers.

When the syndicate places Hannah as a spy in the house of Francis Keverne, a kindly and upright Falmouth shipping agent, Hannah begins to question the wrecker's gospel and regret the blood that is on her hands. Now the wrecker's daughter must choose between her father and Francis while with every step she feels the devil, and the syndicate, snapping at her heels.

Kirkus calls it “A darkly immersive coming-of-age story set on the hazardous coast of Cornwall” and gives it a good review here.

Thanks for all your help over the years.

Mark

--
G. M. (Mark) Baker

https://gmbaker.net

The Wrecker's Daughteris available here.


See more books from your fellow authors here (and scroll down), and see where they’re getting their short pieces published here (and scroll down).

See all my upcoming weekly writing classes, one-day workshops, and four-day retreats here~Brian

 

Sunday, March 16, 2025

Still spots open in “Writing Picture Books (and other little kid lit) – Intensive”

“Writing Picture Books – Intensive”

Online: Wednesdays, 6:30 – 9:00 p.m.
First readings emailed March 19.
Classes: March 26 – June 4 (or to June 18 if the course fills up. No class April 23 or June 11)

Note: See all the writing classes on offer this spring here.

This Intensive course will be organized like my other Intensive courses, but it’s for people writing picture books – though if you want to bring board books, early chapter books, a nonfiction proposal, or some other form of kid lit, we’re very easygoing. You’ll be asked to bring in several pieces of your writing for detailed feedback. This may be several separate picture book manuscripts or, possibly, just one, reworked several times. You bring whatever you want to work on. 

Besides critiquing pieces, we’ll have discussions and I’ll give short talks addressing the needs of the group. You’ll receive constructive suggestions about your writing, learn how to critique your own work, ands you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write.

I expect you’ll find this course extremely rewarding – and fun. After all, we’re working on picture books!

Fee: $292.04 + hst = $330

To reserve your spot, email: brianhenry@sympatico.ca

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada's most popular blog for writers, taught creative writing at Ryerson University (now called Toronto Metropolitan University) and has led workshops everywhere from Boston to Buffalo and from Sarnia to Saint John. He’s also the author of a children’s version of Dr. Jekyll and Mr. Hyde. But his proudest boast is that he’s has helped many of his students get published. 

Read pieces about ~ or inspired by ~ Brian's retreats, courses and workshops here (and scroll down).

See all of Brian’s upcoming weekly writing classes, one-day workshops, and four-day retreats here.

To receive new postings on Quick Brown Fox as soon as they go up, visit Quick Brown Fox on Substack, and subscribe: https://brian999.substack.com/ 

Friday, March 14, 2025

Kudos to Emily, Janine, and Marg!

Note: If you’ve had a story (or a book!) published, if you’ve won or placed in a writing contest, if you’ve gotten yourself an agent, or if you have any other news, send me an email so I can share your success. As writers, we’re all in this together, and your good news gives us all a boost. 

Also, be sure to let know if you're looking for a writers' group or beta readers; a notice in Quick Brown Fox, will help you find them. 

Email me at: brianhenry@sympatico.ca

 

Hi, Brian.

I wanted to let you know the good news. My short story “She’s Sixteen” has been accepted for publication by the UK blog Inspire the Mind. This was one of the stories you read over when I was taking one of your classes. Thanks again for your help.

Regards,
Emily R. Zarevich

Read Emily’s story “She’s Sixteen” here.

For information on upcoming weekly creative writing classes, see here.

  

Hi, Brian.

Excited to share that my 101 Word Story: “Indelible” was published on February 2, 2025.

All the best,

Janine Elias Joukema

Read Janine’s story, Indelible” here.

For information on submitting to 101 Words and a couple other great places send your short work, see here

 

Hi, Brian.

the short story I wrote after the Briars retreat has been published in CommuterLit.  Thanks for suggesting I submit it there!

Marg Heidebrecht

Marg’s story “Roasting” has also now been published on Quick Brown Fox. Read it here.

For information on submitting to CommuterLit (and a few other interesting places) see here.

For information our June writing retreat at Arowhon Pines Resort in Algonquin Park, see here. For information on the September retreat, see here.

 

See all my upcoming weekly writing classes, one-day workshops, and four-day  retreats here. ~Brian

See where your fellow writers are getting short pieces published here (and scroll down).

Note: You can get new postings on Quick Brown Fox delivered straight to your Inbox as I publish them. Subscribe to Quick Brown Fox on Substack here: https://brian999.substack.com/

Thursday, March 13, 2025

“The Artillery Ball,” by Norma Gardner

I came home from university in early November to attend the Artillery Ball, an annual black-tie event, hosted by the 49th Field Regiment, of which my boyfriend Rob was not only a member, but a kilt-wearing one. He was a drummer in their pipe band and they were performing at the ball, a military event that honoured those who served.

Rob seemed comfortable in his skin, fit in with any crowd, and apart from the kilt-wearing thing, had a normal Canadian family – all things that didn’t describe me. My parents immigrated from Italy before I was born and my upbringing was coloured with traditional food and language and was tethered to customs from an ocean away. I was often an unwilling participant and resented the way my culture made me different.

With reverence in his voice, Rob described the formality of the event, ripe with military fanfare and Scottish regalia, mentioning he’d be in full highland dress. I didn’t know what any of this meant and was only focused on my dress, a beautiful ivory gown, with a full-length pleated skirt, adorned with a satin ribbon at the waist.

His full reveal came when he arrived at my parents’ house. While I was looking forward to seeing his shapely legs in a kilt, the star attraction was his bright red tunic, with silver braid, shiny buttons, and epaulettes.

Completing the look were his diced red and black hose, white spats buttoned at the side over black shoes, and a drummer’s plaid – a large fringed tartan shawl, tied at the waist under his tunic, and pinned under the left epaulette. I felt like a princess about to be swept away by my prince.

Even my Italian Catholic mother, who wasn’t thrilled I was dating a fair-haired Canadian Protestant boy, was quite taken with his ensemble and in her broken English, gifted him with, “You look very nice.” I guess dating a man who wore a skirt forgave the non-Catholic indiscretion.

Norma and Rob

We posed for the obligatory pictures and on our way to the ball, stopped in at the hotel gift shop where Rob’s mother worked. She wanted to see us in our finery and had to ensure her son’s plaid draped properly and fell in soft balloon formation at the back. 

After re-pinning it under the braided epaulette and doing a general inspection, she looked at me. “You’ll have to learn how to do this someday.”

I wondered if he was exaggerating the evening’s formality but the uniform and his mother’s serious attention to detail confirmed this was not like any other party. It was overwhelming for a shy, uncool girl, and every new piece of information made me more nervous about my fairytale evening. The voices in my head whispered that maybe my mother was right and a nice Italian boy was more my type.

Rob sensed my discomfort. “It’ll be fine. You’ll see. We’re sitting with the Whiteheads. They’re one of the most prominent families in town but are so down to earth that you’d never know it.” This did nothing to ease my sense of dread.

When we arrived at the armoury, it was like landing on an old movie set – tables clad in white, guests in uniform or donning their formal best. After filing through the receiving line and collecting our commemorative goblet, we were seated at a long table, across from William and Marg Whitehead, who were older than us and welcomed us with smiles.

William was a jovial man with a breathless lilt in his voice that sounded like perpetual laughter, and he teased Rob without mercy.

“So will you be going home with the same woman you came with this year?” he asked.

I pretended to laugh along and hoped nobody heard the butterflies battling for space in my stomach. Things took a turn though, when later in the evening, William declared, “She’s much better looking than the girl you brought last year.” I was starting to warm up to the Whiteheads.

The ceremonial part of the evening was about to begin and Rob left me to prepare for the entrance of the pipe band. He hadn’t mentioned they’d be preceded by a flaming boar’s head paraded through the hall on a pallet. I’d been to many lavish Italian weddings but an alcohol-soaked pig on fire was in a class of its own.

When the band marched in, I noticed Rob had donned the last part of his uniform, the crowning glory, a tall black feather bonnet with ostrich tails. Later, as we danced to the backdrop of old world tradition and the sway of tartan, I realized I’d fallen in love with the regalia, the Scottish culture, and my date.

I’d worried about our differences – he the cool and carefree one and me, introspective and studious, but that night revealed an alternate and humbling truth. Culture and heritage were at the core of our respective realities, even though I ran away from mine, resentful of the way it set me apart, and he ran toward his, immersing himself in tradition.

It was as if his passion to remain connected to his culture gave me permission to stop resisting a connection to mine. After all, if he could unapologetically wear a skirt and argyle knee-highs, while still managing to be cool and feel comfortable in his skin, then perhaps he was on to something.

As the months passed, I realized that his wasn’t the only culture he connected with. He became more Italian as time went on and my relatives started inviting him to family occasions even while I was away at school.

After trying to reach him all day on Easter, he called me back in the evening and said, “Oh sorry. I was at your uncle’s. I saw them when I was having lunch at your parents’ house and told them I’d never had lamb so they invited me to supper.”

At our wedding, we had bagpipes at the church and my dad’s homemade wine accompanied the traditional pasta dinner. To my mother’s chagrin, I included a long-forgotten Italian custom where Rob and I went to each table and scooped five almond wedding candies (it had to be an odd number) from a silver tray onto the napkin-lined hand of each guest.

One of the older relatives said, “I forgot about this custom. I haven’t seen it since I left Italy.”

We didn’t have a flaming boar’s head, but our Scottish-Italian wedding gave the Artillery Ball a run for the money, and the mix has carried us well for over forty years.

Norma Gardner retired from the corporate world a few years ago and enjoys spending time with family and friends, travelling, and expressing herself through her writing and sourdough recipes. Growing up in Northern Ontario, her family’s antics and her Italian upbringing supply the inspiration for her personal essays. She currently lives in Waterdown, Ontario.

Read more of Norma’s stories at her website here.

Read more short stories, essays, and reviews by your fellow writers here (and scroll down).

See Brian Henry's upcoming weekly writing classes, one-day workshops, and four-day retreats here.