Allegory (http://www.allegoryezine.com/mainpage.htm) is a not-for-profit, tri-annual online publication of fiction and nonfiction. Here's what the editors have to say for themselves:
We're looking for good, solid fiction. We specialize in the Science Fiction, Fantasy and Horror genres. We will consider other genres, such as humor or general interest, provided that the work possesses an original, "quirky" slant in the Northern Exposure, Ally McBeal vein.
Here are some basic "do's" and "don'ts".
DO give us strong characters and good plotting. DO put clever, but logical twists on the end of your tales. DO experiment with new ideas and unusual writing styles, but without falling into traps of contrivance and cliché.
DON'T submit any stories based on movies, television or any printed media not your own. DON'T submit reprints without including the name of the publication in which the work first appeared, along with the date of publication. DON'T send more than one story in the same submission.
We pay a flat rate of $15 (U.S. dollars) for each story.
Nonfiction Guidelines
We publish one or two articles an issue. The subject matter must involve the art or business of writing. Research, editing, characterization, narrative style, query letters, cover letters, dealing with editors, agents or publishers - virtually any topic that concerns writing is fair game.
The maximum length for non-fiction is 2000 words. We pay a $15 (U.S. dollars) flat rate.
Book Reviews
No more than six reviews will appear in any one issue. The reviews must be of a sci/fi, fantasy or horror novel or anthology (if fiction), or a writer's self-help book (if nonfiction). Reviews should be no more than 200 words. We are not offering compensation for book reviews at this time.
General Stuff
We publish tri-annually, on the first of January, May and September. The order in which stories and articles appear on the site is solely arbitrary and should not be construed in any other way. All works that are accepted for publication remain on the site for the full four months. With the publication of the subsequent issue, all rights to the works previously displayed revert to the author. We buy First World Rights and World Reprint Rights. Bylines are most certainly given.
To submit, see the detailed guidelines here.
See Brian Henry's schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Kingston, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Thursday, May 19, 2011
Wednesday, May 18, 2011
“How to Get Published,” Saturday, September 24, Guelph
![]() |
| "Girl on the Other Side" a YA novel by Deborah Kerbel, one of Monica's clients |
Saturday, September 24, 2011
10 a.m. – 4 p.m.
Harcourt United Church, 87 Dean Ave, Guelph (Map here.)
If you've ever dreamed of becoming a published author, this workshop is for you. We’ll cover everything from getting started to getting an agent, from getting your short pieces published to finding a book publisher, from writing a query letter to writing what the publishers want. Bring your questions. Come and get ready to be published!
Workshop leader Brian Henry has been a book editor and creative writing teacher for more than 25 years. He has helped many of his students get their first book published and launch their careers as authors.
Guest speaker Monica Pacheco is a literary agent with Anne McDermid and Associates. The McDermid agency represents literary novelists and commercial novelists of high quality and writers of non-fiction in the areas of memoir, biography, history, literary travel, narrative science, investigative journalism and true crime. The agency also represents a certain number of children's and YA writers and writers in the fields of science fiction and fantasy.
| Monica Pacheco |
More recently, the agency has been branching out to represent upmarket commercial fiction writers, such as Leah McLaren from the Globe and Mail, Robert Wiersema, and Peter Darbyshire. (More about the McDermid agency here.)
Monica represents a growing list of writers, focusing on children's, young adult, science fiction and fantasy. Her
Special Option: Participants are invited to bring a draft of a query letter you might use to interest an agent or publisher in your book. You don’t need to bring anything, but if you do, 3 copies could be helpful.
Fee: $38.94 plus hst = $44 paid in advance
or $42.48 plus hst = $48 if you wait to pay at the door
To reserve your spot, email brianhenry@sympatico.ca
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Monday, May 16, 2011
Love Letters
Hi Brian,
I just wanted to share some exciting news with you today - I wrote a poem for a magazine called Mississauga Life and they published it! The magazine is mailed to approx 70,000 homes in Mississauga, and you can also view it online.
It's a great magazine - just click on the Spring Issue to flip through it online - my poem is on page 15 and it's called "A Mother's Wish." I hope you like it.
Thank you for hosting a very inspirational and productive Creative Writing course.
Take care,
Ann Ivy Male
Read Ann’s poem here. And you can read a story by Ann here.
Hi Brian
Hope you're well! I just wanted to share some exciting news - I won runner-up for my creative nonfiction story in the Lush Triumphant 2010 contest. My story, “1948,” will be published in the Spring 2011 edition of SubTerrain (I believe it's available at Chapters). Needless to say, I'm very excited. Just thought I'd share the news with you - seeing as you helped "birth" me as a writer.
Take care and hopefully we'll see each other some time soon!
Natalia Buchok
For information on submitting to SubTerrain, see here.
Hi, Brian.
Thanks for your newsletter with your always-enticing workshop offerings. I would like to attend the Writing and Revising workshop here in London April 16. I'm trying to remember how many of your courses I have attended and I'm not completely sure, but it is a bunch. Most recently, I drove all the way to Toronto for your How to Get Published seminar, which was great.
I have had some recent success with my writing and am hoping to keep the ball rolling. I recently had a couple of short stories published. One was in an online-only journal called The Writers Block (Issue #7) and the other was a print and online literary magazine from England called Litro. I just got my contributor's copy in the mail and it is pretty cool. Also, my novel "Henry on the Fifth" made the long list in the Simon Fraser University's Writer's Studio 1st Book Competition and is currently making the rounds with publishers.
Looking forward to seeing you.
Thanks,
Mark Young
Read Mark’s piece, “Gertrude and Ernest, Paris 1926” in Litro here. Read the writers bloc #7 here. Mark’s piece, “Frank’s Wager,” begins on page 5.
For information on submitting to Litro, see here. For information on submitting to the writers bloc, see here.
See my schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
I just wanted to share some exciting news with you today - I wrote a poem for a magazine called Mississauga Life and they published it! The magazine is mailed to approx 70,000 homes in Mississauga, and you can also view it online.
It's a great magazine - just click on the Spring Issue to flip through it online - my poem is on page 15 and it's called "A Mother's Wish." I hope you like it.
Thank you for hosting a very inspirational and productive Creative Writing course.
Take care,
Ann Ivy Male
Read Ann’s poem here. And you can read a story by Ann here.
Hi Brian
Hope you're well! I just wanted to share some exciting news - I won runner-up for my creative nonfiction story in the Lush Triumphant 2010 contest. My story, “1948,” will be published in the Spring 2011 edition of SubTerrain (I believe it's available at Chapters). Needless to say, I'm very excited. Just thought I'd share the news with you - seeing as you helped "birth" me as a writer.
Take care and hopefully we'll see each other some time soon!
Natalia Buchok
For information on submitting to SubTerrain, see here.
Hi, Brian.
Thanks for your newsletter with your always-enticing workshop offerings. I would like to attend the Writing and Revising workshop here in London April 16. I'm trying to remember how many of your courses I have attended and I'm not completely sure, but it is a bunch. Most recently, I drove all the way to Toronto for your How to Get Published seminar, which was great.
I have had some recent success with my writing and am hoping to keep the ball rolling. I recently had a couple of short stories published. One was in an online-only journal called The Writers Block (Issue #7) and the other was a print and online literary magazine from England called Litro. I just got my contributor's copy in the mail and it is pretty cool. Also, my novel "Henry on the Fifth" made the long list in the Simon Fraser University's Writer's Studio 1st Book Competition and is currently making the rounds with publishers.
Looking forward to seeing you.
Thanks,
Mark Young
Read Mark’s piece, “Gertrude and Ernest, Paris 1926” in Litro here. Read the writers bloc #7 here. Mark’s piece, “Frank’s Wager,” begins on page 5.
For information on submitting to Litro, see here. For information on submitting to the writers bloc, see here.
See my schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Sunday, May 15, 2011
Kathleen Rushall joins Waterside Literary Agency, seeks children's and YA fiction
Waterside Productions Inc.
2055 Oxford Ave.
Cardiff, CA. 92007
http://www.waterside.com/agency/
Waterside Literary Agency bills itself as "the world’s premier literary agency for computer and technology authors. Since our founding in 1982, Waterside agents have successfully represented more than 5,000 books to over 50 publishers, generating more than $150 Million for authors."
Recently, Waterside has hired Kathleen Rushall to expand the agency's operations into children's and young adult literature.
"Kathleen looks forward to garnering fresh voices, strong narratives, and whimsical tales in all areas of young adult literature including fantasy, historical fiction, science fiction, dystopian stories, and contemporary fiction. She is open to all genres of YA, but has a soft spot for well-researched historical narratives, edgy or paranormal plots, humorous voices, and would love to find a dark mystery. Kathleen is open to unique, quirky picture books and character driven middle grade fiction as well (especially multi-cultural or boy-driven MG).
"For all manuscripts, character development and voice are essential. Please make sure your work is as polished as possible and has been revised, both for plot and for superficial changes (grammar counts!). Please submit a query letter and a maximum of the first 50 pages of your manuscript for consideration.
"Kathleen also represents select nonfiction and is interested in parenting, cooking, crafts, business, alternative medicine, women’s interest, humor, pop-culture, and some how-to. For nonfiction projects, please submit your query letter in your email body with your proposal and up to 3 sample chapters as an attachment. You can find our nonfiction proposal guidelines on our website." (See here.)
Kathleen graduated from Seattle University with her bachelor’s degree in English and minor in fine arts. She moved back to her hometown of San Diego to earn her master’s degree in English, specializing in children’s literature, from San Diego State University. When she is not at her desk, Kathleen enjoys exploring new restaurants, dreaming of Ireland, and walking her Australian Shepherd, Finn.
Kathleen can be queried at kathleen@waterside.com
Brian Henry has a "Writing for Children and Young Adults" workshop coming up on on August 20 in Oakville. (See here).
Brian will also be leading: "How to Get Published" workshops on August 27 in Woodstock, Ontario, (see here) and on September 24 in Guelph with guest Monica Pacheco of the Anne McDermid Agency. (Details here.)
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Barrie, Woodstock, London, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
2055 Oxford Ave.
Cardiff, CA. 92007
http://www.waterside.com/agency/
Waterside Literary Agency bills itself as "the world’s premier literary agency for computer and technology authors. Since our founding in 1982, Waterside agents have successfully represented more than 5,000 books to over 50 publishers, generating more than $150 Million for authors."
Recently, Waterside has hired Kathleen Rushall to expand the agency's operations into children's and young adult literature.
"Kathleen looks forward to garnering fresh voices, strong narratives, and whimsical tales in all areas of young adult literature including fantasy, historical fiction, science fiction, dystopian stories, and contemporary fiction. She is open to all genres of YA, but has a soft spot for well-researched historical narratives, edgy or paranormal plots, humorous voices, and would love to find a dark mystery. Kathleen is open to unique, quirky picture books and character driven middle grade fiction as well (especially multi-cultural or boy-driven MG).
"For all manuscripts, character development and voice are essential. Please make sure your work is as polished as possible and has been revised, both for plot and for superficial changes (grammar counts!). Please submit a query letter and a maximum of the first 50 pages of your manuscript for consideration.
"Kathleen also represents select nonfiction and is interested in parenting, cooking, crafts, business, alternative medicine, women’s interest, humor, pop-culture, and some how-to. For nonfiction projects, please submit your query letter in your email body with your proposal and up to 3 sample chapters as an attachment. You can find our nonfiction proposal guidelines on our website." (See here.)
Kathleen graduated from Seattle University with her bachelor’s degree in English and minor in fine arts. She moved back to her hometown of San Diego to earn her master’s degree in English, specializing in children’s literature, from San Diego State University. When she is not at her desk, Kathleen enjoys exploring new restaurants, dreaming of Ireland, and walking her Australian Shepherd, Finn.
Kathleen can be queried at kathleen@waterside.com
Brian Henry has a "Writing for Children and Young Adults" workshop coming up on on August 20 in Oakville. (See here).
Brian will also be leading: "How to Get Published" workshops on August 27 in Woodstock, Ontario, (see here) and on September 24 in Guelph with guest Monica Pacheco of the Anne McDermid Agency. (Details here.)
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Barrie, Woodstock, London, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Tampered, a medical murder mystery by Dr. Ross Pennie
Hello, Brian.
Good News! Tampered, my second Dr. Zol Szabo novel, was released this week by my publisher ECW Press. The story is loosely based on an alleged real-life crime that shocked the city of Hamilton, yet went unpunished. Someone is murdering the lively seniors residing in the city’s most recognizable mansion.
If you can judge a book by its cover, this is a beautiful novel. The team at ECW has done a terrific job of it.
Cheers,
Ross Pennie
Tampered is available at most bookstores or on-line here. You can read a review of Ross's memoir, The Unforgiving Tides, here. Information about submitting to ECW Press here.
Ross will be my guest speaker at upcoming "Writing Your Life & Other True Stories" workshops: on Sat, May 14 in Gravenhurst (details here), Sat, May 28 in Kitchener (details here), and Sat, June 11 in Hamilton (details here).
See my full schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Good News! Tampered, my second Dr. Zol Szabo novel, was released this week by my publisher ECW Press. The story is loosely based on an alleged real-life crime that shocked the city of Hamilton, yet went unpunished. Someone is murdering the lively seniors residing in the city’s most recognizable mansion.
If you can judge a book by its cover, this is a beautiful novel. The team at ECW has done a terrific job of it.
Cheers,
Ross Pennie
Tampered is available at most bookstores or on-line here. You can read a review of Ross's memoir, The Unforgiving Tides, here. Information about submitting to ECW Press here.
Ross will be my guest speaker at upcoming "Writing Your Life & Other True Stories" workshops: on Sat, May 14 in Gravenhurst (details here), Sat, May 28 in Kitchener (details here), and Sat, June 11 in Hamilton (details here).
See my full schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
"The curse of eBay," a true story by Margaret Carey
| $687 plus shipping and handling |
“What are you doing on the computer at this time of night?” I’d whine.
The swift click of the mouse was followed by his standard reply: “Just finishing up a game of chess.”
“Yeah, right,” I muttered as I shuffled back to our bed.
Packages of all shapes and sizes began arriving at our door, bearing postage from exotic destinations - Thailand, Bali, Tasmania - all addressed to him. I assumed they were gifts and gadgets from his online porn girlies.
After a few months, I asked the postman, whom I had begun to have a mild flirtation with, what all this stuff was. He seemed startled, although I didn’t know if it was from my question or the curious gaze he held towards the new coral goddess lipstick I’d worn just for him. He said he didn’t know exactly what was in the packages but suggested, due to similar mail deliveries at other addresses, that it was likely products from eBay.
“eBay! You mean my husband’s buying stuff on eBay?”I exclaimed in complete and utter surprise, followed rapidly by a hiccup of anxiety mixed with relief. Could this be the reason I couldn’t balance our cheque book anymore?
My husband did have the courtesy to blush when I asked him about the $2,467.54 that had gone from our account to something called PayPal in the last month. A long list of bizarre objects rattled rapturously from his lips. He described the pleasure and excitement he experienced in auction. Objects he was devastated to lose or orgasmic in winning. I was shocked by the intensity of his obsession and by the uncontrolled attraction he held for this computer site. I felt a pang of jealousy and hurt that he certainly didn’t love me that way anymore.
Was our marriage in as much trouble as the rapid decline of our finances?
I began to recognize the particular look that appeared in his eyes when he was involved in a poignant bidding war. I ceased being alarmed and resentful when he left me alone at all hours of the night, although I was livid when he cancelled our anniversary dinner because the final bid for a set of silk Armani ties was on that night. A steady stream of stuff began to saturate its way into our lives. Haitian voodoo dolls, an Irish rabbits foot, a box of 6487 flies to catch trout with, lederhosen, for god’s sake.
I remembered the advice of a very clever colleague who worked from the premise that if you want someone to change try to become a little bit more like them. So one night, armed with an 8 ounce glass of Chardonnay, I plunked myself down in front of what I was now secretly calling our “at home ATM” and ventured into the land of looking at small pictures of stuff you didn’t really think you wanted to buy but after sitting there for a few hours you desperately thought you did.
I love art, so zoomed into a spectacular gallery selling modern art, my fav. I eventually found something I knew I could afford and focused intently on a 6” x 8” pencil drawing by Picasso. The auctioneers could not actually authenticate it because it was likely done when he was quite young, but the signature was close and it was only $687 plus shipping and handling.
I went to bed that night with visions of the Picasso drawing dancing through my thoughts and dreams. Only 17 hours 53 minutes to go.
It was like having a seizure the moment I realized I was becoming just like him.
We settled into a routine. I never ventured onto eBay again after realizing my sheer stupidity at believing I was buying a Picasso on the computer for $600. He began to ask if he could buy such and such. Significantly fewer packages arrived and, although I missed the mailman a bit, life took on a more even and pleasant tone...
Until we went on a blue drink beach vacation. Upon boarding our flight, he proudly presented me with a red leather Ray Ban sunglass case. Inside was a pair of vintage mermaid sunglasses, complete with multiple teeth marks imprinted on the arms, and the name Molly Morrelli embedded in gold on the case.
“eBay,” he smiled at me.
“Thanks so much” was my sarcastic reply.
Out of a sense of polite obligation, I put the sunglasses on and jerked my head around, trying to figure out who was yelling so loudly into my ear with a heavy New York accent. With no one around, I realized the voice was insisting I tell that fat broad next to me to move her butt off the armrest or she’d make sure she’d get a dose of the clap. I realized then that the voice was seeping from the dental imprints on my glasses.
I tried to talk to Molly’s imprints, but all she did was interrupt and bitch about her no good son who’d sold all her stuff on eBay so he could buy his white trash girlfriend a better apartment in the Bronx. He grew up on Long Island, so what’s he doing with that piece of crap?
On the beach I found my husband, sporting my glasses, trying to find a nice patch of sand because, he said, he had to pee a slur of profanity in front of the bore on the beach chair next to him. He insisted some loud voice kept telling him to do it. When he started to pull down his trunks, I snatched the glasses off his head and tossed them into the ocean. Ramirez, our trusty beach guard proudly returned them to me a few hours later.
When we got home, we put the sunglasses for sale on eBay. They were bought by a Taiwanese woman who was into S&M. I’ve not had the good fortune yet to find a site where I could put my husband up for auction.
Margaret Carey has a Masters degree in Art Therapy. She lives in Burlington with her hubby, two collies, two Siamese cats and three piranhas,who don't always get along well. She is new to creative writing and thanks Brian Henry for his encouragement in her endeavors.
See Brian Henry's schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Saturday, May 14, 2011
Exploring Creative Writing course, Monday evenings, Sept 26 - Dec 5, Georgetown, Ontario
Nine weeks of fun and discovery
Monday evenings 7 – 9 p.m.
September 26 – December 5 (no class Thanksgiving or Halloween)
Glen Williams Town Hall
1 Prince Street, Georgetown, Ontario. (Map here.)
In this class we'll explore all kinds of creative writing. We’ll visit short story writing and personal writing, children’s writing, memoir writing, and just for fun writing. You’ll get a shot of inspiration every week and an assignment to keep you going till the next class. Best of all, this class will provide a zero-pressure, totally safe environment, where your words will flow and flower.
Instructor Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $115.04 plus 13% hst = $130
Advance registration only. Number of attendees strictly limited.
To reserve your spot now, email brianhenry@sympatico.ca
Note: Brian's writing classes tend to fill up, to avoid disappointment, register early.
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Kingston, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Monday evenings 7 – 9 p.m.
September 26 – December 5 (no class Thanksgiving or Halloween)
Glen Williams Town Hall
1 Prince Street, Georgetown, Ontario. (Map here.)
In this class we'll explore all kinds of creative writing. We’ll visit short story writing and personal writing, children’s writing, memoir writing, and just for fun writing. You’ll get a shot of inspiration every week and an assignment to keep you going till the next class. Best of all, this class will provide a zero-pressure, totally safe environment, where your words will flow and flower.
Instructor Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $115.04 plus 13% hst = $130
Advance registration only. Number of attendees strictly limited.
To reserve your spot now, email brianhenry@sympatico.ca
Note: Brian's writing classes tend to fill up, to avoid disappointment, register early.
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Kingston, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Friday, May 13, 2011
Litro magazine seeks short stories, flash fiction and creative nonfiction...
Litro (http://www.litro.co.uk/) is a literary journal based in London, England, that's glad to receive stories from Canadians. Litro accepts submissions of short stories, flash fiction and creative nonfiction up to a maximum of 3,000 words. We also publish poems, but on a commissioned basis only. Please do not submit poetry as it will not be read.
We welcome new, emerging and established writers in any style or genre and on any subject or none. Please, however, note that we are usually unable to publish work that includes gratuitous language, racial abuse, explicit descriptions of sexual activity, violence or the misuse of drugs. There are plenty of internet forums for that stuff.
Litro is an independent magazine which is distributed for free. As a result we do not pay contributors at present. If you would like to see your work appear in a high-quality literary publication with a monthly circulation of approximately 100,000 copies in various locations across the UK and France and gain the exposure that would come with this, we would welcome and carefully consider your submission. Please see below for more details on future issues and submitting your work to us.
Each issue of Litro focuses on a specific subject or title. You’re welcome to bear these in mind when submitting your work, but if you wish to submit unthemed work, please put UNTHEMED in the subject line of your email. If you are submitting for a theme, please clearly state the theme you are submitting for in the subject line of your email. We are happy to read up to three stories at a time as long as they are either unthemed, or for different themes. Please submit no more than one story per individual theme.
Forthcoming themes for 2011 include:
July: God Bless America. Stories from and about the land of the free and the home of the brave, just in time for the Fourth of July. Come on down, y’all! Submission deadline June 1, 2011.
August: Litro takes a well-deserved break …
September: Comics/Graphic Fiction. In September Litro is celebrating perhaps the the iconic (and only truly new) literary form of the twentieth century – comics and graphic novels. With comic books going more and more upmarket and mainstream, amazing writers are emerging and we’re seeking them out and bringing them to you. Contributions from writers, artists and cartoonists are sought for this special issue. Submission deadline August 1st
October: France. Britain has always had a love-hate relationship with our cousins (and cousines) across the Channel, but in June Litro goes Francophile. We’re celebrating the very best of French literary culture, so we’re especially interested in stories set in France or by French and French-resident authors. We are also looking for new translations of fantastic French literature so that we can share the work of the latest enfants terribles with our Anglo readers. Submission deadline September 1, 2011.
November: Street Fiction. As winter draws in, Litro hits the streets for inspiration – whether it’s London or Lahore, New York or Beijing, we are looking for the best urban prose and getting gritty in the city. Sharp, modern and real are the keywords for this issue which will uncover the best stories and authors coming up from the streets. Submission deadline October 1, 2011
All submissions should be emailed as Word documents to editor@litro.co.uk
Put the word ‘Submission’ and the theme in the subject line. No Zip files please. And no viruses! Due to the high volume of submissions, we’re not always able to respond as quickly as we would like. Please be patient; if you haven’t received a response within six weeks you’re welcome to contact us.
Full submissions information here.
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
We welcome new, emerging and established writers in any style or genre and on any subject or none. Please, however, note that we are usually unable to publish work that includes gratuitous language, racial abuse, explicit descriptions of sexual activity, violence or the misuse of drugs. There are plenty of internet forums for that stuff.
Litro is an independent magazine which is distributed for free. As a result we do not pay contributors at present. If you would like to see your work appear in a high-quality literary publication with a monthly circulation of approximately 100,000 copies in various locations across the UK and France and gain the exposure that would come with this, we would welcome and carefully consider your submission. Please see below for more details on future issues and submitting your work to us.
Each issue of Litro focuses on a specific subject or title. You’re welcome to bear these in mind when submitting your work, but if you wish to submit unthemed work, please put UNTHEMED in the subject line of your email. If you are submitting for a theme, please clearly state the theme you are submitting for in the subject line of your email. We are happy to read up to three stories at a time as long as they are either unthemed, or for different themes. Please submit no more than one story per individual theme.
Forthcoming themes for 2011 include:
July: God Bless America. Stories from and about the land of the free and the home of the brave, just in time for the Fourth of July. Come on down, y’all! Submission deadline June 1, 2011.
August: Litro takes a well-deserved break …
September: Comics/Graphic Fiction. In September Litro is celebrating perhaps the the iconic (and only truly new) literary form of the twentieth century – comics and graphic novels. With comic books going more and more upmarket and mainstream, amazing writers are emerging and we’re seeking them out and bringing them to you. Contributions from writers, artists and cartoonists are sought for this special issue. Submission deadline August 1st
October: France. Britain has always had a love-hate relationship with our cousins (and cousines) across the Channel, but in June Litro goes Francophile. We’re celebrating the very best of French literary culture, so we’re especially interested in stories set in France or by French and French-resident authors. We are also looking for new translations of fantastic French literature so that we can share the work of the latest enfants terribles with our Anglo readers. Submission deadline September 1, 2011.
November: Street Fiction. As winter draws in, Litro hits the streets for inspiration – whether it’s London or Lahore, New York or Beijing, we are looking for the best urban prose and getting gritty in the city. Sharp, modern and real are the keywords for this issue which will uncover the best stories and authors coming up from the streets. Submission deadline October 1, 2011
All submissions should be emailed as Word documents to editor@litro.co.uk
Put the word ‘Submission’ and the theme in the subject line. No Zip files please. And no viruses! Due to the high volume of submissions, we’re not always able to respond as quickly as we would like. Please be patient; if you haven’t received a response within six weeks you’re welcome to contact us.
Full submissions information here.
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Wednesday, May 11, 2011
Intermediate Creative Writing course, Wed afternoons, Sept 28 – Dec 14, Burlington
12 weeks of creative growth
Wednesdays, 12:30 – 2:45 p.m.
Sept 28 to December 14
Appleby United Church
4407 Spruce Ave, Burlington, Ontario (Map here.)
This course is for people who are working on their own writing. The format is similar to the "Intermediate" and "Extreme" courses: Over the eight classes, you’ll be asked to bring in 4 pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on.
Besides critiquing pieces, the instructor will give short lectures at the start of each class, addressing the needs of the group.
In addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.
Instructor Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches at Ryerson University and has led writing workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $170.80 plus 13% hst = $193
Advance registration only. These courses usually fill up, so enroll early to avoid disappointment.
To reserve a spot now, email: brianhenry@sympatico.ca
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Wednesdays, 12:30 – 2:45 p.m.
Sept 28 to December 14
Appleby United Church
4407 Spruce Ave, Burlington, Ontario (Map here.)
This course is for people who are working on their own writing. The format is similar to the "Intermediate" and "Extreme" courses: Over the eight classes, you’ll be asked to bring in 4 pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on.
Besides critiquing pieces, the instructor will give short lectures at the start of each class, addressing the needs of the group.
In addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.
Instructor Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches at Ryerson University and has led writing workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $170.80 plus 13% hst = $193
Advance registration only. These courses usually fill up, so enroll early to avoid disappointment.
To reserve a spot now, email: brianhenry@sympatico.ca
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Tuesday, May 10, 2011
Nomad on the Run, reviewed by Chuck Waldron
Self-published, 289 pages, paperback, $15.95 or as ebook $6.95
Georges Benay has written his first novel, a financial thriller, and it's a winner right out of the starting gate. He has peopled his book with a wide range of interesting and believable characters, and created a word-painting rich in detail.
With his relationship with Laura coming to an end, Eric receives a handwritten invitation to join a boutique investment bank, a seductive offer he can’t refuse.
Then, things get interesting as the reader is suddenly plunged into a travelogue of intrigue and adventure. From Toronto to Casablanca, off to Lima and Arequipa, and back to Morocco.
These are the destinations many of us only dream about, but Benay uses his personal knowledge of those destinations as backdrop for the story.
Once in Casablanca Eric wonders if he has somehow been drawn into a curious version of a ménage à trois with Jeff, Valerie and Tania. What are the real dynamics behind the tension between the three, each seeming to give Eric a different piece of the puzzle?
Georges Benay paints a word canvas rich with details, drawing on his banking background to describe how the fate of emerging financial powerhouses of china and India is tied to someone in Iowa facing foreclosure on a home.
As the saying goes, “it could be ripped from today's headlines.”
Is someone getting ready to capitalize on the worldwide distress, finding a way to turn it to their advantage?
Faced with an assassin’s knife, the real adventure is about to begin for Eric. The rest of the story is like the end of an exciting horse race.
Benay sprinkles tantalizing clues throughout his novel, and when the reader has maneuvered past the plot twists and reads past the roadblocks in Eric's path, the reward will be a story you will remember long after you read the last page.
Georges Benay has written a world-class novel, a story that will have you reading right up to the final, cryptic message. Enjoy the trip, you won't be disappointed.
You can visit Georges Benay’s website here. To purchase Nomad on the Run in print or as an ebook, go here.
Chuck Waldron is the author of Served Cold, Tears in the Dust, and Remington and the Mysterious Fedora. Visit Chuck's website here.
Quick Brown Fox welcomes your book reviews. Guidelines here.
See Brian Henry's schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Georges Benay has written his first novel, a financial thriller, and it's a winner right out of the starting gate. He has peopled his book with a wide range of interesting and believable characters, and created a word-painting rich in detail.
With his relationship with Laura coming to an end, Eric receives a handwritten invitation to join a boutique investment bank, a seductive offer he can’t refuse.
Then, things get interesting as the reader is suddenly plunged into a travelogue of intrigue and adventure. From Toronto to Casablanca, off to Lima and Arequipa, and back to Morocco.
These are the destinations many of us only dream about, but Benay uses his personal knowledge of those destinations as backdrop for the story.
Once in Casablanca Eric wonders if he has somehow been drawn into a curious version of a ménage à trois with Jeff, Valerie and Tania. What are the real dynamics behind the tension between the three, each seeming to give Eric a different piece of the puzzle?
| Author Georges Benay |
As the saying goes, “it could be ripped from today's headlines.”
Is someone getting ready to capitalize on the worldwide distress, finding a way to turn it to their advantage?
Faced with an assassin’s knife, the real adventure is about to begin for Eric. The rest of the story is like the end of an exciting horse race.
Benay sprinkles tantalizing clues throughout his novel, and when the reader has maneuvered past the plot twists and reads past the roadblocks in Eric's path, the reward will be a story you will remember long after you read the last page.
Georges Benay has written a world-class novel, a story that will have you reading right up to the final, cryptic message. Enjoy the trip, you won't be disappointed.
You can visit Georges Benay’s website here. To purchase Nomad on the Run in print or as an ebook, go here.
Chuck Waldron is the author of Served Cold, Tears in the Dust, and Remington and the Mysterious Fedora. Visit Chuck's website here.
Quick Brown Fox welcomes your book reviews. Guidelines here.
See Brian Henry's schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Monday, May 9, 2011
Intermediate Creative Writing course, Tuesday afternoons, Sept 27 - Dec 13, Mississauga
Update Oct 1: One space has opened up in this class. As it's already started, please contact me immediately to register: brianhenry@sympatico.ca
12 weeks of creative growth
Tuesday afternoons, 12:30 – 2:45 p.m.
Sept 27 to Dec 13
Unity Church, 3075 Ridegeway Drive, Unit 8, Mississauga (Map here.)
(In a business mall on the west side of Ridgeway, just north of Dundas St, between Hwy 403 & Winston Churchill Blvd.)
This course is for people who are working on their own writing. The format is similar to the "Intensive" and "Extreme" courses: Over the twelve classes, you’ll be asked to bring in six pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on.
Besides critiquing pieces, the instructor will give short lectures at the start of each class, addressing the needs of the group.
In addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.
Instructor Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches at Ryerson University and has led writing workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $170.80 plus 13% hst = $193 (or if you're starting a week late, the fee will be $177)
Advance registration only. These courses usually fill up, so enroll early to avoid disappointment.
To reserve a spot now, email: brianhenry@sympatico.ca
Image: "Woman Writing" oil on linen by Valerie Hardy.
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
12 weeks of creative growth
Tuesday afternoons, 12:30 – 2:45 p.m.
Sept 27 to Dec 13
Unity Church, 3075 Ridegeway Drive, Unit 8, Mississauga (Map here.)
(In a business mall on the west side of Ridgeway, just north of Dundas St, between Hwy 403 & Winston Churchill Blvd.)
This course is for people who are working on their own writing. The format is similar to the "Intensive" and "Extreme" courses: Over the twelve classes, you’ll be asked to bring in six pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on.
Besides critiquing pieces, the instructor will give short lectures at the start of each class, addressing the needs of the group.
In addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.
Instructor Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches at Ryerson University and has led writing workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $170.80 plus 13% hst = $193 (or if you're starting a week late, the fee will be $177)
Advance registration only. These courses usually fill up, so enroll early to avoid disappointment.
To reserve a spot now, email: brianhenry@sympatico.ca
Image: "Woman Writing" oil on linen by Valerie Hardy.
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
GritLIT 2011 writing competition - 3,000 words or 300 lines!
Hamilton's literary festival, gritLIT, seeks three outstanding works of short fiction and three suites of poems. We want to be impressed, thrilled, and entertained. (Your immortality will come later.)
We solemnly swear to
• provide cold hard cash prizes (see below)
• publish the top three entries of fiction and poetry in a handsome chapbook
• supply each of three finalists in each category with three free copies of that chapbook
The gritLIT Challenge of Three is open to writers in Canada and abroad. Stories and suites of poems must be written in English and not be previously published or accepted for publication elsewhere.
A submitted story may be up to 3,000 words, on any subject.
A suite of poems may be up to 300 lines, on any subject. The submission may be made up of a single poem or multiple poems (up to 15) so long as the total number of lines in the submission is 300 or less, including titles.
Deadline: June 1, 2011
Fiction Prizes: First place $200 // Second place $100 // Third place $50
Entry Fee $20 per story submission.
Poetry Prizes: First place $200 // Second place $100 // Third place $50
Entry Fee $20 per submission of up to 300 lines of poetry.
Sure, you can enter each category as often as you like.
Instructions for entering & full rules here.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
We solemnly swear to
• provide cold hard cash prizes (see below)
• publish the top three entries of fiction and poetry in a handsome chapbook
• supply each of three finalists in each category with three free copies of that chapbook
The gritLIT Challenge of Three is open to writers in Canada and abroad. Stories and suites of poems must be written in English and not be previously published or accepted for publication elsewhere.
A submitted story may be up to 3,000 words, on any subject.
A suite of poems may be up to 300 lines, on any subject. The submission may be made up of a single poem or multiple poems (up to 15) so long as the total number of lines in the submission is 300 or less, including titles.
Deadline: June 1, 2011
Fiction Prizes: First place $200 // Second place $100 // Third place $50
Entry Fee $20 per story submission.
Poetry Prizes: First place $200 // Second place $100 // Third place $50
Entry Fee $20 per submission of up to 300 lines of poetry.
Sure, you can enter each category as often as you like.
Instructions for entering & full rules here.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Sunday, May 8, 2011
Intermediate Creative Writing course, Wed evenings, Sept 21 - Dec 14, Mississauga
12 weeks of creative growth
First set of readings distributed by email September 14.
Classes run Wednesday evenings, 6:45 – 9:00 p.m.
Sept 21 to Dec 14 (no class Sept 28)
Sheridan United Church
2501 Truscott Drive, Mississauga, Ontario (Map here.)
This course is for people who are working on their own writing. The format is similar to the "Intermediate" and "Extreme" courses: Over the eight classes, you’ll be asked to bring in 4 pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on.
Besides critiquing pieces, the instructor will give short lectures at the start of each class, addressing the needs of the group.
In addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.
Instructor Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches at Ryerson University and has led writing workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $170.80 plus 13% hst = $193
Advance registration only. These courses usually fill up, so enroll early to avoid disappointment.
To reserve a spot now, email: brianhenry@sympatico.ca
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
First set of readings distributed by email September 14.
Classes run Wednesday evenings, 6:45 – 9:00 p.m.
Sept 21 to Dec 14 (no class Sept 28)
Sheridan United Church
2501 Truscott Drive, Mississauga, Ontario (Map here.)
This course is for people who are working on their own writing. The format is similar to the "Intermediate" and "Extreme" courses: Over the eight classes, you’ll be asked to bring in 4 pieces of your writing for detailed feedback. All your pieces may be from the same work, such as a novel in progress, or they may be stand alone pieces. You bring whatever you want to work on.
Besides critiquing pieces, the instructor will give short lectures at the start of each class, addressing the needs of the group.
In addition to learning how to critique your own work and receiving constructive suggestions about your writing, you’ll discover that the greatest benefits come from seeing how your classmates approach and critique a piece of writing and how they write and re-write. This is a challenging course, but extremely rewarding.
Instructor Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches at Ryerson University and has led writing workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $170.80 plus 13% hst = $193
Advance registration only. These courses usually fill up, so enroll early to avoid disappointment.
To reserve a spot now, email: brianhenry@sympatico.ca
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Saturday, May 7, 2011
"How I learned the true meaning of Karma," a travel story by Roy J. Adams
When I caught the plane to Chang Mai in Thailand, I was hoping for an interesting cultural experience. I returned with much more. To my complete surprise, I had a profound revelation – one that continues to reverberate through my life to this day.
My central purpose was to get to know and experience the life of the hill tribes that lived on the border with Burma. They continued to follow many of their ancient traditions and learning about cultural diversity was one of my great pleasures.
There were several tour companies that ran standard trips but I wanted something different, more real, more gritty. After a few days of plodding from shop to shop I met Jack. He was a Karenni tribesman and experienced tour guide who was developing a new and different plan. It would go further off the track into parts of the jungle that do not see many tourists. I signed on immediately but I was the only one.
“Come back tomorrow,” Jack said. “Maybe enough people will have registered to make the trip a go.”
The next day I was still the only one signed up. I asked how much it would cost if we went alone. It would set me back about as much as a weekend trip in Ontario. I said: “Let’s do it.”
The day before we were scheduled to leave I had breakfast with two nurses on leave from the battle zone near the Cambodian border.
“So where are you off to?” one asked.
“To a little visited part of the jungle – and on an elephant,” I said breezily.
"You must be very brave,” she said. “the newspapers are always publishing stories about tourists being attacked and sometimes kidnapped in the jungle.”
Although I kept a smile on my face trying to appear nonplussed, a tingle of fear went down my spine. But, I was not about to cave now. I had been thinking about this adventure for a long time.
On the appointed day, Jack and I flew off to a smaller town near the Burmese border where we met the elephant owner and began our trek. The first night we spent at a village on top of a hill where we slept in the hut of the headman and his several wives and servants. The sleeping bag with which Jack provided me was designed for a much smaller person. It only came up to my waist. The day had been rainy and I had no dry clothes. I shivered most of the night as a cold wind blew through the cracks in the hut.
The next day I had the sniffles and a temperature of about 102. Oh well, no turning back now.
I rode the elephant as we followed a dirt road through jungle. Jack pointed out pineapple trees and explained how the locals climbed those trees to get the fruit. He showed me trees with bee hives and explained how the honey was harvested.
We went through several villages where the people dressed in their traditional garb and head coverings were going about their daily chores of getting a living.
After stopping for a lunch of Thai shrimp soup, curry and sticky rice for desert we started up a creek bed that was a shortcut to the village where we were to spend the night. The creek had only a trickle of water but at points the only way forward was over some sizable boulders. The elephant’s way of dealing with the obstacle was to put his foot on a boulder and then launch his full bulk up over it leaving me hanging on in a near panic, coughing and sniffling and getting sore from the uncomfortable wooden saddle.
About an hour after lunch, Jack stopped our forward progress. “I think,” he said, “that I left my wallet back at the lunch place. You and the driver can continue on but I gotta go back for it.”
And with that said he was off. I stared aghast at his back as he quickly ambled down the creek bed leaving me alone on an elephant with a guy who knew no English.
When the full implications of the dire straight that I was in hit me I thought “I gotta get out of here. I gotta get back to civilization. The woods are full of danger. Bad guys might be waiting around the next bend to beat me up and take all that I have or even worse to carry me off to who knows where.” I had all sorts of questions but there was nobody to answer them. The jungle was full not only of human dangers but also of very nasty critters such as poisonous snakes and huge spiders. Not far back we had passed a spider’s web that was six feet across. What must be the size of the thing that made it?
And then it hit me; I was helpless. There was not a bloody thing that I could do except hold tight to the wooden saddle and hope that the driver was an honest person who would deliver me as promised to the village where I was expected. I also had to trust that Jack would come back and get me and hopefully with some aspirin to treat my fever.
This, I thought, is the true meaning of karma – fate. We westerners like to think that we are always in control but it is an illusion. There are forces out there that are beyond us and, it was beginning to become clear to me, when we meet them our best strategy is to flow with them. Just let it happen. Don’t fight it. Be serene.
When that revelation enveloped me, I relaxed – a smile forming on my face. Hell, I was in the middle of a “great adventure.” My best strategy was simply to enjoy it to the fullest. I felt liberated. I felt exhilarated. I wanted to shout “Bring it on. This is the good stuff. If I get out of here, this will be a treasure of memory that will be mine for the rest of my life.” I was no longer afraid. I was excited. I was very pleased.
My guide turned out to be an honourable man. He got me to the village where they provided me with a bucket of water and a rag to dip in it and wrap around my head to combat the fever. Jack did return with his wallet and with a few aspirin to boot. The next day the sun came out and I felt great.
Now, whenever I get into a tight spot my blood pressure does not soar as high. Instead of frantically seeking solutions to unsolvable problems, I go with the flow. Things usually work out. But even when they don’t, I almost always come away with another good story. Whatever happens, I win.
Roy Adams’ first ambition was to become a creative writer. However, after compiling a stack of rejection slips, he found that he was better at acing tests than he was at impressing magazine editors. As a result he acquired a Ph.D. in industrial relations, took a job at McMaster University, and eventually became an expert on labour rights as human rights. He published his share of scholarly literature, a form of writing for sure, but not one commonly classified as creative.
After taking early retirement in 1997 Roy moved closer to his initial ambition when the Hamilton Spectator invited him to write an column. He also contributed articles to the Globe and Mail, the Toronto Star, the Halifax Herald and periodicals such as Canadian Dimension, Our Times and Straight Goods. His hitch-hiking memoir entitled "Josh the Witch" was included in the anthology No Such Thing as a Free Ride (Goose Lane, 2008) and his first published poem will soon appear in CCPA Monitor.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
My central purpose was to get to know and experience the life of the hill tribes that lived on the border with Burma. They continued to follow many of their ancient traditions and learning about cultural diversity was one of my great pleasures.
There were several tour companies that ran standard trips but I wanted something different, more real, more gritty. After a few days of plodding from shop to shop I met Jack. He was a Karenni tribesman and experienced tour guide who was developing a new and different plan. It would go further off the track into parts of the jungle that do not see many tourists. I signed on immediately but I was the only one.
“Come back tomorrow,” Jack said. “Maybe enough people will have registered to make the trip a go.”
The next day I was still the only one signed up. I asked how much it would cost if we went alone. It would set me back about as much as a weekend trip in Ontario. I said: “Let’s do it.”
The day before we were scheduled to leave I had breakfast with two nurses on leave from the battle zone near the Cambodian border.
“So where are you off to?” one asked.
“To a little visited part of the jungle – and on an elephant,” I said breezily.
"You must be very brave,” she said. “the newspapers are always publishing stories about tourists being attacked and sometimes kidnapped in the jungle.”
Although I kept a smile on my face trying to appear nonplussed, a tingle of fear went down my spine. But, I was not about to cave now. I had been thinking about this adventure for a long time.
On the appointed day, Jack and I flew off to a smaller town near the Burmese border where we met the elephant owner and began our trek. The first night we spent at a village on top of a hill where we slept in the hut of the headman and his several wives and servants. The sleeping bag with which Jack provided me was designed for a much smaller person. It only came up to my waist. The day had been rainy and I had no dry clothes. I shivered most of the night as a cold wind blew through the cracks in the hut.
The next day I had the sniffles and a temperature of about 102. Oh well, no turning back now.
I rode the elephant as we followed a dirt road through jungle. Jack pointed out pineapple trees and explained how the locals climbed those trees to get the fruit. He showed me trees with bee hives and explained how the honey was harvested.
We went through several villages where the people dressed in their traditional garb and head coverings were going about their daily chores of getting a living.
After stopping for a lunch of Thai shrimp soup, curry and sticky rice for desert we started up a creek bed that was a shortcut to the village where we were to spend the night. The creek had only a trickle of water but at points the only way forward was over some sizable boulders. The elephant’s way of dealing with the obstacle was to put his foot on a boulder and then launch his full bulk up over it leaving me hanging on in a near panic, coughing and sniffling and getting sore from the uncomfortable wooden saddle.
About an hour after lunch, Jack stopped our forward progress. “I think,” he said, “that I left my wallet back at the lunch place. You and the driver can continue on but I gotta go back for it.”
And with that said he was off. I stared aghast at his back as he quickly ambled down the creek bed leaving me alone on an elephant with a guy who knew no English.
When the full implications of the dire straight that I was in hit me I thought “I gotta get out of here. I gotta get back to civilization. The woods are full of danger. Bad guys might be waiting around the next bend to beat me up and take all that I have or even worse to carry me off to who knows where.” I had all sorts of questions but there was nobody to answer them. The jungle was full not only of human dangers but also of very nasty critters such as poisonous snakes and huge spiders. Not far back we had passed a spider’s web that was six feet across. What must be the size of the thing that made it?
And then it hit me; I was helpless. There was not a bloody thing that I could do except hold tight to the wooden saddle and hope that the driver was an honest person who would deliver me as promised to the village where I was expected. I also had to trust that Jack would come back and get me and hopefully with some aspirin to treat my fever.
This, I thought, is the true meaning of karma – fate. We westerners like to think that we are always in control but it is an illusion. There are forces out there that are beyond us and, it was beginning to become clear to me, when we meet them our best strategy is to flow with them. Just let it happen. Don’t fight it. Be serene.
When that revelation enveloped me, I relaxed – a smile forming on my face. Hell, I was in the middle of a “great adventure.” My best strategy was simply to enjoy it to the fullest. I felt liberated. I felt exhilarated. I wanted to shout “Bring it on. This is the good stuff. If I get out of here, this will be a treasure of memory that will be mine for the rest of my life.” I was no longer afraid. I was excited. I was very pleased.
My guide turned out to be an honourable man. He got me to the village where they provided me with a bucket of water and a rag to dip in it and wrap around my head to combat the fever. Jack did return with his wallet and with a few aspirin to boot. The next day the sun came out and I felt great.
Now, whenever I get into a tight spot my blood pressure does not soar as high. Instead of frantically seeking solutions to unsolvable problems, I go with the flow. Things usually work out. But even when they don’t, I almost always come away with another good story. Whatever happens, I win.
Roy Adams’ first ambition was to become a creative writer. However, after compiling a stack of rejection slips, he found that he was better at acing tests than he was at impressing magazine editors. As a result he acquired a Ph.D. in industrial relations, took a job at McMaster University, and eventually became an expert on labour rights as human rights. He published his share of scholarly literature, a form of writing for sure, but not one commonly classified as creative.
After taking early retirement in 1997 Roy moved closer to his initial ambition when the Hamilton Spectator invited him to write an column. He also contributed articles to the Globe and Mail, the Toronto Star, the Halifax Herald and periodicals such as Canadian Dimension, Our Times and Straight Goods. His hitch-hiking memoir entitled "Josh the Witch" was included in the anthology No Such Thing as a Free Ride (Goose Lane, 2008) and his first published poem will soon appear in CCPA Monitor.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Friday, May 6, 2011
Exploring Creative Writing course, Mon afternoons, Sept 26 – Dec 5, Oakville
Nine weeks of fun and discovery
Monday afternoons, 12:45 – 2:45 p.m.
September 26 – December 5
(no class Thanksgiving or Halloween)
St Cuthbert's Anglican Church
1541 Oakhill Drive, Oakville. (Map here.)
In this course you'll explore all kinds of creative writing. We’ll visit short story writing and personal writing, children’s writing, memoir writing, and just for fun writing. You’ll get a shot of inspiration every week and an assignment to keep you going till the next class. Best of all, this class will provide a zero-pressure, totally safe environment, where your words will flow and flower.
Instructor Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $115.04 plus 13% hst = $130
Advance registration only. Number of attendees strictly limited.
To reserve your spot now, email brianhenry@sympatico.ca
Note: Brian's writing classes tend to fill up, to avoid disappointment, register early.
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Monday afternoons, 12:45 – 2:45 p.m.
September 26 – December 5
(no class Thanksgiving or Halloween)
St Cuthbert's Anglican Church
1541 Oakhill Drive, Oakville. (Map here.)
In this course you'll explore all kinds of creative writing. We’ll visit short story writing and personal writing, children’s writing, memoir writing, and just for fun writing. You’ll get a shot of inspiration every week and an assignment to keep you going till the next class. Best of all, this class will provide a zero-pressure, totally safe environment, where your words will flow and flower.
Instructor Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $115.04 plus 13% hst = $130
Advance registration only. Number of attendees strictly limited.
To reserve your spot now, email brianhenry@sympatico.ca
Note: Brian's writing classes tend to fill up, to avoid disappointment, register early.
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Guelph, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Porcupine's Quill Press
68 Main Street, P O Box 160
Erin, Ontario N0B 1T0
http://porcupinesquill.ca/
The Porcupine's Quill, is a small literary press that creates high quality books on its own presses. It can publish no more than a dozen new titles per year, and these are generally selected at least eighteen months in advance of their release. All of our authors have published before, although they may not have had their work appear in book form.
PQL’s goal is and always has been to publish brilliant fiction by largely unknown Canadian authors, and brilliant poetry by well-known Canadian poets. We have also been known to delve into literary criticism, art, personal essays and children’s fiction, and recently we have started publishing a series of graphic novels by emerging artists under the editorial and artistic guidance of wood engraver George A. Walker.
The Porcupine’s Quill published Jane Urquhart’s little poetry book The Little Flowers of Madame de Montespan in 1983, and her first and only collection of stories, Storm Glass, in 1987. Jane Urquhart has subsequently achieved international fame and fortune with her novels (published by McClelland & Stewart) such as The Whirlpool, Changing Heaven, Away, The Underpainter, The Stone Carvers, and most recently, A Map of Glass.

Other novelists who published with the Porcupine’s Quill early in their careers include Steven Heighton, Andrew Pyper, Mary Swan, Russell Smith, Gil Adamson, Michael Winter, Elizabeth Hay and Annabel Lyon.
PQL does accept (and love) submissions, but our upcoming titles are often determined two years or so in advance, meaning it will take some time for you to see your book published by PQL, even if we do like your work. We can also take, unfortunately, a rather long time in getting back to people.
PQL is a literary press and so any pure genre piece – horror, fantasy, mystery, etc., all of which we frequently see in our submissions pile – is out of the question. We also generally will not publish an author who does not already have some pieces published in literary journals or magazines.
Our print runs are relatively small, from 500-1000 copies. They are distributed to bookstores by the University of Toronto Press (UTP), or individual purchasers can go through our store on Abebooks.com. They are also available through e-tailers like Amazon.com and Amazon.ca, and from the big American wholesalers: Ingram, Baker + Taylor and Blackwell.
Our fiction editor is Doris Cowan, who lives in Warkworth, in eastern Ontario. Query: dcowan@nexicom.net
Graphic novels are handled by George A. Walker, who teaches at Ontario College of Art and Design and lives east of Yonge Street, in Toronto. Query: george.walker@sympatico.ca
Non-fiction proposals should be directed to Carmine Starnino, who lives in Montreal. Query: cstarnino@yahoo.com
Poetry is edited for the press by the very famous Wayne Clifford, who currently lives on Grand Manan Island in the Bay of Fundy. Query: wwcliff@nb.sympatico.ca
Our intern and manuscript reader is Monique Mongeon, a recent graduate of Queen's University who also studied Publishing at Ryerson University in Toronto. Contact: pqlporcupettes@gmail.com
Note: Brian Henry will be leading: "From the Horse's Mouth ~ Strategies for Getting Published" at Ryerson University in Toronto on May 7 (see here). He will also be leading his "How to Get Published" workshop in Woodstock on August 27 (see here) and in Guelph on Sept 24, with guest speaker Monica Pacheco of the Anne McDermid literary agency (details to come).
Brian will be leading his "Writing for Children and for Young Adults" workshop in Oakville on August 27 (details here).
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Erin, Ontario N0B 1T0
http://porcupinesquill.ca/
The Porcupine's Quill, is a small literary press that creates high quality books on its own presses. It can publish no more than a dozen new titles per year, and these are generally selected at least eighteen months in advance of their release. All of our authors have published before, although they may not have had their work appear in book form.
PQL’s goal is and always has been to publish brilliant fiction by largely unknown Canadian authors, and brilliant poetry by well-known Canadian poets. We have also been known to delve into literary criticism, art, personal essays and children’s fiction, and recently we have started publishing a series of graphic novels by emerging artists under the editorial and artistic guidance of wood engraver George A. Walker.
The Porcupine’s Quill published Jane Urquhart’s little poetry book The Little Flowers of Madame de Montespan in 1983, and her first and only collection of stories, Storm Glass, in 1987. Jane Urquhart has subsequently achieved international fame and fortune with her novels (published by McClelland & Stewart) such as The Whirlpool, Changing Heaven, Away, The Underpainter, The Stone Carvers, and most recently, A Map of Glass.
Other novelists who published with the Porcupine’s Quill early in their careers include Steven Heighton, Andrew Pyper, Mary Swan, Russell Smith, Gil Adamson, Michael Winter, Elizabeth Hay and Annabel Lyon.
PQL does accept (and love) submissions, but our upcoming titles are often determined two years or so in advance, meaning it will take some time for you to see your book published by PQL, even if we do like your work. We can also take, unfortunately, a rather long time in getting back to people.
PQL is a literary press and so any pure genre piece – horror, fantasy, mystery, etc., all of which we frequently see in our submissions pile – is out of the question. We also generally will not publish an author who does not already have some pieces published in literary journals or magazines.
Our print runs are relatively small, from 500-1000 copies. They are distributed to bookstores by the University of Toronto Press (UTP), or individual purchasers can go through our store on Abebooks.com. They are also available through e-tailers like Amazon.com and Amazon.ca, and from the big American wholesalers: Ingram, Baker + Taylor and Blackwell.
Our fiction editor is Doris Cowan, who lives in Warkworth, in eastern Ontario. Query: dcowan@nexicom.net
Graphic novels are handled by George A. Walker, who teaches at Ontario College of Art and Design and lives east of Yonge Street, in Toronto. Query: george.walker@sympatico.ca
Non-fiction proposals should be directed to Carmine Starnino, who lives in Montreal. Query: cstarnino@yahoo.com
Poetry is edited for the press by the very famous Wayne Clifford, who currently lives on Grand Manan Island in the Bay of Fundy. Query: wwcliff@nb.sympatico.ca
Our intern and manuscript reader is Monique Mongeon, a recent graduate of Queen's University who also studied Publishing at Ryerson University in Toronto. Contact: pqlporcupettes@gmail.com
Note: Brian Henry will be leading: "From the Horse's Mouth ~ Strategies for Getting Published" at Ryerson University in Toronto on May 7 (see here). He will also be leading his "How to Get Published" workshop in Woodstock on August 27 (see here) and in Guelph on Sept 24, with guest speaker Monica Pacheco of the Anne McDermid literary agency (details to come).
Brian will be leading his "Writing for Children and for Young Adults" workshop in Oakville on August 27 (details here).
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Thursday, May 5, 2011
Mississauga Library writing contest for local teens
| Mississauga Central Library |
The contest will encourage youth to submit entries which focus on a real person, event or place related to the history of Mississauga and may be presented as fact or fiction.
Entrants must be between 14 and 19 years of age and reside in, or go to school in, Mississauga.
Entries will be judged on their content and style. Entries will be a maximum of 1000 words (with no illustrations or graphics) and will be judged by UTM Professor Jan Noel and Heritage Mississauga Historian Matthew Wilkinson.
Beginning May 1, 2011, entries may be electronically submitted to history.library@mississauga.ca
The deadline for entries is August 15, 2011.
This year's award will be presented at Central Library's 20th Anniversary Celebration on Saturday, October 1, 2011 at Central Library. Prizes will be awarded for the best works and winning works will be read.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Wednesday, May 4, 2011
"Island Girl" by Lynda Simmons, reviewed by Sherry Isaac
Penguin, December 2010, 448 pages, $13.36 from Amazon.ca (here)
The more I learn about the craft of writing the more critical a reader I become. But with Island Girl, the latest offering from Lynda Simmons, I was mesmerized from the first word to the last.
How would you put your house in order if suffering from a terminal disease? The question is not a new one, but Simmons, true to her style, offers a twist. Ruby Donaldson isn’t terminal, but soon she will cease to exist.
Ruby’s memories have become as elusive as the waves that pound the shore of Ward’s Island. Stoic, proud and isolated, the island, and Ruby, are a short ferry ride from Toronto’s city centre. Ruby is a monument to control. Control drives elder daughter Liz to the bottle, control keeps younger daughter Grace a prisoner, control keeps Mark, Ruby’s former lover, at bay.
As Alzheimer's, ‘Big Al’, seeps into her synapses and snaps her brittle connections, Ruby’s mind drifts like an abandoned oar on the water. The loss that began as a trickle quickly becomes a torrent. Big Al wreaks havoc; the resulting lack of control tears Ruby’s masterfully constructed bubble apart.
Ruby is a fighter. It is her birthright, but as determined and headstrong as Ruby is, this is a battle she cannot win. Big Al is relentless. His campaign to take over her mind moves Ruby to resort to strategies she’s never considered. She learns to soften, she accepts that not all battles are worth the collateral damage. She gives in to love. But while Ruby is still Ruby, she makes sure that Big Al will not have the last word, no matter the cost.
You may not agree with Ruby, you may not even like her, but in the end, you may understand her a little bit more. Ruby, her family, her island, her battle and her decision will linger like a reluctant sunset sinking slowly into Lake Ontario.
Sherry Isaac has published several pieces in Quick Brown Fox. You can read one of her short stories here and other book reviews by Sherry here, here, here, and here. She’s also been published in The New Mystery Reader and in Canadian Voices, Volume One. Her short story, “The Forgetting,” placed first in the Alice Munro Contest in 2009. Her first short story collection, Storyteller, will be released July 2011. Visit Sherry's website here.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
The more I learn about the craft of writing the more critical a reader I become. But with Island Girl, the latest offering from Lynda Simmons, I was mesmerized from the first word to the last.
How would you put your house in order if suffering from a terminal disease? The question is not a new one, but Simmons, true to her style, offers a twist. Ruby Donaldson isn’t terminal, but soon she will cease to exist.
Ruby’s memories have become as elusive as the waves that pound the shore of Ward’s Island. Stoic, proud and isolated, the island, and Ruby, are a short ferry ride from Toronto’s city centre. Ruby is a monument to control. Control drives elder daughter Liz to the bottle, control keeps younger daughter Grace a prisoner, control keeps Mark, Ruby’s former lover, at bay.
As Alzheimer's, ‘Big Al’, seeps into her synapses and snaps her brittle connections, Ruby’s mind drifts like an abandoned oar on the water. The loss that began as a trickle quickly becomes a torrent. Big Al wreaks havoc; the resulting lack of control tears Ruby’s masterfully constructed bubble apart.
Ruby is a fighter. It is her birthright, but as determined and headstrong as Ruby is, this is a battle she cannot win. Big Al is relentless. His campaign to take over her mind moves Ruby to resort to strategies she’s never considered. She learns to soften, she accepts that not all battles are worth the collateral damage. She gives in to love. But while Ruby is still Ruby, she makes sure that Big Al will not have the last word, no matter the cost.
You may not agree with Ruby, you may not even like her, but in the end, you may understand her a little bit more. Ruby, her family, her island, her battle and her decision will linger like a reluctant sunset sinking slowly into Lake Ontario.
Sherry Isaac has published several pieces in Quick Brown Fox. You can read one of her short stories here and other book reviews by Sherry here, here, here, and here. She’s also been published in The New Mystery Reader and in Canadian Voices, Volume One. Her short story, “The Forgetting,” placed first in the Alice Munro Contest in 2009. Her first short story collection, Storyteller, will be released July 2011. Visit Sherry's website here.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Tuesday, May 3, 2011
Congratulations!
Congratulations to John Jeneroux! John's manuscript, Better off Dead, is one of the three finalists for an Unhanged Arthur, which the Crime Writers of Canada awards to the best unpublished crime novel in Canada. The other two finalists are Kevin Thorton for "Uncoiled;" and Jayne Barnard for "When the Bow Breaks."
Here's hoping that John's novel takes the award and that McArthur & Company - the award's sponsor - decides to publish Better off Dead!
The Crime Writers have also released the finalists for the Arthur Ellis Awards for published books, including Best Crime Novel and Best First Crime Novel, Best YA Crime Novel, etc. Read a full report in the National Post here.
For information about entering your unpublished crime novel in this contest see here.
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Here's hoping that John's novel takes the award and that McArthur & Company - the award's sponsor - decides to publish Better off Dead!
The Crime Writers have also released the finalists for the Arthur Ellis Awards for published books, including Best Crime Novel and Best First Crime Novel, Best YA Crime Novel, etc. Read a full report in the National Post here.
For information about entering your unpublished crime novel in this contest see here.
See Brian's full schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Barrie, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Monday, May 2, 2011
Love Letters
Brian,
You’ll recall I read a story aloud in the last creative writing class. I was working on it for the Springsteen-inspired stories that Jersey Devil is publishing. I titled it "The Working Life" and you can read it here.
Anyway, thanks for the great class!
Matt
For information about submitting to Jersey Devil, see here.
Hi Brian,
I've been lucky enough to have another short story published. You can read The Neighbour on Thrillers, Killers 'n' Chillers, a fab UK crime, thriller and horror fiction webzine. Col Bury is crime fiction editor and a terrific writer in his own right. I strongly recommend that genre writers check out the site.
The story itself is a bit on the creepy side. What can I say? I was reading Susie Moloney at the time.
Thanks as always Brian, for your support.
Cheers,
Tanis Mallow
You can read Tanis’s story here. For information on submitting to Thrillers, Killers ‘n Chillers, see here.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Kingston, Orangeville, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
You’ll recall I read a story aloud in the last creative writing class. I was working on it for the Springsteen-inspired stories that Jersey Devil is publishing. I titled it "The Working Life" and you can read it here.
Anyway, thanks for the great class!
Matt
For information about submitting to Jersey Devil, see here.
Hi Brian,
I've been lucky enough to have another short story published. You can read The Neighbour on Thrillers, Killers 'n' Chillers, a fab UK crime, thriller and horror fiction webzine. Col Bury is crime fiction editor and a terrific writer in his own right. I strongly recommend that genre writers check out the site.
The story itself is a bit on the creepy side. What can I say? I was reading Susie Moloney at the time.
Thanks as always Brian, for your support.
Cheers,
Tanis Mallow
You can read Tanis’s story here. For information on submitting to Thrillers, Killers ‘n Chillers, see here.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Kingston, Orangeville, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Sunday, May 1, 2011
Open mic night in Markham, Thursday, May 12, 7:00 - 9:00 pm
Join us for Markham’s Own Open Mic Night
Cubbii Market (10 - 33 The Bridle Trail, Unionville.
Located in the plaza on the southeast corner of Kennedy and The BridleTrail. Ample parking.)
People’s Choice author Bruce Hunter will read from his novel, In the Bear’s House, a coming-of-age story about a deaf child sent to live in the wilderness of historic Kootenay Plains in Alberta.
Bruce’s work has appeared in thirty journals including Canadian Fiction Magazine, The Canadian Forum, Grain, NeWest Review, Poetry Canada Review, and has been broadcast on the CBC.
His poetry has been recognized via People’s Choice Awards and short-listed for CBC/ Saturday Night Literary Awards. Don’t miss your chance to hear from “one of the great chroniclers of Canada’s working people.” (London Free Press)
Come up to the mic to share your own story or poem. Sign up between 6:45 and 7:00 to hold your spot in the lineup. (18 years and older, please.)
Musical guest Mark Teixeira is an outstanding, versatile guitarist with a focus on composition and solo performances. Mark has played in Jazz, R&B and Rock bands across Canada for over thirty-five years and has played with Liberty Silver, Jackie Richardson and Michael Snow.
Refreshments available for purchase. Cubbii Market is pleased to offer a selection of hot and cold beverages plus delicious snacks. This is a free event, sponsored by Markham Village Writers & Markham Arts Council.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Kingston, Orangeville, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Cubbii Market (10 - 33 The Bridle Trail, Unionville.
Located in the plaza on the southeast corner of Kennedy and The BridleTrail. Ample parking.)
People’s Choice author Bruce Hunter will read from his novel, In the Bear’s House, a coming-of-age story about a deaf child sent to live in the wilderness of historic Kootenay Plains in Alberta.
Bruce’s work has appeared in thirty journals including Canadian Fiction Magazine, The Canadian Forum, Grain, NeWest Review, Poetry Canada Review, and has been broadcast on the CBC.
His poetry has been recognized via People’s Choice Awards and short-listed for CBC/ Saturday Night Literary Awards. Don’t miss your chance to hear from “one of the great chroniclers of Canada’s working people.” (London Free Press)
Come up to the mic to share your own story or poem. Sign up between 6:45 and 7:00 to hold your spot in the lineup. (18 years and older, please.)
Musical guest Mark Teixeira is an outstanding, versatile guitarist with a focus on composition and solo performances. Mark has played in Jazz, R&B and Rock bands across Canada for over thirty-five years and has played with Liberty Silver, Jackie Richardson and Michael Snow.
Refreshments available for purchase. Cubbii Market is pleased to offer a selection of hot and cold beverages plus delicious snacks. This is a free event, sponsored by Markham Village Writers & Markham Arts Council.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Kingston, Orangeville, Gravenhurst, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Subscribe to:
Posts (Atom)







