The quick answer to the title of this post is: of course!
Science fiction doesn’t try to predict individual
events. It looks at societal trends and tries to envision the implications of
those trends. Epidemics and pandemics have happened many times in human
history, but the more we improved our means of traveling from place to place,
and the more interconnected our global society became, the more we increased
the potential of a disease outbreak affecting every human on the planet. As
this trend became apparent, fiction writers took to it like a virus to a growth
culture.
So there have been lots of stories featuring
pandemics although, to my recollection, not as many that take place during the
spread of the infection. Movies seem to have dipped into that well more often,
including some nail-biting examples like 1995’s Outbreak and the one everyone’s watching on Netflix lately, the
2011 film Contagion. A much larger
number of novels take place before or after the pandemic.
The “befores” range from vintage thriller The Satan Bug by Alistair MacLean to one
of the first great technothrillers, The
Andromeda Strain by Michael Crichton. “Afters” are too numerous to mention,
but some standouts include Stephen King’s The
Stand, Margaret Atwood’s Oryx and
Crake, and Emily St. John Mandel’s Station
Eleven.
A fictional pandemic is a convenient way of
creating a post-apocalyptic setting with a drastically reduced human population
and a devastated social infrastructure—a perfect environment for lots of gritty
and emotional drama.
It’s a little harder to understand why so much of
pandemic fiction involves plagues that turn people into zombies. Examples
include I Am Legend by Richard
Matheson and World War Z by Max
Brooks. It’s a sub-genre in itself, but aren’t real pandemics scary enough?
It can be fun imagining the chills and challenges
such a bleak setting can provide. It’s no fun at all actually living through a
scenario like that. Like Covid-19.
Every story’s a little different, but it’s
possible to list some of the things that pandemic fiction predicts will happen,
and compare them to what we’re really seeing:
People will flee the cities: There’s been no mass
exodus yet. However, where I live in Ontario, Canada, many people have left their
city homes to isolate themselves at their vacation properties. Sensible, at
first glance, except if they do get sick or injured, the health care facilities
in such places will be overwhelmed.
Governments will be unprepared: Real examples are
everywhere. Most are just from a lack of foresight, but some responses, like
from the Trump White House, look more like criminal negligence.
Food and other essential supplies will quickly
become scarce:
So far only toilet paper! (What in hell is that about anyway???) Supply chains
are holding up well to this point, except for critical medical supplies like
masks and ventilators, but if the crisis is prolonged and even more stringent
lockdowns are necessary, some rationing might become necessary.
Looting becomes rampant: It’s easy to see why this
would be expected, given that so many businesses are temporarily abandoned. But
I haven’t heard about it going on. Maybe it’s low priority news, or perhaps
police are keeping quiet about it, but really, who are thieves going to sell
the stuff to? When so many people see themselves as potential victims of this,
I think most folks will alert the police rather than rewarding lowlifes who
take advantage of a pandemic to rob the unfortunate. Hopefully, too,
governments’ support of people unable to work will keep them from having to
steal out of necessity.
Powerful people will act like warlords, hoarding
and creating their own fiefdoms: There is some hoarding going on, but mostly it
seems to be misguided morons hoping to make money off people’s fears.
Fortunately, governments are cracking down hard on these people (as they
should) and there’s no need to take their bait.
As to survivalist compounds and
the like? The reality is that trying to hide from the infection as a group
would not be smart. All it would take is one carrier to get in and suddenly
your protected compound is like a cruise ship. Much better to isolate ourselves
individually. Whether that value equation could change if food becomes more
scarce is anybody’s guess.
It’s every man for himself: I guess we SF writers are
a cynical lot, or maybe it’s just inherently more dramatic, but the greatest
danger from a fictional pandemic (once the disease has run its course) is from
other humans. People turn violent, fighting over every scrap—to hell with
friendships and any sort of benevolence toward our fellow beings.
Of course,
the reality we’re seeing is the opposite of that. People are eager to help
others, friends, family, and strangers, especially assisting the elderly with
visits and deliveries. Not to mention the selflessness of front-line health
care workers, first responders, and so many people in every kind of service
industry doing their part.
It’s truly heartwarming and inspiring and, believe
me, we writers would love to continue to be proven wrong!
We’re also seeing a lot of things I’m not sure any
writers predicted. The weird stuff includes a rise in street-racing (because
traffic is so sparse), shoppers emptying the toilet paper aisles in grocery
stores (you can’t eat toilet paper, people!!), and some misguided religious
leaders blithely ignoring calls to avoid gathering in groups. Stupidity is not
a blessing.
On the good side, who could have predicted how
businesses like restaurants are adapting to lockdown restrictions? Or that
manufacturers would re-tool their factories to produce ventilators and even
invent better ones, while idled fabric workers sew masks for hospitals? Who would
have thought that neighbours would do communal exercising in their front yards
across from one another, or have parties by sitting alone on their front steps
talking to each other on the phone?
Who knew that artists and performers would offer
free online concerts, readings, theatre shows; that experts would provide free
lessons of every kind; that teachers would provide home schooling resources and
parents so diligently share them? In fact, I don’t think anyone could have
predicted the way online socializing and sharing has soared—it’s a new
phenomenon peaking at just the right time. Ain’t human ingenuity a wonder? And
kindness. Let’s not forget kindness.
There’s even some evidence that this unplanned
wrench in our collective plans is giving our planet some much-needed relief
from our constant abuse.
So while relatively few fictional pandemics turn
out well, there’s good reason to hope that the real thing will have a much
happier ending.
Do your part. Help where you can. Stay home as
much as humanly possible. After all, there are lots of great books to read!
P.S. Goodreads has a list of Popular Pandemic
Books here.
Scott Oveton’s debut novel Dead Air was first published by Scrivener Press. Read a sample chapter, watch the book trailer, and more here.
His short stories have been published in On Spec, Neo-opsis Science
Fiction Magazine, AE: The Canadian Science Fiction Review, the anthologies Tesseracts
Sixteen: Parnassus Unbound, Doomology: The Dawning Of Disasters, Canadian Tales of the Fantastic and elsewhere. Scott's a member of the Canadian Authors
Association, SFCanada, and a
past President of the Sudbury Writers Guild. Visit Scott’s website here.
See Brian Henry’s schedule here, including writing
workshops, weekly online writing classes, and weekend retreats in, Alliston,
Bolton, Barrie, Brampton, Burlington, Caledon, Collingwood, Georgetown,
Georgina, Guelph, Hamilton, Jackson’s Point, Kingston, Kitchener-Waterloo,
London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines,
Southampton, Sudbury, Toronto, Windsor, Woodstock, Halton, Muskoka, Peel,
Simcoe, York Region, the GTA, Ontario and beyond.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.