Sunday, October 11, 2015

“What’s in the Pot?” by Kathy Rennie


Nine thirty … lights out. The generator ground to a halt. The full moon cast eerie shadows across the mission station.  A light wind afforded the only relief from the muggy night. A hush fell over our house as the activities of the day came to an end. By candlelight we prepared for bed and crawled under the sheets.
            “Do you hear that drumming?’ I asked my husband, Jim.
            “Yeah, it sounds close.”
            The discordant beat and sinister chanting grew louder. My heartbeat quickened.  I looked at Jim. “This gives me the creeps.”
            Eight days earlier my husband, Jim, our eighteen month son, Christopher, and I had arrived at Chitokoloki Mission Hospital in a remote area of the Northwestern Province of Zambia, Africa. For our first week we lived in the guest house of the doctor and his wife, Doc and Hilda Worsfold. They introduced us to the mission station and the new hospital, which they called Kariba. Post-operative and more seriously ill patients received treatment in the wards of Kariba.
            Across the road, Doc showed us the old hospital compound which was a square mud brick building made up of individual cubicles.  Patients with minor illnesses and their families could stay and care for themselves while they received treatment. As we walked through the open courtyard of the old hospital, the smoke of the cooking fires, the smell of slightly rancid meat and various body odors filtered across the open space.  Quite a contrast from our antiseptic, germ-phobic hospitals in Canada.
            While we stayed in the guest house we got to know Doc and Hilda.  Doc struck us as a sort of Jekyll and Hyde personality. He had worked at the hospital for twenty-six years and showed concern and commitment to the Zambians.  At the same time, he delighted in relating stories about the “rascals” from the area and their love of the local whiskey, called lituku.  His favorite name for these rascals was “silly sausages”.
            Another story he told us was of an early Scottish explorer and missionary, F. S. Arnot. When Arnot arrived at Chief Msiri’s boma, or compound, in 1886 he found skulls of the chief’s enemies on poles surrounding his palace.  As he told us the story, Doc watched our reactions as though he hoped for a shocked response. We obliged, though we weren’t sure which of Doc’s stories were truth, which were fiction. However, while we stayed in Doc and Hilda’s guest house we felt relatively safe and protected. After all, the doctor slept next door, so we had to be safe.
            But this was the day for us to leave the guest house and move into the two-storey house, the only one of its kind in the whole province.  Doc dubbed it “Mawhiney’s Folly” after its Irish builder.  Unlike the other homes with cement floors, this house had floors of wooden parquet and a wooden staircase to the upper floor. It stood on the northern end of the mission station, slightly apart from the rest and near to the closest village. It looked out of place; grey, gloomy, and foreboding.

            “What are we doing here?” I asked Jim that night. “This doesn’t feel like anything I signed up for.”
            The repetitious beat of the drumming and chanting increased as the breeze changed direction and wafted through the windows. We huddled together in our bed, neither of us able to sleep. I remembered Doc’s stories and wondered how much could actually be true.
            “I’m going to get the grass slasher,” Jim said. “If they’re coming for us, I’m going to be ready.”
            He inched his way across the hall and down the stairs to the kitchen. In the storage area he found the three-foot flat iron rod, curved and razor sharp at the end.  As he retraced his steps, the stairs groaned and the floor creaked.
            As I heard him returning, my mind flashed back to expectations I had while still in Canada: Florence Nightingale curing malaria-stricken children, relieving the suffering of the malnourished, saving babies in complicated deliveries.  Africa was an adventure waiting to be experienced.  Some of our friends thought we were out of our minds taking a baby to such a remote place. Others told us how brave we were to leave everything, pick up, and go to Africa. Now, here I was, immobilized under the covers.
            “Maybe we should call Doc,” I said. “He could take us back to the guest house.”
            “It’s two o’clock in the morning,” Jim said. “I don’t think so.”
            I looked at Christopher, sleeping undisturbed. If we ended up in a pot of stew, surely they would spare him. Weariness finally overtook me and I fell asleep, dreaming of skulls on poles and foreigners in cauldrons over cooking fires.
            Crowing roosters woke me a few hours later.  The sun streamed into the room as voices from the path to the Zambezi River drifted through the open window. I rubbed my blurry eyes and scanned the room. Jim lay snoring. Christopher was stretching and yawning. No more drumming. No massacres. No missionary stew. Relief and fatigue swept over me as I drifted again into another world.
            “Hoity mwani, hoity mwani,” someone called outside our window – “I’m here, thank you.  
            I awoke from my dreamland. I threw on my tee shirt and wrinkled skirt and hurried downstairs through the kitchen to the back door. I had been told by Hilda that a man called Luvuwa would come to help me with household chores. I guessed this was Luvuwa.
            Beside Luvuwa stool a man dressed in spotless brown trousers, a white shirt, and wearing a broad smile. In his arms he carried a squawking chicken.  He spoke in the local language, Lunda. Luvuwa, in his limited English, explained that this man was the headman in the village beside us (the same village tha, as it turned out, had just been partying through the night). He and his village wanted to tell us how happy they were that we had come to help them.  He came this morning to present a chicken as a gift and to welcome us to Chitokoloki.
            I felt foolish, but relieved. It would be chicken in the pot, not me. In the future, I’d try to restrain my vivid imagination.

Kathryn Rennie lives in Burlington, Ontario, with her husband. She and her husband worked in Zambia, Africa for fourteen years in a  medical mission hospital. She enjoys writing stories of her family's experiences during those years. She has three children, two of whom were born in Zambia, and ten grandchildren. 

See Brian Henry's schedule here, including writing workshops and creative writing courses in Algonquin Park, Barrie, Bracebridge, Brampton, Burlington, Caledon, Collingwood, Georgetown, Guelph, Hamilton, Ingersoll, Kingston, Kitchener, London, Midland, Mississauga, Newmarket, Orillia, Oakville, Ottawa, Peterborough, St. Catharines, Saint John, NB, Sudbury, Thessalon, Toronto, Windsor, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York, the GTA, Ontario and beyond. 

Saturday, October 10, 2015

The Medici Boy by John L’Heureux reviewed by Charlene Diane Jones

Astor + Blue Editions. April 2014, Hardcover: 346 pages. Available here.

God in the guise of famous 15th Century Florentine sculptor Donatello, the search for the transcendent in everyday life by fictional character Luca Matteo, and destiny-shaping by the historic figure Lorenzo Medici play out against a backdrop of depravity and sodomy in John L’Heureux’s great read The Medici Boy.

L’Heureux employs a tactic also used by Eva Stachniak in her exciting book The Winter Palace. There, Stachniak places a young nobody, a Polish girl named Varvara within the Palace and puts her eye to a peep hole, through which the story of Empress Elizabeth unfolds.

In The Medici Boy it is Luca Matteo of humble origins who reveals the workings of daily life within the bottega of the great Donatello. While Varvara must steal her vision of the inside workings of the Great Empress’s private chambers, Matteo works openly side by side with his icon Donatello whose description, through Matteo’s eyes, invokes an old Testament sense of God himself:

It seemed to me nothing short of the Final Trumpet could have interrupted him. He bent over the bozzetto with an intensity impossible to describe. His hands were quiet, they seemed to rest on the air. He had long thin fingers that hovered above the wax as if he were conferring a blessing. As I watched him, he seemed to slip out of time… I thought the wax would melt beneath his gaze.

Donatello, whose concentrated gaze and one time kiss brings to life the embittered Matteo as well as the bronze or marble upon which the great Master lays his hands seems to breathe life not only into the statues he creates but into the very air breathed by those fortunate enough to share it with him.

Donatello is portrayed as Godlike in his talent, his stamina for long days of extremely hard work and in his capacity to understand and forgive himself his own failings. That last is a strength Matteo lacks. In his judgements of others, Matteo cannot forgive either Agnolo nor the master nor ultimately himself.

John L’Heureux
Whetted appetites abound throughout the work: that of the young Matteo for release of his own juice, for the village whore who gives him more than her body when they make love while she has fever, the appetite of Agnolo, the irresistible youth for whom Donatello, his appetite and skill for sculpture already legendary in his lifetime, acquires an all consuming appetite, and Agnolo himself ruled beyond common sense or self-preservation by an appetite gone rogue.

These hungers of the flesh stand over and against trust in God, as most of most characters in the book are searching for the will of God. Every event braids throughout their lives as mystery and superstition concerning God and His Will. Every disaster from the Black Plague that regularly scythes its wake through the population, to harsh drought and thin crops sources itself in the Will of God.

Is it the Will of God that Donatello should be supported by the great patron of the Arts Lorenzo de Medici? These characters believe so.

Yet the belief in God and God’s will does nothing to prevent Matteo’s ongoing suffering. In the dust filled bottega, Luca lives, breaths, and suffers jealousy as he describes the joy Donatello takes in the young beauty Agnolo. The reader feels the timber of Matteo’s humanity, his struggles with jealousy, his vicious temper and vile responses to the younger man Agnolo. Matteo writes in admirable honesty of his belief he ought feel a remorse he cannot conjure for such insults. His self-reflections compel us toward empathy as we see our own failures as humans marked in his.

Our failure as humans, our depravity, also rings through the pages that describe the torture wrought upon a man found guilty of sodomy. We as Politicians, as Church Fathers, as the crowd of peasants assembled to watch and cheer at this man’s agony see ourselves revealed as depraved.

If the writing contains a weakness, it is in the author as apologist for the sexual urges of all men. From the first pages, where Matteo reveals his nightly struggle with his biology, we are to assume the urge that thrusts in the flesh of the male is superior, somehow more virulent and unrelenting than that of say, the lovely woman who takes Matteo first to her bed.

Overall the book is a great read and not to be missed.

Quick Brown Fox wants your book reviews. Details hereRead how to write a book review here.

Charlene Jones’ poetry has most recently appeared on Commuterlit. Her poem “Visitors to the ROM” was a runner up in the Ontario Poetry Society’s annual Arborealis poetry contest. Charlene also writes for her radio program Off the Top with Whistle Radio, 102.7 fm, aired every second Tuesday from 3:00 to 3:30 p.m. (Note: Whistle Radio and CommuterLit have recently teamed up to run a monthly contest. Details here.) You can see Charlene perform her poetry and prose at Portobello Restaurant and Bar the first Saturday every month in Toronto. Finally, Chalene’s first novel, The Stain, was released in 2014.


See Brian Henry's schedule here, including writing workshops and creative writing courses in Algonquin Park, Barrie, Bracebridge, Brampton, Burlington, Caledon, Collingwood, Georgetown, Guelph, Hamilton, Ingersoll, Kingston, Kitchener, London, Midland, Mississauga, Newmarket, Orillia, Oakville, Ottawa, Peterborough, St. Catharines, Saint John, NB, Sudbury, Thessalon, Toronto, Windsor, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York, the GTA, Ontario and beyond.

Thursday, October 8, 2015

Quilliad pays for stories, Jonah wants journeys, 50-Word Stories wants 50-word stores, and Mamlode pays for parenting tales

Small independent journal The Quilliad (Toronto) seeks flash fiction, short stories, poetry, comics, photography, and art from Canadian writers and artists. Looking for literary science fiction and horror; magic realism; fairy tales, folk tales, myths, and legends; monsters, death, magic, and fear. Submit 1-5 pieces.
Deadline: October 20, 2015. Payment: $12 honorarium plus copy. Guidelines here.  

Biennial journal JONAHmagazine (Canada) seeks submissions for its next issue: poetry, prose, true stories, lies, memoir. Likes: “Journeys, in space, in time, in the heart, or in the mind. Beginnings, endings, triumph and loss, odysseys of the soul. Fish stories, BIG fish stories. Stories that come from the soul, or steal it.” Length: 2500 words max; up to 3 poems. Welcomes international submissions.
Deadline: October 15, 2015. Guidelines here.  

A 50-word story is a piece of fiction written in exactly 50 words. That doesn’t mean “roughly” 50 words; it doesn’t mean “as close to 50 words as possible”; it doesn’t mean 50 words or fewer. It means exactly 50 words.
As with any other form of fiction, a 50-word story should have a beginning and an end, a plot and character development (even if they are only implied), and a theme, meaning, or purpose of some sort. Many 50-word stories are built around twists or climactic moments.
Right now, 50WS posts two reader-submitted stories every weekday. To submit your stories for possible publication, see the Submissions page. A $10 prize is available for the best submission each month: see the Top Stories page for more information.

Mamalode is a print magazine and a website, and it pays for feature essays. (Read a great example by Shannon Day here).
Here’s what Mamlode has to say about themselves: Our readers and writers are moms – with a smattering of dads, kids, grandparents, aunts, uncles and friends. They become Mamaloders because we give them something nobody else does – the truth and each other.
Submissions: Only submissions that reflect our mission (to create connections) will be considered. No how-to or political stories are accepted. We don’t lean left or right, just on each other.
Essays for the website should be between 300-600 words, under 1500 for print.
Mamalode pays the for feature essays only: Unique views are tracked and recorded for 30 days after the piece goes live. Payments are based on unique views. Your piece is promoted on Mamalode's social media platforms and they expect you to promote your own pieces to drive traffic. 
·         Mamalode publishes several categories: Feature Essays specific to the month’s theme
(Novembers theme is Sharing)
·         Feature Essays unrelated to the specific theme (topical pieces, etc.)
·         Short Pieces (essays under 400 words, poetry etc.)
·         Lists & Resources
·         Reviews (of fiction and nonfiction, on-topic, relevant books and articles)
·         From the mouths of babes (pieces by writers 18 years & younger)
·         Quotable Kids
·         Photography
Full submission guideline here.

Note: Don't ever miss a post on Quick Brown Fox. Fill in your email in the box to the right under my bio, and get each post delivered to your Inbox. ~ Brian

See Brian Henry's schedule here, including writing workshops and creative writing courses in Algonquin Park, Barrie, Bracebridge, Brampton, Burlington, Caledon, Collingwood, Georgetown, Guelph, Hamilton, Ingersoll, Kingston, Kitchener, London, Midland, Mississauga, Newmarket, Orillia, Oakville, Ottawa, Peterborough, St. Catharines, Saint John, NB, Sudbury, Thessalon, Toronto, Windsor, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York, the GTA, Ontario and beyond.

Wednesday, October 7, 2015

Five agents at P.S. Literary Agency seek authors, including Maria Vicente the only agent in Atlantic Canada

P.S. Literary Agency
20033 – 520 Kerr Street
Oakville, Ontario, L6K 3C7 
CANADA
http://www.psliterary.com/

Note: Don't ever miss a post on Quick Brown Fox. Fill in your email in the box to the right under my bio, and get each post delivered to your Inbox. ~ Brian

The P.S. Literary Agency is a relative newcomer to the agenting world, having been established by Curtis Russell in 2005, so all its agents are actively looking for authors. P.S.  represents literary and commercial fiction, Young Adult and Middle grade fiction and picture books, and nonfiction.

P.S. is headquartered in Oakville (a suburb of Toronto), but one of its associate agents Maria Vicente is located in Saint John, NB, making her the only literary agent in Atlantic Canada. Geography doesnt matter a lot these days, but for writers in Atlantic Canada or our national capital region, its good not to have to go all the way to Toronto to have coffee with their agent.  

Maria Vicente ~ Associate Agent
Maria is dedicated to managing authors’  literary brands for the duration of their careers and providing support to her clients through all stages of the writing and publication process.

Her reading preferences vary across categories and genres, which is reflected in her client list. She is actively looking for young adult, middle grade, illustrated picture books, literary fiction with a touch of genre, and nonfiction projects in the pop culture, design, and lifestyle categories. She has affinities for literary prose, strong character development, original storytelling formats, and anything geeky.

Maria’s website, MariaVicente.com, includes articles about publishing and writing for current and potential clients. You can find more information about the categories Maria represents, as well as an up-to-date wish list, here.

Query Maria atquery@psliterary.com 
Query on. No attachments unless specifically requested.

Carly Watters ~ VP, Senior Literary Agent. 
Representing debut authors and bestsellers, Carly is drawn to emotional well-paced fiction, with a great voice and characters that readers can get invested in, and platform-driven nonfiction.  

Specifically, she is actively looking for Literary, Upmarket and Commercial fiction, World literature, smart Women’s Fiction and Book Club books, Literary Thrillers, LGBT, and nonfiction in the Health, Wellness, Cookbook, Narrative, Lifestyle, Memoir, Humour, Pop science and Pop psychology and Business Categories.

Carly is based in Ottawa (and shes the only literary agent in Ottawa). She blogs here.

Query Carly atquery@psliterary.com 
Query on. No attachments unless specifically requested.

Eric Smith ~ Associate Agent
Eric was previously the social media & marketing manager at Quirk Books in Philadelphia, A frequent blogger, Eric’s ramblings about books appear on BookRiot, The Huffington Post and more. He is the author of Inked (Bloomsbury Publishing) and TheGeek’s Guide to Dating (Quick Books).

Eric is eagerly acquiring fiction and nonfiction. He’s actively seeking out new, diverse voices in Young Adult (particularly sci-fi and fantasy, but also thrillers and mysteries). In nonfiction, Eric is interested in Cookbooks, Pop Culture, Humour, essay collections, and blog to book ideas. You can view his detailed manuscript wish list here.

Query Eric atquery@psliterary.com 
No attachments unless specifically requested.

Kurestin Armada ~ Associate Agent
Kurestin began her publishing career as an intern with Workman Publishing and spent time as an assistant at the Lofts Agency before joining P.S. Literary.

She holds a B.A. in English from Kenyon College and a publishing certificate from Columbia University. Kurestin is based in New York City.

Kurestin is actively acquiring Upmarket and Commercial Fiction, Magic Realism, Science Fiction, Fantasy, Alternative History, Historical Fiction LGBTQ (any genre), select Young Adult, Graphic Novels, Mystery, including mystery with element of science fiction or fantasy, and Romance.

In nonfiction, Kuristin is looking for Design, Cooking, Pop Psychology, Humour, Narrative Nonfiction, Photography, and Pop Science.

Query Kurestin at: query@psliterary.com 
No attachments unless specifically requested.

Curtis Russell ~ President & Principal Agent

Curtis began his publishing career a decade ago as proprietor of a micro-press. In 2005 he crossed to the other side of the desk and founded the P.S. Literary Agency. 

Curtis is currently acquiring both fiction and nonfiction. In terms of fiction, he is seeking Literary, Commercial, Romance, LGBT, New Adult, Young Adult and Middle Grade novels, and Mysteries & Thrillers.

In terms of nonfiction, he is looking for Business, History, Politics, Current Affairs, Memoir, Health, Wellness, Sports, Humour, Pop science and Pop psychology.

Query any agent at P.S. Literary at: query@psliterary.com 
No attachments unless specifically requested.  Limit your query to one page and include...
Paragraph One – Introduction: Include the title and category of your work (i.e. fiction or nonfiction and topic), an estimated word count and a brief, general introduction.
Paragraph Two – Mini-synopsis: A concise summary or overview of your work.
Paragraph Three – Writer’s bio: Tell us a little bit about yourself and your background (awards and affiliations, etc.).

Full submission requirements here
.

Rachel Letofsk
Brian Henry will lead a How to Get Published workshop in Hamilton on Saturday, Oct 17, with Rachel Letofsky of the Cooke Agency (see here). 

Also, Brian will lead a Writing for Children & for Young Adults workshop on Saturday, March 5, in Burlington, with Monica Pacheco, literary agent with The McDermid Agency (see here).

Other upcoming workshops, include , and How to Make Yourself WriteSaturday, Oct 24, in Guelph (see here) and Saturday, Nov 28, in Mississauga (see here), You can write great dialogue, Saturday, Nov 7, in Oakville (see here) and Saturday, Nov 21, in Ingersoll (see here), How to Build Your Story, Sunday, Nov 22, in Windsor (see here), and Writing Your Life, Saturday, Dec 5, in Burlington (details here).   

For more information or to register, email: brianhenry@sympatico.ca

But the best way to grow as a writer or to get your manuscript ready for publication may be with a weekly class. This fall, there is still space in one class:
Writing Personal stories, Thurs mornings, Oct 8 - Nov 26, in Oakville (see here)

Starting in the new year, Brian will be offering a full range of courses for both beginning writers and more experienced writers. (Details here.)
Welcome to Creative Writing, Thursday afternoons, Jan 28 – March 31, (no class March 17), in Burlington
Writing Personal Stories, Tuesday afternoons, Feb 2 – March 29, (no class March 15) in Burlington
The Next Step in Creative Writing, Wednesday evenings, Jan 20 – March 30 (no class March 16), in Burlington
Intermediate Creative Writing, Thurs evenings, Jan 21 – March 31, (no class March 17), in Georgetown
Intensive Creative Writing, Wednesday afternoons, Jan 20 – March 9, in Burlington
See details of all six classes here.
To register or for more information, email: brianhenry@sympatico.ca

Read reviews of Brian’s courses and workshops here.

See Brian Henry's schedule here, including writing workshops and creative writing courses in Algonquin Park, Barrie, Bracebridge, Brampton, Burlington, Caledon, Collingwood, Georgetown, Guelph, Hamilton, Ingersoll, Kingston, Kitchener, London, Midland, Mississauga, Newmarket, Orillia, Oakville, Ottawa, Peterborough, St. Catharines, Saint John, NB, Sudbury, Thessalon, Toronto, Windsor, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York, the GTA, Ontario and beyond.