Thursday, April 18, 2024

Canadian literary agency CookeMcDermid has six agents looking for new authors

Daughter by Claudia Dey
represented by CookeMcDermid

CookeMcDermid Literary Management

219 Dufferin Street
Unit 208B
Toronto
, Ontario

https://cookemcdermid.com/

Note: You can now get new postings on Quick Brown Fox delivered straight to your Inbox as I publish them. Subscribe to the new Quick Brown Fox page on Substack here:  https://brian999.substack.com/

You can also get an email about twice a month about what’s coming up in terms of writing classes, workshops, and retreats, plus providing links to the other material on the Quick Brown Fox blog. For that, add your name and email in the Sign-Up box in the righthand column. ~Brian 

CookeMcDermid was created in 2017 by the amalgamation of two preeminent Canadian agencies, The Cooke Agency and The McDermid Agency.

CookeMcDermid is a full-service literary agency, representing authors in Canada, the U.S., and throughout the world. The agency represents literary, commercial and speculative fiction, a broad range of nonfiction, and middle-grade and young adult books. These books have been adapted into major motion pictures and translated into more than 60 languages.

CookeMcDermid sells directly into Canada, US, UK, Australia, New Zealand and India and sells translation rights in conjunction with 35 co-agents around the world. CookeMecDermid also has an in-house film/tv division that sells these rights directly or works with associates to do so.

Six of the nine agents with CookeMcDermid are seeking new authors:

Ron Eckell is a literary agent and co-owner of CookeMcDermid. A graduate of Simon Fraser University’s Master of Publishing program and a twenty-nine-year veteran of Canadian publishing, Ron worked with Penguin Canada, Westwood Creative Artists, and Random House of Canada before joining CookeMcDermid in 2009. He also co-owned Cooke International, an agency specializing in foreign rights management for a diverse group of publishing clients, until the end of 2021. 

Ron’s client list at CookeMcDermid includes international bestselling author, RUSH bassist, and Rock ‘n’ Roll Hall of Famer Geddy Lee, culture writer, broadcaster and bestselling author Scaachi Koul, CBC Radio columnist, writer, broadcaster and producer Jesse Wente, horror writers Michael Wehunt and Adam Pottle and the Women’s Prize longlisted author Alicia Elliott.

Ron is a former president and current member of PACLA (the Professional Association of Canadian Literary Agents) and you can find him on Twitter @roneckel and on Instagram at @eckelron.

Ron is particularly drawn to dark fiction, both commercial and literary, in the areas of horror, science fiction and fantasy, suspense, and psychological thrillers that terrify.

He is also seeking story-driven narrative nonfiction in the areas of pop culture, music, sports, pop science, and story-driven current affairs that start conversations.

In both fiction and nonfiction, he wants strong, unique voices that have a compelling, engaging story to tell.

Query Ron through his Query Manager here.

Note: If you’re interested in getting published, check out our upcoming “How to Get Published” workshops here.

Rachel Letofsky joined the agency in 2010, and specializes in children’s literature (middle-grade and YA, fiction and nonfiction), narrative driven nonfiction, and literary, commercial, contemporary and historical fiction for adults.

Her clients include National and International bestsellers, and nominees and winners for many prestigious awards. She frequently travels throughout North America to writers’ festivals and literary events to moderate panels, take part in quick-pitch sessions, and host workshops for authors. 

When not travelling or reading for pleasure or work, Rachel loves spending time with her family, going on hikes, inventing new recipes under the strict supervision of her cats, Mimsy and Frodo, listening to true-crime podcasts, planning for the upcoming alien/zombie invasion, and swimming in lakes and oceans as much as possible. She is on Twitter at @rachelletofsky.

Rachel is actively seeking ground-breaking and heart-breaking middle grade and YA titles in all genres. She is drawn to works with a whimsical nature or a grounded, gritty edge in equal measure, though in either instance, unforgettable characters and original concepts are a must.

Rachel also has a natural soft spot for exquisite literary fiction, and thought-provoking, high-concept speculative fiction.

In nonfiction, Rachel is looking for narrative-driven memoirs and anything quirky, life affirming or mind blowing.

Specifically, Rachel is seeking Middle Grade & Young Adult Fiction and nonfiction (but not prescriptive nonfiction).

For adults, she’s looking for Commercial Fiction, Historical Fiction, Literary Fiction, and Speculative Fiction.

She also wants Narrative nonfiction or Essay-driven nonfiction in the areas of politics, pop culture, true crime, humour, personal history

Query Rachel through her Query Manager here.

Note: If you’re interested in writing kid lit, don’t miss our one-day “Writing for Children and for Young Adults” workshops. Details here.

And, check out upcoming weekly “Writing Kid Lit” courses. See here here (and scroll down, because we may have more than one course running.

Hana El Niwairi is a literary agent and the Rights Manager at CookeMcDermid. She leads the rights team in representing the works of agency authors outside of North America: in Asia, Europe, the UK, and more. Since 2017, Hana and her team have placed agency books into over 50 territories around the globe. 

Prior to joining the publishing industry, she worked in the non-profit, arts, and culture sectors with organizations such as the Book and Periodical Council, Culture Days, and Paprika Festival. She is a graduate of Humber College's Arts Administration and Cultural Management program and holds an Honours BA (Specialization in Creative Writing and English Literature with a Major in Psychology) from Western University. Outside of her role at the agency, Hana is also one of the co-founders of BIPOC of Publishing in Canada.

Hana's tastes are eclectic and she reads widely across genres. She’s drawn to character-driven stories, featuring morally grey protagonists, “difficult” women, and commercial fiction written by and about marginalized communities.

Additionally, in her (somewhat futile) pursuit to learn everything, ever, Hana is an avid reader of nonfiction, particularly politics, social science, media criticism, science, and history. She is keenly interested in nonfiction exploring systemic issues and how they play out in the day-to-day lives of the average person.

Specifically, in fiction, Hana is seeking Science Fiction & Fantasy (adult and YA), Romance: works in the vein of Emily Henry's Beach Read or Mia Sosa's The Worst Best Man, Book Club fiction, and Thrillers

For nonfiction, Hana wants well-researched projects in various topics including but not limited to: politics, social justice issues, pop culture and media, sciences, and history.

Examples of her recent favourites include: Elaine Castillo’s How to Read Now, Ethan Cross’s Chatter, Johnny Pitts’s Afropean, Chanda Prescod-Weinstein’s The Disordered Cosmos

Query Hana through her Query Manager here.

Suzanne Brandreth is a co-owner of CookeMcDermid and a hands-on agent who works with her clients to help them turn their ideas and books into conversation-shifting, enduring commercial successes. Her clients’ books have been published across the globe, in English and into over 40 languages, and have appeared on numerous international bestseller and “Best of” lists. 

Suzanne is the agent for #1 New York Times bestselling poet Rupi Kaur’s global hits the sun and her flowers and home body, Ritu Bhasin’s instant bestseller We’ve Got This: Unlocking the Beauty of Belonging, and thinker and bestselling author Charles Montgomery’s forthcoming book on how the modern world kills our trusting relationships, and what we can do to revive them.

Suzanne has worked as a bookseller, an editor, and most recently ran and co-owned Cooke International, one of the few agencies worldwide focused solely on foreign / translation rights. Suzanne has a keen understanding of what succeeds in international markets and works closely with a network of editors, publishers, and scouts around the world.

In fiction, Suzanne s seeking voice-led (upmarket and literary) novels with indelible characters, unexpected plot points, and compelling perspectives.

In nonfiction she wants idea-driven narrative non-fiction that grapples with what it is to be human (especially in the 21st century), particularly in the areas of economics, nature, organizational behavior, psychology, philosophy, and science.

She’s also seeking practical nonfiction from authors with well-established platforms in all areas of personal development, including work life / finance / health / wellness / transformation.

Query Suzanne through her Query Manager here.

Cody Caetano began his agenting career at Transatlantic Agency, where he worked as an Associate Agent, Editorial Agent, Agent Assistant, Receivables Clerk, and Contracts Administrator before joining CookeMcDermid in 2022. He has an MA in English in the field of Creative Writing and a BA in Professional Writing and Communication from the University of Toronto.

As an agent, Cody represents writers of original literary fiction and nonfiction, poets transitioning into prose, and storytellers who take risks for the betterment of their readerships.

Cody is Anishinaabe, Portuguese, and an off-reserve member of Pinaymootang First Nation. His mother’s family comes from the Manitoba Interlake and his father’s family emigrated from the Azores in the 1960s. Cody’s memoir, HALF-BADS IN WHITE REGALIA, sold in a seven-bid auction, received two Indigenous Voices Awards, was longlisted for Canada Reads 2023 and the 2023 Leacock Medal for Humour, and debuted as a national bestseller via Penguin Canada’s Hamish Hamilton imprint.

Cody is seeking literary fiction.

In nonfiction he’s looking for memoir, investigations, and book-length essays.

Query Cody through his Query Manager here.

Martha Webb is an agent and co-owner of CookeMcDermid. Her list comprises literary fiction, upmarket commercial fiction and a broad range of nonfiction, including investigative journalism, memoir with a particular focus, popular science, history and philosophy, and some self-help. 

She is drawn to rebels and contrarians with a good sense of humour, and to books that are topical, deal with important issues, or strive for social betterment while also being great reads. She values distinctive voices and good storytelling, in whatever form. 

Her clients include: Elamin Abdelmahmoud, Jen Agg, Michael Crummey, Claudia Dey, Robyn Doolittle, Cathal Kelly, Sonya Lalli, Carol Off, Saleema Nawaz, Joan Thomas, Shannon Lee Simmons, and Britt Wray.

Martha began her career in publishing in 2005 with The McDermid Agency, of which she later assumed co-ownership prior to the creation of CookeMcDermid. She holds an MA in literature from the University of Edinburgh, and was born and raised in Montreal.

Martha is currently seeking upmarket commercial fiction and literary fiction.

She’s also looking for narrative nonfiction of all kinds, but especially investigative reporting, adventure, and science & nature.

Query Martha through her Query Manager here.

See CookeMcDermid’s submissions page here.

 See all upcoming weekly writing classes, one-day workshops, and weekend retreats here. 

Navigation tips: Always check out the Labels underneath a post; they’ll lead you to various distinct collections of postings. For more literary agents looking for authors see here (and scroll down). If you’re looking specifically for Canadian agents, see here (and scroll down). And if you're searching for a literary agent who represents a particular type of book, check out this post.

Thursday, February 1, 2024

Three literary agents looking for authors ~ picture books through young adult, plus adult fiction & nonfiction

Crave by Tracy Wolff,
represented by Prospect Agency

Prospect Agency

551 Valley Road, PMB 377 
Upper Montclair, NJ 07043

https://www.prospectagency.com/

Note: You can now get new postings on Quick Brown Fox delivered straight to your Inbox as I publish them. Subscribe to the new Quick Brown Fox page on Substack here:  https://brian999.substack.com/

You can also get an email about twice a month about what’s coming up in terms of writing classes, workshops, and retreats, plus providing links to the other material on the Quick Brown Fox blog. For that, add your name and email in the Sign-Up box in the righthand column. ~Brian 

Emily Sylvan Kim founded Prospect Agency in 2005. Currently, the agency has three agents, all looking for clients. The agency handles adult fiction and nonfiction, and all types of children’s books: board books through young adult, including rhyming picture books.

Rachel Orr specializes exclusively in children’s literature, where she represents a wide range of authors and illustrators including Sudipta Bardhan-Quallen, Cathy Carr, Mike Ciccotello, Cori Doerrfeld, Leeza Hernandez, Susie Lee Jin, and Molly Ruttan. 

Before joining Prospect in 2007, she was an editor at HarperCollins Children's Books, where she had the pleasure of working with such successful authors as Dan Gutman and Suzanne Williams. Because of her editorial background, Rachel continues to do a lot of hands-on work with her clients before sending their projects out on submission. 

Rachel is looking for short, punchy picture books (either in prose or rhyme) that are humorous and have a strong marketing hook. She also wants nonfiction picture books, especially biographies or stories with a historical angle.

Plus, she wants illustrators. 

In middle grade and young adult, Rachel is interested in both literary and commercial fiction, in all time periods and most genres. She does not want high fantasy (though she does love a good time travel) nor YA that’s too dark or edgy.

Like many agents and editors looking to acquire manuscripts, Rachel especially loves meeting authors, which is why we had her for a guest speaker at a Kid Lit workshop last February.

Query Rachel through the agency’s submission form here.

Charlotte Wenger was born and raised in Pennsylvania and Virginia. She worked for a publishing services company in Philadelphia until shipping up to Boston to earn her MA in Children's Literature from Simmons College. After gaining editorial, sales, and agency experience, she became an associate editor for Page Street Kids, where she loved working with debut talent and building relationships with authors and illustrators. 

Charlotte brings the same mindset to agenting, valuing the developmental and relational work that goes into creating successful stories and fostering long-lasting collaborations.

Charlotte is interested in working with authors and illustrators of children's books – board books through young adult, but especially picture books.

Charlotte is also seeking adult nonfiction, particularly biographies and memoirs. But she’s not looking for adult fiction.

Query Charlotte through the agency’s submission form here.

Emily Sylvan Kim is the president of Prospect Agency. As an agent, she aims to excel at identifying and nurturing each author's unique strengths and helping to grow long, sustainable publishing careers. Emily is a member in good standing at the AAR. She is also a founding member of the breakout literary production company, et al Creative.

In adult fiction, Emily is looking for commercial and upmarket women's fiction, self-published authors looking to explore a hybrid career, established romance authors and strong debut authors writing mainstream romance.

Emily is also seeking memoir and high interest nonfiction.

In the children’s market, she wants literary and commercial young adult fiction and select middle grade and early reader fiction with strong commercial appeal.

Query Emily through the agency’s submission form here.

See Prospect Agency’s full submissions guidelines here.

Literary agent Jaqcui Lipton will
be the guest speaker for our Feb 25, 2024
"How to Get Published" workshop (see here) 

If you’re interested in meeting an agent and in getting published, check out our upcoming How to Get Published workshops. Details here.

If you're interested in writing for young people, join us for a one-day Writing for Children and for Young Adults workshop with a children’s book editor or literary agent as the guest speaker or for a weekly Kid Lit class. See here {and scroll down}.

Don't miss out on our writing retreats. See details here {and scroll down – because there's usually more than one).

To reserve a spot or for more details about any course, workshop or retreat, email brianhenry@sympatico.ca

See all of Brian’s upcoming weekly writing classes, one-day workshops, and weekend retreats here.

Navigation tips: Always check out the Labels underneath a post; they’ll lead you to various distinct collections of postings. If you're searching for a literary agent who represents a particular type of book, check out this post.  

Thursday, December 21, 2023

“My COVID Christmas: a Guilty Pleasure” by Kathryn Hazlewood

 

My Christmas as a precocious, wide-eyed, five-year-old in the 1940s seems quite magical now. I still experience a Proust moment when the aroma of mincemeat fills the air, triggering childhood memories of my mother making this holiday treat.

I remember the mischief I instigated too. After mom stashed her vacuum-packed jars of mincemeat in our musty, bone-chilling fruit cellar, my impish three-year old brother and I crept down there, popped the lid of a jar of that luscious goo and began digging a well from the centre to leave the appearance of a full jar. When too cold to continue, we licked our fingers, replaced the lid, and anticipated the shrieks of “Who did this?” days later when mom opened the jars to start baking Christmas tarts and pies. We giggled, knowing full well that all would soon be forgiven under our protestations to mom that her mincemeat was better than anyone else could make.

Intensely evocative memories always seem to focus on baking and eating in my family. My mother’s kitchen was a joyful anchor throughout my life and her recipes continue to take centre stage at all our Christmas gatherings.

Guiltily, though, I admit that I associate being mischievous to those times past as well. Mom was a determined woman and very proud of her baking, with talent gleaned from her mother who our family believes was chef to Emmeline Pankhurst, champion of women’s suffrage in the early 1900s London. Channelling that strong, competitive spirit, Mom sculpted spectacular gingerbread families — mothers, fathers, and children outfitted in fancy jackets, trousers, hats, boots and gloves. Wrapped in cellophane and tied with ribbon, they were hung on our Christmas tree — a ready target for two naughty children.

We waited till the house was quiet, then crept into the living room and snapped off every last head we could reach. The beheadings were discovered next morning, but undaunted, mom carefully applied a thick, colourful icing scarf to the headless bodies and glued each head back on. We, on the other hand, were sentenced to time in our rooms with threats of coal in our Christmas stockings.

Dylan Thomas’s A Child’s Christmas in Wales had nothing on our Christmas celebrations. My five-year-old self singlehandedly made sure of that. A mammoth carved oak table awaited our Christmas dinner with the best china, silver and crystal at each place. 

When all fourteen of us sat down to eat, attention was drawn to me when dad expected me to recite a Christmas blessing. I had learned it at school and shown off to my parents by parroting it at home, but I became shy and tongue-tied with all those adult faces looming toward me in expectation. Stalling for time, I snatched up a crystal water goblet intending to take a sip, but, panic-stricken, I crunched down on the rim and came up with a tongue full of crystal shards.

I was rushed to the kitchen by two old aunts all flapping and fussing. Someone ran for tweezers and the arduous task of fetching bits of crystal from my tongue began amidst salty tears mixed with rivulets of blood. Emergency surgery completed, someone remembered that dinner was getting cold, so we all slid back into our places and my dad said the blessing. If looks could kill…I sat feeling very alone and remorseful.

Fast forward now to Christmas 2022. My expectations for our annual Christmas celebrations were shattered just days before December 25 when double lines appeared on my COVID tester. I had COVID!

The plan, as always, had been to revive my mother’s traditions but that year there were to be no aromas of roast turkey and mincemeat pies, no gingerbread families on the tree and no grandchildren’s childish antics. I was as alone on Christmas morning as if I were that five-year-old sitting humiliated and solitary at the dining room table, now with only my thermometer and a dose of Paxlovid.

But wait! The first surprise of the day began at 8:00 a.m. when my friend Bill shouted through the front door to put a mug outside so he could fill it with fresh-brewed java. As I bent to retrieve it, he called out, “Merry Christmas” from twenty feet away, pointing out a loot bag at my feet.

I recalled a line from Little Women when Jo says “Christmas won’t be Christmas without any presents” but there was one for me.  Maybe this day wouldn’t be so bad after all, I thought. In my loot bag were shortbreads, Nanaimo bars and other little goodies. Not mom’s cooking, but a close second.

I had settled down to read a book, sip my coffee and nibble on shortbread for breakfast when my younger daughter, her husband and my two overly excited grandsons called on Facetime so I could virtually visit their living room where gifts had been torn open and the kids paraded across the screen with loot from Santa. They were to have been with me for Christmas dinner, but what a turnaround to be invited into their home on Christmas morning.

Two more sips of coffee later, and my sister and her family called on Facetime too, so I joined them at their festive brunch complete with a new puppy in a knitted sweater embossed with Ho Ho Ho from scruff to rump. We all toasted to a Merry Christmas and a Happy New Year.

A rap on the door another half hour later and I opened it to find that a thoughtful neighbour had left a plate of homemade cookies, a little battery-powered candle, and a pretty red poinsettia. The accompanying note wished me a Merry Christmas and a quick recovery. Not soon enough, I thought.

As lunchtime approached, my older daughter texted to say she had deposited frozen homemade soups and a full tin of, yes, more cookies on my doorstep. I loaded up the freezer, guiltily thinking, I kind of like this.  

That afternoon, two masked and cautious family members arrived to pick up all the gifts from under my tree to take to their hastily organized replacement Christmas, sans moi. (Was I happy not to be there? Well, I’ll bite my tongue on that one.) Off they went, playing Santa and leaving me a bit guilty yet relieved that everyone would receive their gifts.

Two hours later, my reading was interrupted by another virtual call, transporting me to the replacement Christmas with everyone gathered round the screen as their dinner cooked, ripping into the gifts from me to them. I felt present as the adults chatted and my grandsons ran in circles with their aunt’s two bouncy, antlered Jack Russells. I was really getting into this Christmas-at-a-distance thing.

Then, the moment I signed off, I heard insistent knocking, opened the door and beheld a full Christmas dinner and a Christmas cracker too. I placed the dinner tray before me, snapped the cracker, and became a queen in a red tissue crown, dining contentedly alone. And best of all? I didn’t have to cook!

By the last bite of dessert, I was becoming drowsy. Being waited on and Facetimed throughout the day had tired me right out. I texted my thanks to all the family, saying how sorry I was not to have hosted Christmas, but was I?

When my head hit the pillow, I mulled over the day which had defied my Christmas traditions yet had been one of the most satisfying Christmases I’d ever had. It held its own kind of magic that I could never have imagined – family, friends, screen time, sweets, lunch and dinner had all come my way. I yawned and thought, I wonder if I can get COVID again next year?

***

Kathryn Hazlewood is a retired educator. Her career spans elementary and secondary teaching to PR for a major bank, a sabbatical in France, executive producer of youth TV programs and finally, executive director of a not-for-profit. 

In her retirement she is a busy widow taking conversational French, volunteering in long-term care, traveling, hosting a book club, mentoring high school students in English, serving on a tenant association and spending lots of time entertaining and cooking for grandchildren and close family. 

During COVID she self-published a children’s book I’m Done! and wrote an unpublished, as yet, biography Twisted Twins as a favour for grown twins with Cerebral Palsy. She lives in Burlington.

***

See Brian Henry’s upcoming weekly writing classes, one-day workshops, and weekend retreats here.