Thursday, August 21, 2014

Three free contests, for past loves, short fiction collections, and essays about effective leadership

Spruce Mountain Press Past Loves free contest: Nearly everyone has memories of a former sweetheart. Write your true story of an earlier love, in no more than 700 words. Tell us about someone whose memory brings a smile or a tear, or both. 700 words maximum. 
Deadline September 17. Guidelines here.

The Iowa Short Fiction Award & John Simmons Short Fiction Award for a collection of short stories.
Eligibility: Any writer who has not previously published a volume of prose fiction is eligible to enter the competition.
The manuscript must be a collection of short stories in English of at least 150 word-processed, double-spaced pages. We do not accept e-mail submissions. Mail only. The manuscript may include a cover page, contents page, etc., but these are not required. The author's name can be on every page but this is not required. Stories previously published in periodicals are eligible for inclusion. This is a free contest. There is no reading fee.
Articles of Faith by Elizabeth Oness,
a former award winner
Award-winning manuscripts will be published by the University of Iowa Press under the Press's standard contract.
Deadline: September 30. Guidelines here.

WOLFoundation runs an annual competition looking for the best non-technical, English language writing on any themes related to political/social/environmental issues. The theme for the 2014 competition is "Leadership: What are the characteristics of effective leadership for the 21st Century?" 
You can submit essays or short stories, factual commentary or fiction – whichever way and whichever writing style you choose to communicate your ideas. Just make it compelling.
The winning entry will receive a cash prize of $1,500. A further $500 will be awarded to the second placed entry.
Shortlisted entries may be published as a book of collected essays.
Deadline: September 30. Guidelines here.

See Brian Henry's schedule here, including writing workshops and creative writing courses in Barrie, Brampton, Bolton, Burlington, Caledon, Cambridge, Collingwood, Georgetown, Guelph, Hamilton, Kingston, London, Midland, Mississauga, Newmarket, Niagara on the Lake, Oakville, Orillia, Ottawa, Peterborough, St. Catharines, Stouffville, Sudbury, Toronto, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York, the GTA, Ontario and beyond. 

Tuesday, August 19, 2014

How to Get Published workshop with literary agent Carolyn Forde, Saturday, September 27, in Oakville

Literary agent Carolyn Forde
of Westwood Creative Artists
“How to Get Published”
  With book editor Brian Henry
  & literary agent, Carolyn Forde

Saturday, September 27, 2014
10 a.m. – 4 p.m.
Oakville Central Library, 
120 Navy Street, Oakville, Ontario
(Parking is around the back of the library and then up the hill a bit on Water Street, across from the Canoe Club. Map here.)

If you've ever dreamed of becoming a published author, this workshop is for you. We’ll cover everything from getting started to getting an agent, from getting your short pieces published to finding a book publisher, from writing a query letter to writing what the publishers want. Bring your questions. Come and get ready to be published!

Special Option: Participants are invited to bring a draft of a query letter you might use to interest an agent or publisher in your book. You don’t need to bring anything, but if you do, 3 copies could be helpful.

Workshop leader Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada’s most popular blog for writers, teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he has helped many of his students get their first book published and launch their careers as authors.

Guest speaker Carolyn Forde is a literary agent with Westwood Creative Artists, Canada’s largest literary agency, representing more than 420 writers, including some of the biggest names in Canadian literature. 

Life is About Losing Everything
by Lynn Crosbie, one of Carolyn's clients
Westwood represents literary fiction, quality commercial fiction including mysteries and thrillers, nonfiction in the areas of memoir, history, biography, science, journalism and current events, and a limited range of practical nonfiction. Agents look for authors with a mastery of language, a passionate, expert or original perspective on their subject, and a gift for storytelling.

Carolyn is a relatively new agent and is actively building her list of authors. At present, she represents some thirty authors including Karma Brown, Kristi Charish, Trevor Cole, Lynn Crosbie, Sylvia Fraser, Bill Gaston, Clifford Jackman, Vincent Marcone, Mark Richardson, Barb Stegemann and Manjushree Thapa. 

She also represents some authors jointly with Bruce Westwood, the Founder, President and CEO of the agency.

Carolyn travels to New York regularly to further the interests of Westwood authors and has attended both the London and the Frankfurt book fairs. She became a shareholder in the agency in 2010 and has a BA Honours in English Literature and History from Trent University, a Postgraduate Certificate in Publishing Sciences from Robert Gordon University in Aberdeen, Scotland, and has attended the Simon Fraser University Publishing Intensive course in Vancouver. 

She has lived and worked in Japan, Mexico and the Czech Republic and is a dual citizen of Canada and the U K. She is on Twitter here.

Carolyn is seeking upmarket commercial women's fiction, psychological thrillers like Gone Girl or The Silent Wife, upmarket historical fiction, urban fantasy, and edgy literary fiction like A Complicated Kindness or Lullabies for Little Criminals.


In nonfiction, Carolyn has wide-ranging tastes, from serious narrative nonfiction to pop culture, though she's generally not looking for straight memoir.

She welcomes new authors.

Fee: 40.71 + 13% hst = 46 paid in advance
or 43.36 + 13% hst = 49 if you wait to pay at the door.

To register, email brianhenry@sympatico.ca

Note: Don't ever miss a post on Quick Brown Fox. Fill in your email in the box to the right under my bio, and get each post delivered to your Inbox. ~ Brian

See Brian's full schedule here, including writing workshops and creative writing courses in Barrie, Brampton, Bolton, Burlington, Caledon, Cambridge, Collingwood, Georgetown, Guelph, Hamilton, Kingston, London, Midland, Mississauga, Newmarket, Niagara on the Lake, Oakville, Orillia, Ottawa, Peterborough, St. Catharines, Stouffville, Sudbury, Toronto, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York, the GTA, Ontario and beyond. 

Monday, August 18, 2014

Literary agent Amanda Panitch seeks young adult and middle grade fiction and nonfiction

The Good House by Ann Leary,
who's represented by Lippincott Massie McQuilkin
Lippincott Massie McQuilkin
27 West 20th Street
Suite 305
New York, NY 10011
http://www.lmqlit.com/

Lippincott Massie McQuilkin is a full-service literary agency that focuses on bringing fiction and nonfiction of quality to the largest possible audience.

"We work closely with our clients at every stage of a project’s development, submission, and placement—staying involved in all issues of design, publicity and sales, long after the ink has dried on a contract, to ensure that the author’s needs are being met by his or her publisher."

Amanda Panitch has recently been promoted from agency assistant to associate agent, and like all new agents, she needs authors. Before joining LMQ in 2012, she interned at Writers House and attended The George Washington University and New York University's Summer Publishing Institute. A writer herself, her first novel, Damage Done, will be released in July 2015 from Random House Books for Young Readers.

Amanda Panitch
Amanda is actively looking for young adult and middle grade fiction and nonfiction across all genres. 

She'd especially love to find a high fantasy set in a non-Western inspired setting, a dark psychological thriller, a quirky mystery, a gorgeous literary contemporary, historical fiction set in a place or time that isn't often explored in fiction, or anything that features food as a main element.

Other things that call to her are generational spaceships, unreliable narrators, magical realism, the pre-Columbian Americas, the Amazon, close sibling relationships, and slow-burning romances.

Query Amanda directly at amanda@lmqlit.com
Include the word "Query" in the subject line. For fiction, please also include your first 5-10 pages pasted into the body of the email.

See information about other agents at LMQ here, and see their submission guidelines here.

Carolyn Forde
of Westwood Creative Artists
Brian Henry will lead “How to Get Published" workshops in Oakville on Saturday, Sept 27, with literary agent Carolyn Forde (see here) and in Niagara on the Lake on Sunday, March 1, with literary agent Olga Filina (see here).

He has a “Writing for Children & for Young Adults” workshop Saturday, Nov 8, in Guelph (see here).

Other upcoming workshops, include: “How to Make Yourself Write,” Saturday, Sept 13 in Brampton (see here),  “Writing & Revising,” Saturday, Sept 20, in Toronto (see here), and “How to Write s Bestseller," with New York Times #1 bestselling author Kelley Armstrong, Saturday, Nov 22, in Burlington (see here) and Saturday, Dec 6, in London (see here). See Brian's full schedule here.

But the best way to get your manuscript ready for publication is with a weekly course. This fall, Brian will be offering weekly classes for writers from beginning to advanced. Check out details of all six upcoming classes here

Specifically, Brian is offering “Welcome to Creative Writing” Tuesday mornings in Burlington (see here), “Writing Your Life & Other Personal Stories” Tuesday afternoons in Burlington (here), “The Next Step in Creative Writing” Wednesday evenings in Burlington (here), Thursday afternoons in Mississauga (here) and Thursday evenings in Georgetown (here). He’s offering “Intensive Creative Writing” Wednesday afternoons in Burlington (here).

To register or for more details of any course or workshop, email brianhenry@sympatico.ca

See Brian's full schedule here, including writing workshops and creative writing courses in Barrie, Brampton, Bolton, Burlington, Caledon, Cambridge, Georgetown, Guelph, Hamilton, Kingston, London, Midland, Mississauga, Newmarket, Niagara on the Lake, Orillia, Oakville, Ottawa, Peterborough, St. Catharines, Stouffville, Sudbury, Toronto, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York, the GTA, Ontario and beyond.

Sunday, August 17, 2014

“The Pitch” by Dave Moores


To say Mark’s knees were knocking would have been a lie because he was sitting down.  But he could feel a cold sweat pooling in his armpits and trickling over his ribs as he waited outside the second floor boardroom at Corporate HQ.
Arlene Whitworth, queen bee of the executive assistants, glanced over from her workstation every so often, her gaze a combination of pity and irritation as Mark fidgeted, lips moving as he tried to rehearse his pitch.  He’d been here before, but he did not expect to return after today.  Today was going to be different.
The boardroom door opened eventually, to a buzz of conversation from within, and Arlene went to alert status.  A gust of stale air and boardroom funk accompanied Terry Hartley, the Corporate Controller, normally the roly-poly class clown, who came out looking shell-shocked and red in the face.
Arlene looked over the top of her half-moon glasses at Mark.  “Mr. Williams, you’re up,” she said and made a head-motion towards the Boardroom where the Executive Council of Eastern Telecom was holding its monthly meeting.  “Good luck.”
Mark stood.  Clutching his laptop and briefcase in sweaty hands, he straightened his back, took a deep breath and entered the lions’ den.  Fuck’em all he thought.  Today they’ll get something they don’t expect.  So why am I still nervous?  Because I’m a loser.  Tell me something new.
Derek Short, Chief Information Officer and Mark’s boss, caught his eye and nodded as Mark moved to the podium.  It wasn’t an attaboy look.  Mark and Derek had long respected each other from afar as rivals.   The CIO job with its perks, stock options and prestige, could have gone to either one but the winner was Derek and Mark still wanted to clench his fist every time he thought about it, which was at least once an hour.
Prior to Derek’s promotion they had been peers.  Derek had climbed the ladder to head up the ‘Business Solutions’ wing of the IT function, schmoozing with division heads, Executive VPs of Marketing, Finance and such.  Mark on the other hand came to own the ‘wires and boxes’ side of the operation: the data centers and the corporate network.  The role was largely invisible to the business, the nerds toiling in the basement, as in “That’s  Mark Williams the Chief Nerd,” snigger, snigger.  Well paid and all, but no recognition, no respect.
Mark knew his career had gone as far as it was going and he had no desire to start over and prove himself elsewhere, but the chip on his shoulder had grown ever harder to bear as the months went by.
His PowerPoint slides were cued up on his laptop ready to project and his title slide, thank Christ, popped right up when he plugged into the projection system.  One opportunity to fuck things up had passed without drama.  Good he thought, this is not the moment.
Derek went to stand and do an intro, but the Chief Executive Officer, Charlie Carson, sociopath, bully and general-purpose A-hole, waved him down.  Charlie’s jowls,  pop-eyes behind thick rimless spectacles, and broad fleshy mouth turned down at the corners, gave him the look of an upset toad.
Heads around the table turned towards Charlie. 
"Let's just get going on this one, can we?  No dancing and giving us the big picture will be required Derek, thank you. The October outage cost this company forty million in revenue.  We want to know what happened.”
And crucify a victim, Mark thought, because the lost revenue had contributed to the small matter of a second consecutive quarterly earnings miss, not great news for a CEO whose big claim to fame was cost cutting but not much else.  The Board was rumoured to be getting restless.
"You, Mr. Williams, I assume, are here to explain what happened, why it took so long to fix the problem, and how you, Sir, are going to make sure we never have such a disgraceful situation facing us  again.  You may assume that your future with this company is at stake today.”
In that moment a Zen-like sense of serenity came over Mark.  The nerves had gone away.  He put one hand on the podium, another in his pocket.  Taking his time he surveyed the room, making eye contact, his face impassive.  As if I were the sergeant-major eyeballing a bunch of green recruits, he thought.  And it felt so damn good.  Keep them waiting, and wondering, because presenters at the Executive Council rarely displayed this kind of self-assured demeanour, bordering on disdainful.  They were supposed to be diffident, grovel even.  Derek his boss was giving him a WTF look.  Up yours, Derek.
Here we go.  “Mr. Carson, I sense you are looking for a concise response from me.  Not a problem.  Gentlemen, I can sum this up really quickly in three slides.  First of all what happened, then why it happened, and last of all what I am going to do about it.
So, what happened?  It’s simple:
Slide 1: WE. ALL. FUCKED. UP.
Indrawn breaths around the room.  Charlie Carson expressionless,  his most dangerous aspect.  Something very bad is about to happen to this guy, the audience’s look said, but let’s give him some more rope.  Take our lead from Charlie.  Say nothing, wait.  This could be entertaining.
Quietly, almost reflectively, Mark spoke.  “Gentlemen, by now I’m sure you’ve all heard the essentials.  A server went down during a system-wide upgrade.  That resulted in the loss of one month’s worth of order data because, as we found when we attempted to recover, the previous night’s backup had corrupted the database.  There was no human error at the working level.” 
Walter Stevenson, Executive VP of Human Resources, creep that he was, couldn’t stay quiet. “Your slide says we all fucked up.  So what do you mean?”
“Indulge me, Mr. Stevenson, I’ll get there very soon.” Several people opened their mouths to protest but Mark raised his hand and his sense of command somehow worked.  The Executive Council all shut up. 
“I have a fully developed plan for a new backup protocol that will prevent any recurrence of this sort of black swan event.  My staff has taken the opportunity to run it past the infrastructure arm of Adventure Consulting.  It’s sound, but of course it will cost.  However the cost is minor.  I’d suggest five million is nothing compared to the lost revenue we just experienced.”
Nobody reacted.  Five million dollars was pocket change compared to, say, the cost of rolling out a new plant in Mexico.
“So let’s talk about the bigger ‘why’, the ‘root cause’ in consultant-speak.  And that’s boringly predictable these days actually.”  Mark was on a roll now.  He could tell that he had his audience fascinated.  He felt a sense of power over them and it was like a drug and he was high on it.  They’d probably never seen anybody act this way.  A few of them had quiet grins on their faces and maybe they appreciated a bit of chutzpah.  At least he wasn’t boring them.  Next slide:
Slide 2: IT. WASN’T. IN. THE. BUDGET.
“We had a top-down-imposed budget cut of 8 percent last year.  We made the case for extra backup servers and it was rejected.”
Charlie Carson raised his hand.  “By whom?”
Okay you SOB, you asked for it.  “Ultimately by you Sir.”
“Mr Williams, how long have you been with Eastern?”
“Eighteen years.”
“Then you surely understand how budgeting is done, and you know perfectly well that I do not personally scrutinize everybody’s annual budget for paper clips”.
“Sir, I promised you root causes.  The budget cuts last year have tied many people’s hands, including mine, from making sensible, responsible investments in our operating infrastructure.  Repeatedly have many of us petitioned you, directly or through your staff, on these matters.  But here we are.”
Derek Short couldn’t sit still any longer.  His face had become a mask of rage.  For Mark, the whole business was worth it just to see him this way, his voice cracking with emotion.
“Charlie, gentlemen, I need to curtail the charade we’re being subjected to here.  It’s totally and completely unacceptable.  I hate to say it, but the truth is that I have for some time had serious doubts about the stewardship of our computing and network infrastructure.  There have been a number of slipups and what happened last October is just the latest in a series.  I don’t know what else to say.”
“Well Derek,” said Charlie quietly, “You might consider saying  ‘I’m sorry’.  And let me ask you, did you review the budget submitted by Mr. Williams?  And did you approve it in its final form, after the cuts?”
Uh-oh, eyes swivelling in the room.  Had Derek Short just dug his own grave?  Derek appeared to realize he had.  He started babbling.
“I accepted the 8 percent cut last year, yes, well of course.  I believed IT should be a good corporate citizen and do its bit, I mean why should we be exempt?  So when the order came down I told all my department heads to step up.  I mean that’s what we all did, right?  Right?”
Nobody met his eyes.  Charlie then asked the killer question.
“So you didn’t actually evaluate where to cut?  You just left it to your subordinates?”  This of course was exactly how Charlie himself had handled the matter with his own direct reports, but nobody was going to mention that right then, or ever.
Charlie waited for an answer.  He appeared prepared wait a while but Mark was not.  This was the moment.
“May I?  I promised a three-slide presentation and my last slide is about where we go from here.”  He took a deep breath.  His finger moved ready to tap the track pad on his laptop but Charlie Carson had seen enough theatrics and just wanted to wrap this up. 
“Hold on Mr. Williams.  Derek, it’s quite regrettable that we have a CIO who can only act as a messenger boy, gives his staff no guidance on a matter like this, and then tries to evade the blame.  Mr Williams, please implement your plan.” 
“Oliver,” he looked across at the Chief Financial Officer, “have Terry Hartley work with Mr. Williams on the funding.  Be so kind as to get back to me when you’ve done that.”
“Mr. Williams, that was one of the more succinct pitches we’ve seen here.  Cheeky, but it had a certain style.  Now get out of here.  See Arlene on your way out and make an appointment to meet with me right away.”
“Gentlemen, let’s take a break.  Derek, there’s no need for you to participate further today.”
In an a few moments Mark’s world had been transformed. His old rival disgraced.  His future, who knew, but nothing bad he was sure.  He felt about ten feet tall, scooping up his laptop, briefcase, papers and whatnot before leaving the boardroom on a cloud.
A surprised Arlene set up Mark’s appointment with the CEO, raising her eyebrows when told nobody else would be attending.  Then Mark floated down the stairs and out the door.
Mark descended the HQ building’s front steps, and as he crossed the parking lot he gave a celebratory little hop and a skip and dropped the laptop, left powered-up in the excitement.  It unhelpfully brought up Slide 3.  Bluetooth functioned perfectly and the ten kilos of plastic explosive in Mark’s briefcase detonated like an email from God.
Dave Moores started writing fiction last fall “to see if I could” following a decision to finally retire from the workforce at age 71. Writing in turn is becoming a full-time job and Dave is halfway through his first novel, set in the sailing community in Ontario’s Golden Horseshoe region where he races his own sailboat and lives with Chris, his wife of 47 years. 

Dave’s first-ever piece of creative writing — other than activity reports as a project manager — was a Christmas story for his granddaughter Natalie, who is showing promise as a writer herself and naturally gets plenty of encouragement from her Grandpa.
See Brian Henry’s schedule here, including writing workshops and creative writing courses in Barrie, Brampton, Burlington, Caledon, Cambridge, Collingwood, Georgetown, Guelph, Hamilton, Kingston, London, Midland, Mississauga, Newmarket, Niagara on the Lake, Orillia, Oakville, Ottawa, Peterborough, St. Catharines, Stouffville, Sudbury, Toronto, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York, the GTA, Ontario and beyond.

Saturday, August 16, 2014

Two haibun by Elizabeth Crocket & markets for haibun and haiku

Contemporary haibun is a combination of prose and haiku poetry, sometime described as “a narrative epiphany” (from Contemporary Haibun Online).


The Gift

I am going to my father's house to do yard work before it is put up for sale, and am struck by how his garden has bloomed. Splashes of yellow daffodils and ruby red tulips greet me. I can hear his voice. "Pick a bouquet, honey, whatever you want."

 dad's headstone
a bouquet
of his favourites


  
 Trapped

I sit in the chemo suite and try not to wince as the nurse inserts the needle into the port in my chest. An elegant looking first timer walks past us, regally dressed in black satin and a mauve hat. I wonder why they usher her to a private room, but when we all hear her gentle sobs, we know why. A few of us exchange pitiful smiles, as we remember the grip that fear held on us too, as we entered this world of unknown, uncertain futures. My eyes dart to my watch, so I'll know exactly what time the bag will drip its last drop and I will be free again. Meanwhile, my daughter remains steadfast beside me, and we have no choice but to settle in with magazines and each other for the rest of the afternoon.

squirrel in the branches
bread too large
for its mouth


“The Gift” was previously published in A Hundred Gourds. “Trapped” was previously published in Shamrock Haiku Journal. Elizabeth has also had haibun published in Haibun Today.

Here are a few places you can send your haibun for publication:
Contemporary Haibun Online: Editors Ken Jones, Jim Kacian and Bruce Ross.
Haibun Today: Editors Jeffrey Woodward, Patricial Prime, Glenn Coats, Claire Everett and Ray Rasmussen.
 A Hundred Gourds: Editor Mike Montreuil.
 Notes from the Gean: Editor Colin Stewart Jones.
 Shamrock Haiku Journal: Editor Anatoly Kudryavitsky.
And check out other places to publish your haiku here, here and here.


See Brian Henry’s schedule here, including writing workshops and creative writing courses in Barrie, Brampton, Burlington, Caledon, Cambridge, Collingwood, Georgetown, Guelph, Hamilton, Kingston, London, Midland, Mississauga, Newmarket, Niagara on the Lake, Orillia, Oakville, Ottawa, Peterborough, St. Catharines, Stouffville, Sudbury, Toronto, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York, the GTA, Ontario and beyond.