Saturday, April 22, 2023

A new book from Erin Silver: Good Food, Bad Waste

Good Food, Bad Waste by Erin Silver, illustrated by Suharu Ogawa

A deep dive into why humans waste so much food and the consequences for people and the planet

Around the world, a billion tons of food gets thrown away every year, even when hundreds of millions of people suffer from hunger. A lot of what we don't eat ends up rotting in landfills which contributes to global warming. The good news is that many governments, communities and individuals are working hard to tackle this giant problem. You can be part of the solution, starting in your own home—and working together, we can decrease our overall waste and make sure all people have food security. Plus, by reducing food waste, we can also fight climate change!

With inspiring profiles of food-waste activists and tasty tidbits on things like best-before dates, Good Food, Bad Waste offers much food for thought.

Good Food, Bad Waste is available from Orca Books here.

For information about submitting to Orca Books, see here.

Erin Silver is a children’s author and freelance writer with nearly 20 years of professional industry experience. Her work has appeared in Good Housekeeping, The Globe and Mail, The Toronto Star, Today's Parent, Chatelaine, and The Washington Post, among others.

Erin has five books previous out: Just Watch Me (Common Deer Press), a middle grade novel about the perils of the online age; What Kids Did: Stories of Kindness and Invention in the Time of COVID-19 (Second Story Press), a nonfiction picture book about the amazing ways kids around the world helped during the pandemic; and Proud to Play (Lorimor), featuring outstanding Canadian LGBTQ+ athletes and allies who have made a difference.

Plus, she has two more books that came out in 2022: Sitting Shiva (Orca Books), a picture book about a child grieving his mother, and Rush Hour: Navigating Our Global Traffic Jam (Orca), a nonfiction book for kids 9–12. More books are on the way.

Erin has a Masters of Fine Arts in Creative Nonfiction from King's College in Halifax, a postgraduate journalism degree from Ryerson University and a Bachelor of Arts from the University of Toronto. She's a member of IBBY, The Writers Union of Canada, CANSCAIP and SCBWI. She’s a frequent and much-loved guest speaker at Brian Henry’s Kid Lit classes and workshops. Visit her at erinsilver.ca

See Brian Henry’s upcoming weekly writing classes, one-day workshops, and weekend retreats here.

Wednesday, April 19, 2023

UK literary agent Kristina Pérez seeks new authors

Sing if You Can't Dance by Alexia Casale
represented by Perez Literary

Pérez Literary & Entertainment

49 Greet Street
London, W1D 4EG
UK

https://www.perezliterary.com/

Note: You can hang out and chat with quick brown foxes and vixens on my Facebook page (here). Just send a friend request to Brian Henry. Also, if you're not yet on my newsletter list, send me an email, including your locale to: brianhenry@sympaticpo.ca ~Brian

Pérez Literary & Entertainment is a full-service agency dedicated to storytelling in all of its forms. PLE is looking to nurture long-term relationships with their clients, working in both traditional and non-traditional media. Founded by Kristina Pérez, a New Yorker in London, Pérez Literary is a transatlantic agency working throughout the English-speaking world. 

Kristina has been a bookworm for as long as she can remember and has a decade of experience in publishing as both an author and an agent.

She has held positions at the National University of Singapore and the University of Hong Kong. Her academic work is rooted in feminist, queer and postcolonial theory and she remains keenly interested in those fields. Her monograph, The Myth of Morgan la Fey was published by Palgrave Macmillan, using feminist psychoanalysis to recenter the famed sorceress at the heart of the Arthurian tradition.

Kristina Pérez

Kristina has also written several novels for young adults. The Sweet Black Waves trilogy (Imprint /Macmillan) draws on Kristina’s expertise in medieval literature to retell the legend of Tristan and Isolde, while The Tesla Legacy (Tor Teen) reimagines the classic superhero origin story with a precocious female scientist at its helm. Kristina’s first novel for adults, The Many Lies of Veronica Hawkins is forthcoming from Little, Brown UK.

Being both an agent and an author allows Kristina to fully guide her clients through every step of the publishing process. She loves launching debut authors’ careers as well as working with mid-career authors looking for new challenges. She is eager to work with writers from around the globe.

Kristina is looking for:

Commercial & Book Club Fiction – “I’d love to see a manuscript that plays with form and narrative structure like Daisy Jones & the Six or The Paper Palace. Sweeping multigenerational dramas in the vein of Pachinko or books that take on timely issues such as Emily Edwards’ The Herd will catch my eye. Keenly researched historical fiction like Lynne Kutsukake’s The Translation of Love or anything by Yangsze Choo will hit the mark.”

Upmarket Fiction – “Give me The White Lotus but make it a book. Even something quirky like Avenue 5. Any kind of razor-sharp and laugh-out-loud social satire is my cup of tea. The characters don’t have to be likeable so long as they’re compelling. Books with the lyrical prose of Jane Healey’s The Ophelia Girls won’t go amiss. I also love a high concept twist like The Other Black Girl and books set in non-Western locations like Crazy Rich Asians or My Sister the Serial Killer. I’d also flip for a retelling with the incisive perspective of Pat Barker’s The Silence of the Girls.”

Crime and Thriller – “Sunday nights at my house as a kid were all about Murder, She Wrote, so if you have a clever murder mystery, cozy or darker, on your hard drive, then send it my way. I would also love to see Knives Out with a little romance thrown in. 

“On the more psychological thriller side of things, lately I’ve been inhaling Shari LePena, Gillian McAllister, Louise Candlish and Catherine Steadman. And if you have the taut characterisation of Patricia Highsmith, then please knock on my door (but not literally!).”

Crossover YA Romance and Fantasy – “Dark or light academia, I don’t mind, just give me some Bridgerton with magic. I love brooding (but not obnoxious) heroes and heroines. I would love to find a queer romance set in an alternate timeline or a well-considered secondary world. I want to escape into an epic romance, especially enemies to lovers, where the protagonists learn and grow through their relationship (even if they’re fighting like cats and dogs!). Show me interdependence, not codependence, and maybe throw in some corsets.” 

Nonfiction – “I am primarily looking for current affairs, cultural history, and popular science. If you’re an academic who can write like a journalist, I want to hear from you. Think Latinx by Ed Morales. Or this decade’s version of China Pop by Jianying Zha. I love nonfiction that tells stories and cover big topics in unusual ways such as Lara Maiklem’s Mudlarking or Deirdre Mask’s The Address Book. Oral histories like Live from New York by James Andrew Miller are high on my wish list.

“I am also always looking for feminist criticism like Susan J. Douglas’s Where the Girls Are. A biography on a lesser-known female historical figure such as Widow Clicquot by Tilar J. Mazzeo will pop my cork! Recent popular science I’ve enjoyed include: Invisible Women by Caroline Criado Perez, Inferior by Angela Saini, and Why We Sleep by Matthew Walker.

Query Kristina through her query manager here.

Full submission guidelines here.

Literary agent Stephanie Winter
is the guest speaker for our May 27
"How to Get Published" workshop 

If you’re interested in getting published and in meeting a literary agent, don’t miss our upcoming How to Get Published workshop. Details here.

Beyond that we have two writing retreats coming up:

Algonquin in June Writing Retreat at Arowhon Pines Resort, Friday, June 9 – Monday, June 12. Details here. One or two spots still open!

New: Late summer Writing Retreat in Algonquin Park at Arowhon Pines Resort. Tuesday, Sept 5 – Friday, Sept 8. Details here. 

See all current offerings of upcoming weekly classes, one-day workshops, and writing retreats here.

To reserve a spot or for more details about any course, workshop or retreat, email brianhenry@sympatico.ca

Navigation tips: Always check out the Labels underneath a post; they’ll lead you to various distinct collections of postings. If you're searching for a literary agent who represents a particular type of book, check out this post.  

 

Monday, April 17, 2023

Novellas, poetry, short fiction wanted, special calls for work by young poets, disabled writers, and writers 55+

Note: You can hang out and chat with quick brown foxes and vixens on my Facebook page (here). Just send a friend request to Brian Henry.

Also, if you’re not yet on my newsletter, send me an email, including your locale, to: brianhenry@sympatico.ca ~ Brian

 

Psychopomp describes itself as a small press publishing otherworldly fiction and captivating essays. They’re currently looking for speculative fiction and literary novellas, 20,000–40,000 words that fall under one or more of these themes:

stories where grief or loss play a leading role

stories that feature the afterlife or the underworld

stories that involve the journey through death/the journey of the dead

stories that involve death personified (Death!)

stories that take place in, or utilize a multiverse

stories that involve time travel (esp. those that involve time travel + a previously mentioned theme)

origin stories (especially as they relate to previously mentioned themes)

stories where the characters slowly lose their sense of reality

goth

space, but make it goth

a story within a story within a (within a story that’s [within a story] within a story) story….

stories where things that are not usually personified ARE personified (planets? galaxies? time? …bones?

creepy meta-horror

amazingly original ghost stories

Pays $750 U.S advance against royalties, plus 25% of net receipts.

Deadline: April 30, 2023. Full guidelines here.

Psychopomp is also seeking nonfiction essays, 1,000–2,000 words,  on an ongoing basis. Essays should fall under the general umrella of: goth, death, funerary, grief, loss, alternative, or otherworldly.

Pays $50. See full guidelines here.

 

The League of Canadian Poets is calling for entries for the Jessamy Stursberg Poetry Prize for Canadian Youth. The prize is supported through a generous donation from the Stursberg family and other donors in honour of Jessamy Stursberg. 

The prize accepts submissions from young poets all across Canada, with three prizes awarded in both the Junior (grades 7 to 9) and Senior (grades 10 to 12) categories:

Winner: $400
Second Place:
 $350
Third Place:
 $300

Selected winning poems and runners-up will be published in a special edition of the League of Canadian Poets chapbook series!

Full guidelines and entry link here.

The League’s next contests for adults are in the summer – two contests, both open June 1 with deadlines of August 10:

Lesley Strutt Poetry Contest $5 entry fee. Open to all poets. No limit on number of submissions. Unpublished work only. Winner receives a $500 prize and publication on Poets.ca and Poetry Pause. 

Toronto Arts & Letters Club Foundation Annual Poetry Award $5 entry fee. Open to poets in the early stage of their career. No limit on number of submissions. Unpublished work only. Winner receives a $500 prize, publication on Poets.ca, and a year of membership with the Toronto Arts & Letters Club. 

 

Royal Canadian Legion District E invites you to enter the fifth annual seniors 55+ literary competition. Poems, essays, short stories and short memoir pieces accepted. Prizes will be awarded to winners in each category:

POETRY — maximum 32 lines

SHORT STORY - word count maximum 4,000

ESSAY — word count maximum 1,000

MEMOIR — includes biographies, autobiographies, and travel writing — word count max. 5000

Do not include your name on the entry; use the application to identify yourself.

Open to all Ontario resident seniors aged 55+

Must complete and attach official registration form

Must be original, written by the contestant and be unpublished   

Must be submitted in English or French

Must not exceed the line or word limits specified

Must be electronic submission. Name on application/entry form and title page only

Contestants may submit only one entry in any / each category

Submission must include a cover page stating the title, author's name and entry line/word count

Biographies that are submitted must include written consent from the subject, if living.

Entry forms are available upon request at: DistrictEseniorsliterary@gmail.com

Submissions must be received at: DistrictEseniorsliterary@gmail.com

and clearly marked SENIORS LITERARY COMPETITION

Deadline: April 30, 2023

 

Arc Poetry is a Canadian magazine the looks to “find the brave new voices. We feature poetry that is woozy, cunning, shearing and wildlike; and prose that offers new perspectives on the verse you thought you knew.”

Arc accepts submission from poets at all stages of their career during their two submission periods: Spring April 1 – July 31 and during fall September 1 – December 31. You may submit only once per year with up to three poems, not to exceed 360 lines of poetry. Pays $50 per page.

Arc also publishes and pays for essays about poetry, in-depth interviews with poets, and short (500-word) appreciations of a single poem by a Canadian poet.

Full guidelines for all submissions here.

Special call for submissions: Arc invites “artists who live with disability/chronic illness/mental illness and other forms of existence that are impacted by ableism to send us poems, prose, essays, and reviews exploring what it means to be in the world, or your topic of choice. We hope that your art challenges the able-bodied gaze and doctrine by changing the narrative of the dominant body and extending the meaning of wholeness.”

These poems will be part of Arc‘s Fall 2023 issue. Deadline May 15, 2023. Full guidelines here.

  

long con is a Canadian digital art and literature quarterly that publishes art about art. 

“long con  was founded on the idea that all artworks exist in conversation with all other artworks, and the magazine’s purpose is to publish artworks that bring this long conversation to the surface. 

“For us, 'art about art' means artworks created in direct response to other objects, performances, artifacts, etc., that can be considered ‘art’ – including all forms of writing, gallery & theatre arts, and pop culture (fashion, sports, comics); infrastructure (monuments, architecture, tools); ephemera (ads, memes, user manuals); propaganda (parades, political speeches); and non-human creations (elephant paintings, bird nests, insect dances).”

long con publishes literary works including fiction, poetry, prose poetry (but non nonfiction), plus visual, video, audio, and interactive works. Pays $50 for most pieces, 425 for short works.  

Guidelines here. Deadline May 31, 2023, for inclusion in Issue 15.

 

Quick Brown Fox welcomes your short stories, poems, and essays about reading, writing, favourite books, and libraries. Read a few essays on the blog to get a taste of what other writers have done (see here and scroll down).

Quick Brown Fox also welcomes reviews of any kind and of anything, anywhere or anybody. If you want to review your favourite coffee shops or libraries, babysitters or lovers (no real names please), go for it. See examples of book reviews here (and scroll down); other reviews here (and scroll down).

Submit to: brianhenry@sympatico.ca

Include a short bio at the end of your piece and attach a photo of yourself.

 See Brian Henry’s upcoming weekly writing classes, one-day workshops, and weekend retreats here.