Sunday, January 6, 2019

Five paying markets for your short fiction and poetry and two places you can send reviews


Note: Don't ever miss a post on Quick Brown Fox. Fill in your email in the Follow Brian by Email box to the right under my bio, and get each post delivered to your Inbox. ~Brian

NonBinary Review {published by Zoetic Pressseeks art and literature that "tiptoes the tightrope between now and then. Art that makes us see our literary offerings in new ways. We want language that makes us reach for a dictionary, a tissue, or both. Words in combinations and patterns that leave the faint of heart a little dizzy. We want insight, deep diving, broad connections, literary conspiracies, personal revelations, or anything you want to tell us about the themes we’ve chosen."
Payment: Semi-pro (meaning 1 cent per word to 5 cents per word, probably closer to a penny a word, since they’re being coy about it).
Theme for issue #20: Submissions that related to the first 3 volumes (16 stories) of the Clive Barker series Books of Blood.  Deadline: January 23, 2019.
Theme for issue #21: Submissions that relate to the best-known works of HG Wells: The Time Machine, The Island of Dr. Moreau, The Invisible Man, and The War of the Worlds. Deadline: April 22, 2019
Guidelines here.

Arc Poetry Magazine accepts unsolicited submissions of previously unpublished poetry in English, or translations or poetry into English, on any subject and in any form. Pays $50 per page.  
Open for submissions October 1 – January 31 and June 1 – September 30.
Guidelines here

EVENT  is a Canadian literary journal published in B.C. that’s been around for 47 years. Seeks, fiction, poetry, and book reviews. Open to submissions December 1 – January 31 and August 1 – September 30. Also runs an annual contest for creative nonfiction. Pays: $25/page. 
Guidelines here


Freeze Frame Fiction is a semi-annual digital flash fiction publication – stories must be under 1,000 words. Pays $10. 
Open to submissions September 1 – January 31 and March 1 – July 31.
Guidelines here.

Quick Brown Fox always welcomes your book reviews – or any kind of review. If you want to review your favourite coffee shops or libraries, babysitters or lovers (no real names please), go for it. You can read an essay about how to write a book review here {but don't pay too much attention to instructions} and see guidelines about submitting reviews of any kind to Quick Brown Fox here
QBF also welcomes essays about a favourite book or about your experience of reading or writing. Read a few essays on the blog to get a taste of what other writers have done (see here and scroll down)  or you can write any sort of essay really. Submit it to me at brianhenry@sympatico.ca
 
Fiction Writers in Seoul
The critique group, Fiction Writers in Seoul, seeks short stories from around the world for an anthology, To Seoul, from the World. Stories must be set in and/or about the city of Seoul, South Korea. Pays 5 cents/word. 
Deadline: January 31, 2019. Guidelines here.

See Brian Henry’s schedule here including Saturday writing workshops, weekly writing classes, and weekend retreats in Algonquin Park, Alliston, Bolton, Barrie, Brampton, Burlington, Caledon, Collingwood, Georgetown, Georgina, Guelph, Hamilton, Jackson’s Point, Kitchener-Waterloo, London, Midland, Mississauga, New Tecumseth, Oakville, Ottawa, Peterborough, St. Catharines, Sudbury, Toronto, Windsor, Woodstock, Halton, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.

Saturday, January 5, 2019

Intensive Creative Writing courses start this month on Tuesday afternoons, Wednesday evenings, and Friday mornings

Intensive Creative Writing
Ten weeks towards becoming a better writer
Offered at three times:
Tuesday afternoons, 12:30 – 2:45 p.m.
January 22 – April 2, 2019 (no class March 12)
first reading emailed Jan 16
New location: St. Elizabeth's Anglican Church, 5324 Bromley Rd, Burlington, Ontario (Map here.)
And
Wednesday evenings, 6:45 – 9:00 p.m.
January 23 – April 3, 2019  (no class March 13)
first reading emailed Jan 16
New location: St. Elizabeth's Anglican Church, 5324 Bromley Rd, Burlington, Ontario (Map here.)
And
Friday mornings, 10:15 – 12:30
January 25 – April 5 (no class March 13)
first reading emailed Jan 18
Glenview Church, Bethlehem Room, 1 Glenview Ave, Toronto, Ontario (Map here.)  The Toronto class may be full, but there is room Tuesday afternoons and Wednesday evenings in Burlinton.

See details of all five courses offered this winter, including Introductory and Writing Kid Lit courses, here.

Intensive Creative Writing isn't for beginners; it's for people who have been writing for a while or who have done a course or two before and are working on their own projects. Over the ten weeks of classes, you’ll be asked to bring in five pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on. 
Besides critiquing pieces, the instructor will give short lectures addressing the needs of the group, and in addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.
Fee: $184.96 + 13% hst = $209
To reserve your spot, email: brianhenry@sympatico.ca

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada's most popular blog for writers, teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Saint John. But his proudest boast is that he’s has helped many of his students get published. 
Read reviews of Brian's Intensive course here and here and of his various courses, workshops and retreats here (and scroll down).

See Brian’s complete current schedule hereincluding Saturday writing workshops, weekly writing classes, and weekend retreats in Algonquin Park, Alliston, Bolton, Barrie, Brampton, Burlington, Caledon, Collingwood, Georgetown, Georgina, Guelph, Hamilton, Jackson’s Point, Kitchener-Waterloo, London, Midland, Mississauga, New Tecumseth, Oakville, Ottawa, Peterborough, St. Catharines, Sudbury, Toronto, Windsor, Woodstock, Halton, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.

Half a dozen agents at Stuart Krichevsky Literary Agency seek authors

The High Tide Club by
Mary Kay Andrews, represented by SKLA
Stuart Krichevsky Literary Agency
6 East 39th Street
Suite 500
New York, NY 10016

The Stuart Krichevsky Literary Agency {SKLA} is an independent New York literary agency representing a distinguished list of fiction and non-fiction authors, with an emphasis on narrative non-fiction and literary journalism.
Areas of interest include history, adventure, politics and current affairs, biography, science & natural history, technology & culture, business and memoir. Our fiction list includes authors of literary, commercial, and young adult fiction.
SKLA has five agents, and assistant agent, and all but one of them is open to queries.

Laura Usselman was recently promoted to literary agent, and like all new agents, she needs authors. Before joining SKLA, Laura earned her MFA in Fiction at Virginia Tech, where she taught composition and creative writing, and spent three years at Cambridge University Press. A native of Atlanta, she studied English and film at the University of Georgia. She lives with her family in Brooklyn.
Laura represents adult fiction and nonfiction and thoughtful narrative nonfiction for younger readers. Her fiction interests include character-centered fiction of all stripes, from the formally strange to the family saga. For nonfiction for adults, she is interested in restlessly curious idea books, and voice-driven memoir.
Query Laura at: luquery@skagency.com
Include up to the first ten pages of your manuscript pasted into the body of the email. No attachments.

Aemilia Phillips joined Stuart Krichevsky Literary Agency in the fall of 2016 after completing the Columbia University Publishing Course. She graduated from Harvard University with high honors. Aemilia currently lives in Manhattan and is putting her English degree to good use in the world of publishing. Like all agents just starting out in the business, she needs authors. 
With interests in journalism, narrative nonfiction, and literary fiction, she looks for diverse, smart writing with an impactful story to tell.
Aemilia works closely with David Patterson and Mackenzie Brady Watson, but is beginning to build her own client list. 
Query Aemilia at: query@skagency.com

Full submission guidelines here.

The best way to grow as a writer is probably with a weekly course. 
There are 5 courses starting this month (Details of all five here):
Exploring Creative Writing, Thursday afternoons, Jan 24 – April 5 (no class March 14), in Burlington. Details here.
Writing Kid Lit, Thursday evenings, Jan 24 – March 28 (no class March 14), in Oakville. Details here.
Intensive Creative Writing, Tuesday afternoons, Jan 22 – April 2 (no class March 12); first readings emailed Jan 15, in Burlington. Details here.
Intensive Creative Writing, Wednesday evenings Jan 23 – April 3 (no class March 13); first readings emailed Jan 16, in Burlington. Details here.
Intensive Creative Writing, Friday mornings Jan 25 – April 5 / 12 (10 or 11 weeks, no class March 13); first readings emailed Jan 16, in Toronto. Details here.
            Details of all 5 classes here.

Also coming soon: How to Build Your Story: Plotting novels & Writing short stories with guest author Hannah Mary McKinnon, Saturday, Jan 19 in Oakville (see here), Writing and Revising, Sat, Jan 26, in Caledon at the Bolton Library (see here), Writing with Style, Saturday, Feb 23, in Waterloo (see here) and Saturday, March 16, in Mississauga (see here), and How to Write a Bestseller with New York Times #1 bestselling author Kelley Armstrong (see here).
 
Moose near Arowhon Pines Resort, looking for a good read
 A weekend writing retreat:
Algonquin Writing Retreat, Friday, May 31 – Monday, June 3, 2019: four days in the luxurious isolation of Arowhon Pines Resort to get down to some real creative growth. Details here.

Spring courses:
Toronto: Welcome to Creative Writing, Friday afternoons, April 26 – June 28 (No class May 31). Details here.
Oakville Central Library: Personal Stories, Thursday evenings, April 18 – June 27 (No class  May 30). Details here.
Burlington: Intensive Creative Writing, Tuesday afternoons, 12:30 – 2:45; April 16 – June 25 (No class June 4 (10 weeks) . Details to come.
Burlington: Intensive Creative Writing, Wednesday afternoons, 12:30 – 2:45; April 17 – June 19. Details to come.
Georgetown: Intensive Creative Writing, Wednesday evenings, 6:45 – 9:00; April 17 – June 19. Details to come.
Toronto: Intensive Creative Writing, Friday mornings, 10:15 – 12:30 / 12: 45, April 26 – June 28. (No class May 31). Details to come.

To reserve a spot in any upcoming weekly course, weekend retreat, or Saturday workshop, email Brian at: brianhenry@sympatico.ca
Read reviews of Brian’s courses, retreats, and workshops here.

See Brian’s complete current schedule here, including Saturday writing workshops, weekly writing classes, and weekend retreats in Algonquin Park, Alliston, Bolton, Barrie, Brampton, Burlington, Caledon, Collingwood, Georgetown, Georgina, Guelph, Hamilton, Jackson’s Point, Kitchener-Waterloo, London, Midland, Mississauga, New Tecumseth, Oakville, Ottawa, Peterborough, St. Catharines, Sudbury, Toronto, Windsor, Woodstock, Halton, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond. 

Navigation tips: Always check out the Labels underneath a post; they’ll lead you to various distinct collections of postings. If you're searching for interviews with literary agents or a literary agent who represents a particular type of book, check out this post.

Friday, January 4, 2019

Introductory Creative Writing course, Jan 24 – April 4, in Burlington

Exploring Creative Writing
Ten weeks of discovering your creative side
Thursday afternoons, 12:45 – 2:45
January 24 – April 4, 2019 
(No class March 14)
New location: St. Elizabeth's Anglican Church, 5324 Bromley Rd, Burlington, Ontario (Map here.)

See details of all five courses offered this winter, Introductory to Intensive, plus Writing Kid Lit, here.

This is your chance to take up writing in a warm, supportive environment. This course will open the door to writing short stories and writing dialogue, writing in first person and writing in third person, writing just for fun and writing all kinds of things. 

You’ll get a shot of inspiration every week and an assignment to keep you going till the next class. Best of all, this class will provide a zero-pressure, totally safe setting, where your words will grow and flower.

Fee:  $176.11 plus 13% hst = $199
To reserve a spot now, email: brianhenry@sympatico.ca

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada's most popular blog for writers, teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Saint John. But his proudest boast is that he’s has helped many of his students get published. 
Read reviews of Brian's introductory courses here (and scroll down) and read reviews of his various weekly courses, workshops and retreats here (and scroll down).

See Brian Henry’s schedule here, including writing workshops, weekly writing classes, and weekend retreats in Algonquin Park, Bolton, Barrie, Brampton, Burlington, Caledon, Collingwood, Georgetown, Georgina, Guelph, Hamilton, Jackson’s Point, Kingston, Kitchener-Waterloo, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, Saint John, NB, Sudbury, Toronto, Windsor, Woodstock, Halton, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.

Thursday, January 3, 2019

“Wherever I Go” by Sharon Chalmers



Well, I was finally here, sitting at a cafe in the glorious sunshine of one of the most spectacular areas of Italy, the Amalfi Coast. I was sipping a chilled glass of Prosecco and overlooking the impossibly blue Tyrrhenian Sea. Ah, pure bliss! La dolce vita!  And that’s when I heard the strains of the Beatles’ “We all live in a yellow submarine” shredding the air. 

This was my first clue that perhaps my expectations for this holiday might have been a tad overblown.

What was I expecting? An adventure to jump-start my stalling life. Maybe I’d even discover the purpose of my life, something which has eluded me all these years or at the very least, experience an epiphany or two. And surely, in the midst of all the natural beauty and culture, my spirit would be restored and I would recover my lost optimism, returning home refreshed and inspired. Was this too much to ask?

I happened to be here because my best friends, four intelligent, fun-loving women, convinced me this trip was precisely what I needed after a few years of personal turmoil, including the end of a thirty-year marriage, a traumatic move and a laundry list of health issues.

A cultural tour would be ideal, they said. A small group of like-minded people would be much better than travelling alone, they said. Especially for an artist like you, they said. (My friends, though well-meaning, tend to have an unrealistically high opinion of my art.) 

I agreed that the idea had some merit, although I was skeptical of being herded about by a sign-carrying tour guide. On the positive side, I’d be staying at one hotel the entire time and, most importantly for me, the itinerary called for a fair amount of free time to satisfy my need for solitude.

You see, I’m a bit of a loner and covet solitude above most other things. Don’t misunderstand… I have friends, as I’ve mentioned, and I generally like most people but I just can’t be around them for great chunks of time. However, once the decision was made, I was moderately excited and as enthusiastic as my personality allowed.

I was at that stage of my life where parent-child roles sometimes become reversed and during the last few years, I’d become responsible for my mother’s well-being. I was looking forward to exploring my own interests without ties or constraints of any kind.

And OMG (I recently discovered the language of the internet), how I admire all things Italian. Italian cuisine, both cooking and eating, has been a life-long passion. And the music… Italy is the birthplace of opera and Andrea Bocelli after all. I had even taken an introductory course in the language: Ciao bella! Vino bianco per favour. Gracie. The words just rolled off my tongue.

Furthermore, I’d graduated from an admittedly poorly-conducted Sommelier course  years ago, writing my final essay on the “Wines of Italy,” for which I received a basically worthless diploma and a tastevin to hang around my neck, as if I would.  Still, I was eager to put my dubious expertise to the test.


And of course, the art, architecture and history of this extraordinary country, all of which I am genuinely and keenly interested in and pretend are my primary reasons for choosing Italia.

Just in case you were wondering if men featured on my list at all, that would be a definitive no, as in I have no desire to jump off that bridge again any time soon.

So as I said, here I was, blissfully alone, except for the group. At our first gathering, though, it became painfully apparent that an older senior (as opposed to a junior senior like myself), a lovely white-haired lady the spitting image of my mother, was the only other person on this tour travelling solo. I admired her independence, but then Edna attached herself to my side and we became “a couple” for the duration of the trip.

On one occasion, the group was shopping along the cobblestone paths of the town and I was enjoying the sights and sounds, absorbing the colours and storing images in my memory for future artistic projects. I could feel my blood pressure rising when Edna called me over to admire some embroidered linens and souvenirs. Deja vu… and I was back home following my mother through Wal-Mart on the hunt for deals on bunion plasters.

And so I began to seek creative ways to extricate myself from the group, though it wasn’t easy and it certainly didn’t go unnoticed. 

To be fair, as a group, we had some remarkable times. We tasted limoncello while wandering through a lemon grove on Capri. And we rowed through the caverns of a grotto, an otherworldly experience of caves, rocks and water that changed colour from turquoise to emerald green. 

We endured a terror-inducing bus trip along the ragged coastline to stimulating, chaotic, polluted Naples where we toured the famous National Archaeological Museum and later enjoyed the equally famous Napoli Pizza Margherita. Tough-looking kids, often girls, seemed to enjoy passing their time hanging out of windows or hanging out on sidewalks, cursing at tourists and giving us the finger. Motorbikes everywhere. Bleating horns. 

On another day, an unforgettable excursion to Pompeii, its tragic history buried in ash for centuries. Fragmented images of paintings on crumbling blue walls, angels and erotica. Magical abstract designs created by decay. Pure inspiration for the artist in me.

But the best times I recall were those stolen stretches on my own when I sought out slices of local life to sketch. Vendors at work in their fruit and vegetable stalls; weather-beaten fishing boats at the marina; lemon trees and bougainvillea. Perfect moments sitting on rocks by the shore, mesmerized by the tranquil cerulean waters of the Mediterranean. Or in churches, quiet and cool.


And one happy day, I became lost as I was exploring, walking on and on but unconcerned, through ancient stone portals and a maze of narrow alleyways. I finally came upon a familiar sign of modern civilization: a rainbow of assorted garments, underwear and such, floating overhead on wires between buildings. And there was a special evening, the air soft and warm, when I dined alone at a ristorante on the Piazza Tesso, savouring every delicious bite of my dinner and every sip of my wine, thoroughly enjoying my own company.

Perfetto.

After I’d been back home for a while and was looking over my photographs, I realized my prominent memories were of the incredible things I’d seen and the people I’d met … the petty annoyances pretty much forgotten, as were the grandiose expectations which never materialized. This holiday had provided a beautiful, life-enhancing but temporary distraction, and for that I was grateful.

Yes, I had travelled with all my personal baggage firmly packed and its burden, though subtle and simmering just beneath the surface, had remained with me throughout the trip. Of course it would, wouldn’t it? The truth is that wherever I go, there I am.

Sharon Chalmers took a rather lengthy detour in life (20 plus years primarily in the airline industry) before setting about to rediscover her creative routes, first as therapy, then for the pure joy of it. The journey led Sharon from calligraphy to collage to mixed media painting. And finally, to abstract expressionism. More recently, she’s been exploring creative writing and has rekindled a life-long enthusiasm for the written word… this time, her own words!”

See Brian Henry’s schedule here, including writing workshops, weekly writing classes, and weekend retreats in Algonquin Park, Bolton, Barrie, Brampton, Burlington, Caledon, Collingwood, Georgetown, Georgina, Guelph, Hamilton, Jackson’s Point, Kingston, Kitchener-Waterloo, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, Saint John, NB, Sudbury, Toronto, Windsor, Woodstock, Halton, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.