Monday, December 11, 2017

“Where Did You Get To?” by Debra P. McGill


Merciless in the cloudless sky, the noon sun beat down on the city below. The heat and humidity magnified the smells, the aromas of cumin and curry and garam masala mingled with the odor of dung, freshly deposited close by one of the market place stalls. What had earlier in the day been a sensual delight, had become an olfactory assault.

People were milling about, no particular order to their movements as they made their way through the market. Some standing, some walking, suddenly stopping, talking, hands gesturing or fingering fabrics of silk organza or khadi cotton, scarlet red, saffron yellow, tangerine orange, sapphire blue, hemmed with threads of gold that glittered in the blinding sunlight.

Frank was tall, over six feet and easily able to see over the heads of the many shoppers. He and Jeanine had been here for almost a month now and he had come to love the vantage point that his height brought him.

But at that moment, his face was strained as he anxiously looked through the crowd, searching for his wife. She was petite, but her blonde hair should be easy enough to spot among the heads of ebony hair accented by colourful headscarves.

The longer she was out of his sight, the more worried Frank became, the pit of his stomach rolled in waves of anxiety. Not knowing where to begin to look or who he might ask, Frank’s gaze kept returning to the same few places they had been to earlier: the textile vendor’s stall where Jeanine lovingly ran her hand over the hand painted silk organza fabric; the “sweets” stall where the vendor had enticed Jeanine to sample one of her saccharine sweet gulab jamun balls; the jeweler’s stall where Jeanine stood silent, staring at chains of braided gold hanging from a wooden frame, trays heaped with bangles and bracelets and earrings. 

Frank had smiled, watching Jeanine’s finger trace the intricate designs on the earrings, the bracelets, inlays of cyan blue or sea green mother of pearl. 

Frank’s eyes moved from one stall to another to another. The street noise was beginning to wear on him. The endless ringing of bicycle bells, two stroke engines sputtering and revving, the non-stop sing-song voices of the vendors, rising ever louder above the din. 

Frank used the flat of his hand to wipe the perspiration that trickled down the side of his face. His eyes were beginning to burn as sweat found its way between his lashes. The indentation of his spine became a channel for the sweat as it ran down his back. 

She had been standing behind him as he talked with the spice vendor. He had turned his back to her for only a moment, long enough to admire the granite mortar and pestle that the vendor held out to him. Mottled black and gold granite, cool to the touch but heavy in his hand.

The vendor measured out seeds into his palm, then dropped them into the mortar bowl. Lightly pressing the seed with the pestle, he showed Frank how to grind the seed into a fine powder.

Frank had lifted the bowl to his nostrils and breathed in the aroma. lingering for a moment as he gently inhaled its sensuous odor, finding it strangely soothing, calming.  He’d turned to offer Jeanine the bowl, to share with her the aromatic delight that was freshly ground cuminum. But she wasn’t there. She was gone. Disappeared!

Frank looked at his watch, but he had no sense of how much time had passed.  The sun still beat down, the heat and humidity of the day pressed even closer, his shirt clinging to him.

Slowly, deliberately, Frank began a three hundred and sixty degree turn; hands in fists at his side, his sandaled feet moving mere inches at a time, eyes scanning the market, taking in every stall, every vendor, every curtained doorway.  Where was she?

Frank was about two hundred degrees into his full circle turn when he caught a shimmer as a ray of sun reflecting off gold. Not the gold of bangles or bracelets or chains, but the shine of golden yellow hair, the hair on the petite figure that was his wife.



Tremors of relief ran through Frank’s body, leaving his face hot and flushed, his hands clammy and cold.

Jeanine, smiling and excited hurried to him, unaware of the fear that had gripped her husband. She turned her face upwards, towards his as Frank bent his face closer to her’s. Denying the river of sweat still running down his spine, denying the anxiety that had left him literally turning around in circles, and with as much calmness in his voice as he could command, Frank asked his wife, “Where did you get to?”

Carefully, Jeanine pulled a small cloth bundle out of her bag and placing it in the palm of her hand, folded back the corners of the white cotton material, revealing three hand carved, hand painted elephants, by size clearly meant to represent a father, mother and calf. Delicate in design, swirls of colour rose from each foot, morphing into flowers, clouds and birds. Each elephant, though able to stand alone, was carved in such a way that their trunks “nested” one into the other, forming a circle, the baby elephant’s trunk nesting into the mother elephant’s trunk, which nested into the father elephant’s trunk.

A symbol of “family” that Frank knew all too well. It caught him off guard.  “They’re beautiful,” he said so softly that he wasn’t sure if he had spoken the words aloud or merely thought them.

Jeanine gently ran her finger on the carving that was the baby elephant, her eyes moist, but her voice steady. “While you were talking, a young woman brushed me as she walked by. When I turned I saw her baby in a sling on her back, a little boy. “Oh Frank, his eyes were big and dark, just like Jordan’s and he looked right at me and he smiled. And then I noticed the cloth sling had elephants printed on it and before I knew it, my feet just took me.”

Frank remembered when his feet would just take him. So full of grief and anger after Jordan died, he ran every sidewalk and trail over and over and over again. Jordan had been only six months old. The medical team did everything they could, except save him. When Frank and Jeanine started attending the infant death support group, they’d learned that elephants were a symbol for families who had lost an infant or child to death. 

That wasn’t why they had come to India – to hunt symbolic elephants. They’d came to relearn how to live in the world without him. Without Jordan, their son.

“Yes, but where did you get to?” Frank asked again. “I was a bit worried. I turned around and you were gone.” 

“I’m so sorry, Frank. I didn’t go far. The baby started to squirm on his mother’s back and she stopped to readjust him. I suddenly realized that she might think I was following her, so I turned and found myself looking in the window of that little shop over there.”

She pointed to a shop with a curtained doorway.  “The window was full of every kind of elephant decoration, jewelry, cloths, trinkets. I just stepped inside for a moment . . . and I saw these. You, me and Jordan,” she said.

“They’re beautiful,” Frank said once more. 

Jeanine refolded the cloth over the three small carvings and tucked them back into her bag.  She took Frank’s hand and squeezed it. The months since Jordan’s death had been the most difficult of Frank’s life, of both their lives, but seeing the softness in Jeanine’s face, he thought that maybe they’d be all right. He squeezed her hand in return.

“What about you?” she said.  Did you buy anything?”

“Not yet.” Frank replied. “Do you have any room left in your bag? I saw a mortar and pestle that I really like. Come, let me show you.”

Debra P. McGill is an ordained minister in the United Church of Canada serving a congregation in Cambridge. She has two adult married daughters and three brilliant grandsons. Debra loves to cycle and enjoys challenging/adventuresome holidays, summited Mt. Kilimanjaro, trekked the Dolomites and cycled the Cabot Trail.  She is a lover of words and is an advid reader, though this is her first time taking a writing course and is grateful for the opportunity to write a word painting. Thank you, Brian, for your gentle, affirming guidance.  

Join the discussion and hang out with your fellow writers on the Quick Brown Fox facebook page here

See Brian Henry’s schedule hereincluding writing workshops and creative writing courses in Algonquin Park, Bolton, Barrie, Brampton, Burlington, Caledon, Georgetown, Guelph, Hamilton, Ingersoll, Kingston, Kitchener, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, Saint John, NB, Sudbury, Thessalon, Toronto, Windsor, Woodstock, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.

Friday, December 8, 2017

Writing Your Life and Other True Stories, Saturday, May 5, in Burlington

Writing your life and other true stories
Saturday, May 5, 2018
10 a.m. – 4 p.m.
Burlington Central Library, Centennial Room, 2331 New Street, Burlington, Ontario (Map here)

Note: This workshop is also offered, Saturday, June 23, in Mississauga (see here) and there will be a weekly Writing Personal Stories course on Friday afternoons, April 13  June 8 in Toronto (see here). 

Have you ever considered writing your memoirs or family history? This workshop will introduce you to the tricks and conventions of telling true stories and will show you how to use the techniques of the novel to recount actual events. Whether you want to write for your family or for a wider public, don't miss this workshop.

Workshop leader Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada’s most popular blog for writers, teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he has helped many of his students get published.

Fee: 43.36 + 13% hst = 49 paid in advance by mail or Interac
or 46.90 + 13% hst = 53 if you wait to pay at the door
To reserve a spot now, email: brianhenry@sympatico.ca

See Brian’s complete current schedule here, including writing workshops and creative writing courses in Algonquin Park, Bolton, Barrie, Brampton, Burlington, Caledon, Georgetown, Guelph, Hamilton, Ingersoll, Kingston, Kitchener, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, St. John, NB, Sudbury, Thessalon, Toronto, Windsor, Woodstock, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.

Congratulations to Sally and Patricia on winning contests and to Sally, Glen, Ted, Ann, Ruth, and Barbara on getting published!

Congratulations to two regulars from the Wednesday afternoon class in Burlington, Sally Wylie and Patricia Kitteringham, who recently won prizes from Canadian Stories, A literary folk magazine. Sally won the Daryn Tsuji/Sharron Arksey Prize for her nonfiction story, "Never Forget – Make it Fly" and Patricia won the Jeannie Parsons Prize for her short story “Blueberry Picking. 
Sally also recently had a story titled “The Tornado” published in The Stand: A New Collection of Canadian Short Stories  by Polar Expressions Publishing, British Columbia, edited by Rachelle McCallum, and another Wednesday afternoon class regular, Glen Benison, also had his short story, “Waiting on the Cape” published in this collection. 
The Stand is available from Polar Expressions Publishing here.
For information about submitting to Canadian Stories, see here.
And for information about ordering the 2018 Canadian Writers Contest Calendar, see here

Hi,
I thought you'd like to read "The Nightmare" which is posted on Commuterlit.com.
See you at the Thursday evening class.
Regards,
Ted
Read Ted’s story here, and see his author page on CommuterLit, including a link to another of his stories, here.
For information on submitting to CommuterLit, see here.

Hi Brian,
Just wanted to share with you that I've had another story published recently. My story, "A Manger, Some Straw, and a Toddler" is the first in the latest Hot Apple Cider book, Christmas with Hot Apple Cider. The book is out now and available in stores, on amazon, and through the authors.
Thanks so much for providing a place to share this news!
Ann Brent
Note: Christmas with Hot Apple Cider is available here.

Hi, Brian:
 My short story, "Orchids for Beth" has just been published on Story Quilt E-Magazine.
 Ruth Zavitz
Note: Read "Orchids for Beth" here

Hi, Brian.
After a frustrating morning of editing yesterday, two emails, requesting permission to publish, popped up in my inbox.
THAT never happens in my life!
Our Canada/Reader's Digest Feb 2018 Issue will publish "Namesake in a Legend" and the Globe and Mail will publish "Life Support" as a Facts and Arguments essay.
Needless to say I had a swollen head most of the evening and no wine induced it.
Barbara Baker
Read Barbara’s Facts & Arguments essay, “Life Support” in the Globe and Mail here,
For information about submitting a Facts & Arguments essay to the Globe and Mail see here.
For information about submitting to Our Canada, see here.

See Brian Henry’s schedule hereincluding writing workshops and creative writing courses in Algonquin Park, Bolton, Barrie, Brampton, Burlington, Caledon, Georgetown, Guelph, Hamilton, Ingersoll, Kingston, Kitchener, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, Saint John, NB, Sudbury, Thessalon, Toronto, Windsor, Woodstock, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.

Monday, December 4, 2017

Secrets of Writing a Page-Turner, Sunday, April 8, in Sudbury

The Sudbury Writers Guild presents …
Secrets of Writing a Page-turner
~ Techniques for making any story more compelling ~
Sunday, April 8, 2018
10:00 a.m. – 3:30 p.m.
College Boreal, Room M3360, Sudbury, Ontario (Map here)

Ever stayed up all night reading a book? In this workshop, you’ll learn you how to build that kind of tension.  And we'll help you put into practice the techniques professionals use – on every page and in every kind of story – to create drama and tension.

Workshop leader Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada’s most popular blog for writers, teaches creative writing at Ryerson University, and has led workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he has helped many of his students get their first book published and launch their careers as authors. 
See reviews of Brian's classes and workshops here.

Fee: 43.36 + 13% hst = 49 paid in advance by mail or Interac
or 46.90 + 13% hst = 53 if you wait to pay at the door
To reserve a spot now, email: brianhenry@sympatico.ca

See Brian’s complete current schedule hereincluding writing workshops and creative writing courses in Algonquin Park, Bolton, Barrie, Brampton, Burlington, Caledon, Georgetown, Guelph, Hamilton, Ingersoll, Kingston, Kitchener, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, Saint John, NB, Sudbury, Thessalon, Toronto, Windsor, Woodstock, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.

Sunday, December 3, 2017

Intensive Creative Writing class starting in January on Wednesday afternoons in Burlington

Intensive Creative Writing
Eight weeks towards becoming a better writer
Wednesday afternoons, 12:30 – 2:45 p.m.
Classes run Jan 31 – March 21
First pieces emailed Jan 24, 2018
Appleby United Church, 4407 Spruce Ave, Burlington, Ontario (map here

Note: There are also three other Intensive courses starting in January: Tuesday afternoons in Burlington, Thursday evenings in Burlington and Friday mornings in Toronto (details here). 

Intensive Creative Writing isn't for beginners; it's for people who have been writing for a while or who have done a course or two before and are working on their own projects. Over the eight weeks of classes, you’ll be asked to bring in four pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on. 
Besides critiquing pieces, the instructor will give short lectures addressing the needs of the group, and in addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada's most popular blog for writers, teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Saint John. But his proudest boast is that he’s has helped many of his students get published.
Read a review of the Intensive course here. Read more reviews of Brian's classes, workshops and writing retreats here (and scroll down).

Fee: $159.29 + 13% hst = $180
To reserve your spot, email: brianhenry@sympatico.ca

See Brian’s complete current schedule here, including writing workshops and creative writing courses in Algonquin Park, Bolton, Barrie, Brampton, Burlington, Caledon, Georgetown, Guelph, Hamilton, Ingersoll, Kingston, Kitchener, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, St. John, NB, Sudbury, Thessalon, Toronto, Windsor, Woodstock, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.

Saturday, December 2, 2017

$15 an hour will kill jobs for young people by Brian Henry


Kathleen Wynn’s Liberal government has passed legislation to raise the minimum wage by 32% - to $14 an hour as of the new year, then to $15 next year. Wynn is selling this as an anti-poverty measure. She knows it’s not. Really it’s an election ploy. And the people who will pay most dearly for this ploy are young people who need work experience.

In 2013, Wynne appointed a Minimum Wage Advisory Panel. Her panel promptly reported that “The link between poverty and low wages is weak.” (here).

Why? In part, because most poor people don’t have jobs or they work only a few hours a week. So for them, wage rates aren’t relevant.

Also, the large majority of people who earn minimum wage aren’t poor. They’re part of families that are doing okay, and more often than not, they’re kids. According to Statistics Canada, teenagers 15–19 years old make up 50.2% of minimum wage earners in Canada. The next largest group is 20–24-year-olds at 13.4% (here). The large majority of these young people are living at home, and they’re not poor.

Robots don't need a minimum wage
Indeed, 88% of Canadians earning minimum wage do not live in a low-income household (here).

For most people, minimum wage jobs are a way to earn a bit of extra cash, and they’re part-time, or especially for young people, they’re a way to gain workplace experience.

Jumping the minimum wage threatens these gateway jobs. Wynne’s own Advisory Panel suggested: “teen employment would drop by 3%–6% if the minimum wage is raised by 10%.”

If a 10% raise in the minimum wage causes such a big job loss for teens, what will happen when it’s raised by more than 30%?

The Financial Accountability Office estimates that this jump in the minimum wage will cost 50,000 people their jobs (here), though “the job losses could be larger” and these losses will be “concentrated among teens and young adults.”

The Accountability Office isn’t some right-wing think tank; it’s an Ontario government agency responsible for giving unbiased advice so the government of the day can make wise decisions based on the best evidence. And the best evidence suggests that this jump in minimum wage will close the job market to many young people.

It’s as if Wynne wants to lay the groundwork for the next generation of poverty.

It’s easy to understand why the wage jump will cost jobs. Certainly businesses will try to pass costs on to their customers, but a business forced to bump up wages by 32% will also respond by laying people off or cutting hours, cancelling plans to hire more people or automating jobs, moving somewhere more business-friendly or just closing down.

Most places that pay minimum wage are small businesses, and a huge jump in their costs will be enough to make many owners throw up their hands and retire.

Youth will be the main victims of attempts to control costs because they’re the ones who hold most of the minimum wage jobs and because the least experienced workers get laid off first.

The toll may actually be much higher. The TD Bank estimates the minimum wage jump to $15 will cost 90,000 jobs (here). The TD thinks the increase might be good for the economy in the long run, but says the problem is the speed of the increase.

Letting the minimum wage float up to $15 an hour at a rate that business can adjust to, say over four or five years, might save tens of thousands of jobs, but it’s not going to make a big splash, and with an election just seven months away, what good is a policy that’s merely wise?

A big jump in the minimum wage helps the Liberals, because it takes advantage of our good nature; we’re in favour of helping poor people, and that’s how the policy is being sold. Also, raising the minimum wage cuts the NDP off at the knees. What are they going to offer – a $30 minimum wage?

So the $15 minimum wage will not help poor families; it will cost 50,000 to 90,000 jobs, and it will make it much harder for young people to enter the workforce. That seems a high price to pay just to help Kathleen Wynn get re-elected.

Of course there are real actions we could take to reduce poverty. For starters, we could provide very low cost daycare and transit for the working poor. This could greatly boost the number of poorer people entering the workforce. And that way, they’ll actually earn money and most likely make more than minimum wage, as most grown-ups with work experience do.

Brian Henry is a writer, editor, creative writing instructor and the publisher of Quick Brown Fox. He has two kids who will soon be looking to enter the working world.

Wednesday, November 29, 2017

Writing Conflict workshop, Saturday, April 7, in Midland

Writing Conflict: Fight scenes, Dialogue scenes & Love scenes
Saturday, April 7, 2018
10:00 a.m. – 3:30 p.m.
Askennonia Senior’s Centre, North Simcoe Sports and Recreation Centre, 527 Len Self Blvd, Midland, Ontario (Map here)

This workshop is geared to both beginners and more experienced writers.  We look at the most important part of all stories whether fictional or true: the fully dramatized scene. You’ll learn how to write great dialogue and how to mix it with your narrative so that the interaction between your characters comes alive. 
As a bonus we'll look at how to create the most difficult scenes of all: the fight scene, the dialogue scene and the love scene. Best yet, you'll learn some of the successful tricks of the trade so that you'll never write a lifeless scene again.
  
Workshop leader Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada’s most popular blog for writers, teaches creative writing at Ryerson University, and has led workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he has helped many of his students get their first book published and launch their careers as authors. 
See reviews of Brian's classes and workshops here.

Fee: 43.36 + 13% hst = 49 paid in advance by mail or Interac
or 46.90 + 13% hst = 53 if you wait to pay at the door
To reserve a spot now, email: brianhenry@sympatico.ca

See Brian’s complete current schedule hereincluding writing workshops and creative writing courses in Algonquin Park, Bolton, Barrie, Brampton, Burlington, Caledon, Georgetown, Guelph, Hamilton, Ingersoll, Kingston, Kitchener, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, Saint John, NB, Sudbury, Thessalon, Toronto, Windsor, Woodstock, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.


Tuesday, November 28, 2017

Three agents at Canadian literary agency P.S. Literary seek authors; Maria Vicente promoted to full agent

Definitions of Indefinable Things
YA. by Whitney Taylor, represented by
Maria Vicente of P.S. Literary
P.S. Literary Agency
2010 Winston Park Drive
2nd floor
Oakville, Ontario, L6H 5R7 
Note: Don't ever miss a post on Quick Brown Fox. Fill in your email in the box to the right under my bio, and get each post delivered to your Inbox. ~Brian

The P.S. Literary Agency was established by Curtis Russell in 2005. P.S.  represents literary and commercial fiction, Young Adult and Middle grade fiction and picture books, and nonfiction.
P.S. is headquartered in Oakville (a suburb of Toronto), but one of its associate agents Maria Vicente is located in Saint John, NB, making her the only literary agent in Atlantic Canada, while Carly Watters is in Ottawa. Geography doesn’t matter a lot these days, but for writers in Atlantic Canada or our national capital region, it’s good not to have to go all the way to Toronto to have coffee with their agent.  
Currently three of the five agents at P.S. are actively looking for authors:

Maria Vicente ~ Agent
Maria was recently promoted from associate to full agent. She’s dedicated to managing authors’  literary brands for the duration of their careers and providing support to her clients through all stages of the writing and publication process.
In nonfiction, Maria is looking for projects for readers of all ages (both the children and adult markets); specifically, she’s interested inpop culturesciencedesign, and lifestyle. “I expect any nonfiction book proposal to offer a new perspective on an entertaining topic,” says Maria.
In Young Adult, Maria is interested in a variety of genres: contemporarymagical realismhorrormysterylight science fiction, and light fantasy. She’s always looking for diverse characters. and enjoys literary prose and a strong, unique voice. She’s currently looking for fun YA projects rather than issue-driven stories.
In Middle Grade, Maria is looking for all genres.  “Yes, really!” she says, including graphic novels (preferably illustrated).
In Picture Books, Maria is currently looking for projects that are high concept, written in prose (no rhyming text, please), and not didactic.
She also represents illustrated picture books, or even just professional illustrators. If you are  an illustrator or author/illustrator, please provide a link to your portfolio when sending a query letter.
Topics on Maria’s picture book wish list include: biography; other nonfiction topicsgeek culture; and unusual animal protagonists. “I gravitate towards quiet, lyrical prose,” says Maria; Kyo Maclear, for example.”
For more about Maria’s preferences and her current wish list and to read various articles she’s written about writing and querying, visit her website here.
Query Maria at: query@psliterary.com 
No attachments unless specifically requested.

Kurestin Armada ~ Associate Agent
Kurestin began her publishing career as an intern with Workman Publishing and spent time as an assistant at the Lofts Agency before joining P.S. Literary. She holds a B.A. in English from Kenyon College and a publishing certificate from Columbia University. Kurestin is based in New York City.
Kurestin is actively acquiring Upmarket and Commercial Fiction, Magic Realism, Science Fiction, Fantasy, Alternative History, Historical Fiction LGBTQ (any genre), select Young Adult, Graphic Novels, Mystery, including mystery with element of science fiction or fantasy, and Romance.
In nonfiction, Kuristin is looking for Design, Cooking, Pop Psychology, Humour, Narrative Nonfiction, Photography, and Pop Science.
Query Kurestin at: query@psliterary.com 
No attachments unless specifically requested.

Curtis Russell ~ President & Principal Agent
Curtis began his publishing career a decade ago as proprietor of a micro-press. In 2005 he crossed to the other side of the desk and founded the P.S. Literary Agency. 
Curtis is currently acquiring both fiction and nonfiction. In terms of fiction, he is seeking Literary, Commercial, Romance, LGBT, New Adult, Young Adult and Middle Grade novels, and Mysteries & Thrillers.
In terms of nonfiction, he is looking for Business, History, Politics, Current Affairs, Memoir, Health, Wellness, Sports, Humour, Pop science and Pop psychology.

Query any agent at P.S. Literary at: query@psliterary.com 
No attachments unless specifically requested.  Limit your query to one page and include...
Paragraph One – Introduction: Include the title and category of your work (i.e. fiction or nonfiction and topic), an estimated word count and a brief, general introduction.
Paragraph Two – Mini-synopsis: A concise summary or overview of your work.
Paragraph Three – Writer’s bio: Tell us a little bit about yourself and your background (awards and affiliations, etc.).
Full submission requirements here.

Simon & Schuster editor Patricia Ocampo
If you’re interested in and finding an agent or publisher (someday soon or down the road), don’t miss From the Horse’s Mouth ~ Strategies for Getting Published, with literary agent Stacey Donaghy, House of Anansi Press editor Douglas Richmond, and Simon & Schuster managing editor Patricia Ocampo on Saturday, Dec 2, 2017, at Ryerson University in Toronto (see here).

In the new year, you’ll also be interested in our How to Get Published workshop with literary agent Martha Webb Saturday, Feb 24, in Oakville (see here).

And don’t miss Writing Great Characters on Saturday, January 27, in Mississauga (see  here) and a Writing and Revising on Saturday, February 10, in Guelph (see here), How to Write Great Dialogue, Sunday, February 11, in Windsor (see here), and How to Write a Bestseller with New York Times #1 bestselling author Kelley Armstrong on Saturday, March 24, in Caledon at the Bolton Library (see here).

Also in the new year, Brian will again offer a full range of weekly writing classes, from introductory to intensive:
Exploring Creative Writing, offered at two times:
Thursday mornings, Jan 25 – March 29, in Oakville (see here)
and Friday afternoons, Feb 2 – March 23, in  Toronto (see here).
Writing Personal Stories,  Thursday afternoons, Jan 25 – March 15 in Burlington (see here).
Intensive Creative Writing, offered at three times/locales:
Tuesday afternoons, 12:30 – 2:45 p.m. Jan 16 – March 20, at Appleby United Church, in Burlington (see here)
Thursday evenings, 6:45 – 9:00 p.m., Jan 18 – March 22, at Appleby United Church in Burlington (see here)
and Friday mornings, 10:15 – 12:45, Jan 19 – March 23, Glenview Presbyterian Church in Toronto (see here)
See details of all six classes offered in the new year here.

For details or to reserve a spot in any workshop, retreat, or weekly course, email brianhenry@sympatico.ca

Read reviews of Brian’s courses and workshops here.

Hey, everyone.
On Wednesday afternoons, 3:30 – 5:30 p.m., throughout the month of November, a whole warren of writers are gathering at the Burlington Central Library to bang out novels, short stories, memoirs – wild words of all sorts – and to swap advice, encouragement, and tales of the writing life. And you're invited. Come for one Wednesday or for all of them. And, yes, it’s absolutely free. Just stop by or you can read more details here~Brian

See Brian’s complete current schedule here,  including writing workshops and creative writing courses in Algonquin Park, Bolton, Barrie, Brampton, Burlington, Caledon, Georgetown, Guelph, Hamilton, Ingersoll, Kingston, Kitchener, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, Saint John, NB, Sudbury, Thessalon, Toronto, Windsor, Woodstock, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.

Navigation tips: Always check out the labels underneath a post; they’ll lead you to various distinct collections of postings. Also, if you're searching for a literary agent who represents a particular type of book, check out this post.