Sunday, May 26, 2024

"Mothering my Mother" by Tessie Lagtapon

I have been on a job-training program for the last four years. I am a slow-learner, but the truth is, I don’t have the right temperament for the job. Half of the time I am in denial; the rest of the time I go on protracted guilt trips. You see, since my mother turned 90, she’s been feeling insecure and I’ve taken on the role of caring for her – and doing badly at it. The role of mothering her is as alien to me as Krispy Kreme is to Martians.

I should maybe be better at caring for her. Except for three years when I first came to Canada, we have always lived together. We even made history when she moved into my university dormitory in Manila.

Staunchly protective, she threatened my husband-to-be with death, were his intentions dishonorable. I saved his life by marrying him.  Fiercely devoted to her grandchildren, I wasn’t allowed to bathe them, until she was sure I was not going to drown them.

We used to stand tall together, but now, I am a head taller. She says she cannot see, but she can see the wrinkles behind my bangs. She claims she cannot hear, but she laughs at my husband humming a Klingon love song. She bemoans her fading memory, but remembers which trees she climbed as a child.  She tells me I am a good daughter, but changes her mind quickly when I contradict her wishes.

Like when I had to take her to the daycare at Peel Manor. She put up a fight, because although she’s terrified to be alone, she wanted the comforts of home. The arguments and negotiations escalated, but by the time I dropped her off, she had completely changed into an affable, social being. She had forgotten what she put me through. Or perhaps, seeing Matilda, Cecilia and their staff welcome her with genuine warmth and care, transformed her.  I take longer to get out of my scrunched up, miserable face.

But when I do, it is because of her. She sings in church, even sways with the music. The hymnbook is open in front of her. When she notices she can’t see, she discreetly checks if her glasses are sitting on her nose. She dozes off during the homily. When I nudge her, she opens her eyes, looks up at the good Father and a guilty smile cracks up her face. I can’t help but chuckle.

She loves candies and cookies, especially the ones Child No. 2 brings home, because they come all the way from Chicago. She looks forward to Christmas, because she says, “I’m going to have lots of gifts.” She did rival my grandson in that respect. But what she loves best is going out. Comfortably belted with her stash of food beside her, she doesn’t care where we go; the longer the trip, the better.

So why am I falling short of my expectations? It’s the flip side of the coin that puts me on trial.

When she refuses to take her pills, I hit the ceiling. When she fails to understand why I cannot take her to work, I strain for control. When she expresses her fears of the shadows she sees in the dark, I sigh in frustration. When she forgets to tell the doctor what ails her and insists on going back to her doctor the next day, I lose it. When she asks me for the hundredth time where everybody is, I am up in arms. When she tells me in anger that I am an ungrateful daughter, I go completely nuts.

Then I remember. She’s 94, for crying out loud!  Why can’t I give her the patience and understanding that Gina, her caregiver, a complete stranger until last year, gives? As I kiss and tuck her in at night, I ask for forgiveness.

“It is hard to be old,” she says.

She has forgotten the details of what I’ve done, but I feel dreadful.

Her selective memory however had book marked her birthday celebration.  Like a child, she was excited that she would be opening some gifts and donating some to our church. Her wish was that her great grandchildren would remember her by the plaques at the back of our church, honouring her birthdays, forever.

Way to go, Nanay. May you have more birthdays to come.

***

Teresita (Tessie) Lagtapon has lived in Brampton 48 years, raised four children and now has four grandchildren and four grand dogs. She wrote a column once a month for ten years for the Brampton Guardian. She was also a Realtor for 30 years and has been semi-retired for the past four years. Her daughter insists she’s fully retired; Tessie is still in denial.

Read more short pieces by your fellow writers here (and scroll down).

See Brian Henry’s upcoming one-day workshops, weekly writing classes, and weekend retreats here

 

Wednesday, May 22, 2024

Scholastic Canada publishes books for children and for young people

Speechless by Jennifer Mook-Sang
punblished by Scholastic Canada

Scholastic Canada

604 King St W,
Toronto, Ontario

https://www.scholastic.ca/

You can now get new postings on Quick Brown Fox delivered straight to your Inbox as they go up. Subscribe to the new Quick Brown Fox page on Substack here: https://brian999.substack.com/

Scholastic Canada publishes recreational reading for children and young people. Its publishing focus is on books by Canadians or of Canadian interest. M.R. (Robbie) Robinson founded the original Scholastic company in 1920 in Pittsburgh, Pennsylvania. Incorporated in 1957, Scholastic Canada Ltd. was the first of an international family of companies that now includes members in the United States, United Kingdom, Australia, New Zealand, India and Asia.

Scholastic Canada has its own editorial and acquisitions office. They do not usually accept un-agented manuscripts, but on June 15, 2024, we'll be have Erin O’Connor, senior editor at Scholastic Books, as the guest speaker for our online “Writing for Children & for Young Adults” and afterwards, she'll be accepting queries from attendees (see here). 

Don’t miss it!

A Struggle for Hope by Carol Matas
published by Scholastic Canada

Beyond that, Scholastic is currently interested in reviewing unpublished material by writers from underrepresented communities, including Black writers, Indigenous writers,
writers of colour, writers with disabilities, LGBTQIA2S+ writers, and writers who identify with other marginalized groups.
No agent required. 

Email these submissions to: submissions@scholastic.ca

For picture books, submit full manuscript. No illustrations necessary.

For junior, middle-grade and YA fiction, submit an outline and three consecutive sample chapters.

For nonfiction, submit outline and writing sample.

Do not submit original illustrations or other materials.

Please allow up to three months for a response. If you have not heard from us within that time frame, you can assume we are not able to move forward with your project.

Also, Scholastic Canada welcomes submissions from professional illustrators (especially from underrepresented communities) interested in working with Scholastic. They’re invited to email sample art and links to an online portfolio to Andrea Casault, Art Director, at acasault@scholastic.ca

Full submission guidelines here.

 See Brian Henry’s upcoming weekly writing classes, one-day workshops, and weekend retreats here.

Monday, May 20, 2024

Just released: Palmyra by Karen Barrow

Palmyra 

I used to think the past was dead and gone, that time erased memories....

An unexpected visitor to a cocoa estate on the island of Trinidad triggers buried memories of the mysterious deaths that plagued a prosperous French Creole family who once lived there. Now a near ruin, the once "Great House" was where Joe, the housekeeper's precocious eleven-year-old son, bore witness to half-understood incidents and undercurrents in the lives of its residents.

Decades later, his reawakened memories begin with the arrival of a handsome young stranger to the property-a catalyst which sets off a train of tragic events with consequences that reach into the present day.

Rich in historical and geographical detail, Palmyra chronicles a time when an educated elite rose from the ashes of slavery and indentureship to challenge the ruling white plantocracy and create an independent nation.

A finalist for the Guernica Prize for Literary Fiction, Palmyra is part coming-of-age story, part Gothic mystery and conjures a world teaming with divided loyalties, family secrets, and ambition.

Karen Barrow

Growing up on the Caribbean island of Trinidad, Karen's happiest hours were spent with either her head in a book or a pen in her hand. Knowing that the bohemian life of a writer would never receive parental approval, Karen journeyed to Canada to pursue other studies.

It was not long before a chance encounter with a geology student ended with raising a family in what at times felt like the far reaches of the country. During several moves, which included a delightful sojourn in Brisbane, Australia, before finally settling in the Greater Toronto Area, Karen honed the life of a professional student in search of what she always wanted to be ... a writer.

After 16 years in the Greater Toronto Area during which time she developed her writing skills and wrote two novels, Karen and her husband moved west in 2021 to settle in the beautiful Okanagan region of interior British Columbia. There she finished her third novel, Palmyra, which was begun during the initial disquieting months of the pandemic. Undoubtedly this contributed to the brooding nature of the story. 

With an unrecognizable accent and many a stamp in her passport, Karen considers herself a global citizen.

You can follow Karen here.

Palmyra is available from Chapters/Indigo here.

And see more new books by your fellow authors – and invites to their book launches – here (and scroll down).

See Brian Henry’s upcoming weekly writing classes, one-day workshops, and four-day retreats here.

Thursday, May 16, 2024

ArtHouse Literary has three agents looking for authors ~ everything from picture books to literary fiction

ArtHouse Literary Agency

https://arthouselit.com/

Note: You can now get new postings on Quick Brown Fox delivered straight to your Inbox as I publish them. Subscribe to the new Quick Brown Fox page on Substack here:  https://brian999.substack.com/

ArtHouse Literary is a new agency, originally founded in 2020 (I think) as Art + Deco and relaunched in 2021 as ArtHouse. To date, they have just 32 deals listed on Publishers Marketplace (largely romance) and, as of yet, don’t seem to have any well-known authors. In short, it’s a start-up looking for authors who wow them with their queries.

They’re trying to position themselves as “an agency built around bold, thought-provoking, and underrepresented voices.” But of course, everyone and their dog is looking for underrepresented voices, so nothing to set them apart there. In truth, like every agency what will (or perhaps won’t) eventually give them a reputation are the authors they represent. So far they're still looking.

The firm has four agents, including the founder and Senior Agent Felice Laverne, plus three associate agents, real beginners, all of whom really need authors:

Esty Loveing-Downes, Associate Agent

Esty holds a BFA in creative writing from Ringling College of Art + Design and is currently an MFA candidate in fiction at Queens University of Charlotte. Aside from serving as a daily editor for the Southern Review of Books, she joined the teams at Jean V. Naggar Literary Agency and Tobias Literary Agency before joining the ArtHouse Literary Agency team and becoming an Associate Literary Agent.

Esty is looking for romance, upmarket fiction, YA, genre-blending sci-fi, picture books, and select nonfiction and literary fiction.

In romance and YA, Esty is looking for tropes like enemies-to-lovers, fake dating, and grumpy-sunshine like THE FLATSHARE or BEACH READ, or marriage-of-convenience stories like THE UNHONEYMOONERS. She’d love to see a fresh take on PRIDE & PREJUDICE, EMMA, or ANNE OF GREEN GABLES. If you’ve got contemporary stories with dual POVs and impossible love like THE SUN IS ALSO A STAR, or a classic retellings like THESE VIOLENT DELIGHTS that include high stakes, plot tension, and compelling soulmate vibes—send those her way, too.

In upmarket, Esty is looking for titles with women in STEM like LESSONS IN CHEMISTRY, updated classics like Ann Napolitano’s Little Women retelling, HELLO, BEAUTIFUL, and wlw knockouts with queer representation like THE SEVEN HUSBANDS OF EVELYN HUGO. She’s also looking for genre-blending sci-fi or speculative fiction like THE NIGHT CIRCUS, magical realism like Carmen Maria Machado’s HER BODY AND OTHER PARTIES, or nonlinear, poetic work like THIS IS HOW YOU LOSE THE TIME WAR. She’d also love to see “romantasy” with strong leads like A COURT OF THORNS AND ROSES and CHILDREN OF BLOOD AND BONE, fae stories with romance tropes like THE CRUEL PRINCE, character-driven journeys like THE INVISIBLE LIFE OF ADDIE LARUE, or the fairy tale vibes of SPINNING SILVER.

In picture books, send heartwarming titles with a BIPOC focus like EYES THAT KISS IN THE CORNERS and creative, imagination-friendly projects like DRAGONS LOVE TACOS.

Esty would also like to see literary fiction with artful realism like THE RABBIT HUTCH and TOMORROW AND TOMORROW AND TOMORROW, the heart wrenching yearning of NORMAL PEOPLE, characters challenging society like OUR MISSING HEARTS, or books like THE INCENDIARIES and SEVERANCE that examine marginalized characters, injustice, or religion. Characters examining systems of oppression through twisty plots in books like THE NICKEL BOYS, SALVAGE THE BONES, and INTERIOR CHINATOWN are welcome, and mythological retellings like Madeline Miller’s CIRCE, especially those set outside of Europe. This is a home for fresh retellings, fairy tales, and artful, rebellious prose.

For a better look at the kind of titles Esty gravitates towards, scroll her Pinterest board here.

In nonfiction, Esty is looking for insightful social commentary like that of Ijeoma Oluo, Brené Brown, and Mikki Kendall.

Query Esty through the agency’s Query Manager here.

***

Note: If you’re interested in writing kid lit, don’t miss our upcoming online “Writing for Children and for Young Adults” workshop with Erin O’Connor, senior editor at Scholastic Books, Saturday, June 15. Details here.

Also, this summer, we’ll offer an online “Writing Little Kid Lit” course on Wednesday evenings, July 3 through August 14. Details here.

***

Miriam Cortinovis, Associate Agent 

Born and raised in Italy, Miriam (they/she) moved to Chicago as a teenager and has since earned a BA in Creative Writing and an MA in Writing & Publishing from DePaul University. After an excellent internship at Aevitas Creative Management, for which she also freelance read, she landed at ArtHouse Literary as an intern. 

Miriam became Associate Agent through intense months of professional growth and supported learning. When not reading or writing SFF fiction of their own, Miriam enjoys playing videogames with their partner and scheming on Dungeons & Dragons with her friends. Their MSWL is inspired by all these speculative passions on top of their non-binary, bisexual, and chronically ill identity.

In general, Miriam is eagerly looking for everything and anything speculative across most age ranges – Adult, Young Adult, and Upper Middle Grade.

Query Miriam through the agency’s Query Manager here.

Carleen Geisler, Associate Agent

Carleen lives in the Greater Vancouver area. She comes from a background in technical writing and content marketing. When she found the world of publishing, she fell in love and dove in head first: starting her own author career as well as an internship at ArtHouse. She works on both sides with equal passion, and loves to help authors discover their "why" and curate their careers.

For fiction, Carleen is looking for adult contemporary stories across genres. She loves suspense, especially if it comes with a dose of weird (think GOOD RICH PEOPLE by Eliza Jane Brazier or BUNNY by Mona Awad), and dark stories are her typical go-to. She is okay with mild speculative elements if they are close to real-world or very grounded.

She loves the strange and whimsical, as well as the dark and dreadful. She likes romance, but prefers it to be part of a "bigger picture" story (think THE ARC by Tory Henwood Hoen), or at least that it has a great b-plot.

She is especially interested in stories told from the voices of women, LGBTQIA+, and other marginalized communities. She loves morally grey characters, or stories where no one is really good in the end, and craves finding something that breaks the norm of a trope in a satisfying way.

She prefers shorter stories over long ones (still within novel standards though, please!) and is happy to consider manuscripts that bend or combine genres.

For nonfiction, Carleen is interested in topics along the lines of spirituality, intuition, natural living, community, culture, food, and agriculture.

Query Carleen through the agency’s Query Manager here.

See the agency’s submission guidelines here.

See all our upcoming weekly writing classes, one-day workshops, and four-day writing retreats here.

Navigation tips: Always check out the Labels underneath a post; they’ll lead you to various distinct collections of postings. If you're searching for a literary agent who represents a particular type of book, check out this post 

Wednesday, May 15, 2024

Deadlines coming up fast!

We Were the Bullfighters

Enter for your chance to win 1 of 10 copies of We Were the Bullfighters by Marianne K. Miller, perfect for historical fiction readers!

Sent to cover bank robber Red Ryan’s daring prison break, a young Ernest Hemingway becomes fascinated with the convict.

Deadline May 28. More about We Were the Bullfighters and details about how to win your copy here.

Note: See more about forthcoming books and book launches by your fellow authors here (and scroll down).  

 

CANSCAIPs annual Writing for Children Competition is Canada’s largest competition for unpublished children’s writers. 

Four $500 cash prizes will be awarded to the winning Middle Grade and Young Adult entries, and to the top two Picture Book entries. Two finalists in each category will also be selected. The winners and finalists will be given time to revise their entries before CANSCAIP submits them to Annick Press, Kids Can Press and Scholastic Canada for evaluations. 

Every entry receives a written evaluation from a traditionally published CANSCAIP Member volunteer reader. Entries advancing to the second round receive another evaluation, and entries on the shortlist receive evaluations from each jury member.  

We can’t wait to read your story!

Deadline: May 31. Full submission guidelines here.

Note: If you’re interested in writing for kids don’t miss our June 15 Writing for children and for young adults” workshop with Erin O’Connor, senior editor at scholastic books (see here).

Also, this summer, we’ll have a weekly “Writing Little Kid Lit” course (see here).

 

The Future by Catherine Leroux
published by Biliosasis

Book publisher Biblioasis is always open for submissions of literary fiction and nonfiction. 

We are looking for works of exceptional literary and cultural merit across the board. From established writers, we seek work that can stand shoulder-to-shoulder with books by Clark Blaise, Graeme Macrae Burnet, Lucy Ellmann, Stephen Marche, Kathy Page, Eric Ormsby, or Rinaldo Walcott. From emerging writers, we look for potential within both the work and the author: we’re proud to have published debuts by Kathleen Winter, Alexander MacLeod, Luke Hathaway, Kevin Lambert, Alice Petersen, and more.

Full submission guidelines here.

Currently, Biblioasis is also open for submissions of poetry manuscripts and will remain open until Friday, May 31st, or until they reach two hundred submissions—whichever comes first!

Individual poems in the manuscript may have appeared in journals or anthologies, but the collection as a whole must not have appeared in either print or digital editions.

Manuscripts should range between 48 and 100 pages in length.

Full guidelines re poetry submissions here.

Note: See information about other publishers looking for manuscripts here (and scroll down).

 

Burlington Library Writing Contest

Burlington Public Library's annual writing contest is open to everyone ages 10 and up, including adults. You must live, work, or attend school in Burlington, Ontario.

The theme for the 2024 contest is "Journeys of Discovery." You can interpret the word "journey" in any way you like. Your submission can be about physical journeys, emotional growth, self-discovery, exploration of new worlds or ideas, or anything else that fits the theme. To be eligible for judging, your written narrative must include the word "journey," or your comic artwork must represent the concept of a journey.

Judging Categories & Awards

  • Short story: Ages 10-12, 13-17, 18+
  • Poem: Ages 10-12, 13-17, 18+
  • Comics: Ages 10-12, 13-17, 18+

One winner will be selected in each age category and receive a $100 cash prize!

Deadline: May 31. Full submission guidelines here.


See information about upcoming weekly writing classes, one-day workshops, and weekend retreats here.

Note: You can now get new postings on Quick Brown Fox delivered straight to your Inbox as I publish them. Subscribe to the new Quick Brown Fox page on Substack here:  https://brian999.substack.com/

Also, you can get an email about twice a month about what’s coming up in terms of writing classes, workshops, and retreats, plus providing links to the other material on the Quick Brown Fox blog. For that, add your name and email in the Sign-Up box at the top of the righthand column. ~Brian