Radiant Shimmering Light by Sarah Selecky represented by Transatlantic |
Transatlantic
Agency
2
Bloor Street East
Suite
3500
Toronto, Ontario, Canada
Toronto, Ontario, Canada
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Transatlantic Agency is a full-service literary agency that recently
absorbed the Jill Literary Agency. Transatlantic has 15 agents located
across North America, with U.S. agents in New York, Boston, and Portland OR,
and Canadian agents in Toronto, Vancouver and Nova Scotia.
Transatlantic agents who are
looking for new authors include:
Stephanie Sinclair, is growing her own author list and simultanesously manages international rights for Samantha Haywood's client list
as well as for Page Two Books, a separate company owned and operated by
Transatlantic agents Jesse Finkelstein and Trena White.
In fiction, Stephanie represents literary fiction
and upmarket women’s and will consider literary thriller and suspense and YA
crossover.
In nonfiction, Stephanie represents narrative
nonfiction, memoir, investigative journalism and true crime.
Query Stephani at: stephanie@transatlanticagency.com
Attach a 20-page writing sample in Word or PDF
format. See Stephanie’s full guidelines here.
Note: Stephanie will be a guest speaker at
the How to Get Published workshop, Saturday, Nov 17, in Mississauga.
Details here.
Léonicka Valcius recently joined the
Transatlantic Agency as assistant agent. After
completing the publishing program at Centennial College, Léonicka interned at
HarperCollins Canada before working at Scholastic Book Fairs Canada for nearly
4 years as a book buyer and marketer. She then joined the Online and Digital
Sales team at Penguin Random House Canada where she sold ebooks and audio
books. Léonicka is eager to draw from these experiences to return to her
original passion: working with writers.
As the founder of #DiverseCanLit and
the Chair of the Board of the Festival of Literary Diversity, serving readers
and writers of colour has been the core of Léonicka’s career. She brings this
same mandate to her work at Transatlantic. As an Assistant Agent, Léonicka will
be working closely with Samantha Haywood, Stephanie Sinclair and Amy Tompkins
with whom she will be co-agenting new clients.
Léonicka is interested in commercial
fiction (especially fantasy, romance, and historical fiction), general
nonfiction, and YA & children’s books.
In Adult and Young Adult fiction,
Léonicka likes fun commercial fiction, romance that ranges from sweet to
steamy, otherworldly fantasy, and sweeping historical fiction. She does not
represent mysteries or thrillers.
In Adult non-fiction, she like
narrative nonfiction that explains complex issues through the lens of a
personal story. She is also seeking books that straddle the self-help/lifestyle
line (#selfcare #liveyourbestlife) and the self-help/business line
(#productivityhack #riseandgrind).
For Middle Grade, she loves humour,
adventure, and make believe. She also enjoys stories about children navigating
their changing relationships with family and friends. She strongly prefers
books with at least one human character.
“I am eager to work with people of color,” says
Léonicka, “including (but not limited to) trans people, disabled people,
religious minorities, and queer folks.
Include a synopsis and a 20-page
excerpt.
If you are comfortable, please include
your social and cultural identities in your bio, especially if you
self-identify as a person of color and/or part of another underrepresented
group. If you are submitting a nonfiction proposal, please include information
about your expertise and platform, as well as a detailed table of contents.
Jesse Finkelstein specializes in upmarket,
accessible nonfiction that challenges current conceptions, whether through a
“big ideas” book or narrative. “I am drawn to entrepreneurs and people who are
innovators in their fields and writing about current affairs, business,
culture, politics, technology, religion, and the environment,” says Jesse. And
she is most interested in authors who have an existing platform.
Authors are encouraged to attach a maximum 20-page
writing sample of their work as a Word document. See Jesse’s full
guidelines here.
Trena White specializes in upmarket, accessible nonfiction that challenges current conceptions,
whether through a “big ideas” book or narrative.
“I am drawn to entrepreneurs and
people who are innovators in their fields and writing about current affairs,
business, culture, politics, technology, and the environment,” says
Trena.
“Journalists who are obsessed with
a particular beat (gangs, climate change, etc.) always welcome. Fascinating,
exceptionally well written life stories, usually with a current affairs
hook. I am most interested in authors who have an existing platform.”
Query Trena
at: trena@transatlanticagency.com
Authors are encouraged to embed a maximum 20-page
writing sample in their email. No attachments. See Trena’s full
guidelines here.
Elizabeth Bennett is currently closed for submissions but
will be open again soon.
Elizabeth is generally interested in fiction and
nonfiction submissions with series and franchise potential, board books,
novelties, graphic novels, middle grade, and YA fiction. I tend to be partial
to books with humor; books that approach contemporary issues in a fresh, new
way; books that are inspired by pop-culture and current trends. I’m very
interested in finding young chapter books and early readers, especially
illustrated projects. If you are submitting as an author-illustrator, you must
include a link to your online portfolio and/or dummy as a sample of your work.
Query
Elizabeth (when she re-opens) here.
Marilyn Biderman is closed to queries until 2019. Then Marilyn
will be open to literary fiction and sweet-spot fiction, that is, fiction
that’s accessible but literary in intent (often found at book clubs). She’s
also looking for literary crime fiction and women’s commercial and historical
fiction.
“I love memoir with an utterly unique story and
brilliant writing,” says Marilyn. Plus “narrative non-fiction on compelling and
newsworthy topics that anticipate trends; expert non-fiction of wide appeal
from authors with established social media platforms; and biographies of
fascinating lives.”
She welcomes both debut and established authors and
diverse voices.
Attach a brief sample of your work
(up to 1,500 words) as a Word of PDF file. See Marilyn’s full guidelines here.
Andrea Cascardi is temporarily closed to queries. She represents
both children’s authors and author-illustrators and adult authors, both for
fiction and nonfiction.
Fiction:
I have eclectic taste, so my submissions wish-list is broad-ranging, but any
fiction submission must, first and foremost, have a compelling voice driving
the story. Beyond that, I look for smart writing, and amped-up emotions: for
example, if you’re writing a warm, heartfelt story, I want it to leave me
emotionally spent at the end. Ditto for romance: I want to feel the heat! I’m
hoping to discover funny books that literally make me snort with laughter
throughout. And books that take unexpected turns that surprise or shock me in a
good way.
I look for unique yet relatable characters, and I want those
characters to come from a full range of diverse backgrounds and time periods.
More specifically, I’d love to see boundary-pushing stories, dark humor, literary,
and clever commercial fiction.
I am open
to nonfiction for young readers of all ages, and I’m keen to find innovative
presentations and compelling, creative nonfiction that illuminates a broader
topic by viewing it through a smaller lens. I’d like to see some “out there”
nonfiction ideas that dazzle with their brilliance yet connect immediately with
kids.
Author-illustrators:
I’m excited to bring new storytelling talent into the field, as well as to work
with artists who have experience in other fields such as animation or editorial
work and are ready to send their own projects into the world.
Adult
fiction: I’m a voracious reader, and I’m looking to represent what I’d love to
read, which for lack of a better term I will call commercial books that beg to
be discussed. As with children’s fiction, it must be superlative in one or more
ways: smart, fierce, commercial, emotionally-hooking, clever, heart-pounding,
diverse…the bar is high but I’m eager to discover exciting new voices.
For more
about what Andrea likes, visit her website here.
Note: Andrea is currently
closed to queries, except by referral or from someone attending a conference or
a pitching contest that she participates in where she request queries.
I’ll update Quick Brown Fox readers when Andrea re-opens
to queries. ~Brian
New York Times #1 bestselling author Kelley Armstrong will be a guest speaker at How to Write a Bestseller workshop, Saturday, Oct 27. See here. |
If you’re interested in getting published, soon or
somewhere down the road, don’t miss the upcoming How to Get Published workshop Saturday, Nov 17, in
Mississauga with literary agent Stephanie Sinclair (see here).
If you’re interested in writing
for children or for young adults, Brian will lead a Writing Kid Lit weekly course on Thursday
evenings, Jan 24 – March 28, in Oakville (see here).
For updated listings of Writing for
Children & for Young adult workshops and for weekly Kid lit classes,
see here (and scroll down).
Also coming soon: How to Build Your Story: Plotting novels &
Writing short stories, Saturday, Oct 20, in Waterloo (see here), Saturday,
Nov 24 in Alliston (see here) and
Saturday, Jan 19 in Oakville (see here).
And don't miss How to Write a Bestseller with New York Times
#1 bestselling author Kelley Armstrong Saturday, Oct 27, in Burlington (see here).
One of the locals hanging out by Arowhon Pines Resort in Algonquin Park |
Two weekend writing retreats:
November at the Briars Writing
Retreat, Friday, Nov 2 – Sunday, Nov 4:
two nights and three precious days of writing bliss. Details here.
Algonquin Writing Retreat, Friday, May 31 – Monday, June 3, 2019: four
days in the luxurious isolation of Arowhon Pines Resort to get down to some
real creative growth. Details here.
In both these retreats, you’ll
recharge your creative batteries and get some great writing tips – all in the
supportive company of your fellow writers.
Tree at the Briars resort |
Exploring Creative Writing, Thursday afternoons, Jan 24 – April 5 (no
class March 14), in Burlington. Details here.
Writing Kid Lit, Thursday evenings, Jan 24 – March 28 (no class
March 14), in Oakville. Details here.
Intensive Creative Writing, Tuesday afternoons, Jan 22 – April 2 (no
class March 12); first readings emailed Jan 15, in Burlington.
Intensive Creative Writing, Wednesday evenings Jan 23 – April 3 (no
class March 13); first readings emailed Jan 16, in Burlington.
Intensive Creative Writing, Friday mornings Jan 25 – April 5 / 12
(10 or 11 weeks, no class March 13); first readings emailed Jan 16, in Toronto.
Details
of all 5 classes here.
Read reviews of Brian’s courses,
retreats, and workshops here.
See Brian’s complete current schedule here, including Saturday
writing workshops,weekly writing classes, and weekend retreats in Algonquin Park, Alliston, Bolton, Barrie,
Brampton, Burlington, Caledon, Collingwood, Georgetown, Georgina, Guelph,
Hamilton, Jackson’s Point, Kitchener-Waterloo, London, Midland, Mississauga,
New Tecumseth, Oakville, Ottawa, Peterborough, St. Catharines, Sudbury,
Toronto, Windsor, Woodstock, Halton, Muskoka, Peel, Simcoe, York Region, the
GTA, Ontario and beyond.
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