Wednesday, June 9, 2021

Online: Writing Little Kid Lit course, Thursday afternoons, July 8 – Aug 26

Online: Writing Little Kid Lit
Picture Books, Chapter Books and Middle Grade Novels

Thursday afternoons, 1 – 3 p.m.
July 8 – Aug 26, 2021
Offered online and accessible from anywhere there's internet 

See all upcoming weekly writing classes, one-day workshops and weekend retreats here.

 This course is for adults {or teens} interested in writing Board Books, Picture Books, Chapter Books, or Middle Grade books. Accessible for beginners and meaty enough for advanced writers, this course will be focussed on helping you develop your own writing projects. Through lectures, in-class assignments, homework, and feedback on your writing, we’ll give you ins and outs of writing for younger readers and set you on course toward writing books kids will love and parents will buy.

We’ll have two published children’s authors as guest speakers:

Lana Button grew up in the tiny border town of St. Stephen, New Brunswick. She has a background in acting and is an early childhood educator. Today Lana writes for young children and reads out loud to crowds of kids whenever she gets the chance. She has six published picture books, with Kids Can Press, Owlkids, and Tundra, including her latest, Tough Like Mum (see here). Lana is excited for two more coming in 2021/22.

Lana’s picture books have been shortlisted for awards including The Blue SpruceThe Shining Willow, the Jean Throop IODE Award and the Rainforest of Reading, and have been recognized as Canadian Children’s Book Centre’s Best Bets and the IBBY Outstanding Book for Young Children.

Find out more about Lana and her books at www.lanabutton.com and connect with her on social media on Twitter @LanaButton and Instagram lanabutton.

Erin Silver is a children’s author and freelance writer. Her middle grade novel, Just Watch Me, won a publishing contract with Common Deer Press and was nominated for a Crystal Kite award. 

What Kids Did: Stories of Kindness and Invention in the Time of COVID-19 (Second Story Press) is a picture book about the amazing ways kids around the world helped during the pandemic. It was shortlisted for a Hackmatack Award. 

Proud to Play: Canadian LGBTQ+ athletes who made history was chosen as a TD Book Week pick and was featured across CBS platforms during Pride Month. More books for kids are on the way.  

Erin’s journalism work has appeared in Good Housekeeping, The Globe and Mail, The Toronto Star, Today's Parent, Chatelaine, and The Washington Post, among others. She has a Masters of Fine Arts in Creative Nonfiction from King's College in Halifax, a postgraduate journalism degree from Ryerson University and a Bachelor of Arts from the University of Toronto. She's a member of IBBY, The Writers Union of Canada, CANSCAIP and SCBWI. Visit her at erinsilver.ca

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada's most popular blog for writers, teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Saint John.  Brian is the author o f a children's version of Dr. Jekyll and Mr. Hyde.  (Tribute Publishing). But his proudest boast is that he’s has helped many of his students get published.  

Read reviews of Brian's various courses and workshops here (and scroll down).

Fee:  $167.26 plus 13% hst = $189

To reserve your spot, email: brianhenry@sympatico.ca

See Brian’s complete current schedule hereincluding online and in-person writing workshops, weekly writing classes, and weekend retreats in Algonquin Park, Alliston, Bolton, Barrie, Brampton, Burlington, Caledon, Collingwood, Georgetown, Georgina, Guelph, Hamilton, Jackson’s Point, Kingston, Kitchener-Waterloo, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, Southampton, Sudbury, Toronto, Windsor, Woodstock, Halton, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.

Tuesday, June 8, 2021

Three new literary agents at Triangle House seek fiction and nonfiction

We Wish Your Luck by Caroline Zancan
represented by Triangle House

Triangle House

https://www.triangle.house/

Note: Don't ever miss a post on Quick Brown Fox. Fill in your email in the box to the right under my bio, and get each post delivered to your Inbox, and if you’re not yet on my newsletter list, send me an email, including your locale to brianhenry@sympatico.ca ~Brian

Triangle House describes itself as a literary community. It is literary agency and the publisher of a literary blog and The Triangle House Review, a literary journal. The review and blog are currently closed for submissions, unless you’ve never been published before in any capacity. In which case, check out the Triangle House Review here, and if it looks like your kind of place, email your submission to: becca@triangle.house

Triangle House Literary has only been around since 2019, so all three agents are new, and like all new agents, they're in need of authors:

Monika Woods is a literary agent, writer, editor, and founder of Triangle House. She lives in Brooklyn and Springs, NY, with her husband and son.  She is a graduate of SUNY Buffalo and the Columbia Publishing Course and has worked closely with leading voices in contemporary literature over her decade-long publishing career. 

Monika is looking for literary fiction. She’s particularly excited about plot-driven literary novels.

Monika is also seeking compelling nonfiction in cultural criticism, food, popular culture, journalism, science, and current affairs.  She likes writing that is creatively critical or gives a unique perspective. She’d love a great cookbook.

Above all, she’s looking for original prose.

Query Monika at: monika@triangle.house

Include a description of your project and the first ten pages. 

Renée Jarvis was born and raised in New York City. She graduated from Brooklyn College with a BFA in Creative Writing and previously worked as an assistant and agent at MacKenzie Wolf Literary.

Renée is seeking fiction for adults and children and narrative nonfiction. She is looking for works that centre POC and LGB+ voices and is particularly drawn to the work of Black writers.

In fiction, she loves robust plots, bold characters with a sense of humor, unique formats, stories that explore friendship and family, and lyrical prose.

In nonfiction, she is interested in pop culture analysis, cultural histories, linguistics, food writing, international stories, and explorations of music fashion, and art.

Query Renée through this form

Include a synopsis and the first 30 pages of your novel or full book proposal for nonfiction.

Kima Jones joined Triangle House Literary in 2021. She is also the founder of: Jack Jones Literary Arts, an LA-based publicity agency for black and brown writers, Jack Jones Literary Arts Retreat for black and brown nonbinary and women writers; and Culture, Too, a mentorship conference for black and brown cultural critics.

Kima is interested in representing literary and commercial fiction, speculative fictions, science fiction, and horror.

In nonfiction she's looking for essay collections and memoir.

She's also interested in hybrid texts and poetry.

Query Kima through her query manager here.

See Triangle Literary's full guidelines here.

Gordan Warnock, literary agent

If you’re interested in meeting an agent and in getting published, don’t miss our online How to Get Published workshop Saturday, Aug 14, with literary agent Gordon Warnock of Fuse Literary (see here).

If you’re especially interested in writing for children, don’t miss Writing Little Kid Lit course, offered online Thursday afternoons, July 8 – Aug 26 (see hereand Writing for Children and for Young Adults workshops online Sunday, July 11, with literary agent Maria Vicente of P.S. Literary (see here).

Beyond that, Brian Henry’s schedule continues to take shape...

Writing retreat:

Algonquin Park: Writing Retreat at Arowhon Pines Resort, an island of luxury in the middle of a wilderness. Friday, June 11 – Monday, June 14.  Details here.

Summer classes:

Online: Exploring Creative Writing, an introductory, low pressure course to get the creative juices flowing, Wednesday, afternoons, July 7 – Aug 25. Details here.

Online: Writing Little Kid Lit {Picture Books, Early Readers, Chapter Books & Middle Grade}, with two accomplished children's authors as guest speakers, Thursday afternoons, July 8 – Aug 26. Details here.

Online: Intensive Creative Writing, a challenging course to help you grow as a writer. Offered at two different times:  Tuesday afternoons, July 6 – Aug 24, and Wednesday evenings, July 7 – Aug 25. Details here.

Details of all summer classes here.

July workshops

Online: Writing for Children and for Young Adults  with literary agent Maria Vicente of P.S. Literary. Sunday, July 11. Details here.

Online: Writing Conflict, Saturday, July 17. Details here.

Online: How to Write Great Dialogue, Sunday, July 25. Details here.

August workshops

Online: How to Get Published, with literary agent Gordon Warnock of Fuse Literary, Saturday, Aug 14. Details here.

In-Person: How to Write Great Characters, Saturday, Aug 21. Details here.


September ~ Weekly classes 

In-Person: Writing Personal Stories, 9 weeks of creativity and companionship, Tuesday afternoons, Sept 28 – Nov 30, in Burlington. Details here.

In-Person: Intensive Creative Writing, a challenging course to help you grow as a writer. Tuesday evenings, Sept 21 – Dec 8. Details here.

Online Classes: Details to come.

 

Writing retreat:

Lake Joseph in Muskoka: Sherwood Inn Writing Retreat: this elegant little resort in the heart of the Muskoka’s will be the site for our fall retreat. Friday, Oct 22 – Monday, Oct 25.  Details to come.

Sunday, June 6, 2021

In-person classes this fall in Burlington: Writing Personal Stories and Intensive Creative Writing

Note: Besides the in-person courses noted below, several online courses will also be offered in the fall; further information about those, coming soon. 

Writing Personal Stories

9 weeks of sharing and writing

Tuesday afternoons, 12:45 – 2:45 p.m.
Sept 28 – Nov 30, 2021 {no class Oct 26}
St. Elizabeth’s Church, 5324 Bromley Rd, Burlington, Ontario. Map here.

{Meeting in-person, we’ll be observing any public health rules still effect – smaller numbers, masks or whatever – and it’s possible, given the unpredictable nature of the Pandemic that this course will have to revert to being online.}

If you've ever considered writing your personal stories, this course is for you. We’ll look at memoirs, travel writing, personal essays, family history ~ personal stories of all kinds. Plus, of course, we’ll work on creativity and writing technique and have fun doing it. 

Whether you want to write a book or just get your thoughts down on paper, this weekly course will get you going. We'll reveal the tricks and conventions of telling true stories, and we’ll show you how to use the techniques of the novel to recount actual events. Weekly writing exercises and friendly feedback from the instructor will help you move forward on this writing adventure. Whether you want to write for your family and friends or for a wider public, don't miss this course.

We’ll have a guest speaker for this course – to be announced.

Fee:  $176.11 plus 13% hst = $199

To reserve your spot, email: brianhenry@sympatico.ca


Intensive Creative Writing

12 weeks of growth as a writer

Tuesday evenings 6:30 – 8:45 p.m.
Sept 21 – Dec 8, 2021 {no class Oct 26}
St. Elizabeth’s Church, 5324 Bromley Rd, Burlington, Ontario. Map here.

{
Meeting in-person, we’ll be observing any public health rules still effect – smaller numbers, masks or whatever – and it’s possible, given the unpredictable nature of the Pandemic that this course will have to revert to being online.}

Intensive Creative Writing isn't for beginners; it's for people who have been writing for a while or who have done a course or two before and are working on their own projects. You’ll be asked to bring in five pieces of your writing for detailed feedback, including three long pieces. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on. 

Besides critiquing pieces, the instructor will give short lectures addressing the needs of the group, and in addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.

Fee: $229.20 + hst = $259

To reserve your spot, email: brianhenry@sympatico.ca


Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada's most popular blog for writers, teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Saint John. But his proudest boast is that he’s has helped many of his students get published.  

Read reviews of Brian's various courses and workshops here (and scroll down).

See all of Brian’s upcoming weekly writing classes, one-day workshops, and weekend retreats here. 

Saturday, June 5, 2021

“Toes” by Debra P. McGill

 

Mweke Camp

That night, I sat on the padded mat, knees drawn up to my chest, my arms wrapped around my shins, feet bare, heels down, toes pointing upward, so badly battered and bruised, I couldn’t even touch them. In the glare of my lamp, I could see that the nails of both my big toes had started to turn black. I didn’t have anything to ease the pain, so I just swayed back and forth, hoping to rock the pain away.  

The night before, I had trouble falling asleep. Knowing I had to be awake, dressed and ready to go by 10:30 that night, made it impossible to relax enough for sleep to come. I couldn’t turn off my mind, couldn’t stop thinking. And I was cold! So cold I wore my clothes to bed: thermal underwear top and bottom, wool socks, turtleneck, even the fleece liner of my coat.

So the “being dressed and ready to go part” wasn’t a problem, but the falling asleep part certainly was. I lay as still as I could. I slowed my breathing, kept my eyes open and stared into the darkness, hoping my eyes would tire and that would bring sleep. But even that didn’t work. I needed to relax. I had already climbed the wall once today. Once is enough!

If I did sleep, it was fitful and so I was up and dressed by 10:30. I pushed my way out of my polar sleeping bag like a moth from a cocoon. Lying on my back I slid my snow pants up over my thermal leggings. Rolling onto my knees, I pulled the outer shell of my Columbia men’s size “M” jacket over the fleece liner.

Boots on and laced up. Buff scrunched around my neck; hat, mitts, poles and head lamp at the ready, I unzipped the tent and crawled out into the pitch black of night, the darkness lit only by stars. So many stars!

I made my way to the dining tent where hot tea and a snack was set out on the portable table. Six of my companions were already there and soon the rest joined us. Our guides, Dickson, Vallee and Rama hurried us along. “I know you’re tired after climbing the “Wall” today.” Dickson said, his Swahili accent calming. “You did a great job! But if we want to make the summit by sunrise, we need to begin before midnight.”

Debra partway up the Wall, Mt. Kilimanjaro, Day 4

The “Wall” was just that. A rock face that seemed to rise almost straight up, though there was a trail. Sort of! We moved in single file, climbing over large, jagged boulders, both poles poking up from my pack as I used my hands to pull myself up onto the next rock.  And now, after a long, physically demanding day and no sleep, we headed out once again.

Midnight, the end of day four, the beginning of day five. Pole, pole, (pronounced “polee”) Dickson reminded us once again. Slowly, slowly. And for good reason. At about 2:00 a.m. we made our way passed another group at about 4,800 meters, our headlamps revealing young men sprawled on the rocks, sick and exhausted. Athletic types who tried to conquer the mountain with speed.

At around 3:00 a.m. we stopped in a rock clearing to have an energy bar, drink water, catch our breath. I stood atop a flat rock, head resting on my hands, leaning on my poles. A moment later my body jerked awake as I felt myself beginning to fall. I caught myself and then my headlamp caught the faces of some of my companions, Bill, Sonia, Beth, my daughter Violet, my son-in-love Perrin, the others. All of us visibly tired. Dickson rallied us once again and we continued up the rock slope. 

There was a lot of time for reflection as we made the ascent. Lift the right foot, slowly swing it and place it down in front of the left foot. A momentary pause and then lift the left foot, slowly swing it and place it down in front of the right foot. And then pole, pole – slowly, slowly, I came to a realization. I know why we began the climb before midnight.  It wasn’t to see the sunrise from the summit at all. It was because if we could actually see what we were doing, we wouldn’t do it!

Sometime around 4:30 a.m., off in the distance, a thread of light broke across the horizon revealing a cloud bank between us and the first light of dawn. We were literally walking above the clouds. The sun had begun to rise, but we weren’t anywhere near the summit yet.


When the sun broke, we were standing close to a glacier, greatly shrunken from the days when an hallucinating Ernest Hemmingway wrote about the “Snows of Kilimanjaro”.  And we still had another thousand meters left to climb.

The rock that bore us, that had been so solid beneath our feet, suddenly gave way to scree and at the same time the ascent became even steeper. Pole, pole.  As I am wont to do every once in a while, I began to pray. “Please God, let a lion come out and eat me so that I have a good excuse not to finish the climb.”  Alas, there are no lions on Kilimanjaro, no life of any kind up that high. 

Our group began to separate, some gone ahead of us and others trailed behind. Violet, Perrin, Sarah, Dickson, Vallee and I sat under the ridge at Stella Point to rest a moment, a thermos of hot tea passed between us, shivering as a loud, cold wind howled. One hundred and sixty-five meters more to climb and I really wasn’t sure if I could make it. Pole, pole. 

As we began the final ascent to the summit, another glacier rose off to my left and to my right Bill and Sonia literally skipped down the slope, smiling at us, encouraging us. “You’re almost there”, they said. “Just a few more minutes!”

Liars! 

Those are the same words Dickson or Vallee or Rama would say every single day as we yearned for that day’s climb to end. “We’re almost there, just around that ridge, just another half hour.” But it never was.

Dickson (kneeling – lead guide)
L-R, Debra, Natalia, Violet, Perrin, Vallee

And then quite suddenly, as the bright morning sun poured down on us, we stood in front of a handmade wooden sign that read: 

Congratulations! 
You are now at Uhuru Peak, Tanzania
Africa’s Highest Peak 5,895 meters

That’s 19,344 feet – every inch of it - all up hill! Congratulations indeed!

There is more to my tale of climbing up, more to the story of my mountain top experience. But those stories don’t involve my toes. That was in the going down.

When I first purchased my extra sturdy mountain climbing boots at MEC (Mountain Equipment Co-Op), the young man who helped me as I tried them on never told me they were specially engineered and that all the grommets and hooks and laces and strap thingies had a purpose.  He never told me that I should pull the boot laces extra tight at the ankle when descending the mountain as that would hold my foot tight and prevent it from sliding into the toe of the boot, stop my toes from being smashed.

The slope of the descent going down Mt. Kilimanjaro was as steep as it was going up and even though I used my poles and my cross-country skiing techniques to protect my knees, keep me from falling in the scree, I didn’t know to tighten up on my boot laces to protect my toes.

After four hours of unrelenting descent, I felt the first twinges of pain. We stopped for a short rest and a quick lunch and then we set out for Mweke Camp where our porters would set up our tents one last time. My boots too heavy to lift, my toes too sore to walk, I soon dropped behind my other companions. Dickson and Rama stayed with the group, Vallie stayed with me.

As afternoon dusked into evening, we had descended over 2,000 meters. The temperature rose significantly, and the landscape changed dramatically. The rocky trail wound through dense plants and trees that stretched out around us. As darkness enveloped us, our headlamps revealed shapes in the shadows and at one point, I could make out a Buddhist meditation garden dotted with small statues, though the only thing I meditated on at that moment was the throbbing pain of my toes.   

Vallee was patient and encouraging. I had been hobbling for hours, trying desperately not to stumble on the rocks or knock over the Buddhist statues, which I later discovered, didn’t actually exist. Nor did the meditation garden. Dumb shadows! Long after dark, Vallee led me into camp, the night sky alive with stars, the dining tent lit by lanterns and laughter. Cheers from my companions greeted me as I walked into the tent, though I have to admit I was feeling a little embarrassed. But I wasn’t the last to arrive. Rama and Victoria weren’t there yet.

That night, I sat in the dark on the padded mat in my tent, my headlamp illuminating my feet and I could see that the nails of both my big toes had started to turn black. I didn’t have anything to ease the pain and so I just swayed back and forth, hoping to rock the pain away. It did not.

The next day I walked backwards much of the five hours through the sultry cloud forest, grateful when we arrived at the base of the mountain. There our bus waited to take us back to Moshi and a few days later, I was on to the next adventure. Eventually the nails of my big toes fell off but have since grown back again. A small price to pay for the experience of a lifetime.

 

Debra P. McGill is an ordained minister in the United Church of Canada, and for the last 2 ½ years has served at St. Stephen’s on-the-Hill United Church in Mississauga. Debra has two daughters, two sons-in-love and three grandsons. Earlier in her ministry she said “yes” to an opportunity to live and work in Botswana for nine months (unpaid but amazing) and has never been able to shake the dust of Africa from her boots. Saying yes to many other opportunities has enriched her life in so many ways and led to lots of adventures.         

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See Brian Henry’s upcoming weekly writing classes, one-day workshops, and weekend retreats here. 

Thursday, June 3, 2021

“The Roommate” by Beth Anne Jones

The box on the floor was near filled to the brim but Ben added his ancient collection of Tamagotchis, a one-eyed Furby, and two way-past-their-prime Rock ‘Em Sock ‘Em Robots.  On top he tossed the Most Improved Player trophy he’d won 17 years ago when he played for Royal Tires and the team finished dead last in the Little Baseball League.  

He gave the middle drawers one more check, ensuring everything that was his was no longer there, before relocating himself to the top bunk.

“Well, hi roomie.” The smell of Old Spice and stale Rothmans announced Marvin’s arrival before he limped into the tiny bedroom.

“Hi, Grand.” Ben replied weakly.

“I suppose the bottom one’s mine.” Marvin settled himself on the madras quilt and leaned his cane against the dresser.

Ben hopped down in one swift motion and swallowed hard. Before either of us gets too comfy lets get a few things straight.”

He started to pace the room, embarrassed, not only by the Hilary Duff and Rhianna posters on the wall, but the fact that at 28 years old and working as junior architect, he was still living at home with his parents. And his grandfather had just moved in.

“No, son.  Let me set the record straight,” Marvin interrupted. “We’re grown men, sharing the same space.  Number one: I am not sleeping in a room with toys.  Get rid of this crap.” 

Marvin used the end of his cane to point to the various models Ben had painstakingly built of some of the world’s architectural wonders.  Ben tried not to let the hurt show on his face as he dropped the Eiffel Tower and the great pyramid of Giza into the overstuffed box.

“Number two.  When the door is closed, you are not welcome.  Got it?” Marvin snarled.

“Got it.”

“Number three.  A couple of bucks like us, we need some company.  I keep hearing about this Tinder thing.  You know how it works?”

“Yes, Grand.”  Ben stifled a smile.  The thought of his crotchety octogenarian grandfather swiping left and right was too much.

“What are you waiting for? Ya think I got all day?”

Ben pulled his phone from his pocket and opened the app. 

He hadn’t lived with a roommate since college. 

He’d forgotten what it was like.

*** 

Beth-Anne Jones lives in Toronto, Ontario, with her husband, three sons and chocolate Labrador, Murphy.  She is thankful for the outlet creative writing has provided during lockdown but she is looking forward to getting back to browsing in bookstores, eating inside restaurants and travelling the world.  In that order. 

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See Brian Henry’s upcoming weekly writing classes, one-day workshops, and weekend retreats here.