Monday, October 10, 2011

Writers' group or writing buddy wanted

The Blank Page Writers, Gravenhurst
I’m looking to join a writers’ critique group in the Hamilton/Burlington area. I write literary short stories and children’s literature. Ideally, I’d love to join a group (or perhaps find a writing buddy) also interested in children’s writing. If you have a group, please contact me.
Laurel Karry
lkarry@cogeco.ca

I'd love to join a critique group in the Toronto area if that's possible since I live in North York, but if that's not possible then Mississauga will do just fine. I'd love a group of writers that I could sit down with every week if possible and give and receive feedback. I would tentatively say that my writing style is geared toward contemporary women's lit. If you have a group I could join – or if there’s anyone out there looking for a writing buddy – please contact me.
Amy Abbruzzese
amy.abbruzzese@hotmail.com

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

You're invited to a book launch for "Sable Island: The Wandering Sandbar" by Wendy Kitts

Sable Island: The Wandering Sandbar (Nimbus, 2011)
by Wendy Kitts
Non-fiction children’s book for 7-9 year olds
Available October 15, 2011

With its singing sands, wandering dunes and wild horses, Sable Island is one of the most magical places in the world. Yet very few people are ever allowed to visit the vulnerable island designated a Canadian national park in 2010.

From the pirates that once preyed on travellers to the thousands of seals that come to the island each year, Sable Island: The Wandering Sandbar brings your readers up close to this beautiful, fragile place. Full of photographs, science, and history, Sable Island is an exciting look at a truly untamed part of the world.

Book Launch Saturday, October 15th, 2:30 p.m.
WordsFall, Writers’ Federation of New Brunswick
Algonquin Room, Fairmont Algonquin, St. Andrews-by-the-Sea, New Brunswick

Presentation on Sable Island and book signing
Saturday, October 22nd, 2:00 p.m.
Moncton Public Library, Moncton, New Brunswick

Wendy Kitts is a freelance writer who has written for Reader's Digest, Canada's History, Saltscapes, and More. A member of the Professional Writers Association of Canada and the Society of Children's Book Writers & Illustrators, she was a regular contributor of children's book reviews to Canadian Children Book News, the Globe & Mail, Atlantic Books Today, and the New Brunswick Reader (weekly column).

Wendy is also a co-author of Breaking the Word Barrier: Stories of Adults Learning to Read (Goose Lane Editions, 2009), an anthology on literacy.  For a full list of her upcoming presentations and book signings, check out Wendy's website here: www.wendykitts.ca

Brian Henry has a "Writing for Children and for Young Adults" workshop coming up in St. Catharines on January 14, 2012 (see here).

Also, Brian will be leading "How to Get Published" workshops on Saturday, Oct 22, in Elliot Lake (see here), Sunday, Oct 23, in Sudbury (see here) and on December 3 in Oakville with guest Ali McDonald of The Rights Factory literary agency (see here).

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, OrangevilleGravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Sunday, October 9, 2011

"Officially Old," a short story by Michael Joll

“My wife’s trying to kill me.”

The casual manner of Hugh’s matter-of-fact statement almost caused me to choke on my breakfast.

Hugh is an amiable sort of chap, not prone to exaggeration, a considerate fellow-traveller on the daily commute to London and one who intuitively understands the need to demolish the fare in the dining car with the minimum of unnecessary chatter, so today’s bombshell really did come as something of a surprise, though Hugh characteristically did not seem to be in any rush to expand on the subject.

Hugh’s wife, Elaine is a delightful woman, a gentle soul with a bright smile and a ready laugh. It would be difficult indeed to imagine a person less likely to be indicted for serial axe murders or for insinuating arsenic into the breakfast marmalade jar.

They had been married for decades with never more than the occasional hint of a marital hiccup, the sort that every married couple has on occasion: after Ladies’ Night at the Scottish Country Dance Club, for instance, when the Laird enjoys one too many Strathspeys with a certain young lady of questionable sobriety, and one too few with the missus. In other words, nothing serious enough to warrant being the recipient of the cold shoulder past lunchtime the following day.

“I can’t imagine why Elaine would do this to me,” Hugh continued amiably, as if he were not in the least perturbed by his apparently imminent demise.

I looked around to see who might be eavesdropping. The First Class dining car of the 7:12 from Salisbury to Waterloo could hardly be compared with the inviolate privacy of the Friday evening confessional. Not that Hugh was a Catholic; staunch Church of England at Christmas and Easter, unless he was away somewhere warm.

The other diners, the same gents who habitually ate their breakfasts on the 7:12 to Waterloo, were seemingly oblivious to Hugh’s utterances, tucking into the grapefruit segments in light syrup and the burnt sacrifice of the day.

I glanced up as Hugh helped himself to a spoonful of Frank Cooper’s Vintage Oxford and, with difficulty, for you know how thick it is, managed to transfer it from the spoon to the side of his plate. Hugh was from the old school and properly brought up in the matter of table etiquette.

Hugh’s assertion that his wife was on the point of accelerating the claim on her hubby’s life insurance gave rise to a complex rearrangement of my eyebrows and a quizzical, disbelieving look that had led many a witness in cross examination to recant. My courtroom theatrics failed to make any impression on Hugh so, trying a different tack I leaned forward across the table separating us in the confidential manner of conspirators not wishing to be overheard hatching a plot to blow up the House of Commons or dispatching an unnecessary Caesar or two.

“I’m sorry, Hugh. I’m not quite sure I heard you correctly.” This statement, frequently put to the witness during cross examination more often than not elicited a backtracking of a piece of testimony that had perhaps not been quite as well rehearsed as it might have been.

“Elaine’s trying to kill me,” he repeated, almost loud enough to be heard above the rhythmic clatter of the train over the tracks and the faint background hum of conversation. “Not for the insurance money, you understand and not in the conventional way with the candlestick in the conservatory perhaps, or the lead pipe in the library.”

“That’s something of a relief,” I assured him earnestly before he could continue.

“I’m almost fully convinced that she’s blithely unaware of what she’s doing. And she insists it’s for my own good.”

The train slowed and clanked to a noisy stop at Basingstoke and a horde of Waterloo-bound barbarians from that dumping ground of London’s superfluous population flung open the doors amid shouted greetings and muttered curses.

For a few minutes the First Class dining car resembled the turmoil of Sandown Park at the start of a five furlong maiden handicap as commuters pushed and shoved their way past each other through the carriage.

While waiting for the restoration of calm and sanity I ruminated on Hugh’s case and failed to see how euthanasia would be of benefit to him. He was as healthy as any man of his age had a right to be, especially as his rugby playing days were at least three decades behind him, and he had long ago embraced the movement away from the liquid lunch in favour of a sandwich at his desk.

Elaine seemed to dote on him and if she did not, she at least smiled at his occasional eccentricities. It was, therefore a conundrum why his wife should be trying to kill him, and for his own betterment. As any good member of the plain clothes branch of London’s Metropolitan Police would have said, there was more to this than meets the eye -, or more strictly speaking, the ear.

The eyebrows burst into another round of gymnastics and the cold eyed stare of the hardened barrister bore into Hugh. Every copper worth his salt knows that there is no pressure like silence to induce the suspect to cough up the goods in the form of a fully cautioned, signed confession. Hugh should be putty.

“You see,” he said, glancing about furtively before relieving his chest of the burden he carried within, “I turn sixty five this year.”

My eyebrows briefly expressed surprise.

“Sixty five,” he continued after a gulp of air, “is apparently an age when the Government considers me no longer middle aged but officially old: old, as in eligible to receive the Old Age Pension and, if I am very needy, whatever income supplements or social security benefits there may also be. I’m not sure what they all are in any case.”

Without question, Hugh is obviously no longer the man Elaine married nearly forty years ago. Over the years that I have known him, Hugh has occasionally confided that, under Elaine’s careful tutelage the brash young man whom she married had evolved into a reasonably good cook, house cleaner, chauffeur, precision loader of dishwashers, carrier of heavy objects and gardener, in particular the chief mower of grass and even if he was still inept in the more manly arts involving power tools, plumbing and anything to do with electricity Elaine had obviously found enough other uses to make him worth keeping on, like an old family retainer, in some capacity.

Hugh took another bite of his limp, barely grilled toast and sipped thoughtfully at a cup of coffee long grown cold.

“There was never a middle age pension or whatever to draw on when I was feeling a bit tattered and dog eared, more’s the pity,” he lamented morosely, chewing absently on his last quarter of toast. “Then a few months ago the Ministry of Old People called me to ask if I had completed and submitted the paperwork necessary to become Officially Old. A nice lady spoke to me slowly and carefully. She probably thought I was a halfwit or deaf. She sounded disappointed that I didn’t need an interpreter.”

As we flew through the station at Fleet, Hugh lapsed into silence, leaving me no further along in my search for the motive behind Elaine’s homicide plans. I wondered if there was perhaps something in Hugh’s past that had prompted his wife to bring forward the departure date of her husband’s final journey.

I knew that Hugh had spent a considerable part of his early life in the Cro-Magnon pursuit of rugby balls. After he finished his university the need to earn a living cut somewhat into his rugby playing and the mysteries of adjusting averages with a firm of marine insurance adjusters in the City took his fancy.

He met Elaine; they married within the year and, at her suggestion retirement from rugby followed immediately upon the arrival of their third child. When the last of the children headed off to University Hugh and Elaine moved to their present home just outside Salisbury, which is where I first met him as a fellow traveller in pursuit of an honest crust in London.

On reflection there seemed to be nothing in Hugh’s blameless past that could remotely provoke homicidal feelings in his life’s partner and by the time I had come to know him only a little arthritis bore testimony to the head-first, if occasionally ill-considered exuberance with which he habitually tackled life’s obstacle course and opposing rugby players.

“The actuaries in charge of the pension scheme, or whatever they call it,” Hugh offered as he put down his empty coffee cup, “are betting that I shall shortly be consigned to the great recycling bin. I’m sure they chortle and rub their hands with glee every time somebody with an annuity or a pension pops off early. Take my word for it; actuaries can be like that,” he said, nodding for emphasis before embarking upon another considered pause in the narrative. I sensed however, that once the sluice gate had opened a crack, the rest would pour out in short order. I was not wrong.

“I’m really not ready to sit back every morning with the newspaper, sipping that ghastly tonic wine they keep flogging on the telly or that stuff that’s supposed to fortify the over-forties but that’s what Elaine seems to think will be my new lot in life. She’s come up with the perfect solution to what I consider a non-existent problem: what to do when I retire.

“She suggests that we sell the house and move to a smaller bungalow on a golf course. There will be no stairs to climb. The en suite bathroom in the master bedroom may even feature one of those walk-in tubs with hand rails you see advertised on TV, and the postage stamp garden will have a lawn too small for me to mow. I believe that she may actually have one such place in mind.

“Never mind that I actually enjoy gardening. The stairs are not a bother, even with this wonky knee, and there’s absolutely nothing wrong with our present house. The neighbours are great and the children have somewhere to stay when they come home for an occasional week-end with their latest love interest tagging along sheepishly. And I don’t need someone trampling through my petunias in search of an errant golf ball.”

Hugh looked up from his careful study of the toast crumbs on the white linen table cloth. I knew that Hugh played golf occasionally and it was as if he were reading my mind when he continued, “Now, I must confess to playing golf occasionally though I don’t belong to a club. I have probably averaged two rounds a year over the past thirty five years. Elaine plays somewhat less frequently.

“Elaine has also hinted that it might be nice if we could play golf together, once I retire. She tells me that she knows people who do this. Frankly, I’m not sure how they stay married. I have steadfastly refused to teach my wife to drive, play bridge or golf. We have enjoyed a long and happy marriage. There may be a connection; I’m not sure.”

Hugh pushed the toast crumbs into neat piles as he spoke, moving them about as if they were chess pieces on an imaginary board.

“If we do as she suggests and move into a bungalow on a golf course, in time and with practice, I might be able to go round eighteen holes with three wheezing geezers, listening to them brag about their grandchildren while they change oxygen tanks and swallow Advil. Two weeks shivering on the Algarve in February with the rest of my discretionary income going into golf club membership fees holds less attraction than spending a fortnight at Christmas and three weeks at Easter in Barbados.”

He stopped pushing the crumbs around, mate having seemingly followed check. He pulled a face as he looked up.

“I suppose it could be worse,” he said glumly. Then his face brightened.

“You don’t know this any more than Elaine does. It is my deepest, darkest secret and your kidneys will be on toast if it ever, and I mean ever, goes beyond the two of us.”

He glared at me menacingly. The confession I sought was about to pour out.

“Solicitor/Client privilege; my lips are forever sealed,” I replied.

“Well, old boy, it’s like this. Other than the occasional trip to the West Indies, winters are not the highlight of the year except for one thing: I write. One day a week I go into the office, shut the door and spend eight hours at my computer, writing. For seven years I’ve officially been on a four day work week. I’m on my fourteenth book. They’ve all been published, under a pen name of course. Elaine has no inkling.

“Not exactly what you were expecting, I bet,” he chuckled. I shook my head, completely fooled by the revelation.

“If you go to your favourite book store and ask for the novels of Amber LaFlamme you will be directed to the Romance section. It is under that name that I pen titillating bodice-rippers for ladies of a certain age, transporting them through the power of imaginative hyperbole back to the sensual, heady days of their scarce-remembered youth; those all-too-brief days of unbounded freedom before the acquisition of husbands, cellulite, comfortable underwear, and home rinse hair colour.”

I nearly laughed out loud but caught the first chuckle and strangled it before it fled my throat. Hugh fixed me with the type of stony stare normally associated with Indian chiefs in bad Westerns.

“You may laugh,” he muttered sotto voce. “The heaving bosoms and breathless dialogue that abound in this harmless froth are the staple of supermarket paperbacks and earn the retailer a tidy profit.”

“And you?” I asked.

“I do all right out of them I have to admit. So far only my agent and the publisher know the identity of Amber LaFlamme. And now you, of course.”

“My lips are forever sealed, Hugh,” I repeated. “But what started you on this decidedly different career?”

We were through Surbiton by this time and the train slowed as it habitually did approaching the congestion of countless commuter trains converging on Clapham Junction.

Hugh looked thoughtful for a moment and cleared his throat. “Staring back at myself unmasked every day during the morning shave, I felt an urge to do something completely different with my life. I was past climbing the Matterhorn or bungee jumping off the Eiffel Tower. No, I wanted to do something anonymously that no-one would ever suspect me of doing.

“I knew Elaine liked to read in bed before turning out the light and I felt a certain kinship with those undemanding husbands fortunate enough to be able to sleep with the other bedside light on while their wives quietly turn the pages of their paperbacks. Curious to know what kind of reading was popular at that time of night I sneaked a look at the cover and made a mental note. It was my eureka moment. Here was my niche. But for obvious reasons, personal as well as professional, I decided on anonymity in my second career.

“Do you have any idea how many millions of copies of these books are sold every month? No, nor do I but it runs into the lots of millions, that much I can tell you. I read several of them before Elaine gave them to the book stall for the church jumble sale. The rest is history. Elaine has even read one of my offerings. I was very tempted to sign it for her but decided against it. It would spoil the romance if she knew that Amber LaFlamme was her husband of advanced middle age.”

The train slowed to a fast walk as it threaded its way through Clapham Junction, the cue for some to start gathering from the overhead rack bowler hats and pencil-slim briefcases of the type once popularized by James Bond.

“If Elaine is indeed trying to kill me by incarcerating me in a small cell on the edge of a golf course I hope you will still drop by and see me during visiting hours. If I didn’t have my writing I might fade away to nothingness in months. I may even have to confess to her, though I can’t say I’d look forward to it in the least. There should always be a few secrets between a man and his wife, don’t you think?”

I agreed rather than start a discussion on the topic.

“If Elaine is unknowingly trying to kill you,” I suggested, “perhaps she really is doing it because she loves you, like she says, though I can’t think why she still would after all these years.”

“You’re cynical,” he replied, and after a pause for thought, “and probably right. But now you mention it I’m convinced that can be the only reason. She’s doing it for me because she still cares for me.” Hugh sounded positively pleased by the revelation. “Do you think she’d appreciate an autographed boxed set of my oeuvres in my will? As a gesture of gratitude? No? Well, you’re probably right again.”

We stood and reached for our hats and briefcases in the rack. The undignified dash down the platform before disappearing into the bowels of the London Underground for the last part of the trek to the office in the City fast approached.

“Even I realize it’s not feasible for this creaking, arthritic Neanderthal to play one final game of rugby before the actuaries get the last laugh,” he said.

The train lurched to an abrupt halt as it reached its destination and Hugh joined the small army of City-bound gents noisily flinging open the doors.

“As eventually they always do,” the old wing forward added over his shoulder, momentarily blocking the carriage door.

“But I’m not agreeing to the walk-in bath tub.”
*
Michael Joll, an English-born resident of Brampton for 35 years, pens short stories, the occasional sonnet and unpublished novels. He has had three plays for radio broadcast on Canadian Public Radio. He has never caught the 7:12 train from Salisbury to Waterloo, deeply regrets the current absence of the First Class dining car on British trains and laments the passing of bowler hats on city gents. He insists that his wife's marmalade is superior in every respect to Frank Cooper's Vintage Oxford. His best photograph was taken in 1948 at the age of three. Deterioration has been steady ever since. Michael entered "Officially Old"  in the Writers' Journal annual short story contest, and it came in third place. Along with publication in the July/August issue, Michael won $100 U.S.





See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond. 

Saturday, October 8, 2011


Here's wishing all my Jewish readers an easy fast. And get off the computer! It's Yom Kippur.

Watch the Rosh Hashanah Rock Anthem here.

Thursday, October 6, 2011

Barbara Scott joins WordServe Literary Group, seeks books for general market and for Christian market

Barbara Scott has joined WordServe Literary Group as an agent. She has been a book editor for more than thirteen years and altogether has been in publishing for thirty years. She has worked at Zondervan, McGraw-Hill, Honor Books and most recently started the fiction arm of Abingdon Press.

Barbara is Looking for full-length fiction, 65,000 to 100,000 words. General market or Christian market. Genres: Women's, Romance, Suspense/Thriller, Mystery, Romantic Suspense, Historical, Family Saga, Amish, Political Thrillers, Mainstream, Supernatural/Speculative, including End Times.

She also wants short contemporary and historical fiction, 40,000 to 65,000 words. Christian market. Genres: Romance, Historical, Romantic Suspense. Will accept queries for Barbour, Steeple Hill Love Inspired, Summerside Love Finds You, and Avon Inspire.

And she wants Middle grade and YA books

In non-fiction, Barbara seeks both Christian market and general market projects. Current Affairs, Political, Management, Sales, Money, Home Life, Marriage, Family, Parenting, Health & Diet, How-to, Popular Culture, Psychology, Science, Self-Help, Women's Issues, Devotionals. Authors should have established social media, consulting, or speaking platforms.

Barbara is not looking for Gift books, Poetry, Short stories, Screenplays, Graphic novels, Children's picture books, Horror.

Query Barbara at: barbarawordserveliterary.com

Greg Johnson
Greg Johnson, president of WordServe is also accepting queries. Greg worked for nine years as a literary agent before starting his own agency in 2003. He has represented more than 2,000 books and negotiated more than 1,500 contracts to over eighty different publishing houses. These works included adult trade books (non-fiction and fiction), children's books, specialty Bibles, movie options, video curricula, audio products, gift books and greeting cards.

Query Greg at: greg@wordserveliterary.com  

For fiction, include the first 5 pages of your manuscript in the body of your email. No attachments. Full submission info here.

Brian Henry will be leading "How to Get Published" workshops on Saturday, October 22, in Elliot Lake (see here), on Sunday, Oct 23, in Sudbury (see here) and on December 3 in Oakville with guest Ali McDonald of The Rights Factory literary agency (see here).

Also, Brian will lead a "Writing for Children and for Young Adults" workshop in St. Catharines on January 14, 2012 (see here).

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Giller Prize short list announced


Johanna Skibsrud, author of The Sentimentalists,
winner of the 2010 Giller Prize
 Contenders for this year's Giller Prize are:
David Bezmogzis for The Free World (HarperCollins)
Lynn Coady for The Antagonist (House of Anansi Press)
Patrick deWitt for The Sisters Brothers (House of Anansi Press)
Esi Edugyan for Half-Blood Blues (Thomas Allen Publishers)
Zsuzsi Gartner for Better Living Through Plastic Explosives (Hamish Hamilton Canada)
and Michael Ondaatje for The Cat's Table (McClelland & Stewart).

You can read the full annnouncement, with links to excerpts from each book here. The winner will be announced on November 8. In the meanwhile, Quick Brown Fox would welcome reviews of any of these books.

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Wednesday, October 5, 2011

Writing Memoirs & Other True Stories workshop, Saturday, March 24, Barrie

"Writing your life & other true stories"
Saturday, March 24, 2012
10 a.m. – 4 p.m.
The Community Room in Zehrs,
472 Bayfield Street, Barrie (next to Wal-Mart, across from Georgian Mall – map here)

Have you ever considered writing your memoirs or family history? This workshop will introduce you to the tricks and conventions of telling true stories and will show you how to use the techniques of the novel to recount actual events. Whether you want to write for your family or for a wider public, don't miss this workshop.

Workshop leader Brian Henry has been a book editor and creative writing instructor for more than 25 years. He has helped many of his students get published, including our guest speaker, Ross Pennie...

Dr. Ross Pennie is the author of The Unforgiving Tides, a doctor’s memoir of Papua New Guinea (Manor House Publishing). He has also signed a contract with ECW Press for three medical mystery novels. The first of these, Tainted, won Arts Hamilton Literary Award for Fiction. Ross's second novel, Tampered, came out in May. At the workshop, Ross will speak on how to turn ordinary life into dramatic material and will answer questions about how he wrote his memoir and got it published.

Fee: $38.94 + hst = $44 in advance
or $42.48 + hst = $48 if you wait to pay at the door.
To reserve your spot now, email brianhenry@sympatico.ca  

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Monday, October 3, 2011

The Vanderbilt ~ Exile $5,000 Short Fiction Award


Download the submission form here. For information about submitting to Exile magazine and Exile books, see here.

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Sunday, October 2, 2011

Writing and Revising worskhop, Sat, Jan 21, Mississauga

"1984" by George Orwell, page 1.

“Writing and Revising”
Saturday, January 21, 2012
10 a.m. – 4 p.m.
Cawthra Park United Church, 1465 Leda Avenue, Mississauga (Map here.)

If you want to refine your story-telling skills and cut the time you will need to spend editing, this workshop is for you. You'll learn how to step back from a manuscript in order to find – and fix – flaws in your plot, structure, characterization and style. You'll learn how to rethink, rework and rewrite so that your manuscript will live up to your vision.

Special option: Participants are invited to bring a piece of their own writing (though you don’t have to!) If you do bring a piece, bring 3 copies of something short (1,500 words absolute maximum, though under 900 words works much better).

Instructor Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches at Ryerson University and has led writing workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.

Fee: $38.94 + 13% hst = $44 paid in advance
Or $42.48 + 13% hst = $48 if you wait to pay at the door
To reserve your spot now, email brianhenry@sympatico.ca

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Saturday, October 1, 2011

Pikes Peak Fiction Contest

Pikes Peak, seen from the Garden of the Gods (Double-click on photo for super enlargement.)

This is a contest for writers working on novels – including Historical Fiction, Mystery/Suspense/Intrigue, Romance, Science Fiction/Fantasy/Horror, and mainstream – middle grade or young adult books, and short stories. The contest is restricted to writers who have never been paid for their fiction.

Short stories may be up to 5,000 words. Both short story entries should also include a one paragraph Target Market. Entrants must explain what market this short story would appeal to and give examples of magazines or anthologies which might publish the story. The explanation should be one paragraph on its own page at the beginning of your short story. It does not count toward the 5,000-word limit.

Novel entries should consist of the opening chapters, up to a maximum of 4,000 words, plus a synopsis of the entire novel that is not more than 1,250 words.

Deadline: 11:59 p.m. Mountain Time on November 15, 2011. A maximum of 400 entries will be accepted. The contest opened September 15 – so don’t delay!

The fee is $30 per entry. Entrants can also receive up to two one-page critiques per entry for $20 each.

Winners will be recognized at the Paul Gillette Awards banquet on the Saturday night of the Pike’s Peak Writers Conference, held April 20 – 22, 2011, in Colorado Springs, Colorado. More on the conference here.

The first place winner in each category will be refunded his/her Conference registration fee if attending that year’s PPWC or will be awarded a cash prize of $100 if not attending.

Second place will be awarded $50, and third place will be awarded $30. In addition, winners attending the Conference that year will be given top priority with respect to their editor/agent pitch appointment selections.

Further information and submission instructions here.

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Friday, September 30, 2011

Literary agent Bill Hanna of Acacia House in Brantford

Acacia House Publishing Services
62 Chestnut Avenue
Brantford, ON N3T 4C2

Principal agent: Bill Hanna
Email: bhanna.acacia@rogers.com; phone: 416-484-8356
But do not contact by email or phone.

Interests: Fiction with international potential, (first novels, quality mysteries, literary fiction); non-fiction (especially: business, history and military history, and memoirs)

Query by mail with a writing sample of up to the first 50 pages of your book. Include SASE.

Frances Hanna, who represented Helen Humphreys among others, was formerly one of two principle agents at Acacia House but Frances died this past February.

Brian Henry will be leading "How to Get Published" workshops on Sunday, Oct 23, in Sudbury (see here) and on December 3 in Oakville with guest Ali McDonald of The Rights Factory literary agency (see here).

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Orillia, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Thursday, September 29, 2011

Happy Rosh Hashanah!


Learning to blow the shofar
A shofar is a ram's horn that's blown in synagogue on Rosh Hashanah (Jewish New Year) and Yom Kippur (the Day of Atonement) to bring people back to God and to living right. The shofar's role is also to herald other important occassions - the coming of the Messiah, the end of the world, etc.

Happy New Year one and all for 5772! (That's 2011 - 2012 on the common calendar, but Jews have been counting the years longer than most peoples.)

Wednesday, September 28, 2011

Storyteller, a short story collection by Sherry Isaac, reviewed by Karen Kachra

Paperback, 212 pages, Publisher: In Our Words Inc., Toronto, July 2011

Sherry Isaac and her muse have been spending a lot of quality time together. The result is Storyteller: stories, an impressive and enjoyable collection of short fiction, and Isaac’s début book. Here we have classic storytelling a good hook, authentic characters, fruitful tension, unexpected plot twists, and the sort of resolution that is deeper and wider than a happy ending.

This collection has a commendable diversity of voices. Among them are impressionable young girls, elderly firebrands, one or two con artists, a dying streetperson, an anxious would-be groom, and a storyteller haunted by his past.

Many of the stories, such as “What you Wish For,” “A Pickpocket in Paris,” “Sweet Dreams,” “Nana’s Farewell” are light reads that slip-slide you into the unexpected. Some read more like memoirs, others, snapshots of the human grotesque. (Though, depending on your family, these categories may blur.)

In Storyteller, humour is abundant and charming. As when pickpocket Abby finally meets her match: “She was accustomed to improvising but she’d never encountered a Greek god before.” Or in the hilarious account of Christmas morning 1976, when Mallory tells us Mom is notorious for “buying hideous clothes…and an itchy lace bra big enough to support coconuts when all I had were limes, with matching panties that would fit Shamu.”

Sometimes the story itself is the funniest bit. I laughed out loud at the shenanigans in “Mount Baker.” Who hasn’t over-thought and been over-wrought while making their way through customs and immigration?

Isaac is a writer’s writer, by which I mean she takes care choosing words, her images are well-drawn, her dialogue faithful. As every good writer does, she convinces us through the apt use of detail, and she is meticulous in this. Consider the description of a missing toque in “Taking Care of Auntie”: “It was Pepto-Bismol pink, with a broad white strip along the bottom and a generous pompom.”

I believe Isaac’s writing shines even brighter when she tackles serious topics and themes. “Where Credit is Due” is a sensitive treatment of a young mother struggling to be a good daughter to her own mother, a selfish alcoholic. Isaac wisely resists the pitfall of overwriting this emotional drama, the result being a touching portrait of narrator Diana as well as fresh insights on worn topics like poverty and self-esteem.

“Storyteller,” the title short, is in my opinion the hands-down best contribution of the book. Isaac creates a poignant conflict within the main character Alistair, a Victorian-era busker who struggles with the tragic death of his sister by recreating a life for her in the tall tales that he sells to street corner audiences. Alistair muses, “There is a freedom in telling tales to folks who’d never been anywhere they could not contradict him. And what harm did it do, to entertain them with a fable or two that might brighten their dreary lives?”

Uniquely, Isaac probes the effects of storytelling on the teller. “Storyteller” is also, more simply, a poetic exploration of loss. “He came across the devastation of the west harbour the same way some men come across love, without warning.”

I suspect that Isaac, like Alistair, feels “a freedom in telling tales.” Her readers are certainly likely to be entertained. And more.

Storyteller is available through Sherry Isaac's website here and through other on-line venues.

Karen Kachra has a background in philosophy. She has published various and sundry works of short fiction and nonfiction, some of them award-winning, and she is hard at work on a novel-length manuscript. She writes poetry in the spare part of her spare time. Her website www.karenkachra.com features her running commentary on the craft of writing. You can read another of Karen's book reviews here.

Quick Brown Fox welcomes book reviews, interviews with authors and other book-related articles. Guidelines here.


See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Tuesday, September 27, 2011

CBC Canada Writes Short Story Contest

This prize is awarded once a year to the best original, unpublished, short story submitted to the competition. All Canadians can participate, and with a $6,000 first prize, many do..

The competition is blind. A jury composed of well-known and respected Canadian authors will select a 1st place winner and 4 runners-up.

The First Prize winner will receive $6,000, courtesy of the Canada Council for the Arts, and will have his/her story published in Air Canada’s enRoute magazine and on the Canada Writes website. He or she will also be interviewed on CBC Radio’s The Next Chapter with Shelagh Rogers.

The 4 runners-up will each receive $1,000, courtesy of the Canada Council for the Arts, and their stories will be published on the Canada Writes website. Submissions to the short story category must be between 1,200 and 1,500 words.

A fee of $25 (taxes included) for administration purposes is required for each entry.

Deadline: November 1. Full contest rules and submission form here.

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

"Khadijah goes to School - A story about You" by Asim Hussain

Hi, Brian.
Asim Hussain here. I am glad I met you because I have benefited from our conversations. I would like to tell everybody about my first book, Khadijah goes to School - A story about You.

Khadijah goes to School is a multi-layered graphical production about Contribution. Contribution to yourself, contribution to others, and contribution to society. The theme of the book and the platform is helping yourself and helping other people. In more detail, elements include:

1. Fun graphics with meaningful messages
2. Questions, it’s a resource
3. Poetry
4. Thoughts
5. Creative elements
6. Psychology
7. Philosophy
8. Diversity
9. Ideas

Khadijah goes to School shares experiences, spark curiosity and discussion. A young girl, Khadijah, learns about the lessons of education and life, namely, life is: helping yourself and helping other people. Khadijah goes to School as a whole, has a book offering and is also a platform, to share ideas and experiences. Here is the mission statement:

Through ideas, thoughts, and discussions, Khadijah goes to School aims to act as a resource of personal experiences relating to common themes that affect the vast majority of us. With this shared experience, Khadijah goes to School wishes you will discover information for: helping yourself and helping other people.

Thanks!
Asim Hussain

"Khadijah goes to School" is on facebook here Website here.  

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Sunday, September 25, 2011

Contest for stories suitable to 9 to 12 year olds to benefit TOSH

This Children's Story Contest is to benefit The Old School House Arts Centre (TOSH), Qualicum Beach, British Columbia.

Ascent Aspirations Publishing is seeking contributions for a unique volume of previously unpublished children’s stories with representative fine art. Stories should be directed to ages 9 to 12 and be of approximately 1,500 words. Ten stories will be published with a prize of $200 for the best entry.

After selection, artists-in-residence from TOSH. (The Old School House) will create fine art works to represent the stories. Our goal is to produce a special book that will give children great stories and exposure to a range of contemporary and original artistic styles. All profits will go to support TOSH., a non-profit community arts centre in Qualicum Beach, BC.

Contest closes October 31, 2011.
Please send electronic entries to ascentaspirations@shaw.ca 
either in the body of the e-mail or as a word.doc. Put “Children’s Story” in the subject heading. Also send your entry fee of $10 and a hard copy submission to:

Ascent Aspirations Publishing
1560 Arbutus Drive
Nanoose Bay, BC  V9P9C8

Complete contest rules here.

Brian Henry has a "Writing for Children and for Young Adults" workshop coming up on in Gravenhurst in Muskoka on October 1 (see here), and in St. Catharines on January 14, 2012 (see here). Bring the first 500 words of your work for an on-the-spot critique.

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Writers' Community of York Region announces its first monthly event

The Writers’ Community of York Region" inaugural brunch and speaker event takes place at the Aurora Cultural Center on Sunday, Oct. 2nd, 2011. All are welcome. Lunch, drinks and a presentation on writing craft by Richard Scrimger, renowned Canadian author of 15 books, is planned for $20 payable at the door.

Pre-register at www.WCYork.ca to guarantee your seat and learn more about this new organization.

Early in the new year, on Saturday, January 28, the WCYR will be sponsoring “How to Build Your Story,” a full day writing workshop with editor Brian Henry and author Lynda Simmons. Details here.

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Saturday, September 24, 2011

Writing and Revising workshop, Saturday, February 11, Guelph


“Writing and Revising”
Saturday, February 11, 2012
10 a.m. – 4 p.m.
Harcourt United Church, 87 Dean Ave, Guelph (Map here.)

If you want to refine your story-telling skills and cut the time you will need to spend editing, this workshop is for you. You'll learn how to step back from a manuscript in order to find – and fix – flaws in your plot, structure, characterization and style. You'll learn how to rethink, rework and rewrite so that your manuscript will live up to your vision.

Special option: Participants are invited to bring a piece of their own writing (though you don’t have to!) If you do bring a piece, bring 3 copies of something short (1,000 words absolute maximum, though 500 words works better).

Instructor Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches at Ryerson University and has led writing workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.

Fee: $38.94 + 13% hst = $44 paid in advance
Or $42.48 + 13% hst = $48 if you wait to pay at the door

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Friday, September 23, 2011

Terra Chalberg and Rachel Sussman start new literary agency, seek authors


Terra Chalberg
 Chalberg & Sussman
115 West 29th St, Third Floor
New York, NY 10001
http://www.chalbergsussman.com/

Terra Chalberg and Rachel Sussman are hanging up their own shingle, launching Chalberg & Sussman. The pair met ten years ago while working at Simon & Schuster and their new agency will represent a wide range of literary and commercial fiction and nonfiction authors. The agency will also sell foreign rights to select titles from independent publishers Milkweed Editions and Ig Publishing.
 
Since leaving S&S, Chalberg has been an agent and foreign rights director at the Susan Golomb agency, while Sussman spent six years as an agent at Zachary Shuster Harmsworth.

Two Kisses for Maddy a memoir
by Matthew Logelin,
one of Rachel Sussman's clients
Chalberg and Sussman will co-mange the agency. Their clients currently include: Dr. Elias Aboujaoude (Virtually You); Margaux Fragoso (Tiger, Tiger); Andrew Porter (The Theory of Light and Matter); Matt Logelin (Two Kisses for Maddy); and Glenn Taylor (The Marrowbone Marble Company). Forthcoming projects include Eugene Cross’s story collection, Fires of Our Choosing (Dzanc), and Sherry and John Petersik’s home makeover guide, Spruce (Artisan).

Query Rachel Sussman, at: rachel@chalbergsussman.com
Query Terra Chalberg at: terra@chalbergsussman.com
 
Brian Henry will be leading "How to Get Published" workshops on September 24 in Guelph with guest Monica Pacheco of the Anne McDermid Agency (see here), on Sunday, Oct 23, in Sudbury (see here) and on December 3 in Oakville with guest Ali McDonald of The Rights Factory literary agency (see here).

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Thursday, September 22, 2011

The Danforth Review rises from the grave


"Spirits rising from the dead" Klee

After two years in the grave, The Danforth Review is back in the business of publishing short fiction, though it intends to publish only two (yes only 2) short stories per month.

Michael Bryson
Submit short stories to: http://danforthreview.submishmash.com/submit

Unfortunately, there is no financing, and so no payments. International fame, however, is sure to follow.

The current iteration of The Danforth Review will not publish reviews but will be carrying brief interviews with short story writers and tweeting like mad.

"We hope to find a few readers and share the short story good news. Keep the faith, brothers and sisters. And submit."

In its previous incarnation, The Danforth Review was an online magazine published out of Toronto between 1999-2009. All content and a number of full past issues are archived at the website of the Library and Archives Canada (here).

Michael Bryson is the magazine's publisher and editor. See The Danforth Review home page here.
 
See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Tuesday, September 20, 2011

Frontenac House merges with rapidBooks


"Learning to Count" by Douglas Burnet Smith
published by Frontenac
has been shortlisted for the Atlantic Poetry Prize
Frontenac House
1138 Frontenac Avenue SW
Calgary, Alberta, Canada
T2T 1B6
But check the address before you send anything; they plan to move
http://www.frontenachouse.com/

Calgary literary press Frontenac House has merged with rapidBooks, which focuses on IT professionals, to form Frontenac House Media.

Frontenac co-publisher David Scollard explains: "Manoj Khanna and rapidBOOKS bring exactly the capabilities that we have been seeking in this new age of international and electronic publishing."

"We always felt that our greatest need was to extend our publishing range into art and literature," Khanna adds.

Khanna will be president of the new company, with Rose Scollard and David Scollard working as consulting editors. Lyn Cadence, who currently has publicity and marketing posts at both entites, will become publisher.

Frontenac House Media will continue the publishing policies and philosophies that have proved successful for Frontenac House. Foremost of these approaches is the recognition that authors are the absolute foundation of a publisher’s success. “Loyalty to the authors whom we have published has always been the company’s foremost priority,” both Ms Scollard and Mr. Khanna agreed. “We fully intend to continue that policy in the future,” Mr. Khanna added.

A Calgary-based literary press that publishes poetry, aviation history, political satire and fine art books, Frontenac has published 62 titles since it launched in 2000.

The submission process for Frontenac House is ongoing. If you have a poetry manuscript, please mail a complete manuscript, not partial manuscripts or samples. "At present, we are looking for manuscripts for Quartet 2013. There is no due date for submissions; when we have chosen four manuscripts we will consider any new submissions for 2014."

If you have a manuscript other than poetry, please mail a letter of inquiry with a 20 – 30 page sample of your book,. "We prefer this to answering queries on the telephone or by email, due to limited resources. Email queries, especially, can be very time consuming and, as our slowness in answering can be extreme, it would be better just to send along your submission.

"Please look at our website and in bookstores to see what we publish. That will give you an idea of the kinds of manuscripts we are looking for. Please note that although we have published a children’s book we are not at this time looking for more books for children."

Full submission guidelines here.

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Monday, September 19, 2011

Love Letters

Dear Friends,
Just thought you might be interested to know that I took some of your suggestions (from the intensive creative writing class) to heart regarding my story called “Python.” I made a few changes and entered the story into the 2011 John Kenneth Galbraith Literary Award competition.

I have just learned that Python is a semi-finalist. It's totally exciting. It was a fun class and your feedback was very much appreciated. I hope we can do it again soon.

Thank you and Have a Great Day!
Janice Agnew

Good luck, Janice! And to everyone else who's made it into the semi-final round for this $2,000 award. For next year, check out the contest details here.

Hi Brian,
I just wanted to share the story with you I had published in the Registered Nurse Association of Ontario (RNAO) Registered Nurse Journal magazine this month. There is no online link yet to my story (that will come when the issue becomes "past") so I had to scan and save.

Members of the RNAO were invited to submit stories about a role model or mentor who has influenced their nursing practice. The intro to the 9 stories published stated; "Competition was fierce for a spot in this issue of Registered Nurse Journal". I'm so thankful for your ongoing encouragement.

Best wishes,
Sue Shipley

Hi, Brian.
I wanted to share some exciting news: Something I've written has been published in a book, and has been very well received! My piece is called "Not Far Away." It's about children growing up and as parents, being able to let them go in spite of challenges. The book is "Footprints for Mothers and Daughters." It's a compilation of inspiring stories. See here.

It was unbelievable to walk into Chapters, find it on the shelf and tell the girl assisting me that one of my stories is inside, and thrilling to hold it in my hands, find the page with the title and my name there, in print!

Thanks for all of the info, support and guidance you've given at your workshops, it's much appreciated :) Though it's been awhile since I've attended one of them, I'm hoping to get to at least one in the fall as they are always very informative, fun and get the ol' creativity flowing.

Have a wonderful weekend!
Cindy Watkin
Waterloo

Dear Brian,
I'm getting published!!!!!!!!!
A small publisher in Ottawa is publishing my semi-autobiographical novel Queen of the Castle. He's been around for a long time though and he used to work for a big house.

I was supposed to have to wait a month but he read the script in 3 days! He called me and said "this is a great story and very well written, and believe me, I read a lot of stories". He is pushing my book ahead of all his Christmas stuff, something he said he had never done in his career.

The tentative date is mid-November 2011!!!!! I know. Pressure! On me that is.

I still have to go over the whole thing and I only have 10 days to do it. He doesn't want much changed; he really likes it the way it is.

Thanks for your help. I started my second book at that workshop of yours this summer. 6 chapters in!

All the best to you,
Marta Soltys

See my schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Saturday, September 17, 2011

Welcome to Creative Writing course, Tuesday afternoons, Jan 17 – March 13, Burlington, Ontario

Nine weeks of exploring your creative side
Tuesday afternoons, 12:45 – 2:45 p.m.
January 17 – March 13, 2012
Appleby United Church, 4407 Spruce Ave, Burlington. Map here.

This course will open the door to all kinds of creative writing. We’ll visit short story writing and personal writing, children’s writing, memoir writing, and just for fun writing. You’ll get a shot of inspiration every week and an assignment to keep you going till the next class. Best of all, this class will provide a zero-pressure, totally safe environment, where your words will flow and flower.

Instructor Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches at Ryerson University and has led writing workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.

Fee: $115.04 plus 13% hst = $130
This class will likely fill up. To avoid disappointment, register early.
To reserve your spot now, email brianhenry@sympatico.ca  

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Write2Xpress writing Contest 2011 for Oakville adolescents and teens

Open to students from Oakville or students who attend school in Oakville (grades 7-12). Win Oakville Place gift certificates for your interpretation of this year's photo (on left). Short story, graphic novel or poem - it's up to you!

Deadline: October 24. Winners in each category will be announced at the Awards Night in November.

Full details here.

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Kitchener, Guelph, London, Woodstock, Orangeville, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond