Crayons are magic.
Crayons can do anything.
Crayons come in lots of colours.
Crayons come in small boxes or big boxes.
Big boxes have more colours.
Really big boxes have even more, plus a sharpener.
Old crayons still work. Even after eighty years.
You can collect them and be crayon rich – if you share.
You can take crayons anywhere and nobody needs to know that you have them.
Crayons don’t leak.
Crayons don’t make noise.
Crayons don’t need batteries.
Crayons don’t have to be wound up.
Crayons never die; they just end up in pieces. But all the pieces still work.
You can write with crayons.
You can draw a picture.
You can go places you have never been.
You can do whatever you want, because you are powerful with a crayon.
You can write about a picture you made.
Or you can make a picture about a story you wrote.
You can tell your favourite colour, because it’s the shortest crayon in the box.
Or maybe it’s the longest one because you never use it because it’s your favourite.
Crayons have their own smell.
Unless you have a box with scratch and sniff crayons.
Then it gets all mixed up with weird smells like bubble gum.
Stick people look good in crayon.
So do stick animals.
You can draw a barn.
You can draw a field.
You can draw farmer Bryan in the field.
Bryan was born in ’37. 1537.
That means he’s really old.
You can draw your own line picture and colour it in with your crayons.
You can draw a horse.
Or you can draw a house.
Or you can draw a castle.
You can make own your own rainbow and stick it on your wall.
You can get a colouring book you like and colour in it.
You don’t have to use the colours the book tells you to.
And you don’t have to stay between the lines, because there’s no teacher with a switch.
You can go really far outside the lines.
You can have someone else draw a picture for you
And colour it in.
And then you can write about it.
You can share your crayons with others.
If your box is big enough, no one will get stuck with the white crayon.
White crayons are stupid – unless you have a black piece of paper, and it’s dark, and your flashlight is fading.
Hand a crayon to someone and they might make a mask and turn into someone else.
If they turn into Michelangelo or Rembrandt, they might make you a really nice picture with your crayons.
There are only three rules with crayons – and nobody knows what they are.
You can make the horse blue, and the grass orange, and the sky purple and the sun pink.
Or make them all green and say they are from Mars – or Oz.
You can take your crayons to an important meeting, like maybe a cabinet meeting, pull one out and make a smiley face.
Pink is nice. Or blue. Or maybe red.
Then pass your box of crayons around the room and start a trend.
Or get ushered out – with your crayons.
But before you leave, stick the smiley face to the door as a gift.
You can always make another because you still have your crayons.
You can imagine miraculous things with crayons.
Like, what would happen if we replaced all the guns in the world with different coloured crayons?
Would everyone learn to share?
You are a magician if you have a crayon.
Your crayon is your magic wand.
You can change your world with a crayon – at least for a while.
Heather Eby lives on the small family farm with a bevy of birds and animals. She had the pleasure of taking Brian Henry’s “Welcome to Creative Writing” class and is currently enrolled in his "Exploring Creative Writing."
For information about Brian's creative writing courses and writing workshops, see here.
Tuesday, February 8, 2011
Monday, February 7, 2011
"Writing Your Life," Saturday, May 14, 2011, Gravenhurst in Muskoka
“Writing Memoirs & Other True Stories”
Saturday, May 14
10 a.m. - 4 p.m.
The Community Room in Your Independent Grocers,
290 First Street N., Gravenhurst, in Muskoka (Map here.)
Have you ever considered writing your memoirs or family history? This workshop will introduce you to the tricks and conventions of telling true stories and will show you how to use the techniques of the novel to recount actual events. Whether you want to write for your family or for a wider public, don't miss this workshop.
Workshop leader Brian Henry has been a book editor and creative writing instructor for more than 25 years. He has helped many of his students get published, including our guest speaker, Ross Pennie.
Dr. Ross Pennie is the author of The Unforgiving Tides, a doctor’s memoir of Papua New Guinea (Manor House Publishing). He has also signed a contract with ECW Press for three medical mystery novels. The first of these, Tainted, came out last April and won Arts Hamilton Literary Award for Fiction. Ross's next novel will be out this spring. At the workshop, Ross will speak on how to turn ordinary life into dramatic material and will answer questions about how he wrote his memoir and got it published.
Visit Ross's website here.
Fee: $38.94 + 13% hst = $44 paid in advance
or $42.48 + 13% hst = $48 if you wait to pay at the door
To reserve your spot, email brianhenry@sympatico.ca
For information about all of Brian's creatvie writing courses and writing workshops, see here.
Saturday, May 14
10 a.m. - 4 p.m.
The Community Room in Your Independent Grocers,
290 First Street N., Gravenhurst, in Muskoka (Map here.)
Have you ever considered writing your memoirs or family history? This workshop will introduce you to the tricks and conventions of telling true stories and will show you how to use the techniques of the novel to recount actual events. Whether you want to write for your family or for a wider public, don't miss this workshop.
Workshop leader Brian Henry has been a book editor and creative writing instructor for more than 25 years. He has helped many of his students get published, including our guest speaker, Ross Pennie.
Dr. Ross Pennie is the author of The Unforgiving Tides, a doctor’s memoir of Papua New Guinea (Manor House Publishing). He has also signed a contract with ECW Press for three medical mystery novels. The first of these, Tainted, came out last April and won Arts Hamilton Literary Award for Fiction. Ross's next novel will be out this spring. At the workshop, Ross will speak on how to turn ordinary life into dramatic material and will answer questions about how he wrote his memoir and got it published.
Visit Ross's website here.
Fee: $38.94 + 13% hst = $44 paid in advance
or $42.48 + 13% hst = $48 if you wait to pay at the door
To reserve your spot, email brianhenry@sympatico.ca
For information about all of Brian's creatvie writing courses and writing workshops, see here.
The Claremont Review, magazine for young writers, annual contest
The Claremont Review
4980 Wesley Road
Victoria, BC V8Y 1Y9
http://www.theclaremontreview.ca/
The Claremont Review is a magazine that showcases the work of inspiring young adult writers. The magazine publishes twice a year, spring and fall.
For the annual contest, you may enter either prose or poetry (or both). Contestants must be aged 13-19.
For fiction, you may enter up to three postcard stories (maximum 500 words apiece) or one longer story (maximum 5,000 words). For poetry, you may enter up to 3 poems.
Deadline: March 15th, 2011.
The entry fee is $20 and includes a one-year subscription to The Claremont Review.
If you would like to submit both poetry & fiction the entry fee is $25.00.
There is a total of $2000 in prizes available:
First Place......... $500 (for both fiction and poetry)
Second Place.... $300 (for both fiction and poetry)
Third Place........ $200 (for both fiction and poetry)
All winners and honourable mentions will be published in the Fall issue of the Claremont Review, and will receive one perfect bound copy of that issue. In addition, the winners will be highlighted and their winning entries published on the abebooks.com website. All contest entries will be considered for publication regardless of contest results. Full contest rules and address for entries here.
Regular submissions:
The editors of The Claremont Review are looking to publish first class poetry, short stories and short plays by young adult writers (aged 13-19) anywhere in the English speaking world. We publish anything from traditional to post modern, but with a preference for works that reveal something of the human condition.
The Claremont Review is not looking for Science Fiction, Fantasy, Romance, or most rhyming poetry; your first draft of anything; or previously published work.
Full submission guidelines here. Read a few short pieces from previous issues here.
For information about Brian Henry's creative writing courses and writing workshops, see here.
4980 Wesley Road
Victoria, BC V8Y 1Y9
http://www.theclaremontreview.ca/
The Claremont Review is a magazine that showcases the work of inspiring young adult writers. The magazine publishes twice a year, spring and fall.
For the annual contest, you may enter either prose or poetry (or both). Contestants must be aged 13-19.
For fiction, you may enter up to three postcard stories (maximum 500 words apiece) or one longer story (maximum 5,000 words). For poetry, you may enter up to 3 poems.
Deadline: March 15th, 2011.
The entry fee is $20 and includes a one-year subscription to The Claremont Review.
If you would like to submit both poetry & fiction the entry fee is $25.00.
There is a total of $2000 in prizes available:
First Place......... $500 (for both fiction and poetry)
Second Place.... $300 (for both fiction and poetry)
Third Place........ $200 (for both fiction and poetry)
All winners and honourable mentions will be published in the Fall issue of the Claremont Review, and will receive one perfect bound copy of that issue. In addition, the winners will be highlighted and their winning entries published on the abebooks.com website. All contest entries will be considered for publication regardless of contest results. Full contest rules and address for entries here.
Regular submissions:
The editors of The Claremont Review are looking to publish first class poetry, short stories and short plays by young adult writers (aged 13-19) anywhere in the English speaking world. We publish anything from traditional to post modern, but with a preference for works that reveal something of the human condition.
The Claremont Review is not looking for Science Fiction, Fantasy, Romance, or most rhyming poetry; your first draft of anything; or previously published work.
Full submission guidelines here. Read a few short pieces from previous issues here.
For information about Brian Henry's creative writing courses and writing workshops, see here.
Sunday, February 6, 2011
Intensive Creative Writing course, Wed evenings, Apr 20 – June 15, Mississauga, Ontario
First set of readings distributed by email April 20.
Classes run Wednesday evenings, 6:45 – 9:00 p.m.
April 27 to June 15
Sheridan United Church, 2501 Truscott Drive, Mississauga (Map here.)
This course is for people who are working on their own writing. The format is similar to the "Intermediate" and "Extreme" courses: Over the eight classes, you’ll be asked to bring in 4 pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on.
Besides critiquing pieces, I'll also be giving short lectures at the start of each class, addressing the needs of the group.
In addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.
Fee: $132.74 plus 13% hst = $150
Advance registration only. These courses usually fill up, so enroll early to avoid disappointment.
To reserve a spot now, email: brianhenry@sympatico.ca
Image: "Woman Writing" oil on linen by Valerie Hardy.
For information about all of my creative writing courses and writing workshops, see here.
Classes run Wednesday evenings, 6:45 – 9:00 p.m.
April 27 to June 15
Sheridan United Church, 2501 Truscott Drive, Mississauga (Map here.)
This course is for people who are working on their own writing. The format is similar to the "Intermediate" and "Extreme" courses: Over the eight classes, you’ll be asked to bring in 4 pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on.
Besides critiquing pieces, I'll also be giving short lectures at the start of each class, addressing the needs of the group.
In addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.
Fee: $132.74 plus 13% hst = $150
Advance registration only. These courses usually fill up, so enroll early to avoid disappointment.
To reserve a spot now, email: brianhenry@sympatico.ca
Image: "Woman Writing" oil on linen by Valerie Hardy.
For information about all of my creative writing courses and writing workshops, see here.
Friday, February 4, 2011
Lost in Thought - new print magazine in the works, looking for short stories
Lost in Thought magazine will be a Toronto-based publication for people who love reading interesting short stories. There won't be a theme tying the stories together, just that they all connect with the reader on some level.
Your story could be a piece about a dog in outer space, or a WWII vet in NYC. The publication will hopefully include a nice variety of stories.
Of course they need story submissions to get this off the ground! So if you're a writer, great! They're looking forward to reading your stuff. Photography and Illustrations are also vital to setting the tone of the stories. Lost in Thought will feature nice big photos and illustrations, so if there are any talented people out there who would like to see their work in print, feel free to send an email!
Story Submissions:
Try to keep it 5,000 words or less. There's some wiggle room if it's a really great piece, but no fair trying to get your novel published.
Ideally your submission shouldn't be published elsewhere. That doesn't mean it has to be an entirely new story though, it could be something you've had sitting on a hard drive for years just waiting for a home.
Try to keep your submission to one or two pieces, no need to send every piece you've ever written.
All entries will be read and appreciated! Send them to: LostInThoughtMag@gmail.com
Submission guidelines here. Home here.
For information about Brian Henry's creative writing courses and writing workshops, see here.
Your story could be a piece about a dog in outer space, or a WWII vet in NYC. The publication will hopefully include a nice variety of stories.
Of course they need story submissions to get this off the ground! So if you're a writer, great! They're looking forward to reading your stuff. Photography and Illustrations are also vital to setting the tone of the stories. Lost in Thought will feature nice big photos and illustrations, so if there are any talented people out there who would like to see their work in print, feel free to send an email!
Story Submissions:
Try to keep it 5,000 words or less. There's some wiggle room if it's a really great piece, but no fair trying to get your novel published.
Ideally your submission shouldn't be published elsewhere. That doesn't mean it has to be an entirely new story though, it could be something you've had sitting on a hard drive for years just waiting for a home.
Try to keep your submission to one or two pieces, no need to send every piece you've ever written.
All entries will be read and appreciated! Send them to: LostInThoughtMag@gmail.com
Submission guidelines here. Home here.
For information about Brian Henry's creative writing courses and writing workshops, see here.
Thursday, February 3, 2011
Intensive Creative Writing course, Wed afternoons, April 20 – June 15, Burlington
First set of readings distributed by email April 20.
Classes run Wednesday afternoons, 12:45 – 3:00 p.m.
April 27 to June 15
Appleby United Church
4407 Spruce Ave, Burlington (Map here.)
This course is for people who are working on their own writing. The format is similar to the "Intermediate" and "Extreme" courses: Over the eight classes, you’ll be asked to bring in 4 pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on.
Besides critiquing pieces, I'll also be giving short lectures at the start of each class, addressing the needs of the group.
In addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.
Fee: $132.74 plus 13% hst = $150
Advance registration only. These courses usually fill up, so enroll early to avoid disappointment.
To reserve a spot now, email: brianhenry@sympatico.ca
For information about all of my creative writing courses and writing workshops, see here.
Classes run Wednesday afternoons, 12:45 – 3:00 p.m.
April 27 to June 15
Appleby United Church
4407 Spruce Ave, Burlington (Map here.)
This course is for people who are working on their own writing. The format is similar to the "Intermediate" and "Extreme" courses: Over the eight classes, you’ll be asked to bring in 4 pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on.
Besides critiquing pieces, I'll also be giving short lectures at the start of each class, addressing the needs of the group.
In addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.
Fee: $132.74 plus 13% hst = $150
Advance registration only. These courses usually fill up, so enroll early to avoid disappointment.
To reserve a spot now, email: brianhenry@sympatico.ca
For information about all of my creative writing courses and writing workshops, see here.
Wednesday, February 2, 2011
"Collected Short Stories" by W. Somerset Maugham, reviewed by Michael Joll
"I have never pretended to be anything but a story teller. It has amused me to tell stories and I have told a great many. It is a misfortune for me that the telling of a story just for the sake of the story is not an activity that is in favour with the intelligentsia. I endeavour to bear my misfortune with fortitude." Thus wrote Maugham of himself in "Creatures of Circumstance".
The Collected Short Stories, in four volumes, 90 stories plus the "Ashenden" series include classics such as "Rain," "The Outstation," "The Four Dutchmen," "P & O," and "The Three Fat Women of Antibes." And what stories they are! Many have been made into films and television plays.
As each of these typically twenty to thirty page stories will attest, the man was a master story teller with a clear, economical style layered over a frequent undercurrent of irony and resignation. Maugham exploits the strengths and weaknesses (the latter being by far the more interesting) of his characters, living ordinary lives in often extraordinary circumstances against backdrops as varied as England, France, Spain, Malaya and the Pacific Islands. He handles plots adroitly with a wonderful turn of phrase here and le mot juste there.
Panned by the intelligentsia, Maugham got the last laugh, becoming the highest earning British writer in the 1930s. Maugham is no Dan Brown, the master of the frenetic chase, however, but a writer of consummate skill and varying pace.
The Collected Short Stories (available from Penguin Books or your local Public Library) offer great GO Train reading or a thirty minute interlude before switching out the bedside light. I defy anyone who enjoys great writing and clear story telling to put them down.
They should also be compulsory reading for any aspiring short story writer or novelist.
For information about Brian Henry's writing workshops and creative writing courses, see here.
The Collected Short Stories, in four volumes, 90 stories plus the "Ashenden" series include classics such as "Rain," "The Outstation," "The Four Dutchmen," "P & O," and "The Three Fat Women of Antibes." And what stories they are! Many have been made into films and television plays.
As each of these typically twenty to thirty page stories will attest, the man was a master story teller with a clear, economical style layered over a frequent undercurrent of irony and resignation. Maugham exploits the strengths and weaknesses (the latter being by far the more interesting) of his characters, living ordinary lives in often extraordinary circumstances against backdrops as varied as England, France, Spain, Malaya and the Pacific Islands. He handles plots adroitly with a wonderful turn of phrase here and le mot juste there.
Panned by the intelligentsia, Maugham got the last laugh, becoming the highest earning British writer in the 1930s. Maugham is no Dan Brown, the master of the frenetic chase, however, but a writer of consummate skill and varying pace.
The Collected Short Stories (available from Penguin Books or your local Public Library) offer great GO Train reading or a thirty minute interlude before switching out the bedside light. I defy anyone who enjoys great writing and clear story telling to put them down.
They should also be compulsory reading for any aspiring short story writer or novelist.
Michael Joll was born in England and spent his early childhood in Calcutta and Karachi. He arrived in Canada in 1973 and worked in sales, then as a police officer, paralegal and as a deckhand on a car ferry. After receiving 0/20 in creative writing at age 18, he determined to become a better writer. And succeeded. He's the author of four plays for radio, recorded and broadcast on Canadian Public Radio and numerous pieces of short fiction. Currently working on the second draft of his second novel and submitting short stories to contests, Michael is hoping to jeopardize his amateur status.*
For information about Brian Henry's writing workshops and creative writing courses, see here.
Tuesday, February 1, 2011
"Welcome to Creative Writing," Tues afternoons, Apr 19 - June 14, Oakville
Nine weeks of discovery
Tuesday afternoons, 12:45 - 2:45 p.m.
April 19 – June 14
St Cuthbert's Anglican Church
1541 Oakhill Drive, Oakville (Map here.)
This course will open the door to all kinds of creative writing. We’ll visit short story writing and personal writing, children’s writing, memoir writing, and just for fun writing. You’ll get a shot of inspiration every week and an assignment to keep you going till the next class. Best of all, this class will provide a zero-pressure, totally safe environment, where your words will flow and flower.
Fee: $115.04 plus 13% hst = $130. Advance registration only. Number of attendees strictly limited.
To reserve your spot now, email brianhenry@sympatico.ca
Note: My writing classes tend to fill up, to avoid disappointment, register early.
For more information about all of Brian's creative writing courses and writing workshops, see here.
Tuesday afternoons, 12:45 - 2:45 p.m.
April 19 – June 14
St Cuthbert's Anglican Church
1541 Oakhill Drive, Oakville (Map here.)
This course will open the door to all kinds of creative writing. We’ll visit short story writing and personal writing, children’s writing, memoir writing, and just for fun writing. You’ll get a shot of inspiration every week and an assignment to keep you going till the next class. Best of all, this class will provide a zero-pressure, totally safe environment, where your words will flow and flower.
Fee: $115.04 plus 13% hst = $130. Advance registration only. Number of attendees strictly limited.
To reserve your spot now, email brianhenry@sympatico.ca
Note: My writing classes tend to fill up, to avoid disappointment, register early.
For more information about all of Brian's creative writing courses and writing workshops, see here.
Monday, January 31, 2011
Love Letters
Hi Brian,
After attending your How to Make Yourself Write workshop in Brampton and hearing your suggestion on going on a writing date, I decided to do just that.
Dorothy Bush (who has written book reviews for Quick Brown Fox), another gal from our local group, and I met at the food court in our local mall this afternoon to write and get good vibes from each other. It was a great success and the three of us are planning another Sunday afternoon date next month.
Also a bit of good news: an article I wrote on the Brockville and Westport Railway was published in the Winter edition of The Country Connection.
Melanie Robertson-King
http://www.melanierobertson-king.com/
For information on submitting to The Country Connection, see here.
If you’d like to catch those good vibes that come from writing in company, join us Tuesday afternoons at CJ’s. See here.
Hi Brian,
Just wanted to thank you for your newsletter – it prompted me to submit a couple of essays to the INHOUSEPRESS 2010 Human Potential Non-Fiction Contest. Lucky me! I won 1st place for a piece entitled “Learning, Upside Down”. They also published a longer version of a second essay I did on Autism Spectrum Disorder.
So, many thanks from an aspiring BC writer!
Cheers,
Laurie Crookell :)
For information about my writing workshops and creative writing courses, see here.
After attending your How to Make Yourself Write workshop in Brampton and hearing your suggestion on going on a writing date, I decided to do just that.
Dorothy Bush (who has written book reviews for Quick Brown Fox), another gal from our local group, and I met at the food court in our local mall this afternoon to write and get good vibes from each other. It was a great success and the three of us are planning another Sunday afternoon date next month.
Also a bit of good news: an article I wrote on the Brockville and Westport Railway was published in the Winter edition of The Country Connection.
Melanie Robertson-King
http://www.melanierobertson-king.com/
For information on submitting to The Country Connection, see here.
If you’d like to catch those good vibes that come from writing in company, join us Tuesday afternoons at CJ’s. See here.
Hi Brian,
Just wanted to thank you for your newsletter – it prompted me to submit a couple of essays to the INHOUSEPRESS 2010 Human Potential Non-Fiction Contest. Lucky me! I won 1st place for a piece entitled “Learning, Upside Down”. They also published a longer version of a second essay I did on Autism Spectrum Disorder.
So, many thanks from an aspiring BC writer!
Cheers,
Laurie Crookell :)
For information about my writing workshops and creative writing courses, see here.
Sunday, January 30, 2011
Come write with me ~ a writing open house, Tuesdays at CJ's Cafe
Tuesday afternoons, February 8, 15 & 22
1:30 – 4:30
Free
CJ’s Café, 2416 Lakeshore Rd W, Oakville.
(On the south side of Lakeshore, just east of Bronte Rd, next to Lick’s ice cream – map here.)
On the last 3 Tuesday afternoons in February, you’re invited to bring your laptop or notebook and a piece of writing you’re working on down to CJ’s Cafe to spend a couple hours networking and writing in the company of other writers.
This isn’t a class – there won’t be any lectures or critiquing. It’s an opportunity to network and to write in a convivial atmosphere, with other writers around doing the same as you’re doing – getting a story on paper (while sipping the best lattes in North America).
If you’re not working on a piece, and you're looking for something to write, here are some prompts to get you started:
For Feb 8: “An almost perfect ski day”
For Feb 15: “Heartbroken”
For Feb 22: “17 crows”
You don’t have to use these prompts and you don’t have to use them as given (or on the days suggested). Maybe you want to write about some winter activity other than skiing or about someone who finds her every desire fulfilled rather than being heartbroken or about some kind of bird or animal other than a crow – go for it! Prompts are just to give you a beginning. So get on down to CJ's, order a cappuccino, and pull up a chair. Get a wisp of a story in your head and begin to write…
Note: You don’t need to come for the whole three hours. I won’t be there myself until after 3:00, as I teach a class Tuesday afternoons.
We’ll see how these three Tuesdays go, and if there’s interest, we’ll keep going.
I hope to see you there.
- Brian
For information about my writing workshops and creative writing classes, see here.
To find out what else is happening at CJ's see here.
1:30 – 4:30
Free
CJ’s Café, 2416 Lakeshore Rd W, Oakville.
(On the south side of Lakeshore, just east of Bronte Rd, next to Lick’s ice cream – map here.)
On the last 3 Tuesday afternoons in February, you’re invited to bring your laptop or notebook and a piece of writing you’re working on down to CJ’s Cafe to spend a couple hours networking and writing in the company of other writers.
This isn’t a class – there won’t be any lectures or critiquing. It’s an opportunity to network and to write in a convivial atmosphere, with other writers around doing the same as you’re doing – getting a story on paper (while sipping the best lattes in North America).
If you’re not working on a piece, and you're looking for something to write, here are some prompts to get you started:
For Feb 8: “An almost perfect ski day”
For Feb 15: “Heartbroken”
For Feb 22: “17 crows”
You don’t have to use these prompts and you don’t have to use them as given (or on the days suggested). Maybe you want to write about some winter activity other than skiing or about someone who finds her every desire fulfilled rather than being heartbroken or about some kind of bird or animal other than a crow – go for it! Prompts are just to give you a beginning. So get on down to CJ's, order a cappuccino, and pull up a chair. Get a wisp of a story in your head and begin to write…
Note: You don’t need to come for the whole three hours. I won’t be there myself until after 3:00, as I teach a class Tuesday afternoons.
We’ll see how these three Tuesdays go, and if there’s interest, we’ll keep going.
I hope to see you there.
- Brian
For information about my writing workshops and creative writing classes, see here.
To find out what else is happening at CJ's see here.
The Scruncher, a true story of organizational change by Alf Rock
When she was 12, I said to my daughter, “You know, you're so much more advanced than I was at your age.”
“What are you talking about?” she replied scrunching her face. “I’m more advanced than you are now!”
We laughed and within a few months she demonstrated that reality with this tale of transformation.
At that time my youngest son was at the threshold of attending school, but was still at the stage of his development where he was announcing his bodily functions.
“Dad, I need to go for a pooh,” he would announce prior to every visit to the toilet. This made perfect sense, since he needed to secure someone to perform the administrative “paper work” once he had finished his business. When he was ready for this, his ritual would be to announce, “Dad I need your help.”
We had however come to a point in his life were I was going to have to sunset this outsourced function of my son’s ablutions, so I could retire from being a Chief Wiper.
A change intervention was needed and it would have to be handled delicately.
The first phase of the plan was to begin to introduce a level of dissonance and discomfort within the status quo of our dependant relationship. With a clear need for change, one has to stimulate the movement towards the change and gently reduce the resources supporting the old ways.
So when he next announced, “Dad I need to go for a pooh,” I replied with a change to the ritual.
“Unless you want to upset your mother, I would recommend that room right there,” pointing to the washroom.
He found this more amusing than the following change to the ritual, which was to leave him feeling isolated and marooned on his porcelain island throne when he announced, “Dad I need your help.”
To this I stopped responding in my normal way and let him call it out at least a second time. I tip-toed up to the door of the washroom and timed my response with his latest foghorn blast for help, whereupon I popped my head around the door and delivered the next ritualized line.
“If ever a sentence deserved a please on the end of it – it would be that one!” I emphasized with a pointing finger. Then I held out for him to make the request with the proper protocol.
“Dad, I need your help, please!”
“It would be my pleasure,” I responded and performed my C-Level duties of Chief Wiping Officer.
After a few weeks of this, I felt it time to put the second phase of the plan into effect. Our dependant relationship had shifted to the point that if he had hired me for the job of C.W.O, he would have surely fired me by now. The environment was primed for him accepting change.
The next phase required some finesse, since having a need and target of change was only half the story. What was needed next at this critical juncture was an extraordinary change agent. I resolved to use the old corridor-ambush technique to recruit my change agent.
Between the kitchen and laundry room I bumped into my daughter. “So I was thinking,” I said casually.“Your brother will be spending all day at school, and I would hate to think that some mishap would befall him because he hasn’t learnt to wipe his ass yet.”
“What’s that got to do with me?” she responded with immediate suspicion.
Dealing with extraordinary people was a tricky proposition, especially when I was so obviously transparent in my entrapment technique.
“Well I was thinking,” I continued still ever so casually, “someone’s going to have to teach him to wipe his own ass”
“What’s that got to do with me?” she repeated, maintaining her defensive posture.
“Well, you know, sometimes, it’s harder to get someone to do something, than to do it yourself,” I maneuvered.
“I’m not wiping his ass!” she declared.
“Exactly,” I pounced. “If I try to instruct him in those finer points, I will simply end up doing it myself. You on the other hand would never be tempted to do anything other than train him in the proper way. And,” I added moving to close the agreement, “the experience will be much less traumatic for him, since your people skills are so much better than mine.”
“Okay,” she conceded. She turned and walked away into the mission, from which I heard nothing more.
The ritual of declaring of bodily functions and requesting help abruptly stopped. I felt smug at having crafted a masterful change plan.
That was the end of it, so I thought, until a few weeks later, in a ritual of parental anxiety I found myself shouting for the kids to: “Get in the car! We’re going to be late! Where’s your brother?” I asked my daughter.
“I’m in the toilet” he shouted at the top of his voice.
I rushed down the corridor to the washroom and swung the door open with no regard to privacy.
He looked up at me.
“Are you done?” I said, and then proceeded to swipe some toilet paper, prepared to regress out of my retirement.
Suddenly pandemonium ensued. Screams of protestations had me step back, and then my daughter hit me with a profound line that became part of our family sub-culture.
“Oh my God Dad, you don’t even know what a Scruntcher is!”
“A What?” I responded.
“Didn’t you ask me to teach him how to wipe his ass?” She was furious with me.
“Yes.”
“So I told him that I was going to do that, and made sure that he was cool with it. Then I told that the first thing that he had to do was to make a decision of whether he wanted to be a Folder or a Scruncher.”
I turned and looked at my right hand holding the folded paper tissues, and then looked down at my son.
“Yeah, Dad,” almost in a plea, “I want to be a Scruncher”.
It turns out that my children where way more advanced than me after all. When I had grown up, folding was the only option. Suddenly realizing that my kids had freedoms beyond the conventions of my upbringing was a pure delight.
“Peace,” I said, scrunching up the tissues in my hand and surrendering them over to my son.
I retreated and allowed order to prevail. And suddenly being late wasn’t the end of the world.
For information about Brian's writing workshops and creative writing courses, see here.
“What are you talking about?” she replied scrunching her face. “I’m more advanced than you are now!”
We laughed and within a few months she demonstrated that reality with this tale of transformation.
At that time my youngest son was at the threshold of attending school, but was still at the stage of his development where he was announcing his bodily functions.
“Dad, I need to go for a pooh,” he would announce prior to every visit to the toilet. This made perfect sense, since he needed to secure someone to perform the administrative “paper work” once he had finished his business. When he was ready for this, his ritual would be to announce, “Dad I need your help.”
We had however come to a point in his life were I was going to have to sunset this outsourced function of my son’s ablutions, so I could retire from being a Chief Wiper.
A change intervention was needed and it would have to be handled delicately.
The first phase of the plan was to begin to introduce a level of dissonance and discomfort within the status quo of our dependant relationship. With a clear need for change, one has to stimulate the movement towards the change and gently reduce the resources supporting the old ways.
So when he next announced, “Dad I need to go for a pooh,” I replied with a change to the ritual.
“Unless you want to upset your mother, I would recommend that room right there,” pointing to the washroom.
He found this more amusing than the following change to the ritual, which was to leave him feeling isolated and marooned on his porcelain island throne when he announced, “Dad I need your help.”
To this I stopped responding in my normal way and let him call it out at least a second time. I tip-toed up to the door of the washroom and timed my response with his latest foghorn blast for help, whereupon I popped my head around the door and delivered the next ritualized line.
“If ever a sentence deserved a please on the end of it – it would be that one!” I emphasized with a pointing finger. Then I held out for him to make the request with the proper protocol.
“Dad, I need your help, please!”
“It would be my pleasure,” I responded and performed my C-Level duties of Chief Wiping Officer.
After a few weeks of this, I felt it time to put the second phase of the plan into effect. Our dependant relationship had shifted to the point that if he had hired me for the job of C.W.O, he would have surely fired me by now. The environment was primed for him accepting change.
The next phase required some finesse, since having a need and target of change was only half the story. What was needed next at this critical juncture was an extraordinary change agent. I resolved to use the old corridor-ambush technique to recruit my change agent.
Between the kitchen and laundry room I bumped into my daughter. “So I was thinking,” I said casually.“Your brother will be spending all day at school, and I would hate to think that some mishap would befall him because he hasn’t learnt to wipe his ass yet.”
“What’s that got to do with me?” she responded with immediate suspicion.
Dealing with extraordinary people was a tricky proposition, especially when I was so obviously transparent in my entrapment technique.
“Well I was thinking,” I continued still ever so casually, “someone’s going to have to teach him to wipe his own ass”
“What’s that got to do with me?” she repeated, maintaining her defensive posture.
“Well, you know, sometimes, it’s harder to get someone to do something, than to do it yourself,” I maneuvered.
“I’m not wiping his ass!” she declared.
“Exactly,” I pounced. “If I try to instruct him in those finer points, I will simply end up doing it myself. You on the other hand would never be tempted to do anything other than train him in the proper way. And,” I added moving to close the agreement, “the experience will be much less traumatic for him, since your people skills are so much better than mine.”
“Okay,” she conceded. She turned and walked away into the mission, from which I heard nothing more.
The ritual of declaring of bodily functions and requesting help abruptly stopped. I felt smug at having crafted a masterful change plan.
That was the end of it, so I thought, until a few weeks later, in a ritual of parental anxiety I found myself shouting for the kids to: “Get in the car! We’re going to be late! Where’s your brother?” I asked my daughter.
“I’m in the toilet” he shouted at the top of his voice.
I rushed down the corridor to the washroom and swung the door open with no regard to privacy.
He looked up at me.
“Are you done?” I said, and then proceeded to swipe some toilet paper, prepared to regress out of my retirement.
Suddenly pandemonium ensued. Screams of protestations had me step back, and then my daughter hit me with a profound line that became part of our family sub-culture.
“Oh my God Dad, you don’t even know what a Scruntcher is!”
“A What?” I responded.
“Didn’t you ask me to teach him how to wipe his ass?” She was furious with me.
“Yes.”
“So I told him that I was going to do that, and made sure that he was cool with it. Then I told that the first thing that he had to do was to make a decision of whether he wanted to be a Folder or a Scruncher.”
I turned and looked at my right hand holding the folded paper tissues, and then looked down at my son.
“Yeah, Dad,” almost in a plea, “I want to be a Scruncher”.
It turns out that my children where way more advanced than me after all. When I had grown up, folding was the only option. Suddenly realizing that my kids had freedoms beyond the conventions of my upbringing was a pure delight.
“Peace,” I said, scrunching up the tissues in my hand and surrendering them over to my son.
I retreated and allowed order to prevail. And suddenly being late wasn’t the end of the world.
Alf Rock is a man of many talents and highly trained in the art of organizational change. This piece was originally writtten for one of Brian Henry's "Welcome to Creative Writing" classes.*
For information about Brian's writing workshops and creative writing courses, see here.
Friday, January 28, 2011
Accenti invites submissions for writing contest & accepts regular submissions
The contest is open to all writers, established and emerging, worldwide. The topic is open, too. Any type of prose piece that meets the submission criteria below is eligible. Multiple entries welcome.
Criteria:
• Entries can be fiction, non-fiction or creative non-fiction.
• Entries must be previously unpublished and not under consideration by any other publication.
• Maximum length: 2000 words.
• No poetry, plays, reviews, and scholarly essays. No footnotes and endnotes. No pseudonyms.
• Submissions must be in English, but may be an English translation of the author’s unpublished original work in another language.
• Entry Fee: $20 per entry, non-refundable.
• Deadline: Postmarked on or before February 18, 2011.
Prizes
• Top prize: $1000 and publication in Accenti.
• Second Prize: $250 and publication in Accenti.
• Third Prize: $100 and publication in Accenti.
If you have any questions, please write to: accenti@accenti.ca
But no email submissions please
For instructions on how to submit and full contest details here.
Regular submissions:
Based in Montreal, Accenti describes itself as "the Canadian magazine with an Italian accent." It strives to reflect the cultural imprint of Italian Canadians in its editorial content. Accenti appeals to Canadians of Italian origin and anyone who shares an affinity for things Italian. In so doing, it endeavours to act as a cultural bridge among peoples.
Accenti considers unsolicited articles for publication. These can include news items, commentaries, works of fiction, non-fiction, etc. Photographs and illustrations can accompany submissions. However, please do not send images unaccompanied by an article or story. Submissions must be in English and be between 500 and 2000 words. Email submissions must be sent as attached files, preferably in Word format.
Submit to: submissions@accenti.ca
To keep up to date with all the annual writing contests in Canada, get the 2011 Canadian Writers' Contest Calendar – just $23 including tax and shipping (or $20 at any of Brian Henry's workshops or classes). To order your copy, email brianhenry@sympatico.ca. More details here.
For information about Brian's writing workshops and creative writing courses, see here.
Criteria:
• Entries can be fiction, non-fiction or creative non-fiction.
• Entries must be previously unpublished and not under consideration by any other publication.
• Maximum length: 2000 words.
• No poetry, plays, reviews, and scholarly essays. No footnotes and endnotes. No pseudonyms.
• Submissions must be in English, but may be an English translation of the author’s unpublished original work in another language.
• Entry Fee: $20 per entry, non-refundable.
• Deadline: Postmarked on or before February 18, 2011.
Prizes
• Top prize: $1000 and publication in Accenti.
• Second Prize: $250 and publication in Accenti.
• Third Prize: $100 and publication in Accenti.
If you have any questions, please write to: accenti@accenti.ca
But no email submissions please
For instructions on how to submit and full contest details here.
Regular submissions:
Based in Montreal, Accenti describes itself as "the Canadian magazine with an Italian accent." It strives to reflect the cultural imprint of Italian Canadians in its editorial content. Accenti appeals to Canadians of Italian origin and anyone who shares an affinity for things Italian. In so doing, it endeavours to act as a cultural bridge among peoples.
Accenti considers unsolicited articles for publication. These can include news items, commentaries, works of fiction, non-fiction, etc. Photographs and illustrations can accompany submissions. However, please do not send images unaccompanied by an article or story. Submissions must be in English and be between 500 and 2000 words. Email submissions must be sent as attached files, preferably in Word format.
Submit to: submissions@accenti.ca
To keep up to date with all the annual writing contests in Canada, get the 2011 Canadian Writers' Contest Calendar – just $23 including tax and shipping (or $20 at any of Brian Henry's workshops or classes). To order your copy, email brianhenry@sympatico.ca. More details here.
For information about Brian's writing workshops and creative writing courses, see here.
Thursday, January 27, 2011
Kim Perel at Wendy Sherman Associates, seeks fiction and nonfiction
| "Lunch in Paris" by Elizabeth Boyd, a client of Wendy Sherman Assoc. |
27 W. 24th St. Suite 700B
New York, NY 10010
http://www.wsherman.com/
Kim Perel joined Wendy Sherman Associates in January 2009. After graduating from Syracuse University’s S.I. Newhouse School of Communications, Kim worked in the editorial department at Forbes magazine and later as a copywriter and freelance journalist.
While pursuing a MFA degree at The New School in New York City, Kim joined Wendy Sherman Associates and fell in love with the idea of championing emerging talent and helping writers through the process of getting published. With over five years experience as a writer herself, Kim brings her magazine background to the world of books. Kim is enthusiastic about discovering fresh voices. She is drawn to voice-driven fiction, novels that illuminate an unknown world, and true-to-life characters. She looks for queries that provide fresh insight or a wide lense that captures life at a certain period in time. She also loves humor, memoir that tells a unique story, and journalistic non-fiction.
Like all new agents, Kim is in need of good authors to represent.
Wendy Sherman has been in publishing more years than she cares to admit. She has held senior, executive positions at Simon & Schuster, Macmillan, and Henry Holt. During her tenure at these major publishing houses, she worked in the areas of subsidiary rights, marketing, sales, and editorial. With a desire to work more closely with writers and develop their careers, she founded Wendy Sherman Associates Literary Management in 1999.
Wendy loves voice and story-driven fiction. She is interested in women’s fiction that hits that sweet spot between literary and mainstream and has a passion for Southern voices, historical dramas, suspense with a well-developed protagonist, and writing that illuminates the multicultural experience. ”I have a weakness for family secrets and mother-daughter relationships and love stories that make me cry.”
She is also interested in non-fiction with a unique twist by authors with strong media platforms. Memoir, narrative non-fiction, practical and prescriptive, self-help and mainstream psychology are also general areas of interest. Strong categories for her include parenting, relationships, lifestyle, pop-culture, and just about anything to do with food.
Submissions
Email submissions to submissions@wsherman.com
Include your last name, title, and the name of the agent you are submitting to in the subject line. For fiction, please include a query letter and your first 10 pages copied and pasted in the body of the email. We will not open attachments unless they have been requested. For non-fiction, please include your query letter and author bio. Full submission guidelines here.
Brian Henry has a "How to Get Published" workshop coming up in Burlington on February 19 with agent Alisha Sevigny of the Rights Factory (see here). On May 7, he'll be hosting the "From the Horse's Mouth" seminar at Ryerson University, with literary agent Marilyn Biderman, Mike O'Connor, publisher of Insomniace Press, and a third guest from the publishing industry, still to be announced.
For information about all of Brian's writing workshops and creative writing courses, see here.
Monday, January 24, 2011
"The Tenderness of Wolves" by Stef Penney, reviewed by Rita Bailey
This book is a must for all who love to read - or write - historical fiction, murder mysteries, or just a good love story! I first picked it up at my local library, hoping to find a model for some of the problems that were plaguing my writing - how to blend description into the narrative without dragging it down, how to change point of view, how to introduce new characters.
I got all that plus a damn good read. From the first sentence - "The last time I saw Laurent Jammet he was in Scott's store with a dead wolf over his shoulder" - I was hooked.
Stef Penney makes her debut as a novelist in this story, set in the Canadian North in 1867. A man has been murdered, a woman discovers her teenaged son has disappeared, and the Hudson Bay Company is searching for stolen furs.
As a reader, I often find myself skipping over boring description, but in this book I didn't have to. Ms. Penney deftly conveys a sense of time and place without getting bogged down in pointless details. We see the gleam of moss in the forest, breathe the thin, sweet air, feel the aching cold of the frozen lake, but it never detracts from the forward motion of the plot.
The story begins in the first person, and is told mainly through the eyes of the protagonist, Mrs. Ross. Interspersed throughout this narrative, Ms. Penney uses the third person to gradually introduce a whole village of compelling characters and interwoven plot strands. Traders, trappers, treasure seekers, native guides, and fugitives trudge across the frozen tundra, all following the same tracks, each searching for something different.
Another interesting aspect of Ms. Penney's style is chapter length - varying from two to thirteen pages. Each chapter is a scene, like in a movie, and when the setting or the characters change, we have a new chapter. This adds to the lively pace, and makes for crisp writing.
Like all really great fiction, this tale is bigger than the characters portrayed, as it examines the politics of the Hudson's Bay Company, the treatment of Native people, and the dialectic between insiders and outsiders in shaping Canadian culture. A perfect book for a cold Canadian winter night!
Rita Bailey lives and writes in downtown Hamilton where she can be found cultivating cats, heritage vegetables, and fireflies. Other interests include hiking local trails, working with environmental and social justice groups, and talking to plants. These activities have a way of weaving themselves into her stories. Currently she is working on a historical fiction about her hometown of Hamilton.
For information about Brian Henry's writing workshops and creative writing courses, see here.
I got all that plus a damn good read. From the first sentence - "The last time I saw Laurent Jammet he was in Scott's store with a dead wolf over his shoulder" - I was hooked.
Stef Penney makes her debut as a novelist in this story, set in the Canadian North in 1867. A man has been murdered, a woman discovers her teenaged son has disappeared, and the Hudson Bay Company is searching for stolen furs.
As a reader, I often find myself skipping over boring description, but in this book I didn't have to. Ms. Penney deftly conveys a sense of time and place without getting bogged down in pointless details. We see the gleam of moss in the forest, breathe the thin, sweet air, feel the aching cold of the frozen lake, but it never detracts from the forward motion of the plot.
The story begins in the first person, and is told mainly through the eyes of the protagonist, Mrs. Ross. Interspersed throughout this narrative, Ms. Penney uses the third person to gradually introduce a whole village of compelling characters and interwoven plot strands. Traders, trappers, treasure seekers, native guides, and fugitives trudge across the frozen tundra, all following the same tracks, each searching for something different.
Another interesting aspect of Ms. Penney's style is chapter length - varying from two to thirteen pages. Each chapter is a scene, like in a movie, and when the setting or the characters change, we have a new chapter. This adds to the lively pace, and makes for crisp writing.
Like all really great fiction, this tale is bigger than the characters portrayed, as it examines the politics of the Hudson's Bay Company, the treatment of Native people, and the dialectic between insiders and outsiders in shaping Canadian culture. A perfect book for a cold Canadian winter night!
Rita Bailey lives and writes in downtown Hamilton where she can be found cultivating cats, heritage vegetables, and fireflies. Other interests include hiking local trails, working with environmental and social justice groups, and talking to plants. These activities have a way of weaving themselves into her stories. Currently she is working on a historical fiction about her hometown of Hamilton.
For information about Brian Henry's writing workshops and creative writing courses, see here.
Sunday, January 23, 2011
Memoir contest for people in York Region
Hi, Brian.
Don’t know if you already know about this: A new writing contest sponsored by the Canadian Federation of University Women and the York Region Media Group for people who are residents of York Region. (Sorry, I know that leaves most people out.)
Deadline February 15, 2011
750 words on Family: A Memoir (real or imagined)
Winner receives $750 and publication in the Era/Banner
Details and entry form here.
Best Wishes,
Laura Higgins
Acrylic Paintings
www.higgins-thorne.on.ca/laura
To keep up to date with all the annual writing contests in Canada, get the 2011 Canadian Writers' Contest Calendar – just $23 including tax and shipping (or $20 at any of Brian Henry's workshops or classes). To order your copy, email brianhenry@sympatico.ca. More details here.
For information about Brian's writing workshops and creative writing courses, see here.
Don’t know if you already know about this: A new writing contest sponsored by the Canadian Federation of University Women and the York Region Media Group for people who are residents of York Region. (Sorry, I know that leaves most people out.)
Deadline February 15, 2011
750 words on Family: A Memoir (real or imagined)
Winner receives $750 and publication in the Era/Banner
Details and entry form here.
Best Wishes,
Laura Higgins
Acrylic Paintings
www.higgins-thorne.on.ca/laura
To keep up to date with all the annual writing contests in Canada, get the 2011 Canadian Writers' Contest Calendar – just $23 including tax and shipping (or $20 at any of Brian Henry's workshops or classes). To order your copy, email brianhenry@sympatico.ca. More details here.
For information about Brian's writing workshops and creative writing courses, see here.
Friday, January 21, 2011
Fitzhenry & Whiteside children's books and nonfiction books for adults
Fitzhenry & Whiteside Children’s Publishing Division is currently seeking manuscripts for the following:
Primary picture book text (approx. 500 to 800 words) for children ages 3 to 5,
Middle Grade fiction text (approx. 25,000 to 35,000 words) for children ages 8 to 12,
Young Adult fiction text (approx. 40,000 to 50,000 words) for children 12 and up,
Non-fiction texts for juvenile picture books 5 and up - school curriculum related,
Non-fiction texts for older readers 8 and up - school curriculum related, and
Non-Fiction manuscripts for Young Adult Readers 12 and up.
We are no longer accepting manuscripts for board books, narrative poetry, seasonal stories or books designed to be a series. Nor are we interested in manuscripts written to convey a lesson or a moral.
Submit your manuscript to:
Fitzhenry & Whiteside Children’s Books
195 Allstate Parkway
Markham, ON L3R 4T8
Adult nonfiction & poetry
Please submit all queries and manuscript proposals by mail; because of the volume and time frames to process submissions material submitted will not be returned.
Manuscript proposals should contain an overview of the work, with a list of contents, and representative samples (preferably part of one chapter). Also, a current cv. Please do not send complete manuscripts. Altogether, please submit no more than ten pages of work.
Proposals regarding photographic or illustrative works should be initiated through query only.
Please remember that the adult trade department considers only non-fiction and poetry. We do not consider fiction. Queries and proposals can be sent to:
Fitzhenry & Whiteside Adult Books
Attention: Sharon Fitzhenry
195 Allstate Parkway
Markham, ON L3R 4T8
Full submission guidelines here. Home page here.
Brian Henry has a "How to Get Published" workshop coming up in Burlington on February 19 with agent Alisha Sevigny of the Rights Factory (see here), and Brian will host a "From the Horse's Mouth" seminar on May 7 at Ryerson University with literary agent Marilyn Biderman, Insomniac Press publisher Mike O'Connor, and an editor from anther publishing house to be announced.
Brian also he has a few "Writing for Children and Young Adults" workshops coming up: on January 29 in Kitchener (see here), on February 26 in Barrie (see here), on March 5 in Toronto (see here), on April 9 in Peterborough (see here), and on April 10 in Kingston (see here).
For information about all of Brian's writing workshops and creative writing courses, see here.
Primary picture book text (approx. 500 to 800 words) for children ages 3 to 5,
Middle Grade fiction text (approx. 25,000 to 35,000 words) for children ages 8 to 12,
Young Adult fiction text (approx. 40,000 to 50,000 words) for children 12 and up,
Non-fiction texts for juvenile picture books 5 and up - school curriculum related,
Non-fiction texts for older readers 8 and up - school curriculum related, and
Non-Fiction manuscripts for Young Adult Readers 12 and up.
We are no longer accepting manuscripts for board books, narrative poetry, seasonal stories or books designed to be a series. Nor are we interested in manuscripts written to convey a lesson or a moral.
Submit your manuscript to:
Fitzhenry & Whiteside Children’s Books
195 Allstate Parkway
Markham, ON L3R 4T8
Adult nonfiction & poetry
Please submit all queries and manuscript proposals by mail; because of the volume and time frames to process submissions material submitted will not be returned.
Manuscript proposals should contain an overview of the work, with a list of contents, and representative samples (preferably part of one chapter). Also, a current cv. Please do not send complete manuscripts. Altogether, please submit no more than ten pages of work.
Proposals regarding photographic or illustrative works should be initiated through query only.
Please remember that the adult trade department considers only non-fiction and poetry. We do not consider fiction. Queries and proposals can be sent to:
Fitzhenry & Whiteside Adult Books
Attention: Sharon Fitzhenry
195 Allstate Parkway
Markham, ON L3R 4T8
Full submission guidelines here. Home page here.
Brian Henry has a "How to Get Published" workshop coming up in Burlington on February 19 with agent Alisha Sevigny of the Rights Factory (see here), and Brian will host a "From the Horse's Mouth" seminar on May 7 at Ryerson University with literary agent Marilyn Biderman, Insomniac Press publisher Mike O'Connor, and an editor from anther publishing house to be announced.
Brian also he has a few "Writing for Children and Young Adults" workshops coming up: on January 29 in Kitchener (see here), on February 26 in Barrie (see here), on March 5 in Toronto (see here), on April 9 in Peterborough (see here), and on April 10 in Kingston (see here).
For information about all of Brian's writing workshops and creative writing courses, see here.
Thursday, January 20, 2011
The Country Connection Magazine
The Country Connection
691 Pinecrest Road
Boulter Ontario, K0L 1G0
http://www.pinecone.on.ca/MAGAZINE/
The Country Connection is Ontario’s magazine of choice for history, heritage, nostalgia, nature, environment, travel and the arts. It is published twice a year: winter/spring and summer/autumn and is mass distributed throughout Ontario and at selected outlets across Canada by Magazines Canada.
As a general interest magazine, our readership includes residents, cottagers, travellers and eco-tourists to Ontario. We look forward to discussing your ideas and receiving your submissions.
We accept articles and stories on a wide range of rural themes with a special emphasis on history, heritage, green travel, environment, ecology, nature, nostalgia, the arts, studio tours, culture, fiction, leisure, etc. We do not accept stories with references to hunting, fishing, animal husbandry or pets (with the exception of critical essays).
We accept only Canadian content by Canadian authors. References to food and recipes must be 100% plant-based (no animal products) and contain only wholesome, natural ingredients. Except for historical references, all measurement units must be in metric. Stories must be original and unpublished.
We are now accepting material for the summer/autumn issue.
Deadline: By April 1. Acceptable stories that do not make the current issue, or arrive late, may be held over to another issue.
We are looking for proposals for "country" stories directly related to the environment, nature, history & heritage, nostalgia, humour, fiction, poetry, photography and original art. Please submit a summary of your proposal, and if available: research sources, interview contacts, and a good lead paragraph. Please indicate whether you will provide photographs or illustrations.
All submissions are on speculation only and publication is not guaranteed. Publication is dependent on the quality of writing, relevance to our philosophy of living in harmony with nature, and space available. Good quality photos or illustrations are essential (see recommendations and warning under Visuals below).
Future Issues:
Winter/Spring No.63: January 1, 2012 (Deadline Oct 1)
Summer/Autumn No.64: July 1, 2012 (Deadline April 1)
The preferred story length is from 1,000 to 1,500 words. Stories should not exceed 2000 words, unless approved by the editor in advance.
Visuals: Please include only high quality, visual material for your article. Photographs, sketches, maps, historical documents etc. should be sharp and well lit.
Payment will be made at a rate of 10 cents per word (electronic), or 7 cents per word (handwritten, typed, and computer printout not accompanied by electronic file) within 90 days of publication, for all words published. Original photography or drawings range from $10 to $50, depending on size and use. Payment for short poems is $20. All other visual materials will be negotiated separately.
Query the editor here. Note: Stories can not be attached at this e-mail address link. This is for queries only. Once we review your query, we will send you the e-mail address so that you can send us a complete story file as an attachment. Sorry for the inconvenience. Full submission guidelines here.
For information about Brian Henry's writing workshops and creative writing courses, see here.
691 Pinecrest Road
Boulter Ontario, K0L 1G0
http://www.pinecone.on.ca/MAGAZINE/
The Country Connection is Ontario’s magazine of choice for history, heritage, nostalgia, nature, environment, travel and the arts. It is published twice a year: winter/spring and summer/autumn and is mass distributed throughout Ontario and at selected outlets across Canada by Magazines Canada.
As a general interest magazine, our readership includes residents, cottagers, travellers and eco-tourists to Ontario. We look forward to discussing your ideas and receiving your submissions.
We accept articles and stories on a wide range of rural themes with a special emphasis on history, heritage, green travel, environment, ecology, nature, nostalgia, the arts, studio tours, culture, fiction, leisure, etc. We do not accept stories with references to hunting, fishing, animal husbandry or pets (with the exception of critical essays).
We accept only Canadian content by Canadian authors. References to food and recipes must be 100% plant-based (no animal products) and contain only wholesome, natural ingredients. Except for historical references, all measurement units must be in metric. Stories must be original and unpublished.
We are now accepting material for the summer/autumn issue.
Deadline: By April 1. Acceptable stories that do not make the current issue, or arrive late, may be held over to another issue.
We are looking for proposals for "country" stories directly related to the environment, nature, history & heritage, nostalgia, humour, fiction, poetry, photography and original art. Please submit a summary of your proposal, and if available: research sources, interview contacts, and a good lead paragraph. Please indicate whether you will provide photographs or illustrations.
All submissions are on speculation only and publication is not guaranteed. Publication is dependent on the quality of writing, relevance to our philosophy of living in harmony with nature, and space available. Good quality photos or illustrations are essential (see recommendations and warning under Visuals below).
Future Issues:
Winter/Spring No.63: January 1, 2012 (Deadline Oct 1)
Summer/Autumn No.64: July 1, 2012 (Deadline April 1)
The preferred story length is from 1,000 to 1,500 words. Stories should not exceed 2000 words, unless approved by the editor in advance.
Visuals: Please include only high quality, visual material for your article. Photographs, sketches, maps, historical documents etc. should be sharp and well lit.
Payment will be made at a rate of 10 cents per word (electronic), or 7 cents per word (handwritten, typed, and computer printout not accompanied by electronic file) within 90 days of publication, for all words published. Original photography or drawings range from $10 to $50, depending on size and use. Payment for short poems is $20. All other visual materials will be negotiated separately.
Query the editor here. Note: Stories can not be attached at this e-mail address link. This is for queries only. Once we review your query, we will send you the e-mail address so that you can send us a complete story file as an attachment. Sorry for the inconvenience. Full submission guidelines here.
For information about Brian Henry's writing workshops and creative writing courses, see here.
Wednesday, January 19, 2011
"Falling for Rain," by Gina Buonaguro & Janice Kirk
Dear Brian,
As former workshop students of yours and the authors of two traditionally published historical novels, we have decided to take the plunge, embrace technology, and publish a good old-fashioned romance novel in ebook format available on Amazon Kindle (also available in paperback).
A contemporary romance set in rural Ontario, Falling for Rain is a story about homecomings and forgiveness. When Emily was eighteen, her mother died in a farm accident. Devastated, Emily vowed never to suffer the loss of love again. She fled to Toronto and transformed herself from a farm girl into a sophisticated businesswoman.
Now, ten years later, Emily is back to sell the family farm and put her past behind her forever. However, she didn’t count on finding Ray Storm, the farmhand she'd nicknamed Rain, more attractive than ever. But as Emily struggles to come to terms with the tragedy of her mother’s untimely death and learns to trust again, Rain harbours a secret that he fears will keep them apart forever.
Falling for Rain – Worldwide Kindle edition (US$0.99)
Falling for Rain – UK Kindle edition (£0.71)
If you don’t have a Kindle or Kindle app, you can download the Kindle app for free to your PC or laptop.
You can also read Falling for Rain in traditional paperback on Amazon.com for US$9.99 (unfortunately it is not currently available on Amazon.ca).
Happy reading!
Gina Buonaguro & Janice Kirk
Authors of The Sidewalk Artist and Ciao Bella
http://www.thesidewalkartist.com/
http://sidewalkartist.blogspot.com/
For information about my writing workshop and creative writing courses, see here.
As former workshop students of yours and the authors of two traditionally published historical novels, we have decided to take the plunge, embrace technology, and publish a good old-fashioned romance novel in ebook format available on Amazon Kindle (also available in paperback).
A contemporary romance set in rural Ontario, Falling for Rain is a story about homecomings and forgiveness. When Emily was eighteen, her mother died in a farm accident. Devastated, Emily vowed never to suffer the loss of love again. She fled to Toronto and transformed herself from a farm girl into a sophisticated businesswoman.
Now, ten years later, Emily is back to sell the family farm and put her past behind her forever. However, she didn’t count on finding Ray Storm, the farmhand she'd nicknamed Rain, more attractive than ever. But as Emily struggles to come to terms with the tragedy of her mother’s untimely death and learns to trust again, Rain harbours a secret that he fears will keep them apart forever.
Falling for Rain – Worldwide Kindle edition (US$0.99)
Falling for Rain – UK Kindle edition (£0.71)
If you don’t have a Kindle or Kindle app, you can download the Kindle app for free to your PC or laptop.
You can also read Falling for Rain in traditional paperback on Amazon.com for US$9.99 (unfortunately it is not currently available on Amazon.ca).
Happy reading!
Gina Buonaguro & Janice Kirk
Authors of The Sidewalk Artist and Ciao Bella
http://www.thesidewalkartist.com/
http://sidewalkartist.blogspot.com/
For information about my writing workshop and creative writing courses, see here.
Monday, January 17, 2011
"Another Sunday Afternoon Drive," by Ann Ivy Male
We pack the car and head off for another Sunday afternoon drive. It’s a sunny day, the air is crisp and the deep blue sky is a stunning backdrop for the chalky clouds floating above. The kids make themselves comfortable in the back seat of the truck. Books, DVD player, crayons, blankets, snacks and neck rests – you’d think we were going to be away for days.
As we turn out of the drive-way, Alize, my youngest, asks in her whiniest of voices, “Mom, where are we going and how long is the drive this week?”
“Um, let’s see” I say, “I think we should just drive until we stumble upon something incroyable!” I always try to practice my French when given the occasion.
“O.K., well that’s just boring, Mom,” Aidan pipes up, “can’t I just stay here and hangout with my friends?”
Aidan turned thirteen last month, and it appears that as the clock struck midnight on his birthday, I was faced with an unrecognizable offspring.
We head north towards farm country. It’s mid-October and the scenery is bursting with autumn colour. I love gazing out the window and watching the changing landscape as it unfolds. The colour palette of gold, brown, yellow, vivid green and fiery red creates the perfect inspiration for an artist’s blank canvas.
Encouraging the kids to look out the window and imagine the many different shapes in the clouds is futile. They are content to immerse themselves in the latest Harry Potter movie, “The Sorcerer’s Apprentice.” I quietly give up, pop in a Diana Krall CD and tap my fingers to “Peel me a Grape.” Let the day-dreaming begin.
After an hour or so of driving along Concession Roads and intersecting side roads, I spot a sign: Antiques and Fresh Eggs. “Perfect!” I think. As I turn into the long tree-lined driveway, the leaves crunch under the tires of the truck, creating a tornado of dust and bits of leaves behind us.
The kids look up from their movie, “why are we stopping here?” they ask, almost in unison.
“Well, we need eggs and I wouldn’t mind looking at what’s in the Antique store,” I say.
“Ah, c’mon, Mom, do we have to?” Aidan pleads. On cue, Alize states her point of view.
“We can go to Loblaws for eggs, Mom, it stinks at this farm!”
“Suit yourselves, I’m going in,” I inform them.
As I’m heading towards the store, I hear the truck door slam behind me, Alize is hopping on one foot while pulling on her canvas shoe on the other.
“Wait for me, Mama!” she cries out.
The antique shop is situated in an old barn. I push open the rusty door, and smile as I look upon the plethora of treasures. Alize follows closely behind, her big green eyes scanning the room frantically.
“Ugh, what’s that smell, Mom?” she shrieks.
“Not so loud, sweets. Someone may hear you.”
The smell is a concoction of rotting barn-board, musty books, stale perfume drifting from a rack of old fur coats and a delicious aroma of soup coming from the back room.
I encourage Alize to start looking around. She strolls off to a corner of the store which is piled high with puzzles, children’s books, wooden blocks and wicker doll carriages.
The door creaks open again and the faint ring of a bell accompanies the creak. It’s Aidan sauntering in, i-pod in hand, ears plugged tight. He gazes at me with a strong impatient glare and says, “Mom, what could you possibly find amongst all this crap!”
“You never know what special treasures might be uncovered under all this so called “crap,” I say. “Why don’t you look around, I’ll just be a few minutes.”
As I walk towards a shelf of floral patterned china, old bowls, serving platters edged in gold, ivory carving sets and crystal glassware, I can’t help but imagine all the delicious meals that were once served on these pieces. The celebrations and the heartaches, what were the stories and who is left to remember them. As my thoughts wander, a voice from behind me asks,
“What can I help you find today, Madame?”
I turn around and standing before me is an elderly gentleman. His eyes behind a set of thick bi-focal glasses are a brilliant blue, gentle and kind. He speaks with a slight French accent and a hint of sweet tobacco wafts from his woollen vest. I guess he must be about seventy-five years old.
“Oh, I’m not looking for anything in particular,” I say. “Just waiting for the right thing to jump out at me.”
He smiles and starts walking towards Alize. “Have you found something, Cherie?”
Alize is down on her knees pulling a box from under an old school desk. The box is dusty and smudged with her fingerprints. The shop owner wipes off the dust with his hands and places the box on a desk. It’s dark brown in colour and has an etched brass latch on the top.
“Ah, you have discovered my favourite item. Well c’mon now, open it up and look inside,” he says to Alize.
I watch from a slight distance. Alize unlocks the latch and finds a gold velvet sack cinched with a crimson ribbon. She gently unties the ribbon and unveils an intricately detailed carousel.
“Oh, it’s beautiful,” she gasps, her eyes open wide. ‘Mom, come look at this.”
Aiden, who is skimming through a stack of Superman comic books, is also intrigued and joins his sister.
The carousel is two-tiered and joined in the center with a tiny golden staircase connecting the two levels. The top is shaped like a tent, with crimson and gold stripes; at its tip is a ruby red jewel. Tiny, mirrored squares along its center reflect the detailed horses, unicorns, elephants and princess carriages.
“Would you like to see how it works?” the old man whispers. He takes out a glass key from the bag and slides it into a slot at the base of the carousel. The two tiers start to turn in opposite directions as the music starts to play. I recognize the tune immediately; it’s a fading version of “La Vie en Rose.” The horses and unicorns move magically to the sound and we all look in awe.
“Do you like this?” he asks Alize. She nods affirmatively, but keeps her eyes glued to the carousel.
“It’s the most beautiful music box I have ever seen.” she says.
“Well then, it’s yours!” the gentleman announces in a very definitive tone.
“Um, how much is it?” I ask, hesitantly.
“Oh, non, non, Madame, this is a gift for your daughter. You see, I have had this box hidden amongst the children’s toys and books for over a decade. No one was curious enough to pull out the box until today. It belonged to my grandmother who came from a small village in France. She brought only a few items with her and this one was her favourite.”
“But you cannot be serious to just give this away, let me pay you for it,” I plead.
The shop owner just shakes his head and smiles. “I have no family here to leave this to and it makes me proud to know that it will be treasured by someone special who has a very curious mind.” He winks at Alize.
She beams as she carefully puts the carousel back in the gold bag, ties the ribbon and places it in the box; she then proceeds to give the old man a tight hug.
I look at him and smile. “Merci,” I say. The warmth in his eyes brings tears to mine.
Aidan is already bolting for the door. His sister follows and I close the creaky door behind us.
Back in the truck, I look in the rear-view mirror. Alize is sitting in her seat clutching the wooden box. They are both staring out the window.
“Hey Alize,” Aidan remarks, “that cloud looks just like one of the unicorns on your carousel.”
As Alize glances up, the shape of a horse starts to fade and dissipate into the blue sky.
I turn into the parking lot of Loblaws. “C’mon kids, let’s go get some eggs.”
Ann Ivy Male has owned and operated a flower shop, collaborated as an interior colour consultant, and taught introductory French to Montessori children. Ann is passionate about anything that inspires her creativity, whether it be gardening, playing music with friends, travel writing or photography.
Her greatest source of inspiration, however, comes from a busy and fulfilling life spent with her husband and two children. This short story is part of a longer work in progress and was written during one of Brian Henry’s Creative Writing Courses. Ann continues to write about the things she loves.
For information about Brian's upcoming creative writing courses and writing workshops, see here.
As we turn out of the drive-way, Alize, my youngest, asks in her whiniest of voices, “Mom, where are we going and how long is the drive this week?”
“Um, let’s see” I say, “I think we should just drive until we stumble upon something incroyable!” I always try to practice my French when given the occasion.
“O.K., well that’s just boring, Mom,” Aidan pipes up, “can’t I just stay here and hangout with my friends?”
Aidan turned thirteen last month, and it appears that as the clock struck midnight on his birthday, I was faced with an unrecognizable offspring.
We head north towards farm country. It’s mid-October and the scenery is bursting with autumn colour. I love gazing out the window and watching the changing landscape as it unfolds. The colour palette of gold, brown, yellow, vivid green and fiery red creates the perfect inspiration for an artist’s blank canvas.
Encouraging the kids to look out the window and imagine the many different shapes in the clouds is futile. They are content to immerse themselves in the latest Harry Potter movie, “The Sorcerer’s Apprentice.” I quietly give up, pop in a Diana Krall CD and tap my fingers to “Peel me a Grape.” Let the day-dreaming begin.
After an hour or so of driving along Concession Roads and intersecting side roads, I spot a sign: Antiques and Fresh Eggs. “Perfect!” I think. As I turn into the long tree-lined driveway, the leaves crunch under the tires of the truck, creating a tornado of dust and bits of leaves behind us.
The kids look up from their movie, “why are we stopping here?” they ask, almost in unison.
“Well, we need eggs and I wouldn’t mind looking at what’s in the Antique store,” I say.
“Ah, c’mon, Mom, do we have to?” Aidan pleads. On cue, Alize states her point of view.
“We can go to Loblaws for eggs, Mom, it stinks at this farm!”
“Suit yourselves, I’m going in,” I inform them.
As I’m heading towards the store, I hear the truck door slam behind me, Alize is hopping on one foot while pulling on her canvas shoe on the other.
“Wait for me, Mama!” she cries out.
The antique shop is situated in an old barn. I push open the rusty door, and smile as I look upon the plethora of treasures. Alize follows closely behind, her big green eyes scanning the room frantically.
“Ugh, what’s that smell, Mom?” she shrieks.
“Not so loud, sweets. Someone may hear you.”
The smell is a concoction of rotting barn-board, musty books, stale perfume drifting from a rack of old fur coats and a delicious aroma of soup coming from the back room.
I encourage Alize to start looking around. She strolls off to a corner of the store which is piled high with puzzles, children’s books, wooden blocks and wicker doll carriages.
The door creaks open again and the faint ring of a bell accompanies the creak. It’s Aidan sauntering in, i-pod in hand, ears plugged tight. He gazes at me with a strong impatient glare and says, “Mom, what could you possibly find amongst all this crap!”
“You never know what special treasures might be uncovered under all this so called “crap,” I say. “Why don’t you look around, I’ll just be a few minutes.”
As I walk towards a shelf of floral patterned china, old bowls, serving platters edged in gold, ivory carving sets and crystal glassware, I can’t help but imagine all the delicious meals that were once served on these pieces. The celebrations and the heartaches, what were the stories and who is left to remember them. As my thoughts wander, a voice from behind me asks,
“What can I help you find today, Madame?”
I turn around and standing before me is an elderly gentleman. His eyes behind a set of thick bi-focal glasses are a brilliant blue, gentle and kind. He speaks with a slight French accent and a hint of sweet tobacco wafts from his woollen vest. I guess he must be about seventy-five years old.
“Oh, I’m not looking for anything in particular,” I say. “Just waiting for the right thing to jump out at me.”
He smiles and starts walking towards Alize. “Have you found something, Cherie?”
Alize is down on her knees pulling a box from under an old school desk. The box is dusty and smudged with her fingerprints. The shop owner wipes off the dust with his hands and places the box on a desk. It’s dark brown in colour and has an etched brass latch on the top.
“Ah, you have discovered my favourite item. Well c’mon now, open it up and look inside,” he says to Alize.
I watch from a slight distance. Alize unlocks the latch and finds a gold velvet sack cinched with a crimson ribbon. She gently unties the ribbon and unveils an intricately detailed carousel.
“Oh, it’s beautiful,” she gasps, her eyes open wide. ‘Mom, come look at this.”
Aiden, who is skimming through a stack of Superman comic books, is also intrigued and joins his sister.
The carousel is two-tiered and joined in the center with a tiny golden staircase connecting the two levels. The top is shaped like a tent, with crimson and gold stripes; at its tip is a ruby red jewel. Tiny, mirrored squares along its center reflect the detailed horses, unicorns, elephants and princess carriages.
“Would you like to see how it works?” the old man whispers. He takes out a glass key from the bag and slides it into a slot at the base of the carousel. The two tiers start to turn in opposite directions as the music starts to play. I recognize the tune immediately; it’s a fading version of “La Vie en Rose.” The horses and unicorns move magically to the sound and we all look in awe.
“Do you like this?” he asks Alize. She nods affirmatively, but keeps her eyes glued to the carousel.
“It’s the most beautiful music box I have ever seen.” she says.
“Well then, it’s yours!” the gentleman announces in a very definitive tone.
“Um, how much is it?” I ask, hesitantly.
“Oh, non, non, Madame, this is a gift for your daughter. You see, I have had this box hidden amongst the children’s toys and books for over a decade. No one was curious enough to pull out the box until today. It belonged to my grandmother who came from a small village in France. She brought only a few items with her and this one was her favourite.”
“But you cannot be serious to just give this away, let me pay you for it,” I plead.
The shop owner just shakes his head and smiles. “I have no family here to leave this to and it makes me proud to know that it will be treasured by someone special who has a very curious mind.” He winks at Alize.
She beams as she carefully puts the carousel back in the gold bag, ties the ribbon and places it in the box; she then proceeds to give the old man a tight hug.
I look at him and smile. “Merci,” I say. The warmth in his eyes brings tears to mine.
Aidan is already bolting for the door. His sister follows and I close the creaky door behind us.
Back in the truck, I look in the rear-view mirror. Alize is sitting in her seat clutching the wooden box. They are both staring out the window.
“Hey Alize,” Aidan remarks, “that cloud looks just like one of the unicorns on your carousel.”
As Alize glances up, the shape of a horse starts to fade and dissipate into the blue sky.
I turn into the parking lot of Loblaws. “C’mon kids, let’s go get some eggs.”
Ann Ivy Male has owned and operated a flower shop, collaborated as an interior colour consultant, and taught introductory French to Montessori children. Ann is passionate about anything that inspires her creativity, whether it be gardening, playing music with friends, travel writing or photography.
Her greatest source of inspiration, however, comes from a busy and fulfilling life spent with her husband and two children. This short story is part of a longer work in progress and was written during one of Brian Henry’s Creative Writing Courses. Ann continues to write about the things she loves.
For information about Brian's upcoming creative writing courses and writing workshops, see here.
Sunday, January 16, 2011
Love letter
Hey, Brian:
Thanks so much for your writing seminars. They obviously helped since my first novel, Cherry Beach Express, is being released this May 2011 with ECW Press. I learned so much from your classes, I'm still considering taking more despite the fact that I'm technically a professional now.
Having you do the novel critique was also clearly worth it. Thanks for finding the time for me. If there is anything I can do for you, just let me know.
Rich
For information about submitting to ECW Press, see here.
If you want to get your writing in shape for a publisher, your best bet is to join one of my “Extreme Creative Writing” classes - Wednesday afternoons in Oakville (see here) or Wednesday evenings in Mississauga (see here).
For information about all my writing workshops and creative writing courses, see here.
Thanks so much for your writing seminars. They obviously helped since my first novel, Cherry Beach Express, is being released this May 2011 with ECW Press. I learned so much from your classes, I'm still considering taking more despite the fact that I'm technically a professional now.
Having you do the novel critique was also clearly worth it. Thanks for finding the time for me. If there is anything I can do for you, just let me know.
Rich
For information about submitting to ECW Press, see here.
If you want to get your writing in shape for a publisher, your best bet is to join one of my “Extreme Creative Writing” classes - Wednesday afternoons in Oakville (see here) or Wednesday evenings in Mississauga (see here).
For information about all my writing workshops and creative writing courses, see here.
Saturday, January 15, 2011
"Writing and Revising," Saturday, April 16, London
"Writing & Revising"
~ a workshop to help you become a more successful writer ~
Saturday, April 16
10 a.m. - 4 p.m.
London Central Library, Stevenson & Hunt room A
251 Dundas St, London
(In the Galleria Mall - map here)
If you want to refine your story-writing skills and cut the time you will need to spend editing, this workshop is for you. You'll learn how to step back from a manuscript in order to find - and fix - flaws in your plot, structure, characterization and style. You'll learn how to rethink, rework and rewrite so that your manuscript will live up to your vision.
Special option: Participants are invited to bring a piece of their own writing (though you don’t have to!) If you do bring a piece, bring 2 or 3 copies of something short (1,000 words maximum, though 800 words or fewer is better).
Workshop leader Brian Henry has been a book editor and creative writing instructo for more than 25 years. He teaches at Ryerson University and George Brown College and has led workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he has helped many of his students get published.
Fee: $38.94 + 13% hst = $44 paid in advance
Or $42.48 + 13% hst = $48 if you wait to pay at the door
To reserve a spot now, email brianhenry@sympatico.ca
For information about all of Brian's writing workshops and creative writing courses, see here.
~ a workshop to help you become a more successful writer ~
Saturday, April 16
10 a.m. - 4 p.m.
London Central Library, Stevenson & Hunt room A
251 Dundas St, London
(In the Galleria Mall - map here)
If you want to refine your story-writing skills and cut the time you will need to spend editing, this workshop is for you. You'll learn how to step back from a manuscript in order to find - and fix - flaws in your plot, structure, characterization and style. You'll learn how to rethink, rework and rewrite so that your manuscript will live up to your vision.
Special option: Participants are invited to bring a piece of their own writing (though you don’t have to!) If you do bring a piece, bring 2 or 3 copies of something short (1,000 words maximum, though 800 words or fewer is better).
Workshop leader Brian Henry has been a book editor and creative writing instructo for more than 25 years. He teaches at Ryerson University and George Brown College and has led workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he has helped many of his students get published.
Fee: $38.94 + 13% hst = $44 paid in advance
Or $42.48 + 13% hst = $48 if you wait to pay at the door
To reserve a spot now, email brianhenry@sympatico.ca
For information about all of Brian's writing workshops and creative writing courses, see here.
Friday, January 14, 2011
"Grasshopper on My Shoulder." a picture book by Nathalie Montcalm & JoAnn Thompson
Dear Brian,
My very good friend JoAnn Thompson and I wrote a children's story Grasshopper on My Shoulder for entry into The Writers' Union of Canada Writing for Children Competition. (Coming up in April - see here).
We were thrilled to place 9th out of over 1200 entries at that time! One of the judges happened to be Robert Munsch, and he described our story as: "A wonderful animal story for kids".
JoAnn suggested we should self-publish. I had become a Meme and she was about to be an Oma, and she said Grasshopper on My Shoulder would be a meaningful gift for our grandchildren. As of 26 November 2010, Grasshopper on My Shoulder was published with colour illustrations and is now available to purchase.
This is a story of a father and his child spending a wonderful day together exploring the wonders of nature. The father is shown by his child that little acts of kindness are appreciated and reciprocated.
Sample reader comments:
"As an adult I found it charming, I can't imagine how thrilling this story will be for parents to share with their children during the bedtime ritual. ...I enjoyed both the story and the fantastic illustrations." D. Duncan, Windsor, ON.
"... I enjoyed it very much -- as will son James and family -- fun, friendly, warm, considerate, interesting, beautiful & inspiring!" J. Loaring, Essex, ON.
This book is suitable for reading to preschoolers, or reading by children up to ten years of age. Copies area available for $10 plus $3 shipping each within Canada, and can be obtained by contacting us at our email address JLT.publisher@yahoo.ca
Thank you, Brian, for helping us through your workshops.
Nathalie Montcalm
For information about all of Brian's writing workshops and creative writing courses, see here.
My very good friend JoAnn Thompson and I wrote a children's story Grasshopper on My Shoulder for entry into The Writers' Union of Canada Writing for Children Competition. (Coming up in April - see here).
We were thrilled to place 9th out of over 1200 entries at that time! One of the judges happened to be Robert Munsch, and he described our story as: "A wonderful animal story for kids".
JoAnn suggested we should self-publish. I had become a Meme and she was about to be an Oma, and she said Grasshopper on My Shoulder would be a meaningful gift for our grandchildren. As of 26 November 2010, Grasshopper on My Shoulder was published with colour illustrations and is now available to purchase.
This is a story of a father and his child spending a wonderful day together exploring the wonders of nature. The father is shown by his child that little acts of kindness are appreciated and reciprocated.
Sample reader comments:
"As an adult I found it charming, I can't imagine how thrilling this story will be for parents to share with their children during the bedtime ritual. ...I enjoyed both the story and the fantastic illustrations." D. Duncan, Windsor, ON.
"... I enjoyed it very much -- as will son James and family -- fun, friendly, warm, considerate, interesting, beautiful & inspiring!" J. Loaring, Essex, ON.
This book is suitable for reading to preschoolers, or reading by children up to ten years of age. Copies area available for $10 plus $3 shipping each within Canada, and can be obtained by contacting us at our email address JLT.publisher@yahoo.ca
Thank you, Brian, for helping us through your workshops.
Nathalie Montcalm
For information about all of Brian's writing workshops and creative writing courses, see here.
Thursday, January 13, 2011
Two poems by Zen poet Stevens Han
Soap
A white cube of soap
on the white tiles.
I rub it within my hands,
Soap is a cubic word.
Bubble it, bubble him.
It lives bubbles, iridescent.
It dies bubbles, atrophic.
I wash my face in bubbles.
Soap is lullabies, bubbles.
I am cleaned by its death.
I put down his pieces on a rack,
all whites, shards, and clams.
Death is purged by bubbles.
Bubbles grow by emptiness.
Body turns clean and tough.
Soap is a life to die as bubbles.
Lamp
Lamp must stand on a foot.
A wick man is not a foundation,
Not a root, not osmotic.
Lamp is a light in a shade,
white veil, a bamboo hat.
It can’t shoot the light up to the roof.
Lamp is deaf, mute, and dyslexic,
only click on & off on its tongue
by the wild hand, unknown.
Lamp light is His darkness.
I turn it on to see his images,
but only the roach’s light, scurried black.
Stevens Taeho Han was born in Korea and came to Canada in 2008. A Zen poet who is interested in new innovative poetics, Stevens is the editor for Poetic Direction, Poetic Reality, & Poem and World. He is the vice-president of the Korea Yeats Society and Korea East–West Comparative Literature Society and international director of Korea Creative Writing Society. He is also a literary translator. In 2009, he was short-listed as a finalist for the CBC Literary Awards.
For information about Brian Henry's writing workshops and creative writing courses, see here.
A white cube of soap
on the white tiles.
I rub it within my hands,
Soap is a cubic word.
Bubble it, bubble him.
It lives bubbles, iridescent.
It dies bubbles, atrophic.
I wash my face in bubbles.
Soap is lullabies, bubbles.
I am cleaned by its death.
I put down his pieces on a rack,
all whites, shards, and clams.
Death is purged by bubbles.
Bubbles grow by emptiness.
Body turns clean and tough.
Soap is a life to die as bubbles.
Lamp
Lamp must stand on a foot.
A wick man is not a foundation,
Not a root, not osmotic.
Lamp is a light in a shade,
white veil, a bamboo hat.
It can’t shoot the light up to the roof.
Lamp is deaf, mute, and dyslexic,
only click on & off on its tongue
by the wild hand, unknown.
Lamp light is His darkness.
I turn it on to see his images,
but only the roach’s light, scurried black.
Stevens Taeho Han was born in Korea and came to Canada in 2008. A Zen poet who is interested in new innovative poetics, Stevens is the editor for Poetic Direction, Poetic Reality, & Poem and World. He is the vice-president of the Korea Yeats Society and Korea East–West Comparative Literature Society and international director of Korea Creative Writing Society. He is also a literary translator. In 2009, he was short-listed as a finalist for the CBC Literary Awards.
For information about Brian Henry's writing workshops and creative writing courses, see here.
Joanne Wyckoff joins Carol Mann Agency
| "Man Killed by Pheasant" by John T. Price, one of Joanne's clients |
55 Fifth Avenue
New York, NY 10003
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For the past five years, Joanne Wyckoff has been an agent with Zachary Shuster Harmsworth. Prior to becoming an agent, she was a Senior Editor at Ballantine and Executive Editor at Beacon Press. She joined Carol Mann Agency this month (January 2011).
As an agent, Joanne represents a wide array of nonfiction and selected fiction. She has a great deal of experience working with academics and experts in diverse fields, helping them develop and write books for a broad market. She also has a particular love of the memoir and is always looking for exciting and strong new voices in this genre.
The quirky personal narrative is also a favorite, as is narrative nonfiction on almost any cultural topic. She is always looking for writers who explore a subject in new and surprising ways. Her nonfiction list includes books in psychology, women’s issues, education, health and wellness, parenting, serious self-help, natural history and anything about animals, religion, and spirituality.
In fiction, her interests run to literary women’s fiction and novels that evoke a strong sense of place.
Books Joanne has recently represented include The Cracker Queen: A Memoir of a Jagged, Joyful Life by NPR commentator Lauretta Hannon; The Global Achievement Gap by Harvard education expert Tony Wagner; Becoming a Life Change Artist: 7 Creative Skills to Reinvent Yourself at Any Stage of Life by highly regarded life planning expert Fred Mandell, Ph.D., and organizational psychologist Kathleen Jordan, Ph.D.; and Man Killed by Pheasant and Other Kinships by John Price.
Query Joanne at: joanne@carolmannagency.com
For fiction and memoir, please include a synopsis, a brief bio, and the first 25 pages of your manuscript. For all other nonfiction, please send only a synopsis and brief bio. If you are submitting via email, all material should be pasted into the body of your message; attachments will not be opened.
Myrsini Stephanides is also actively seeking clients. Myrsini joined the Carol Mann Agency in September 2009. She is interested in non-fiction projects in the areas of pop culture, music, humor, popular science, narrative nonfiction, memoir, and cookbooks. She is also on the lookout for offbeat literary, graphic, and YA fiction. For much more detailed information about what Myrsini is looking for see here.
Query Myrsini at: myrsini@carolmannagency.com.
If your query has a graphic component, attach it to your email as a low-res PDF or JPG.
Full submission guidelines here.
Brian Henry has a "How to Get Published" workshop coming up in Burlington on February 19 with agent Alisha Sevigny of the Rights Factory (see here). On May 7, he'll be hosting the "From the Horse's Mouth" seminar at Ryerson University, with literary agent Marilyn Biderman, Mike O'Connor, publisher of Insomniace Press, and a third guest from the publishing industry, still to be announced.
But if you're really interested in getting your own work in shape for possible publication, consider Brian's "Extreme Creative Writing" class, offered Wednesday afternoons in Oakville (see here) and Wednesday evenings in Mississauga (see here). But if you're interested, sign up soon - these classes are popular and will fill up.
For information about all of Brian's writing workshops and creative writing courses, see here.
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