Friday, March 22, 2013

Publishing industry flow chart from GalleyCat


See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Milton, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Orillia, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Thursday, March 21, 2013

Literary journals seek fiction, poetry & more; Only Interconnect seeks social media inspired pieces for anthology


New literary magazine Joypuke (Mount Allison University, New Brunswick) seeks fiction and creative nonfiction (1,500 words max.) and poetry (100 lines max.) Deadline: April 20, 2013. Send submissions to:underbridge@mta.ca.


Only Interconnect, an anthology exploring the intersection between social media and short stories, seeks writing whose content and/or form are inspired by social media. Send your tales told through texting, Pinterest prose, irony over Instagram, or Facebook flash fiction. Deadline:April 30, 2013 (extended). Guidelines here


The Annual Ascent Aspirations Print Anthology Contest
You can enter short poems (maximum of 30 lines, including spaces) or flash fiction (maximum or 600 words).  Deadline April 30, 2012. See details here.

Ascent Aspirations also seeks spoken word videos
Each month AA will feature two spoken word artists. Check out this month’s poets,
Demi Anter (here) and Buddy Wakefield (here).

AA accepts submission of poetry, short fiction, art, spoken word and essays, the year round. Submission guidelines here

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Milton, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Orillia, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Two new literary agents at the Rotrosen Agency seek authors


Jane Rotrosen Agency 
318 East 51st Street 
New York, NY 10022 

The Jane Rotrosen Agency specializes in commercial fiction: thrillers, mystery, suspense, woman’s fiction, romance, historical novels, mainstream fiction, and young adult fiction. The agency also represents authors of memoirs, narrative nonfiction, and prescriptive nonfiction.

The newest member of the team is Amy Tannenbaum.  Amy started her career at Harlequin and was more recently an editor at Atria Books, a Simon and Schuster imprint. At Atria, her areas of interest were memoir, self-help, celebrity, popular culture, quality commercial women's fiction, romance, and erotica. 

Amy’s authors included Jamie McGuire, Lorna Byrne, Barbara Reich, Laurie Davis, Gavin Edwards, Nina Blackwood, Mark Goodman, Alan Hunter, Martha Quinn, Tina Reber, and Cyndi Lauper.

As a new agent, Amy needs clients. She will represent new adult fiction (i.e., fiction for 18 to 20-somethings), romance, and women's fiction that falls into that sweet spot between commercial and literary fiction.

Include a brief synopsis and up to three chapters of your novel. Your query letter should include a concise description of your work, relevant biographical information, and any publishing history.

Agent Christina Hogrebe is also accepting new authors as clients. Christina grew up on a diet of Anne of Green Gables and Sweet Valley Twins books. Inspired by her favourite chick lit heroes, she left her native Pennsylvania and in 2003 signed on with the Rotrosen agency as an assistant. She was soon promoted to agent. She continues to pursue “three hanky” reads and “read with the lights on” books.

Query Christina at chogrebe@janerotrosen.com
Include a brief synopsis and up to three chapters of your novel. Your query letter should include a concise description of your work, relevant biographical information, and any publishing history.

Complete agency bios here. Full submission guidelines here.

Brian Henry will lead a "Writing for Children and for Young Adults" workshop in Guelph on April 13 (see here). Also, he’ll lead a "How to Get Published” workshop on Saturday, May 4, in Barrie (see here). Also, he'll To register, mail brianhenry@sympatico.ca

However, before you submit, though, the best way to get your manuscript into shape is with a weekly course. Brian will be leading Next Step in Creative Writing classes on Thursday afternoons in Mississauga (see here) and Thursday evenings in Georgetown (see here). To register, email brianhenry@sympatico.ca

Also, he’ll be leading Life Stories classes on Monday mornings in Mississauga (see here) and Monday afternoons in Brampton (see here and scroll down), and he'll lead a Welcome to Creative Writing course on Tuesday afternoons in Burlington (see here). 
To register, email brianhenry@sympatico.ca

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Milton, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Orillia, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Wednesday, March 20, 2013

Two books by A. Colin Wright and an ebook by Cynthia St-Pierre


Dear Brian,
I’ve recently self-published two new books: A Cupboardful of Shoes and Sardinian Silver.
Check them out here: www.sardiniansilver.com,
All the best,
A. Colin Wright



Hi, Brian.
It’s obvious when one reads all the letters you receive from students who have gone on to publish or to win contests that your instruction, not to mention your encouragement, works. In my case, A Purse to Die For, a mystery co-authored with Melodie Campbell, came out in July as an Imajin Books e-book and paperback.

What’s more treacherous than navigating a pack of society matrons at a designer sale?

Stalking a killer…

When fashionista and television celeb Gina Monroe goes home to attend the funeral of her late grandmother, the last thing she expects to encounter is murder. And the reading of the will is anything but fashionable as unanswered questions arise. Who is the dead woman in the woods behind the family house? And why is she dressed in Milano designer clothes?

With help from her cousin Tony and Detective Rob Dumont, Gina investigates the not-so-model citizens around her. When another murder occurs, a pattern slowly emerges and Gina wonders if her grandmother's death wasn't so natural after all.

It’s not like the learning stops at publication. The editing process was educational and the writing I continue to do to market Purse, as we affectionately call it, keeps me a student of the craft. Learning is enjoyable. I can only imagine how satisfying teaching is.

Thank you,
Cynthia St-Pierre,
Newmarket

A Purse to Die for is available through Amazon here.
For information on submitting to Imajin, see here.

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Milton, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Orillia, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Tuesday, March 19, 2013

The New Quarterly has three annual contests: for verse, personal essay & short fiction

Good morning, Brian.

The New Quarterly’s writing contests have an unusually low number of entries this year. This is largely due to a lack of staff resources to get the word out (i.e., my fault.). I've extended the deadline for the Poetry Contest, but I am currently on holiday in Costa Rica with limited internet access, trying my best to spread the word from here.

I'm writing to you in the hopes that you will help to spread the word. I've pasted the details below, but you can find additional details at tnq.ca/contests

Thank you so much for your help,
Melissa Krone,
Managing Editor

The Nick Blatchford Occasional Verse Contest: $1,000 for one glorious poem
This contest is for poems written in response to an occasion, personal or public-poems of gratitude or grief, poems that celebrate or berate, poems that make of something an occasion or simply mark one. We are interested in light verse and in verse more sober, in the whole spectrum of tones and occasions.

We will award a grand prize of $1,000 to the poem judged most worthy. Another $1,000 in prize money will be distributed as the judges fancy. However the prize money falls, the best of what we see will be published in The New Quarterly, at our usual rates ($40/poem).
Extended deadline: March 22

Edna Staebler Personal Essay Contest: $1,000 for one winning essay
We are interested in essays of any length, on any topic, in which the writer's personal engagement with the topic provides the frame or through-line. There is no restriction on essay length or subject matter, but the author must be a Canadian citizen or resident. All essays considered for publication at our usual rates ($250/essay).
Deadline: March 28

The Peter Hinchcliffe Fiction Award: $1,000 for a spectacular story by a writer in the early stages (
sponsored by the St. Jerome's University English Department)

The $1,000 top prize will be awarded for a work of short fiction by a Canadian (citizen or resident) writer who has not yet published a first novel or short story collection. Though there is only one top prize, all submissions will be considered for paid publication ($250) in the magazine. All submissions will be judged blind.
Deadline: May 28

The 2013 Canadian Writers' Contest Calendar is available now. Whether you’re a beginner or advanced writer, if you’re looking for places to send your work, you should put contests on your list. The Canadian Writers’ Contest Calendar gives a full listing of contests in Canada arranged by deadline date. It lists contests for short stories, poetry, children’s writing, novels, and non-fiction – contests for just about everyone. The Calendar costs just $20 at one of Brian Henry's workshops or classes or $23.50 by mail (all taxes and shipping included).
To order, email 
brianhenry@sympatico 

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Milton, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Orillia, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.


Monday, March 18, 2013

A Private Man, Chapter One, by Chris Laing

July, 1947.  And hotter than hell in Hamilton.               But it sure felt good to be back on my old stomping ground.  Felt good?   Well, hell, it felt great.  I didn’t think I’d get back alive.  After five long years in war-ravaged Europe, count me among the lucky ones who survived.
            Now I was back on Civvy Street – and if you believed the folks at the Rehab Centre, I was becoming a productive member of postwar society.  But I say the jury was still out on that score.
            I boarded a Belt Line streetcar on King Street, followed by a couple of soldiers in uniform toting duffel bags.  Must’ve been on leave, judging by the big grins on their mugs.  They reminded me of that old song from the last war: “Pack up your troubles in your old kit bag and smile, smile, smile.”
            Not always easy to follow that simplistic advice.  But after three operations, the shrapnel wound that blew out my right knee was on the mend.  Sure, I still limped, but so did a lot of other guys who’d survived the German shelling.  And I was a helluva lot better off than my comrades who’d stayed behind under the Normandy sod.
            At the Ferguson Street railway tracks, the motorman clanged his bell and stomped on the brake when a market truck loaded with cucumbers veered toward us.  Our sudden stop jolted the pole on the streetcar’s roof from the line above in a shower of sparks.  When the driver walked behind the tram and returned the pole to the overhead cable, he shook his fist at the truck driver. That earned him a round of applause from his passengers, me included.
            I swung off the streetcar at John Street and limped across King to the Wentworth Building, which housed the one-man agency I’d bought a few months ago, determined to prove that my so-called disability wouldn’t stop me being the best damn private detective this side of Philip Marlowe. So what if this was Hamilton?
And my job today?  Hire a new secretary.
Down the hall on the third floor I unlocked my office door; the frosted glass panel still lettered W.J. Jeffries Investigations.  For the umpteenth time I puzzled over what to replace it with.  Something snappy.  Maybe Veterans Investigations or … Max Dexter, Master Detective.  No, not quite right.  I’d think about it later, as usual.
            I flipped on the lights and tossed my grey fedora onto the filing cabinet by the door.  In front of the window facing King Street, three worn club chairs hunkered around a low table like old soldiers in a retirement home.  The secretary’s desk and typewriter stand guarded the door to my own office in the opposite corner.  The lease referred to this layout as a two-room suite.  Washroom down the hall.  
            I ignored the Mount Everest of paper on my scarred wooden desk, crossed to the window and forced it open a few inches.  Muggy air crawled over the sill, carrying with it the stench of car exhaust from below.  Another day of record-breaking temperatures in Southern Ontario, which meant too damn hot.  Annoyed by the traffic noise, I closed the window, opened the bottom drawer of the desk and sat down, using both hands to place my right leg across the drawer.
            “Ahhh,” I said, out loud.  “Contrary to popular opinion, there is indeed rest for the wicked.”
            “I beg to differ with you, Young Man,” a stern voice boomed from the doorway.  “As far as I can see there’s been far too much rest taken in this office.”
            I gaped up at a middle-aged woman standing tall and straight-backed before me.  She wore a severely-cut black suit and her coarse grey hair was so closely cropped it conformed to her head like a pewter helmet.  For a panicky moment I was back in Grade 6 and Sister Theresa was targeting me with her X-ray vision.  I put my hands behind my back to avoid a blow across the knuckles from her ruler.
            I snapped back to the present, withdrew my leg from the desk drawer and sat upright.  It took me a moment to dig through the pile in my pending basket until I extracted the list of interviewees for the secretary’s job.  “Ah, yes, you must be Miss Higgins.  In response to our notice in The Hamilton Spectator.”
            “Well, of course I am.  We made an appointment for nine a.m. sharp this morning.  And it is now nine a.m. sharp.”
            I flicked my eyes to the wall clock.  It read oh-nine-thirty but I couldn’t remember the last time I’d wound it.  I glanced back at Miss Higgins but her eyes had followed mine and her lips were now pinched in a prune-like frown.  If my years of training in the Canadian Army had taught me nothing else, it was the hard-won lesson of when to abandon an unwinnable position.  I could spend the next hour being lectured by this officious woman or I could save us both a truckload of aggravation. 
            I gave Miss Higgins a tight smile and lifted my leg back across the desk drawer.  Hands behind my head, I squeaked back in my chair and cocked my head toward the wall clock. “I’m sorry, Ma’am, but the success of this business is measured by the punctuality of its staff.  And arriving a half-hour late for your job interview has disqualified you as a candidate.”
            Her face became a purple mask and a wormy vein crawled along her forehead.  She sputtered but couldn’t speak.  Then she turned and puffed through the still-open door like a cartoon steam engine.
            I sighed with relief, not realizing I’d been holding my breath.  Judas Priest!  Miss Higgins’ scornful scowl at the disarray in my office had pushed my guilt button and I hung up my jacket, rolled up my shirt sleeves and began to clean away the clutter.   My former secretary had worked twenty years for old Jeffries and when she’d quit last month she delivered a short, but impassioned, speech: “You take the cake, Mr. Dexter,” she’d said, “for the world’s messiest man.”
            At the secretary’s desk, I plowed through the mound of accumulated paper, advertising flyers and other junk.  I’d filled three medium-sized boxes with trash and I still hadn’t reached the desktop when the scent of too much perfume wrinkled my nose.
            I looked up at a skinny woman in a sagging red dress as she peered at me from behind a veil of dark hair.  She closed the door without a sound and crept a timid step forward, clutching a black purse and a newspaper against her flat chest.  “The ad,” she whispered.  “Miss Jones.”
            I waved her toward a chair beside the desk and she sat.  When she raised her eyes and brushed her hair from her face with long, bony fingers, I realized Miss Jones was just a kid, probably wearing one of her mother’s dresses.
            “Well, Miss Jones, tell me about your work experience,” I said.  “You’re familiar with typing and filing, arranging appointments and keeping accounts?”
            Her eyes widened and her mouth dropped open as if to answer but not knowing what to say. “I’m just starting out,” she finally squeaked.
            I smiled and lowered my voice.  “What’s your real name?”
            Her lower lip pouted and her shoulders slumped.  When her eyes met mine, she said with a tiny grin, “Linda Jaworski.”
            I pushed back my chair and stood.  “Whaddya say we go next door for a Coke, Linda?”
            We took a booth in the White Spot, where Linda told me her parents didn’t understand her because they were too old to remember that high school was an “utter waste of time.”  So she planned to move out, get a job and her own apartment.  Show them she was old enough to live on her own.  She was 16, after all.
             “War’s over, Mr. Dexter.  Boys are back from overseas and there’s lots of jobs.  Jeepers creepers, I don’t want to be left behind, miss out on all the fun.”
            After she ran out of steam, I got her to promise she’d call a friend of mine, a counsellor at Central High.  And she’d consider giving her parents another chance.  After we waved goodbye I felt better about her prospects.  I hoped she did too.
            Back in my office, a young guy with an armload of newspapers breezed into the room. “Hot off the press, Max.”  He flapped an early edition of The Hamilton Spectator on the desk, lowered his voice and glanced around as though he were selling risqué postcards.  “Ya shoulda seen the glamourpuss I seen downstairs.  Whatta gorgeous dame.  Slinky like Betty Grable, but even sexier.  Like Lana Turner.”
            I laughed and gave him a light punch on the arm.  “What d’you know about dames, Rick?  Now beat it.  I’m busy.”
            Back to my cleanup of the secretary’s desk.  I glanced at the Spec’s front page – the good news: Rationing of Coffee, Sugar & Butter to End This Year; the not-so- good news: Removal of Wartime Price Controls Sends Prices Soaring.
            I riffled through the new mail.  Bills for electricity, rent and office supplies.  No cheques for services rendered.  A full-colour flyer proclaimed: Coming Soon – The All New 1948 Studebaker Starlight Coupé: Manufactured Right Here in Hamilton.  I sighed as I pitched it into the wastebasket; I couldn’t afford to replace my Model A Ford.  In fact, I was just making ends meet on a disability pension from the government and a few new accounts I’d managed to acquire.  And I retained the credit and background checks that Jeffries had serviced, but I planned to reduce the amount of that boring work in favour of more interesting cases.  I hoped my new secretary would help me become more efficient and, maybe someday, make a profit.
            In my own office, I retrieved the interview list for the morning, crossed off Miss Higgins’ name with a shiver and glanced at the wall clock.  Still oh-nine-thirty.  I stroked off the next name as well … the rebellious Miss Jones/Jaworski, a sweet kid.   Maybe she’d stay in school but somehow I doubted she’d resist the tidal wave of hopeful excitement now flooding Hamilton after years of rationing and anxiety caused by the war.
             Next on my list was Isabel O’Brien.  What was that old saying?  Bad luck comes in threes?  Was it just an old wives’ tale?  That thought teased me when I heard a firm knock on the door and looked up to admire a striking redhead striding into my life.  Her flaming hair, cut in a shoulder-length curl, contrasted with her green tailored suit, its skirt falling just below her knees, accentuating her hips.  Nifty.  She glided right through into my office and extended a velvety hand across the desk as I scrambled to my feet.
            “Good morning,” she said, giving my hand a firm shake.  “You must be Max Dexter.  I’m Isabel O’Brien, your new assistant.”
            Her dazzling smile pulled you right into her orbit.  But what did she mean, my new assistant?  She’d skipped over secretary and promoted herself already?  My mind was spinning its wheels.
            I was still standing, still shaking her hand, still mesmerized by her green eyes and the sprinkling of freckles across her nose, still deciding what to say, when she walked back to the outer office and returned with a small man dressed in a sombre three-piece suit, twirling a homburg in his left hand.  Everything about his appearance, from his spit-shined shoes to his pencil-thin moustache, shouted I’m a successful man of commerce and I’ve no time to waste.
            Isabel slid her arm through his and drew him closer to the desk.  “Max, I’d like you to meet our new client, Mr. H. B. Myers.”
            Lord love a duck, now she was calling me Max.  I hadn’t spoken a word to her yet and she’s hired herself, promoted herself and brought in a new client, all in the space of two minutes.
            I reached across the desk and shook Mr. Myers’ hand as though I were the one in charge here…. 

Chris Laing is a native of Hamilton, Ontario, but now lives in Kingston, with his wife, artist Michèle LaRose. Chris’s short stories have appeared in Alfred Hitchcock's Mystery Magazine and Hammered Out as well as online journals including Futures Mystery Magazine, Mystical-E Magazine and Flash Me Magazine. His short story Golden Opportunity appears in the anthology Best New Writing 2013, published by Hopewell Publications.   His first novel, A Private Man, was published by Seraphim Editions.

You can pick up a copy of A Private Man at Bryan Prince Bookseller in Hamilton or at Novel Idea in Kingston or you can order a copy of hereFor information on submitting to Seraphim editions, see here.

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Milton, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Orillia, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Thursday, March 14, 2013

Two new Canadian literary agents: Olga Filna & Eftyhia Lucas at The Rights Factory


The Rights Factory Inc. 
PO Box 499, Station C
Toronto ON M6J 3P6
http://www.therightsfactory.com/index.html

The Rights Factory is a boutique agency that deals in intellectual property rights for entertainment products, including books, comics & graphic novels, film, television, and video games. As an international agency, TRF licenses rights in every territory. TRF works directly with publishers, producers, studios, game developers and other rights-buyers in all territories, occasionally in conjunction with local representatives.  

The company was founded in 2004 by principal, Sam Hiyate, and partner, Christos Grivas.


Olga Filina has recently been hired as an associate agent. A graduate of Humber’s Creative Book Publishing Program, Olga spent over a decade as a sales manager and book buyer for both national and independent book store chains and two years as a literary assistant at The Cooke Agency.

While Olga will read anything that may set her book clubs on fire, she gravitates towards commercial and historical fiction, great genre fiction in the area of romance and mystery, nonfiction in the field of business, wellness, lifestyle and memoir and young adult and middle grade novels with memorable characters. In her spare time, Olga sits on library boards, organizes literary festivals and runs more book clubs than she can count.

Query Olga at: Olga@therightsfactory.com

Olga will be the guest speaker at the "How to Get Published" workshop, Saturday, May 4, in Barrie. Details here.


Eftyhia Lucas is another new associate agent at The Rights Factory. No other information available about her. Query Eftyhia at effie@therightsfactory.com


Ali McDonald specializes in children's literature of all kinds, ranging from novelty board books, picture books, early readers, and chapter books, to middle grade and young adult fiction and nonfiction. She enjoys working primarily with debut authors, but also has the distinguished pleasure of co-representing big stars of Canadian literature, including Mariko Tamaki and David Glimour, in their kidlit works. Ali is open to anything, building her list on strong voices with original stories. Many Quick Brown Fox readers will be familiar with Ali from when she`s been a guest speaker at Brian Henry's workshops.

Haskell Nussbaum is a lawyer turned writer turned literary agent. He is the author of Beat That Parking Ticket and has contributed articles and stories to the National Post (Canada), Jerusalem Post, Pacific News Service and others, and he has appeared on, or been featured in, national and local news, radio and TV, including Fox and Friends, NPR, NY Post, New York Magazine, USA Today, NY1, CBS, Today in New York, and many others. His list is diverse, ranging from clients on the New York Times Bestseller list to debut authors.

Query Haskell at Haskell@therightsfactory.com


Drea Cohane joined The Rights Factory in 2011. With a publishing degree, and several years of writing behind her, Drea is a voracious reader of all genres. She is currently looking to add to her list of authors in memoir, crime, creative non-fiction and literary fiction. Drea blogs occasionally here.

Query Drea at: Drea@therightsfactory.com


Sam Hiyate has an esteemed roster of both fiction and non-fiction writers including Jennifer Close, debut author of the must-read short story collection of the summer, Girls In White Dresses (August 2011 release); Margot Berwin, author of Hot House Flower and the Nine Plants of Desire (optioned by Julia Roberts in conjunction with Columbia Pictures for film rights), and the forthcoming paranormal romance, Aromata.

Among others, Sam also represents Andrew Kaufman, author of such literary works as All My Friends Are Superheroes and The Waterproof Bible; Rupinder Gill, This Hour Has 22 Minutes staff writer and author of the humorous memoir On the Outside Looking Indian; and David Gilmour, multi-award winning author of The Film Club and upcoming The Perfect Order of Things. Sam is always on the lookout for that perfect commercial-literary hybrid and is partial to funny and moving stories.
Query Sam through TRF’s submissions page here.

Rights Factory contact page 
here. Submissions page here. 


Brian Henry will lead a "Writing for Children and for Young Adults" workshop in Guelph on April 13 (see here). Also, he’ll lead a "How to Get Published” workshop on Saturday, May 4, in Barrie (see here). To register, mail brianhenry@sympatico.ca

However, before you submit, though, the best way to get your manuscript into shape is with a weekly course. This summer, Brian will be leading Intensive Creative Writing courses on Tuesday afternoons in Burlington (details here) and on Thursday evenings in Mississauga (details here). 
To register, email brianhenry@sympatico.ca

Also, he’ll be leading Writing True Stories classes on Monday mornings in Mississauga (see here), and he'll lead a Welcome to Creative Writing course on Tuesday afternoons in Burlington (see here). 
To register, email brianhenry@sympatico.ca

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Milton, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Orillia, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.