Friday, August 21, 2020

“The Magic Bowl” by Paula MacDonald


“Here, you take it. You and the girls will get more use out of it than me,” my sister said as she thrust the big yellow mixing bowl in my direction. My hands automatically reached out to grab hold.
Her gesture was unexpected, as the draft-lottery method my three sisters and I had used to choose the items we would take from our parents’ home was as fair as we could make it. And, I had thought, final.
But there she was, giving me the old kitchen bowl that all four of us had cherished. What magic had this bowl worked on my sister that she would give up such a treasure?
At first glance, it appears to be an ordinary mixing bowl, the kind you would find in your mom’s or grandma’s kitchen. It is both old and old-fashioned. I can’t remember a time when we didn’t have this bowl, nor can my sisters. If my mom got it at the beginning of her marriage, the bowl would be sixty-five years old now. It’s Pyrex. Bright yellow, with a white, opaque interior. For the longest time, it was the largest mixing bowl I’d ever seen. And despite its age, it’s pristine. No scratches mar the yellow surface, no chips break up the smoothness of the rim.
Sixty-five years old and perfect, despite some rough use. While it’s true it has never seen the inside of a dishwasher, four children and three grandchildren have learned to bake using this bowl. Like most children, we weren’t always careful. The bowl has been packed up and moved from house to house too many times to count, as my parents moved frequently over the years. No special care or handling is responsible for its excellent condition. It’s more magic.
However, the real magic of the bowl was the way it elevated our baking skills. My three sisters and I, along with our offspring, all inherited the mediocre-chef gene from our mother. Our mom never met a piece of meat she couldn’t overcook or a salad she couldn’t jelly. To be fair, growing up on the prairies during the depression, when food quality was not as controlled as it is now and recalls of unsafe food were non-existent, meant my mom’s strategy of overcooking was often the safest way to go. And as she continued to cook in the 1960s and 1970s, with the time’s overreliance on adding condensed soup or prepared salad dressing to dishes, she couldn’t help but produce some unappetizing meals.
But, through the magic of the big yellow bowl, my mom was a fantastic baker. With all modesty I can say the rest of us are, too. Tangy lemon parfaits, gooey chocolate brownies, melt-in-your-mouth whipped shortbread, chewy ginger cookies. We baked often, with great results. Superior baking prowess seemed to be forged in the glass of the bowl, seeping out every time a cup of butter was placed within. I can still hear my mom’s voice echoing with every turn of the spatula: “Measure precisely, my dear. Baking is as much a science as an art.”
Or: “You’ll know when you have whipped enough. The batter will change colour.”
And: “Taste and correct.”
When I began to teach my daughters to bake, I copied my mom’s methods.  Instructing them on the basics, and explaining where and why one might have to diverge from a recipe. Over time my girls learned it all, and our conversations while baking changed. Some parents say they have the best conversations with their children in the car. Uninterrupted time and not having to look directly at each other can lead to all sorts of revelations. But for us, it was the kitchen and the baking process that opened the floodgates.
Some of the conversations were heart wrenching. Like the time my youngest was in Grade 9 and a mean girl targeted her. The first I heard of it was while we were baking chocolate chip cookies.
“Mom, she accused me of taking her idea. But it was my idea!” This incident would snowball and the school administration would become involved. It would change the dynamics of the girls in the grade, most of whom had been part of a cohesive group since elementary school. And it would change my daughter forever, resulting in a loss of her child-like innocence but also freeing her from the group-think mentality of high school, and allowing her to go her own way and find her path.  
At other times, my girls would wait until we were baking to tell me of great news, like my older daughter’s first scholarship offer from a top ten U.S law school. Or my younger girl’s artwork being chosen for the school show.
Sometimes, we would have more general conversations about their hopes for the future, how a good relationship works, or the perfect place to live.
One day one of my daughters will take this bowl for her own kitchen. Her sister will visit, and they will make the blondies, birthday cakes, and Christmas cookies that we all baked together when they were growing up. The same treats my sisters and I baked with our mom when were young. They’ll talk, about their childhood, about me, and about their grandma. They’ll teach their own children how to bake, passing along the memories as well as the recipes. And their children will open up to them, as they did to me.
On second thought, this is the real magic of the big yellow bowl.
***
Paula MacDonald is determined to find the time to follow her passion of writing. Former careers include financial analyst (not recommended) and local public library worker (five stars). She lives in Oakville in what was an entirely adequate house that literally became too small overnight when her oldest child moved back home, mid-pandemic. She dreams of the day the ‘home office’ will return to its former glory as a dining room, and excess clothing, shoes, and bins will no longer line the upstairs hallway.

See Brian Henry's schedule hereincluding online and in-person writing workshops, weekly writing classes, and weekend retreats in Algonquin Park, Alliston, Bolton, Barrie, Brampton, Burlington, Caledon, Collingwood, Georgetown, Georgina, Guelph, Hamilton, Jackson’s Point, Kingston, Kitchener-Waterloo, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, Southampton, Sudbury, Toronto, Windsor, Woodstock, Halton, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.

Wednesday, August 19, 2020

Jennifer De Chiara agency has a lot of agents looking for authors, including new-comer Tori Sharp

The Scorpions of Zahir
by Christine Brodien-Jones, represented
by the Jennifer De Chiara Agency
The Jennifer De Chiara Literary Agency
31 East 32nd Street
Suite 300
New York, NY 10016

Don't ever miss a post on Quick Brown Fox. Fill in your email in the box to the right under my bio, and get each post delivered to your Inbox. Also, if you’re not yet on my newsletter, send me an email, including your locale to: brianhenry@sympatico.ca  ~Brian  

The Jennifer De Chiara Literary Agency is a New York City-based full-service literary agency founded in 2001 and named one of the top 25 literary agencies in the country by Writer’s Digest. The agency represents children’s literature for all ages – picture books and middle-grade and young adult novels – but also represents high-quality adult fiction and non-fiction in a wide range of genres. JDLA is proud to represent illustrators, as well as screenwriters for both television and film.
The De Chiara agency has 14 agents, including 10 associate agents busily building their lists of authors and also the marvelous Marie Lamba, interviewed on Quick Brown Fox here. Like most of the agents at De Chiara, Marie is accepting queries for middle grade and young adult fiction and nonfiction for adults and children.

Tori Sharp, though is the newest member of the team, and like all new agents, she needs authors.
Tori is looking from graphic novels, middle grade and young adult fiction and middle grade nonfiction.
“Please send me all genres of children’s graphic novels,” says Tori. “I love comics that are heartfelt and gestural, and I tend to like art styles that look animated and soft, but bright. I would jump at a raw but playful MG graphic memoir or stories that feel like fairy tales. Some of my favorite comics are Catboy, Crush, Nimona, Fake Blood, The Prince and the Dressmaker, On a Sunbeam, and Check, Please! 
 “See my #MSWL Pinterest board for examples of illustration styles I’d love to find in my inbox here.
“For middle-grade and young adult prosemy heart is in SFF. Please send me witches! I adore magical realism, and I will consider portal fantasy if it has a strange and fun new take on the genre. Give me something that feels like a campy D&D game—or a TTRPG campaign that literally or metaphorically becomes real. I am also looking for contemporary stories dealing with school struggles, broken homes, mental health, transactional friendships, creativity, reconciliation, geekery, saying “no,” and ambition. I would love a cool and clever spy, heist, or mystery story.
Where Your Are by J.H. Trumble,
represented by Jennifer De Chiara Agency 
“For nonfiction, I am exclusively looking for MG memoir and how-to books that introduce a craft.”
Across all genres, she loves to see humor, hopepunk stories, chaotic/trickster characters, riddles and lateral thinking problems in the narrative, diverse #ownvoices, neurodivergent and LGBTQ+ characters, mental health advocacy, and themes about freedom, boundaries, or overcoming conditioned fear.
What’s “hopepunk”? See here. Examples of books here.
She’s looking broadly, so if you’re not sure whether she represents what you’re writing, query her. She does not represent adult fiction, horror, stories of sexual assault, medical dramas, religious fiction or nonfiction, or comedies of errors.
 Her favorite novels include Saffy’s Angel, The School Story, Eliza and her Monsters, Howl’s Moving Castle, Spinning Silver, Skyward, Blood Water Paint, and Chaotic Good.
Query Tori at: querytori.jdlit@gmail.com
Include “Query” and the title of your project in the subject line and paste the first twenty pages of your manuscript below your query letter. 
Graphic novelists should paste a one- to two-page synopsis and five to ten finished sample pages in the body of the email. Please include a full link to your online portfolio in your query. Please do not use link shorteners like bit.ly. Graphic novelists do not need a full script or thumbnail draft in order to query, but I recommend having a thorough synopsis available upon request.

Scholastic Books Executive Editor
Anne Shone
If you're interested in meeting an agent and in getting published, don't miss our upcoming How to Get Published workshops Saturday, Oct 3, in Toronto with Evan Brown of Transatlantic Literary Agency (see here) and Saturday, Oct 24, in Guelph with Paige Sisley of the CookeMcdermid agency  (see here).

If you’re especially interested in writing and publishing Kid Lit, don’t miss 
Writing for Children and for Young Adults, with Anne Shone, Executive Editor, Scholastic Books, Saturday, September 12, in Mississauga (see here) and the Writing Kid Lit  weekly class this fall on Thursday evenings, online (see here).

Beyond that, Brian’s workshop schedule continues to take shape:
Upcoming workshops
Online: How to Make Yourself Write," Saturday, Aug 22.  Details here.
Burlington: Raising the Stakes: How to increase your story's tension,
Saturday, Sept 26. Details here.
OnlineHow to Write Great CharactersSaturday, Oct 31. Come in costume!   Details here.

Writing Retreats:
Algonquin Park: Join me for a magical weekend at Arowhon Pines Resort, an outpost of luxury in the middle of the wilderness, for a writing retreat. Two sessions:  Friday, Aug 28 – Monday, Aug 31 (Wait list only. See here) and Labour Day weekend, Friday, Sept 4 – Monday, Sept 7 (Spaces still available. See here).

Jackson’s Point on Lake Simcoe: Give yourself four days of inspiration, instruction, and creativity at the Briar’s Resort & Spa, Friday Nov 13 – Monday, Nov 16. Details not posted yet, but will be much the same as 2019. Spaces still available. See here
To reserve a spot, email brianhenry@sympatico.ca  

Weekly Classes {Most classes are almost full or have a wait list}:
Online: Welcome to Creative Writing, Thursday afternoons, Sept 24 – Dec 3. See here.
Online: Writing Kid Lit, Thursday evenings, 
Sept 24 – Nov 26. Details here.
Burlington: Intensive Creative Writing, Tuesday mornings, Sept 15 – Dec 15. Spaces still available.  See here.
Online: Intensive Creative Writing, Wednesday evenings, Sept 16 to Dec 9. See here.
Online: Intensive Creative Writing, Friday mornings. Sept 18 – Dec 4. See here.

See Brian’s complete current schedule  hereincluding online and in-person writing workshops, weekly writing classes, and weekend retreats in Algonquin Park, Alliston, Bolton, Barrie, Brampton, Burlington, Caledon, Collingwood, Georgetown, Georgina, Guelph, Hamilton, Jackson’s Point, Kingston, Kitchener-Waterloo, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, Southampton, Sudbury, Toronto, Windsor, Woodstock, Halton, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.
  
Navigation tips: Always check out the Labels underneath a post; they’ll lead you to various distinct collections of postings. If you're searching for more interviews with literary agents or a literary agent who represents a particular type of book, check out this post.


Tuesday, August 18, 2020

Writing retreats: one in Algonquin Park and one on Lake Simcoe

Retreat in Algonquin Park at Arowhon Pines Resort
Little Joe Lake, Algonquin Park, Canada (Map here)
Friday, August 28 – Monday, August 31, 2020 (full details here wait list only)
And
Sept 4 through Monday, Sept 7, 2020 (full details here – still spaces available)
Give yourself a long weekend of writing time – a weekend of instruction, inspiration and creativity. Award yourself with time away from distractions, with no dishes to do and wonderful food at every meal, as you sit with your feet up and write in the most beautiful wilderness setting in Ontario. This is where the Group of Seven got its inspiration (Tom Thompson is buried just a couple of lakes over); it’s a wonderful place for you to find your inspiration, too.
The retreat will feature both instruction and guided writing exercises, plus one-on-one critiquing and coaching from Brian.  You’ll also have lots of time to relax, rejuvenate, and reconnect with your creativity. 
All writing levels welcome. Whether you are just beginning or have a novel in progress, please join us. 
This year, the retreat will be limited to seven participants to allow for physical distancing. As a bonus, this will mean more one-on-one time with the instructor.
To reserve a spot, email me at: brianhenry@sympatico.ca 


Retreat on Lake Simcoe at the Briars Resort & Spa
55 Hedge Road, Jackson’s Point, Ontario, Canada (Map here)
Friday, Nov 13 – Monday, Nov 16, 2020 – still spaces available
Give yourself a four days of writing time  a long weekend of instruction, inspiration and creativity. Award yourself with time away from distractions, with no dishes to do, delicious food at every meal, and with the leisure you need to sit with your feet up and write.
The retreat will feature both instruction and guided writing exercises, plus one-on-one critiquing and coaching from Brian.  You’ll also have lots of time to relax, rejuvenate, and reconnect with your creativity. All writing levels welcome. Whether you’re just beginning or have a novel in progress, please join us. 
The setting: Originally a Regency-style Manor House built by Captain William Bourchier in 1840, the estate was purchased in 1870 by Dr. Frank Sibbald, who added two wings to the manor house, a coach house, a brick stable and of course a peacock house, because where else are you going to keep your peacocks?
The Briars also has a storied literary history. Humorist Stephen Leacock was a great friend of the Sibbalds, visited often, and is buried just down the road from the resort at the pretty St. George’s churchyard, as is author Mazo de la Roche. De la Roche’s Jalna series were worldwide bestsellers, making her one of Canada’s bestselling authors ever. Indeed, her books are available to this day from Dundurn Press.
Today, the Briars still offers the warmth of a country estate steeped in history while providing all the benefits of an extensive, modern lakeside resort.
This year, the retreat will be limited to seven participants to allow for physical distancing. As a bonus, this will mean more one-on-one time with the instructor.
This year’s retreat is not yet posted, but everything will be much the same as last year’s retreat. See here.
To reserve a spot, email me at: brianhenry@sympatico.ca

See Brian Henry's complete schedule hereincluding online and in-person writing workshops, weekly writing classes, and weekend retreats in Algonquin Park, Alliston, Bolton, Barrie, Brampton, Burlington, Caledon, Collingwood, Georgetown, Georgina, Guelph, Hamilton, Jackson’s Point, Kingston, Kitchener-Waterloo, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, Southampton, Sudbury, Toronto, Windsor, Woodstock, Halton, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.

Monday, August 17, 2020

“Lucky Number 7” by Lisa Martin


Breathing heavily from my full out dash from the subway, I reached the stoop as the clock began to strike 11. I knew he would be waiting up. As I sprinted I kept picturing in my mind’s eye his crisp judgmental flick of the newspaper. Imagining his spectacled face peering critically around the front page, clucking his tongue like a god-damn mother hen. A pretense of civility. A thin veneer veiling a heartless monster.

Let the fun begin, I thought to myself as I pushed open the door. “Dad, I’m home!” I whispered quietly into the dimly lit entryway, mentally adding, Please, please, please be in bed.

I drew my heavy peacoat closer to my body as I softly turned, locking the door. Nothing. My heart pounded through my ears. Nothing. I forced my breathing to slow, listening hard. And still, nothing. As I started to move quietly towards the stairs, relief flushed through my cheeks. Luck, it would seem, was on my side. Unaccustomed as I was to good fortune, I wasn’t truly surprised when an imperious sniff emanated from the dining room. I began to sweat instantly, despite the cold.

“Hiya, Dad,” I said. “Yep, home by 11. Just like you said.” I let a little false cheer into my voice. The entrance hall clock read 11:01.

“You just made it, Lacey my lovely” he said.   It was hard for me to believe words of apparent care could carry such menace. He continued, “I was just reading the paper. How unsafe it is out there for young girls like you.” 

“Yes, Dad” I replied. I let my voice sing-song a little, hoping to keep the tone light. To somehow hold back the river of ugly words I knew could come. “My shift ended a little late, and I nearly missed the train – but I’m here now. I have an early shift tomorrow so I think I’ll get some sleep.” 

I let my head move around the doorframe and saw him just as I had envisioned, hair and hands barely visible around the evening paper. “Good night!” I said, a bit hopefully, but not too much so. I watched him, waiting to see which way this would go.

He sniffed again. I crossed the fingers of my uninjured hand. Let it go let it go, please just let it go. I so wanted to get up the stairs to my blessed room. This man was capable of a great many things, but he had yet to break down a door. I tried not to appear over eager.

“Good night, love,” he said at last. “Pancakes for breakfast?”

I shuddered, then dared a soft “Good night, Dad.” I didn’t reply about the pancakes. I decided to risk ending the conversation there. As I turned away, I caught the headline of the front page between his closed fists. “SIXTH BODY FOUND” with the subtitle “Heartless Killer!”

I moved then, inching towards the stairs, not wanting to be there a second longer, but not wanting to appear overly rushed, forcing myself to patiently take the steps one at a time. My hand throbbed. My head hurt. I needed rest.  Not much farther. I made my way to the landing, then along the short hall to my bedroom. An eternity later, I reached the door.
  
Fumbling with the lock, I listened for footsteps. There were none. The smell of old books and the warm glow of an old electric lantern greeted me as I entered my sanctuary.  I loved coming back to this private space. 

Despite my pain, I carefully secured the deadbolt, taking time to hear it fully engage. Then and only then, did I allow myself to rush to the bathroom, in three giant hurried steps, letting my coat with its full pockets fall heavily to the floor along the way.

My hand was really hurting now, and I thrust it under the cool water, not bothering to roll up my sleeve. The water flowed crimson, and the ugly gash I had received was, well, still ugly. As the water flowed, my head cleared, and the pain abated slightly. I breathed in and out slowly, the relief visceral.

I gathered my thoughts. Christ, I was so careless. I inspected the damage. A solid line of blood from one side of my palm to the other. It hurt, badly, but I had considerable self-doctoring experience. This was a quick fix, though it would hurt for a while. I wrapped and bandaged the hand snugly, and secured it, then took two ibuprofen with water from the tap before sinking onto my bed and pulling my coat up into my lap. 

I negotiated the heavy fabric, feeling it, finding the pockets. From one pocket, I withdrew a gallon sized ziploc, shut tight, containing sealed and safe its precious cargo. From the other, I drew a heavy blade, still a little wet with blood, and laid them both on the plastic tarp resting on the floor next to the bed. I rolled them skillfully into the plastic tarp, then set them gently in my hope chest.

“Ha!” I laughed out loud at the thought. Out of one chest, into another…”

Lisa Martin is a teacher of all things math and science in northern California. When she’s not teaching, she loves ice skating, cooking and nursing a mug of coffee. While she loves the outdoors and has been to many different places around the world, her favorite place is home with her husband David, and her entourage of slobbery dogs.

See Brian Henry’s schedule here, including Saturday writing workshops, weekly writing classes, and weekend retreats in Algonquin Park, Alliston, Bolton, Barrie, Brampton, Burlington, Caledon, Collingwood, Georgetown, Georgina, Guelph, Hamilton, Jackson’s Point, Kitchener-Waterloo, London, Midland, Mississauga, New Tecumseth, Oakville, Ottawa, Peterborough, St. Catharines, Sudbury, Toronto, Windsor,  Woodstock, Halton, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.

Sunday, August 16, 2020

Labour Day Weekend Writing Retreat at Arowhon Pines Resort in Algonquin Park



Algonquin Park Writing Retreat
Friday, September 4 – Monday, September 7, 2020
Arowhon Pines Resort, Arowhon Pines Rd, Little Joe Lake, Algonquin Park, Ontario, Canada
Note: We also have a retreat coming up Friday, Nov 13 through Monday, Nov 16, at the Briars Resort and Spa on Lake Simcoe. See here.

Give yourself a long weekend of writing time – a weekend of instruction, inspiration and creativity. Award yourself with time away from distractions, with no dishes to do and wonderful food at every meal, as you sit with your feet up and write in the most beautiful wilderness setting in Ontario. This is where the Group of Seven got its inspiration (Tom Thompson is buried just a couple of lakes over); it’s a wonderful place for you to find your inspiration, too.
The retreat will feature both instruction and guided writing exercises, plus one-on-one critiquing and coaching from Brian.  You’ll also have lots of time to relax, rejuvenate, and reconnect with your creativity. 
All writing levels welcome. Whether you are just beginning or have a novel in progress, please join us. 
This year, the retreat will be limited to eight participants to allow for physical distancing. As a bonus, this will mean more one-on-one time with the instructor.
The setting: Arowhon Pines is a peaceful, quiet resort nestled in the woods on Little Joe Lake inside Algonquin Park. There are no motorboats on the lake, except for the resort’s own pontoon boat which takes guests on occasional wildlife tours.
The resort is without TV and is far from the roar of traffic. The cry of a loon is the loudest noise you’re likely to hear all day.
Rates include charming accommodation (cabins have a mix of queen beds for one person or couples or twin beds for two people rooming together; rooms also have private bathrooms and each cabin has a lounge with fireplace to share with your fellow writers). 
Three all-you-can-eat gourmet meals per day are provided, featuring an abundance of fresh food prepared by master chefs and an inspired kitchen staff. (Bring your own wine or beer!)
All activities included. When you’re not writing, or for spouses who accompany you, there is plenty to do: canoe or kayak a series of lakes or hike trails to see wildlife (moose, loons, beaver, turtles, fox, deer), swim in the lake, sail, stand up paddleboard, play tennis, relax. For indoor activities there is a games room with table tennis, shuffleboard, books, board games. Your stay also includes access to all Algonquin Park programs and activities including a car pass for you to fully enjoy the park.

Check-in isn’t until 3 p.m., but guests can arrive in the morning to fully take advantage of the facilities (though the meals included in your package don’t begin until after check-in time, so lunch on Friday is extra if you arrive early). Each guest can borrow a day pass for Algonquin Park. The formal retreat will begin late Friday afternoon. On Monday, we'll have our last formal get-together at 11 a.m., ending at 12 noon. Check out time is at 1 p.m.  Most guests have lunch while the bellhops load the car. But once you’ve had lunch, don’t feel you have to rush off!
Participants are welcome to bring spouses, partners or friends, as there will be plenty to do while you’re writing – canoeing, kayaking or sailing, swimming if warm enough, tennis, reading and just plain resting and unwinding, enjoying the wilderness.

Read about a stay at Arowhon Pines 
here.

Instructor Brian Henry has been a book editor and creative writing instructor for more than 25 years. He publishes Quick Brown Fox, Canada’s most popular blog for writers, teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Saint John. But his proudest boast is that he has helped many of his students get their first book published and launch their careers as authors.
Read reviews of previous writing retreats at Arowhon Pines here (and scroll down). 
To see more reviews of Brian’s weekly courses and Saturday workshops, see 
here

Seminar fee:
For the full 4-day, 3-night retreat: $185.84 plus hst = $210
Accommodation fee (including accommodation and food, plus use of all the resort’s facilities):
$380 per person per night
Plus 15% service charge (in lieu of tipping), then plus 13% hst.

Book early – space is strictly limited! Full receipts issued.
For more information or to register, email: brianhenry@sympatico.ca
If you have questions or need more information about the accommodations,
phone the resort: 1-866-633-5661

Note: At this point, it seems certain that restaurants and resorts such as Arowhon Pines will be operating by August 28  and small gatherings will be allowed, with whatever physical distancing practices required in place. But should there be some setback in the battle against Covid-19, we’ll endeavor to move the retreat to a later weekend.

Who can attend the retreat?
Everyone interested in developing their writing skills is welcome to attend, whether you're aspiring writer or an accomplished author or simply enjoy writing as a hobby. There is no requirement for you to have been previously published or even to have an intention to publish.

I'm a poet / playwright / other writer. Is this retreat for me?
The retreat is open to anyone who enjoys writing. Instruction will focus on narrative writing; i.e., stories, whether fiction or memoir. But if you’re an essayist or poet or whatever, you’re entirely welcome.  



Should I bring my work in progress?
Yes, if you have an on-going writing project, bring it with you! If you’re not currently working on anything, don’t worry, we’ll get you writing.

Should I bring my laptop?
Yes, if you prefer to work on your laptop. If you prefer to work on paper bring that. Or go crazy and bring both.

Can you cater to specific dietary requirements?
Yes, just let the staff at Arowhon Pines know beforehand about your needs.

I want to stay longer or arrive early. Is it possible to do that?
If you want to arrive early and stay longer, that is fine. Just arrange it with the resort. There is plenty to see and do in the park, and Arowhon Pines is a lovely place to base from.  Arowhon will keep the same rate throughout your stay.

Is there cell phone reception and WIFI?
Arowhon Pines is an island of luxury, but in the midst of wilderness, so no cell phone reception and no WIFI, though there are landlines and there’s access to the resort’s Internet connection. (Contact the resort for details.) But be sure to have your writing projects on your laptop when you come, not stored in the Cloud.

How about alcohol?
Arowhon doesn’t serve alcohol, but guests are welcome to bring their own wine, beer or whatever to have with meals or back at your cabin or wherever. (Though do note that Hemingway’s advice to write drunk, mostly produces drivel.)

Can I bring my spouse?
Certainly. Just let them know you’ll be spending most of your time writing, (though you will have some free time every day), and make sure they enjoy superb food, beautiful wilderness, and relaxing on the deck or the dock or out on a canoe as they glide past a moose munching on water lilies.

For more information about the resort, visit their website here.

For more information or to register, email: brianhenry@sympatico.ca 
To book your accommodation at Arowhon Pines, phone toll free: 1-866-633-5661
And be sure to tell them you're with the writing retreat!
Or you can book on-line hereBut be sure to also phone and tell them you're with the writing retreat!