Reflections
& Reveries by
Gail M. Murray
Published in 2024 by Blue
Haven Press, 115 pages. Available here.
In
Reflections and Reveries, Gail
Murray takes us on a magical mystery tour, through the lush landscapes of the
Mediterranean to the “clang and clutter” of New York, from sunny
memories of childhood, through roller coasters of love, to musings on the
approach of death.
Murray writes in free
verse style, with none of the traditional meter, rhyme or stanza formatting.
Instead, the words flow unfettered by convention, sometimes grouped into three
or four lines, but more often filling whatever space they need: I search out
beauty/ crafted with a gentle heart/ Sometimes the poetry chooses me (“Inspiration”).
The poems rooted in the
love of nature are classically beautiful. They bring out the author’s deep
respect for the natural world, and engage all our senses: Here in the
clouds, the air clean/ Layers of green bathe my winter weary spirit (“Rainforest”).
Whether telling us of the
orange groves of Grenada, or the “thunderous explosions” of Costa Rica’s
Arenal volcano, Murray taps into the emotional power of Mother Nature and pulls
us close to share her secrets.
Sometimes, the author
takes us closer to travel writing or descriptive prose style — hiccups in the
otherwise seductive read. The poems “Genoa” (Today the highway obstructs our
view/ Guidebooks don’t tell you that), and “Packing” with its practical
advice, are examples of this. But we are soon brought once more under the spell
of emotional contemplation.
Her writing is deceptively simple, grouping common thoughts and feelings in unusual ways, bringing new depth of feeling, new light on old subjects: I can’t move on till/ He moves out /out of my mind/ out of my reveries/ off my phone line (“Out There”).
In “Twilight in Barbados,” a particular favourite
of mine, the author paints a simple but captivating scene, conjuring sight,
smell and sound so clearly into twelve short lines, ending with: guests in
their rooms/ shower away salt and suntan lotion/ I sit at peace/as the resort
comes to life again.
Murray covers a broad
canvas with this work, including recollections of long-ago family gatherings,
men gone to war, tributes to long-deceased authors and feline companions, as
well as the challenge of inherited memorabilia that inspire reverence and
despair: What’s to become of these treasures? Oh well, at least I’ve used
the good dishes. (“It’s Time”).
But it is the poems about
love and its loss that resonate most profoundly. Some zero in on the delicious
anticipation at the beginning of a new relationship:
the sweetness and excitement of/ yet to be/
beckons (“Response”)
When he departs/ A part of me goes out the door/
with him. (“My
Split Apart”)
Many are suffused with
regret, and reveal a deeply honest vulnerability, a harrowing sense of
betrayal:
From the admission of your affair/ you long for
it, too/ just not with me (“Remember How”).
What is he telling me? “…had an encounter … she
can arouse me.” Traded in like a used car. (Blindsided)
If you meet a year from now/ How will you feel?/
Will you feel at all? (“Orchid Petals”)
Particularly poignant is “Living
on Hold,” which touches on life during the pandemic, and echoing feelings that
so many endured during this time: She lives on hold, growing older by the
minute/ running out of time to love again.
No matter what the theme,
lovers of poetry will find themselves happily lost in these one hundred and
eleven reveries and reflections, losing track of time as they explore and
succumb to the embrace of this highly creative new work.
Reflections
& Reveries is
available here.
Liz Torlée has had two novels published: The Way Things Fall (here) and In Love
With The Night (here), both wih Blue Denim
Press. She’s currently at work on the third in the trilogy. Her short
story, Flight, was published by Chicken House Press in April
2024 in the anthology, Will There Be A Sunset?
Liz lived and worked in England and Germany before emigrating to Canada.
When she is not writing, she and her husband are usually travelling to faraway
lands.
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