Thursday, January 6, 2022

Three agents at Howland Literary seek new authors

We Love You, Charlie Freeman
by Kaitlyn Greenidge
represented by Howland Literary

Howland Literary

https://howlandliterary.com/

Don't ever miss what’s happening with Quick Brown Fox. If you’re not yet on my newsletter, send me an email, including your locale to: brianhenry@sympatico.ca
  ~Brian

Howland Literary is a small American agency with just three agents, all of whom are currently looking for new authors:

Victoria Dillman is an Associate Agent and the newest member of team. Like all new agents, she needs authors.

Victoria is most interested in adult literary/upmarket fiction and narrative and expert-driven nonfiction. Like everyone else, she would particularly like to hear from underrepresented communities including neurodivergent, queer, and BIPOC voices. 

In fiction, Victoria looks for a well-paced plot with a strong, distinctive voice. She is fascinated by complex and nuanced characters with conflicting desires. She especially loves literary fiction with a speculative or magical element. She is also intrigued by hybrids of literary-genre fiction: pieces that work to subvert genre conventions. 

She will always be captured by family relationships, particularly the complexities of sibling dynamics and intergenerational trauma. As someone who grew up internationally, Victoria is drawn to narratives exploring transitory homes and cultures. 

In nonfiction, she is looking for projects that have a passion for and in-depth knowledge of niche topics. She is drawn to narratives that focus on the individual and offer fresh perspectives on our world. Some of the topics she is interested include social justice, climate change, mental health, cults, true crime, and counterculture. 

Before Howland Literary, Victoria Dillman was an assistant and foreign rights associate at Sobel Weber Associates and an intern at Linda Leith Publishing, as well as a reader for the Community of Literary Magazines and Presses (CLMP) Awards. She holds a B.A. in English from McGill University, and an MFA in Fiction from The New School.

Query Victoria at: submissions@howlandliterary.com

Include the first 20 pages of your manuscript.

Cassie Mannes Murray is only acquiring nonfiction proposals at the moment, from Dec 2021 to Feb 2022 {though she does also represent fiction}. 

Cassie is interested in a lot of different topics and ideas, but she most often looks for narrative nonfiction (including essay collections and memoir), and deep dives into pop culture, theory, and science.

Before pivoting into publishing, Cassie was a high school teacher for six years, and ran an infamous book blog known as Books & Bowel Movements . She holds a B.A. in English and Creative Writing from North Carolina State University, and an MFA in Creative Nonfiction from University of North Carolina Wilmington.

She has published fiction and essays in The Rumpus, Joyland Magazine, Passages North, Hobart, Fugue Journal, and StoryQuarterly. Her essays have received notables in Best American Essays, and she's received a Pushcart nomination. 

You can see her full wishlist at her website here.

Query Cassie at: submissions@howlandliterary.com

Include a full proposal for nonfiction.

Carrie Howland founded Howland Literary, LLC in 2018, after thirteen years as an agent, most recently at Empire Literary in New York City.

Carrie is accepting submissions for adult literary, upmarket, and commercial fiction

In nonfiction, she’s looking for memoir, narrative and prescriptive nonfiction.

Carrie holds a B.A. in English and Creative Writing from Albion College, where she was the Poetry Editor of The Albion Review. Her poetry has appeared in various literary journals and magazines.

She attends several conferences, both nationally and internationally, throughout the year. Her talk, Beyond the Query Letter,” tells all about Twitter pitches here.

In her spare time, Carrie volunteers as a foster for a local dog rescue and is an active member of the Junior League. Her passions include music, pop culture, and the Midwest.  

She has been featured in several publications discussing her work as an agent including Poets & Writers, SCWBI insight, Akashic Books, and Slice Magazine.

Query Carrie at: ssubmissions@howlandliterary.com

For preference, paste the first 20 pages of your manuscript into the email. Attachments also accepted.

Full submission guidelines here.

Spa at The Briars Resort

Note: You’re invited to an online How to Get Published workshop, with a literary agent as the guest speaker. Check it out here.

Writing Retreats:

Jackson's Point on Lake Simcoe: Writing Retreat at The Briars Resort and Spa. Get away to this modern lakeside resort built around a historic country estate.  Friday, March 4 – Monday, March 7, 2022. Details here.

Algonquin Park: Writing Retreat at Arowhon Pines Resort, Friday, June 3 – Monday, June 6. Details here.

Muskoka Writing Retreat at Sherwood Inn, Friday, Oct 14 – Monday Oct 17, 2022. Details here. Mark your calendars and reserve early before it fills up! 

For details of all upcoming one-day workshops, weekly classes, and weekend retreats, see here

Navigation tips: Always check out the Labels underneath a post; they’ll lead you to various distinct collections of postings. If you're searching for more interviews with literary agents or a literary agent who represents a particular type of book, check out this post.

Wednesday, January 5, 2022

Last call for Online Intensive Creative Writing courses Tuesday evenings, starting January 11

Intensive Creative Writing

 ~ Grow as a writer

Online ~ 3 different sessions: 
(On Zoom and available wherever there's Internet)

Tuesday evenings, 6:30 – 8:45
January 11 – March 22, 2022 ~ Still 2 spots in the Tuesday evening session!

Wednesday afternoons, 12:30 – 3:00 p.m.
January 12 – March 23, 2022 ~ Wednesday session is full 

Friday mornings, 10 a.m. – 12:30 p.m.
January 14 – April 1, 2022 (no class March 4)
~ Friday morning session is full 

Intensive Creative Writing isn't for beginners; it's for people who have been writing for a while or who have done a course or two before and are working on their own projects. You’ll be asked to bring in five pieces of your writing for detailed feedback, including three long pieces. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on. 

Besides critiquing pieces, the instructor will give short lectures addressing the needs of the group, and in addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.

Fee: $229.20 + hst = $259

To reserve your spot, email: brianhenry@sympatico.ca

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada's most popular blog for writers, teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Saint John.  But his proudest boast is that he’s has helped many of his students get published.      

Read reviews of Brian's various courses and workshops here {and scroll down}.

See all of Brian’s upcoming weekly writing classes, one-day workshops, and weekend retreats here. 

Tuesday, January 4, 2022

“Warg” by Justine Howard

 

Aria hovered in a low squat with her face nearly pressed against the window, her fingers hooked on the wood of the sill, trembling as she held herself steady. She released a slow breath, dewing the glass, “What’s it like to play god?”

Emma sputtered, her laugh forced, “What are you getting at?” Aria was suspicious of everything, and it had driven Emma crazy since they’d been children. Every friend, boyfriend, hobby, every piece of clothing she’d ever bought at the mall, Aria had always scrutinized.

Her sister’s eyes slid to look up at her as she scoffed, “I know your neighbour’s dog didn’t just decide to walk up to your front door and whoo your little discovery into motherhood.” She stood, eyes fixed on the other side of the glass.

Emma stepped up beside her to peer into the sunroom at the wiggling lumps of fur that huddled against the exposed belly of their mother, suckling as the sun shone in on them. In the light, the blackness of their fur burned a deep reddish brown, while their mother’s coat appeared to swallow all light completely, the blackest black Emma had ever seen, beautiful and thick. Through the fur that shrouded the dog’s face, the mother dog’s eyes stung like frostbite, cool and unflinching as she stared back at her.

Emma crossed her arms and drew them close as a chill snaked over her shoulders, and she drew her gaze away. “Alright, so maybe I paid the guy a couple hundred bucks…” she murmured.

Aria slapped her arm hard enough to make it ache. “You’re not a fucking dog breeder, Em!” She studied the animals again, eyes narrowed, “I mean, are you even sure she’s a dog?”

“Don’t be paranoid.”

The anatomy was the same, even if it was a bit odd, misshapen even. The dog was incredibly large, her limbs long and paws massive.  Her maw was longer and wider than those of most dogs, and her back arched high over her shoulders, almost like a hunchback. Emma hadn’t been able to get close enough to her to find out if her bones made it that shape, or if it was the fur. 

During the six months the animal had been living in her house, Emma had never been able to touch her because the dog never allowed her to get close enough. She probably hadn’t been around too many humans before being taken in, so that wasn’t totally unexpected. There could’ve been some intermingling with wolves in her lineage at some point, especially this far into the mountains. It wasn’t unheard of.

With a shrug, Aria went quiet and goosebumps raised on her arms. “Dogs don’t… look at people like that, Em.”

“It’s only because you’re a face she doesn’t recognize,” Emma replied.

“But she’s not looking at me,” Aria retorted.

She wasn’t. The dog hadn’t moved the entire time they’d been standing at the window. The intensity of her white irises and pinpointed pupils bore into Emma until her body began to squirm, and she made herself step out of the animal’s line of sight.

“She’s a new mother,” Emma said, “she’s allowed to be protective.”

Aria rolled her eyes. “What did the vet say about her?”

“Nothing really.” That wasn’t entirely true. He’d also never seen an animal like her. Not one so big, and muscled, and hunched. Emma swallowed, “I haven’t heard back from him since the delivery. I left him a voicemail this morning though. She hasn’t eaten since the puppies were born.”

“What?! But it’s been two weeks!” Aria exclaimed, her eyes going wide. She nearly leapt back from the window, her hands flying up in exasperation. “I can’t, Em, I-” She stepped past her, reaching for her coat. “I know you’re excited your little breeding idea bore fruit, but that animal isn’t some normal dog, no matter what you think.” Emma followed Aria as she sped her way through the house to the front door. “Until the vet gets back to you, don’t go into that sunroom,” she said as she tugged on her boots, “I know you don’t care if you get mauled, but I do.”

Emma sighed, “If she wanted to maul me, she would have d-”

“You know what this feels like?” Aria interrupted, her grip so tight on the door knob that her knuckles were white. “It feels like the start of one of those insane situations where someone realizes they shouldn’t have wild animals running free in their house… like before they’re eaten by the cougar they kept in their basement-”

“Aria-”

“Or before they lose an arm to the tigers they had locked in the backyard.” Her brows shot up, and she tugged the door open. “Do not go into that room. Please, don’t.”

The muscles in Emma's jaw ached. “I’ll be careful. I promise.”

“Good,” Aria said, “Because it takes me over an hour to drive up here, and I don’t want to get a wake-up call that you’re dead before either of us reach eighty, okay?”

“Alright!” Emma asserted, and she kissed her sister’s cheek. “I’ll be careful. I’ll call you when I hear back from the vet.”

Aria sighed and gave her a quick hug, her voice a growl in her ear, “You’d better.”

“Bye,” Emma said when they separated, and Aria shut the door with a heavy clack.

 ***

 Emma stood at the sunroom door, fighting the tremor in her hands as she gripped a metal bowl packed to the brim with slices of raw chicken and veal liver.

It’s just a dog. It’s always been just a dog.

She drew in a sharp breath and reached for the door knob.

Just a dog. A dog with new babies, who needs to eat.

Carefully she pushed the door open, the warmth of the sunroom almost overbearing even with the windows open to the autumn air blowing in off the lake.

The mother dog was watching Emma before she cleared the doorway, her pupils narrowing further with every tentative step taken toward her. Emma did her best not to get too close and settled herself into a crouch. slowly extending the bowl forward and placing it on the floor just in front of the dog’s nose.

“You need to eat something, momma,” Emma crooned. “You can’t care for your babies if you don’t eat.”

The mother dog only studied her, not so much as glancing at the bowl of meat as the hair along her back slowly raised, and the muscles on her haunches rippled.

Emma lowered her voice, trying to remain as still as possible. “Just a mouthful?”

The puppies' noses began to twitch. One by one, the four of them pulled away from their mother’s teats to sniff at the air and started to squeal. The sound made Emma recoil, the pitch rattling her ear drums as they cried louder and louder, their bodies violently shaking as they dragged themselves over one another to reach the meat. They pounced, jaws smacking as they ripped chunks of chicken apart, bits of liver spraying across the floor.

Emma scrambled to snatch the bowl back with both hands. Pain burst along her fingers and she almost screamed as she pulled away, blood running down her wrist from the bite that had torn through her thumb.

Puppies this young shouldn’t have teeth. She didn’t know how she knew that, but she knew it was true.

Their alarming squeals were undiminished as they gnawed and tore, flashes of pointed teeth visible with each gulp.

The mother dog was unmoving, fur raised, and her eyes so white that there was no pupil at all.

Emma pressed her hands to the floor and pushed herself to her feet, nearly falling as she fled back to the door. The puppies baying was growing unbearable as the meat ran out, and they scuttled forward to lap up the bloody handprint Emma had left behind.

The glass rattled as Emma slammed the door shut and snapped the deadbolt closed.

 ***

 The shrill twitter of her cell’s ringtone startled Emma awake, her neck twinging as she jolted upright on the couch. She didn’t remember having fallen asleep, but the room around her was dark, the tv flickering. Her phone blinked up at her from where it had fallen on the floor, the vet’s number flashing across the caller ID.

“Hello,” Emma yawned as she pressed the phone to her ear, her voice warbled.

“Hi, Emma?”

She cleared her throat, “Yes, sorry, I was- I’m just up from a nap, sorry”

The vet laughed gently, his voice deep and pleasant, “I’m so sorry to have woken you, but I wanted to let you know I got your message from this morning.”

This morning… she barely remembered having called him. “Right, yes, thank you.”

“So our new momma hasn’t been eating?”

“Yeah, not a thing.” She glanced over toward the sunroom, only to do a double take when she saw the door to the room ajar, the cool blue of the moonlight stretching across the floor.

She had locked that door. The key was still in the deadbolt, but turned, unlocked. Silence emanated from the sunroom, permeated the whole house until her ears began to ring and her skin went cold.

She didn’t wait for the vet to finish talking, “I’m going to have to call you back.”

Call ended. She stood, the phone falling away from her face to bounce onto the couch.

She had definitely locked that door.

Her bare feet made little noise as she stepped across the floor, a trickle of cool air ghosting from the sunroom to chill her toes as she reached the open door. She leaned forward to peer inside, the floor groaning loudly under her weight, making her jump. Inside, the puppies were huddled sleeping on the floor, their mother nowhere to be seen.

“Shit!” Emma stopped herself from snapping the door shut. If the dog was in the main part of the house, there was no way she’d be able to wrangle an animal that size through a shut door. And making a barrier between a mom and her young probably would only make things worse.

She pushed the door open completely, flooding the living room behind her with moonlight and night air.

“Momma?” she whispered into the dim, only to have nothing but silence respond.

The house was just a single level, so there were very few places the dog could have wandered off. Even if she’d misremembered locking the sunroom door, Emma never left the front door unlocked, despite the house being so far back from the main road.

The living room lamps hummed to life as she flicked a light switch, illuminating the room in a sepia hue that never quite reached the darkest bits of the corners.

Empty.

She took a quick peek behind the couch before stepping into the kitchen.

Nails clicked across the floor somewhere on the far side of the room, and Emma spun, unable to see any movement in the dark. Of course the dog had come to the kitchen, considering this was the only place Emma ever kept food. The last thing she wanted was mice in her bed.

She hadn’t reached the light switch before the sheen of two eyes snapped to fix on her from the dark.

Emma jumped, her heart bursting through her chest. She didn’t look away, her arm patting along the wall, failing to find the light switch. She cleared her throat and released a nervous laugh, “You scared me, momma.” Her laugh was shrill, her ears stuffy.

The eyes didn’t move, didn’t falter.

“Are you hungry?” Emma asked, inching her way toward the fridge. She couldn’t look away, didn’t dare to. “I’ve got lots of food I can give you.”

When Emma popped the fridge open, the eyes moved, and the dark mass in the room shifted along with them and began to expand. The eyes drew closer as the dark intensified, nails dragging across the laminate, the sound making Emma weak at the knees. Closer and closer, until the pressure in the room bore down on her, and the shadows swarmed in making it hard to breathe. In the flickering light of the refrigerator, the creature that approached her grew, its muscles twitching and expanding until it rose up on bulging hind legs in front of her.

It was nearly on top of her. Emma could barely catch her breath as the darkness swirled and stung against her skin. Its eyes had her, glowing a hot white, as its long jaw, brimmed with fanged teeth, inched closer to her face. More and more teeth were revealed as the animal's lips pulled back into an unsettling grin. A gasping breath hissed out of its jaws, and it went still, its grotesque form hovered over her, trembling.

“Just a mouthful?” it said. “Just a mouthful?”

***

Justine Howard is a 2D VFX artist, a writer and book lover, a runner, a Newfoundlander, momma of a Sphynx,and a plant-based embracer of life and sunshine.

"Warg" was previously published on CommuterLit. For information about submitting to CommuterLit, see here. 

See Brian Henry’s upcoming weekly writing classes, one-day workshops, and weekend retreats here.


Monday, January 3, 2022

Online: Writing Kid Lit ~ Picture Books to Young Adult Novels, Monday afternoons, Jan 10 – March 28

Writing Kid Lit

Picture Books to Young Adult Novels

Online: Monday afternoons, 1 – 3 p.m.
January 10 – March 28, 2022 {no class Feb 21 or March 7}
Offered online and accessible from anywhere there's internet 

This course is for adults {or teens} interested in writing picture books, Chapter Books, Middle Grade books, or Young Adult novels. This course is accessible for beginners and meaty enough for advanced writers. Through lectures, in-class assignments, homework, and feedback on your writing, we’ll give you ins and outs of writing for younger readers and set you on course toward writing your own books.

We’ll have two published children’s authors as guest speakers:

Jennifer Mook-Sang grew up in Guyana and moved to Canada when she was fourteen. While reading bedtime stories to her two sons, she fell in love with picture books and decided to write one of her own. In one of Brian Henry's classes, she found the beginnings of a story.  

That story grew into the humorous middle-grade novel,  Speechless, published by Scholastic Canada, and since translated into Portuguese for Brazil (Não Cale! Fale!) and Turkish (Bir KonuÅŸabilse).

Speechless won the Surrey Schools Book of the Year Award, was shortlisted for many others, and was recommended by the Ontario Library Association, the Canadian Children’s  Book Centre, the CBC, and the TD Summer Reading Club. 

Jennifer has also published a picture book, Captain Monty Takes the Plungewith Kids Can Press. Captain Monty is the boldest, stinkiest pirate to sail the six or seven seas; in fact, he’s never had a bath. Naturally, the Junior Library Guild immediately selected him for its fall list of recommended books; it was short-listed for the Rainforest of Reading Award; and the Canadian Children’s Book Centre put it on its best books of the year list.

Jennifer’s next picture book will be published by Tundra Books, an imprint of Penguin Random House Canada.

Kira Vermond is an award-winning writer with over 2,000 articles to her name. She has been a frequent contributor to the Globe and Mail, Chatelaine, CBC and Today's Parent.

Kira is the author of seven nonfiction books for young readers:  Trending: How and Why Stuff Gets Popular, which recently won the Yellow Cedar Award (more here); Why Does My Shadow Follow Me? (see here) and Why Don’t Cars Run on Apple Juice (more here); Half-Truths and Brazen Lies, (more  here); Why We Live Where We Live (more here);  Growing Up: Inside and Out (nominated for on Ontario Library Association Forest of Reading Award); and The Secret Life of Money: A Kid's Guide to Cash, which was my son’s and daughter’s favourite book  the year it came out, although my kids are four years apart.

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada's most popular blog for writers, teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Saint John.  Brian is the author of a children's version of Dr. Jekyll and Mr, Hyde (Tribute Publishing).  But his proudest boast is that he’s has helped many of his students get published.      

Read reviews of Brian's various courses and workshops here {and scroll down}.

Fee: $176.11 plus 13% hst = $199

To reserve your spot, email: brianhenry@sympatico.ca

See all of Brian’s upcoming weekly writing classes, one-day workshops, and weekend retreats here. 

Sunday, January 2, 2022

You’re invited to the Book Launch Party for The Hitman’s Daughter by Carolyne Topdjian

Update Jan 3, 2022: The in-person launch is cancelled - something about a zombie invasion or global pandemic or something. But now The Book Wardrobe has a boxful of Carolyne's novel to sell, and now no launch where they can sell them. 

Please consider pre-ordering and reserving a limited-edition, *signed* hardcover of THE HITMAN’S DAUGHTER — available exclusively through The Book Wardrobe. This way, you’ll receive the novel a month earlier than anyone else, before it hits bookstores in February! (Mail delivery or in-person pick-up from shop possible on/after January 22.) 

The Book Wardrobe is in Streetsville: 223 Queen St S, Mississauga, at the corner of Mill St here. Or if you're not near Streetsville, you can order The Hitman's Daughter through Amazon.ca here. 

Please join Mississauga author, Carolyne Topdjian on a cozy winter's day to help celebrate the launch of her debut gothic novel, The Hitman's Daughter (Agora/Polis Books). The event will take place in the culturally vibrant Small Arms Inspection Building and will include giveaways, complimentary book swag, refreshments, live music from the retro-rock band, Sideroad 5, and an art exhibition by Visual Arts Mississauga.

Exclusive for the event, the independent bookshop, The Book Wardrobe, will also be in attendance with limited advance copies of The Hitman’s Daughter available for purchase. Open to the public and perfect for those interested in local arts and culture; drop by with friends and family! 

In-person Book Launch Party for

The Hitman’s Daughter 

by Carolyne Topdjian

The Small Arms Inspection Building

1352 Lakeshore Rd E,

Saturday, January 22, 2022 f

11 a.m. to 1 p.m.,

Featuring the rock band Sideroad 5, local visual artists, and The Book Wardrobe.

Free admission; open to public

·         Presented in partnership with The Book Wardrobe

·         Find out more at www.carolynetopdjian.com and/or RSVP on Facebook

Contact Information: Carolyne Topdjian, carolyne.topdjian@gmail.com

@TopdjianC

Note: If you miss the launch, is available through Amazon.ca here.

 See Brian Henry’s upcoming weekly writing classes, one-day workshops, and weekend retreats here.