It’s from behind the sunshine yellow wall in the good, upstairs kitchen, and through the spotless French
glass door into the good, for-company-only living room that she watches. She watches
as the mob of black-clothed mourners fuss and get settled and her father,
already seated in the high-backed tufted chair, struggles to appear calm and
steady-handed as he unties the tightly knotted black plastic garbage bag he
carried into the room.
She revels, just a little, in not being seen and in doing what she
was told not to do.
Her father reveals a piece of clothing, a pair of white, once pure
white, long underwear and displays them for the mourners. They’re the kind of
underwear men wear under their pants to keep warm when working outside in the Canadian
cold, but these are burned from inside the ankle, up the inside of the calves,
up and between the thighs ending in an brown-edged arc where the burns meet in
the middle, like the burned edges of new parchment paper pretending to be old
and worn.
The view through the beveled glass of the door duplicates the
burns, over and over, like dark stormy waters slapping onto a shore of white
sand.
Her father lifts the underwear higher and moves clockwise until he
reaches the end of the circle of mourners. They gawk and cry from the pristine blue
velvet furniture they sit on, howling prayers and wrenching words of disbelief
from trembling mouths, grieving like all Lebanese people grieve, loud and
terror-stricken.
After the underwear returns to its starting point, her father holds
it even higher for just one moment longer, like a marathon runner hoists the
winner’s trophy, with fatigue and disbelief and pride. Then, with steady hands,
her father folds the underwear so that it looks whole and new and untouched,
then puts it down tenderly by his feet.
She wonders if it’s right, if it’s dangerous for her father to
touch and display the fragments of death in this way. Her uncle, alive just
three days ago, now dead, electrocuted while working on a construction site. Wearing
long underwear beneath his overalls, still uncomfortable with cool Canadian spring
days. He was a nice man, worked hard like everyone else. No one special. Until
now.
She wants to cry, not for her uncle, not for her aunt, not even for
her little cousins, but for her own father.
Her father’s hands are now on a white, sleeveless undershirt. Every man she knows wears that kind of undershirt. Hot summer days, cold beers, covered porches and fathers, and bothers and uncles and man-neighbours, in white sleeveless, sweat-stained undershirts. This one is different though. It is not sweat-stained, it is burned straight up the middle, a dark and singed arrow to the throat.
Her father’s hands are now on a white, sleeveless undershirt. Every man she knows wears that kind of undershirt. Hot summer days, cold beers, covered porches and fathers, and bothers and uncles and man-neighbours, in white sleeveless, sweat-stained undershirts. This one is different though. It is not sweat-stained, it is burned straight up the middle, a dark and singed arrow to the throat.
As her father steadily moves the elevated shirt around the room
more prayers are cried up to God. This time the black-clothed mob pleads for her
uncle’s soul.
“He made a mistake. One mistake. But he was a good man,” someone
says.
“Yes, a man who did the right thing. He went back to his wife, to
his two children,” says another.
“Why punish his soul? He was punished already on earth in this
death.”
She did not understand what mistake her uncle had made. She could only know, like every child somehow
knows, that it must have been a very big and very bad mistake. So big and so
bad that confession was not enough and saying ten Hail Marys and saying twenty Our
Fathers was not enough and saying you’re sorry over and over again until your
throat hurts and your eyes sting was not enough and saying you won’t ever, ever,
ever do it again was just not enough. Not enough. For all forgiving God.
Biting her nails now, she worries that God won’t forgive her for
watching, for spying really - she was told to go outside and play with the
other children; the adults need to meet, need to talk. Instead, she did what
she always does, not listen. Will God forgive her for not listening, for doing
the same bad thing over, and over again? Will God forgive her father for doing
what he is doing right now? Or will God bless and reward him for reminding
everyone what He can do to a sinner like her uncle?
She turns her back on the spectacle, pressing her shoulders and head hard
against the sunshine yellow wall, no longer wanting to watch the grieving, the
show and the warnings. Through the window of the spotless kitchen she can see
the sky is dark with clouds. A storm is coming, and with it lightning. It can
strike any time. Like God. She wishes her father would stop displaying her
uncle’s clothes, wishes he would stand out less, be less proud. Clutching her
throbbing head with her small hands, she slides down to the cold marbled floor and
buries her own cries in the ruffled hem of her pink skirt.
***
Janine Elias Joukema has been writing privately for many years. She
is a Strategic Management Consultant and, for now, spends more time writing
business reports than writing fiction.
See Brian Henry's schedule here, including writing workshops, weekly online writing classes, and weekend
retreats in Alliston, Bolton, Barrie, Brampton, Burlington, Caledon,
Collingwood, Georgetown, Georgina, Guelph, Hamilton, Jackson’s Point, Kingston,
Kitchener-Waterloo, London, Midland, Mississauga, Oakville, Ottawa,
Peterborough, St. Catharines, Southampton, Sudbury, Toronto, Windsor,
Woodstock, Halton, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and
beyond.
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