Karen Kachra’s “Do your recognize me without my
tomahawk?” won first prize (and
$600) in the 3rd Annual Geist Erasure
Poetry Contest. You create erasure poetry by removing letters and words
from an existing text in order to create a new poem.
This year, the work being erased was an excerpt
from the prose poem, “Cottonopolis” by Rachel Lebowitz. Cottonopolis was the name given to
Manchester, England, during the Industrial Revolution, for its prominence in
cotton production and trade. You can read the excerpt from Cottonopolis below Karen’s
poem.
Do your recognize me
without my tomahawk?
War’s
a cut up killing
for to break us
a time to
line up quiet
people are just quiet
get your soup, Indian, and—
go mad.
Some see me. Some do.
Blankets and boxes and bags of bitter money
sending us to slavery
on streets
across the City.
And the family on the
ground
wind cold, sun
shining,
a man’s daughter singing
her thin goodbye;
maybe her son he gone too
a branch in bloom—
torn.
Karen Kachra has published poetry in FreeFall
Magazine and short fiction in Maple Tree Literary Supplement.
Her work has received honours in The Malahat
Open Season Award, The Writers Union of Canada Short
Prose Competition, Writers Digest 80th Annual Writing
Competition, and at GritLIT.
She teaches literature classes in Seneca College’s Continuing Education
programme and freelances as a copywriter and editor.
From “Cottonopolis” by Rachel Lebowitz:
A rookery of dead ends and curved lanes. Everywhere
heaps of debris. Pigs rooting in eyes.
Swine packed tight in the hold. Crates of bacon,
sweet peas, wildflower honey, beef pour les rosbifs. Ninety-one thousand firkins
of ’47 butter: Ballina, Ballyshannon,
Kilrush, Killala, Tra-la, Tralee!
Then come the Micks. And oh, how they love their
pigs! Their children play with them, ride upon them, roll in the dirt with
them. Black snuffle, snort, stink. How happy this swarm of fat.
Try to keep up with the latest London fashions. At
dinner parties, tie pillowcases to those slim white ankles to ward off
muskitoes. Cholera belts should be worn at all times. The best one for
nightwear is ordinary silk or woollen pugree.
Serve your guests food from British tins; shake out
your books before reading. During monsoon season, take down the pictures or
they’ll rot on the walls. I am sorry to report your hairpins will rust
overnight. Place your kid gloves in a bottle with a stopper, your best dresses
in boxes lined with tin.
The air will smell of dust. The sun will kill your
roses. You will buy your cloth from the box-wallah: shawls from Kashmir, cotton
grown in Bombay or Georgia and woven in Lancashire. The weavers here no longer
weave. Some have no thumbs. And their bones, it’s said, are bleaching the
plains of India.
No matter. Such a lovely dress: your durzi’s so
skilled with his needle! Fish the ants from the sugar bowl. Warm the teapot.
Boil the milk. Serve, stir, sip.
And look at Cottonopolis now, holidaying on the
Isle of Man. From this cliff, see the scavengers dart and weave about. The
lambs of course are darling. Pay no attention to that soot on their coats. It’s
nothing, nothing.
Almost five hundred chimneys in Manchester now. And
in the seams, women with chains between their legs crawl on all fours, dragging
coal. Strike of iron into rock, of workers’ clogs on cobblestone streets.
Cotton on the noonday bread, fluff in the throat. Emetics will clear that away.
And if not, not.
Look at this girl. Barefoot, bare head, bare
breasts. Iron clinks between blackened, open thighs. Behind her, a cart of
black gold. High above, black lambs on green grass. Seagulls wheeling in the
western skies.
See Brian Henry’s schedule here, including writing workshops and creative writing
courses in Barrie, Brampton, Bolton, Burlington, Caledon, Cambridge,
Georgetown, Guelph, Hamilton, Kingston, London, Midland, Mississauga,
Newmarket, Orillia, Oakville, Ottawa, Peterborough, St. Catharines,
Stouffville, Sudbury, Thessalon, Toronto, Algoma, Halton, Kitchener-Waterloo,
Muskoka, Peel, the GTA, Ontario and beyond.
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