St. Martin's Press, 2008, Trade Paperback, 320 pages
Children’s questions have a way of stripping down a situation and getting to what’s important. In Sarah’s Key, Tatiana de Rosnay uses the questions of a ten-year-old girl to make readers feel the inhumanity of the Vel D’Hiv roundup of Jews in 1942 Paris.
A young girl’s playtime with her little brother is interrupted by the appearance of French policemen, and she locks him in their favourite hiding spot, promising to return.
What makes this book unforgettable is de Rosnay’s ability to convey the girl’s confusion about the arrest and her fear of not being able to keep her promise to her brother.
In 2002, Julia Jarmond, a journalist on assignment begins to ask her own questions about this period in Holocaust history. Her quest to find out what happened to the young girl and her family after they were arrested becomes the reader’s quest. Julia’s modern problems serve to heighten our awareness of very different lives and very different problems in France in 1942.
Julia had never heard of the French cooperation with the Nazis, so she is also searching for the opportunity to apologize for “not knowing.” “Knowing" and reactions to “knowing” are what this book is essentially about and De Rosnay uses the reactions of her secondary characters to further this theme. Julia’s personal decisions and actions demonstrate that hope comes with knowledge – hope that we may learn from history and the unjust deaths of so many will not have been totally in vain.
Maria Mallozzi lives and works in Mississauga Ontario. Her writing was shortlisted in the 2008 CBC Literary Awards in the creative non-fiction category. She would now like to apply some of her creativity to fiction and to that end has enrolled in a Brian Henry writing class.
Quick Brown Fox welcomes book reviews and other book-related articles. Guidelines here.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst, Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Tuesday, April 5, 2011
Monday, April 4, 2011
Black Heart magazine call for submissions for Noir issue – deadline April 30
Black Heart is a full-on literary rebellion based in Austin, Texas, where it is edited and produced by Laura Roberts.
In brief, we publish fiction that breaks the rules. Join us, if you dare. We aim to publish the best in short-form modern literature, from pulp to literary fiction and everything in-between.
Genres are declassé, passé, and simply so last century. If it’s got a beating heart full of blood and longing, we want it on our site. Enough irony and oh-so-clever cheek. Bring us something real, friendo.
Our reading period never ends, and we accept submissions year-round, unlike some poncey lit-mags that close up shop when school ain’t in session.
Submit to the NOIR issue!
Black is back. Actually, black never left, though many have tried to claim various shades as the “new black.” At Black Heart, we’ve always known darkness, like spilled ink or a night without stars. We like it best with the lights out and the projector humming with a good, old-fashioned noir.
Help us create our NOIR issue, an homage to the days of yore, with a play on old-timey dames and gumshoes pussyfooting their way around a great big mystery. Send us your Sam Spades, your Maltese falcons, your Vincent Price bad guys typing in bathtubs and, of course, your femme fatales.
Give us mystery, suspense, guns and girls. Give us a new twist on the old black-and-whites we can quote line for line. (Oh, and check out the film noir Wikipedia page if you need a little inspiration, see?)
Our excellent, crime-fiction-lovin’ GUEST EDITOR Jimmy Callaway will determine whether you’re hard enough to be featured in our issue, based on his tough-as-nails, no-nonsense approach, so give us only your best work.
We’re looking for the following:
Flash fiction – 800 words or less
Poetry – up to 3 pieces per author
Artwork – original drawings, photos, paintings & more inspired by our theme (up to 3 images)
Deadline: April 30, 2011
Black Heart home page here. For full guidelines or to submit, see here.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
In brief, we publish fiction that breaks the rules. Join us, if you dare. We aim to publish the best in short-form modern literature, from pulp to literary fiction and everything in-between.
Genres are declassé, passé, and simply so last century. If it’s got a beating heart full of blood and longing, we want it on our site. Enough irony and oh-so-clever cheek. Bring us something real, friendo.
Our reading period never ends, and we accept submissions year-round, unlike some poncey lit-mags that close up shop when school ain’t in session.
Submit to the NOIR issue!
Black is back. Actually, black never left, though many have tried to claim various shades as the “new black.” At Black Heart, we’ve always known darkness, like spilled ink or a night without stars. We like it best with the lights out and the projector humming with a good, old-fashioned noir.
Help us create our NOIR issue, an homage to the days of yore, with a play on old-timey dames and gumshoes pussyfooting their way around a great big mystery. Send us your Sam Spades, your Maltese falcons, your Vincent Price bad guys typing in bathtubs and, of course, your femme fatales.
Give us mystery, suspense, guns and girls. Give us a new twist on the old black-and-whites we can quote line for line. (Oh, and check out the film noir Wikipedia page if you need a little inspiration, see?)
Our excellent, crime-fiction-lovin’ GUEST EDITOR Jimmy Callaway will determine whether you’re hard enough to be featured in our issue, based on his tough-as-nails, no-nonsense approach, so give us only your best work.
We’re looking for the following:
Flash fiction – 800 words or less
Poetry – up to 3 pieces per author
Artwork – original drawings, photos, paintings & more inspired by our theme (up to 3 images)
Deadline: April 30, 2011
Black Heart home page here. For full guidelines or to submit, see here.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Saturday, April 2, 2011
Excerpt from "The Receiving End of the Stick" by Sherian Groppini
It took some time before I was really pulled under sleep’s spell. When I finally surrendered I quickly realized I was stuck in a familiar and frightening place.... I wanted out.
It was dark where I was crouched, but I did as I was told. The old lady with snow white long hair said I would be safe in there. She said I had to be as quiet as a mouse, take shallow breaths. Not a stretch, no one in their right mind would want to take deep breaths of that dusty, mouldy stench. She said to treat it as a game, like hide-and-seek except they were never allowed to find us. . .me.
From behind the plank wall in the one room cottage I felt the vibration of hooves padding against the ground, following the paws whipped into a beastly state, tearing up the earth, all tracking my scent. Their masters had been searching. It was only a matter of moments before the trail would end. But the old lady said I’d be safe, gave me her word.
I was too confused to be afraid. It wasn’t my fault. I didn’t know I was capable of such an act. I swat the bee away from my face. I was so angry, Victoria had been so mean. It landed on Victoria. And before so many witnesses, I wished her to die. . . and she did.
Inflicted by a single sting, she blew up, swollen till I thought she’d burst.
I didn’t even know I’d done it until the horrified voice of a woman shouted out from the crowd.
“A witch! The little one is a witch!”
I looked around and all eyes were peering at me, blue, green, hazel, brown, grey eyes filled with fear, bewilderment, anger, hatred, and all toward me.
“She cast a spell, conjuring a poisonous bee, killing my Victoria! Who will be next? Get her, before she puts a hex on us all!” Her mother cried and sobbed over Victoria’s limp, distorted shape.
Anger began to fill all the empty space, squeezing me out. I found it hard to breath. The crowd was descending upon me when the old women with long white hair emerged. A stranger, I’d never seen before. Standing protectively in front of me, she hissed wildly and spoke a language I’d never heard, turning slowly around covering me beneath her soft cloak.
The air around us became strangely still and eerie in its sudden silence, as if holding its breath, to listen to her incantation. With a start it was broken by a single boom of thunder. I was distracted by a harsh cry and looked up. A large black, shadow as big as a cloud with graceful, still wings glided in circles above us. The sky was crisp, blue, and clear.
In that moment I snuck a peak from under her cloak, to witness the hurried glances between the accusing eyes that fell upon me. I don’t know what they saw, but their expressions swiftly changed. They cried in fear and backed away from us. With a skeletal hand the old woman pointed and the crowd parted.
She gathered me up into her arms and the next thing I knew we were galloping through the forest. Trees flew by at a terrifying speed as we weaved our way threw the thick bush, plunging between trunks, leaping over dead logs, jutting roots and the rise and fall of the uneven terrain, forging our own path.
My ears rang with the sounds of thunder. I clung to her neck unable to do anything else, feeling the sting of thin branches whipping by, like flimsy fingers trying to grab at me. Her grip was hard, but protective as she cradled me close to her chest. Leather reigns poked out between her fingers, steering the horse with precision. She smelt fresh, like an ocean breeze. Not at all what I’d expected from someone of her age.
Her white cloak rimmed and lined with white fur bellowed behind her like a giant wing. It felt soft against my cheek. I closed my eyes. The blurry landscape was upsetting my tummy.
“It’s time, little one,” she whispered crouching next to me.
There was a gentleness to her voice, like my mother’s. “Remember our game,” she encouraged, touching my shoulder. “Stay put no matter what you hear, feel or see. As long as you do, you will be safe. I promise.”
Her voice was soft, but urgent. I wanted to believe her, but I was filled with so much dread, so much doubt. The hounds always found the ones who hid and then they burned. And as though anticipating my protest she clamped her hand over my mouth.
“Don’t worry little one, I will find you again.”
With her hands she cupped the top of my head and mumbled something. Painful energy shot through me with the heat and speed of a lightning bolt, pinning my feet to the floor. I watched as she creaked open the planks of wood we’d entered and closed it shut without so much as a comforting look back.
I listened to the swishing of her petticoat against the wood floor, her heels clipping, hurrying across the room, the sound of a chair scraping and the thump as she must have sat down.
My eyes were wet with fear. I didn’t like the dark, it had always frightened me. I heard a crackling before I smelt the familiar comforting scent of a fresh fire. What was she doing? Just sitting there watching a fire? Why?
Suddenly my attention was drawn to the men and women shouting to one another.
“Look! Smoke! In the cottage. The old woman and the child must be there.” Their rough loud voices vibrated with excitement.
Was this a trap, but why? Why not just let them take me before?. . . When she rescued me I didn’t have the luxury of questioning the bizarre behaviour of this stranger, but now I did, even if it seemed as though she’d just saved me from a cruel, unfair fate.
The door crashed open. The hollering and harsh voices grew louder. I could hear the horses more clearly. The walls shook and reverberated with the deep sound of the village Priest’s voice.
“Where is she?”
“My, my, Father Mikos, do come in,” the old woman replied with such calm authority,
I smiled. I could picture the short, plump, bald Father all red faced and sweaty pulling at his collar.
Suddenly there was a different smell in the dark room. Sweet---thick. . . I wrinkled my nose, flesh. . . human flesh was on fire.” Whose? I panicked.
There was more swishing, clicking, scraping of heavy boots. It sounded as if there were many people in the tiny one room cottage. Why didn’t anyone run, help, no one seemed to care. But I knew that smell, I’d watched them burn. My father said I had to. And now they wanted to burn me. More tears spilled over. . .
“You old fool,” Father Mikos sneered. “Do not address me as though we’ve met. What have you done with the child?”
I cringed.
The old woman let out a loud moan and a grunt. She must have been struck. There was a scuffle as something heavy was dragged across the floor.
The old woman shouted in disgust, “this. . .is not the chosen child, she’s human. I threw her into the hearth amidst the burning flames. Don’t you recognize that smell?” She took a deep breath.
The crowd gasped.
Someone yelled “Oh Lord have mercy.”
I felt the bumps as if people were falling to the ground.
“Don’t cast your eyes upon me in judgement? I’ve merely done your dirty work for you.
“What have you done to my Millie?---She’s just a child”
“Momma” It was a voiceless scream. The old woman had fused my lips together and stolen my voice.
I was paralysed.
Momma wailed, her tone weighted with grief and then broke into a desperate sob.
Daddy shouted, “you did this to her. You cursed my little girl, turned her into a witch. How dare you kill her? You will burn for this.”
There was a hubbub of activity. The crowd cheered, worked into a frenzied emotional state, each feeding off each other’s righteousness.
Father Mikos commanded. “Torch this place, with the old Hag in it. The Devil’s at work here.”
“No, no, no,” I cried. “I’m here, you can’t”
It was too late. She had me paralyzed and silenced---completely alone. Purposely cut off from everything I knew and loved. It was futile to fight when no one could save me. Resignation set into my bones as I wept---silently---alone. . .
It didn’t take long for the dried wooden plank cottage to become engulfed in flames. Smoke filled the tiny dark room, wrapping its arms around me, stealing my breath.
I came awake with a choking gasp, jarred by a high pitch whistle. My frantic eyes unfocused. I blinked, swallowed several times. Nothing was recognizable. I tried to shove the sound away. It made me feel more confused. I sniffed the air for the rancid scent of fear and righteousness, of scorching human flesh and the burning cottage. The air smelt fine. Home. I wasn’t crouching on the ground.
An almost-hysterical laugh bubbled out when my eyes finally recognized it. I was cocooned under my blankets curled up in a ball hugging myself on the cold hardwood floor of my bedroom. Every muscle ridged. I was covered in frightened perspiration. My heart raced wildly. My face was wet and my hair was stuck to the back of my neck. I knew I’d been crying in my dreams again.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
It was dark where I was crouched, but I did as I was told. The old lady with snow white long hair said I would be safe in there. She said I had to be as quiet as a mouse, take shallow breaths. Not a stretch, no one in their right mind would want to take deep breaths of that dusty, mouldy stench. She said to treat it as a game, like hide-and-seek except they were never allowed to find us. . .me.
From behind the plank wall in the one room cottage I felt the vibration of hooves padding against the ground, following the paws whipped into a beastly state, tearing up the earth, all tracking my scent. Their masters had been searching. It was only a matter of moments before the trail would end. But the old lady said I’d be safe, gave me her word.
I was too confused to be afraid. It wasn’t my fault. I didn’t know I was capable of such an act. I swat the bee away from my face. I was so angry, Victoria had been so mean. It landed on Victoria. And before so many witnesses, I wished her to die. . . and she did.
Inflicted by a single sting, she blew up, swollen till I thought she’d burst.
I didn’t even know I’d done it until the horrified voice of a woman shouted out from the crowd.
“A witch! The little one is a witch!”
I looked around and all eyes were peering at me, blue, green, hazel, brown, grey eyes filled with fear, bewilderment, anger, hatred, and all toward me.
“She cast a spell, conjuring a poisonous bee, killing my Victoria! Who will be next? Get her, before she puts a hex on us all!” Her mother cried and sobbed over Victoria’s limp, distorted shape.
Anger began to fill all the empty space, squeezing me out. I found it hard to breath. The crowd was descending upon me when the old women with long white hair emerged. A stranger, I’d never seen before. Standing protectively in front of me, she hissed wildly and spoke a language I’d never heard, turning slowly around covering me beneath her soft cloak.
The air around us became strangely still and eerie in its sudden silence, as if holding its breath, to listen to her incantation. With a start it was broken by a single boom of thunder. I was distracted by a harsh cry and looked up. A large black, shadow as big as a cloud with graceful, still wings glided in circles above us. The sky was crisp, blue, and clear.
In that moment I snuck a peak from under her cloak, to witness the hurried glances between the accusing eyes that fell upon me. I don’t know what they saw, but their expressions swiftly changed. They cried in fear and backed away from us. With a skeletal hand the old woman pointed and the crowd parted.
She gathered me up into her arms and the next thing I knew we were galloping through the forest. Trees flew by at a terrifying speed as we weaved our way threw the thick bush, plunging between trunks, leaping over dead logs, jutting roots and the rise and fall of the uneven terrain, forging our own path.
My ears rang with the sounds of thunder. I clung to her neck unable to do anything else, feeling the sting of thin branches whipping by, like flimsy fingers trying to grab at me. Her grip was hard, but protective as she cradled me close to her chest. Leather reigns poked out between her fingers, steering the horse with precision. She smelt fresh, like an ocean breeze. Not at all what I’d expected from someone of her age.
Her white cloak rimmed and lined with white fur bellowed behind her like a giant wing. It felt soft against my cheek. I closed my eyes. The blurry landscape was upsetting my tummy.
“It’s time, little one,” she whispered crouching next to me.
There was a gentleness to her voice, like my mother’s. “Remember our game,” she encouraged, touching my shoulder. “Stay put no matter what you hear, feel or see. As long as you do, you will be safe. I promise.”
Her voice was soft, but urgent. I wanted to believe her, but I was filled with so much dread, so much doubt. The hounds always found the ones who hid and then they burned. And as though anticipating my protest she clamped her hand over my mouth.
“Don’t worry little one, I will find you again.”
With her hands she cupped the top of my head and mumbled something. Painful energy shot through me with the heat and speed of a lightning bolt, pinning my feet to the floor. I watched as she creaked open the planks of wood we’d entered and closed it shut without so much as a comforting look back.
I listened to the swishing of her petticoat against the wood floor, her heels clipping, hurrying across the room, the sound of a chair scraping and the thump as she must have sat down.
My eyes were wet with fear. I didn’t like the dark, it had always frightened me. I heard a crackling before I smelt the familiar comforting scent of a fresh fire. What was she doing? Just sitting there watching a fire? Why?
Suddenly my attention was drawn to the men and women shouting to one another.
“Look! Smoke! In the cottage. The old woman and the child must be there.” Their rough loud voices vibrated with excitement.
Was this a trap, but why? Why not just let them take me before?. . . When she rescued me I didn’t have the luxury of questioning the bizarre behaviour of this stranger, but now I did, even if it seemed as though she’d just saved me from a cruel, unfair fate.
The door crashed open. The hollering and harsh voices grew louder. I could hear the horses more clearly. The walls shook and reverberated with the deep sound of the village Priest’s voice.
“Where is she?”
“My, my, Father Mikos, do come in,” the old woman replied with such calm authority,
I smiled. I could picture the short, plump, bald Father all red faced and sweaty pulling at his collar.
Suddenly there was a different smell in the dark room. Sweet---thick. . . I wrinkled my nose, flesh. . . human flesh was on fire.” Whose? I panicked.
There was more swishing, clicking, scraping of heavy boots. It sounded as if there were many people in the tiny one room cottage. Why didn’t anyone run, help, no one seemed to care. But I knew that smell, I’d watched them burn. My father said I had to. And now they wanted to burn me. More tears spilled over. . .
“You old fool,” Father Mikos sneered. “Do not address me as though we’ve met. What have you done with the child?”
I cringed.
The old woman let out a loud moan and a grunt. She must have been struck. There was a scuffle as something heavy was dragged across the floor.
The old woman shouted in disgust, “this. . .is not the chosen child, she’s human. I threw her into the hearth amidst the burning flames. Don’t you recognize that smell?” She took a deep breath.
The crowd gasped.
Someone yelled “Oh Lord have mercy.”
I felt the bumps as if people were falling to the ground.
“Don’t cast your eyes upon me in judgement? I’ve merely done your dirty work for you.
“What have you done to my Millie?---She’s just a child”
“Momma” It was a voiceless scream. The old woman had fused my lips together and stolen my voice.
I was paralysed.
Momma wailed, her tone weighted with grief and then broke into a desperate sob.
Daddy shouted, “you did this to her. You cursed my little girl, turned her into a witch. How dare you kill her? You will burn for this.”
There was a hubbub of activity. The crowd cheered, worked into a frenzied emotional state, each feeding off each other’s righteousness.
Father Mikos commanded. “Torch this place, with the old Hag in it. The Devil’s at work here.”
“No, no, no,” I cried. “I’m here, you can’t”
It was too late. She had me paralyzed and silenced---completely alone. Purposely cut off from everything I knew and loved. It was futile to fight when no one could save me. Resignation set into my bones as I wept---silently---alone. . .
It didn’t take long for the dried wooden plank cottage to become engulfed in flames. Smoke filled the tiny dark room, wrapping its arms around me, stealing my breath.
I came awake with a choking gasp, jarred by a high pitch whistle. My frantic eyes unfocused. I blinked, swallowed several times. Nothing was recognizable. I tried to shove the sound away. It made me feel more confused. I sniffed the air for the rancid scent of fear and righteousness, of scorching human flesh and the burning cottage. The air smelt fine. Home. I wasn’t crouching on the ground.
An almost-hysterical laugh bubbled out when my eyes finally recognized it. I was cocooned under my blankets curled up in a ball hugging myself on the cold hardwood floor of my bedroom. Every muscle ridged. I was covered in frightened perspiration. My heart raced wildly. My face was wet and my hair was stuck to the back of my neck. I knew I’d been crying in my dreams again.
As chief chocolatier for Everything Chocolate, Sherian Groppini spends countless hours in the company kitchen, and while her hands are busy, her mind wanders into the fantasy world of her young adult novel in progress, The Receiving End of the Stick. In December, Sherian gave a reading of this excerpt at CJ's Cafe. Sherian lives in Oakville with her husband, two children, a poodle, rabbit and down to just one hamster, with all requests for reptiles still denied.*
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Friday, April 1, 2011
Jessica Alvarez joins BookEnds literary agency, seeks romance fiction
BookEnds is a newer agency - just 10 years old - with all its agents based in New Jersey. BookEnds accepts queries from published and unpublished writers in the areas of romance (and all its sub-genres), young adult, steampunk, urban fantasy, mystery, and women's fiction.
The newest member of the BookEnds team, Jessica Alvarez, joined the agency in April 2011. Jessica began her publishing career in 2001. Mere days after graduating from New York University with a B.A. in English Literature, Jessica landed a job as an editorial assistant at Harlequin Books. There, she had the opportunity to acquire and edit a wide array of women's fiction, specializing in historical romance, romantic suspense, and inspirational romance. Jessica left Harlequin in 2008 to pursue a freelance editing career, and completed projects for Harlequin, Scholastic Books, Thomas Nelson, and independent writers.
She's actively building her client list and is currently looking for women's fiction, erotica, urban fantasy/paranormal, romantic suspense, and single title and category romance submissions. She uses her editorial background to help writers hone their skills and develop strong, marketable stories.
A New Jersey native, Jessica resides in the Garden State with her husband, young son, two energetic dogs, and an indeterminate number of fish. Query Jessica Alvarez at jalvarez@bookends-inc.com
Jessica Faust, the owner of BookEnds, is seeking submissions in the areas of historical, contemporary, fantasy, paranormal, and erotic romance; fantasy, steampunk, women's fiction, and mysteries; and YA, especially steampunk, dystopian, and fantasy YA. In nonfiction, Jessica specializes in current affairs, business, career, pop reference, parenting, women's issues, sex, and general nonfiction. While open to anything, Jessica is most actively seeking unique fiction with a strong hook, and nonfiction with creative ideas and large author platforms.
Query Jessica Faust at: jfaust@bookends-inc.com
Kim Lionetti was with Berkley Publishing for eight years. In 2004, she left her position as Senior Editor to join BookEnds. Kim is currently focused on growing her young adult, women's fiction, and romance lists and is only accepting submissions in those categories.
Originally from Pennsylvania, Kim currently lives in New Jersey with her husband, son and daughter, and cat, Winston. Query Kim at klionetti@bookends-inc.com
BookEnds submissions page here. Home page here.
Brian Henry has "Writing for Children and Young Adults" workshops coming up on on April 9 in Peterborough (see here), and on April 10 in Kingston (see here).
He will be leading: "From the Horse's Mouth ~ Strategies for Getting Published" at Ryerson University in Toronto on May 7 (see here).
See Brian's full current schedule here, including writing workshops and creative writing courses in Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, London, Peel, Halton, the GTA, Ontario and beyond.
The newest member of the BookEnds team, Jessica Alvarez, joined the agency in April 2011. Jessica began her publishing career in 2001. Mere days after graduating from New York University with a B.A. in English Literature, Jessica landed a job as an editorial assistant at Harlequin Books. There, she had the opportunity to acquire and edit a wide array of women's fiction, specializing in historical romance, romantic suspense, and inspirational romance. Jessica left Harlequin in 2008 to pursue a freelance editing career, and completed projects for Harlequin, Scholastic Books, Thomas Nelson, and independent writers.
She's actively building her client list and is currently looking for women's fiction, erotica, urban fantasy/paranormal, romantic suspense, and single title and category romance submissions. She uses her editorial background to help writers hone their skills and develop strong, marketable stories.
A New Jersey native, Jessica resides in the Garden State with her husband, young son, two energetic dogs, and an indeterminate number of fish. Query Jessica Alvarez at jalvarez@bookends-inc.com
Jessica Faust, the owner of BookEnds, is seeking submissions in the areas of historical, contemporary, fantasy, paranormal, and erotic romance; fantasy, steampunk, women's fiction, and mysteries; and YA, especially steampunk, dystopian, and fantasy YA. In nonfiction, Jessica specializes in current affairs, business, career, pop reference, parenting, women's issues, sex, and general nonfiction. While open to anything, Jessica is most actively seeking unique fiction with a strong hook, and nonfiction with creative ideas and large author platforms.
Query Jessica Faust at: jfaust@bookends-inc.com
Kim Lionetti was with Berkley Publishing for eight years. In 2004, she left her position as Senior Editor to join BookEnds. Kim is currently focused on growing her young adult, women's fiction, and romance lists and is only accepting submissions in those categories.
Originally from Pennsylvania, Kim currently lives in New Jersey with her husband, son and daughter, and cat, Winston. Query Kim at klionetti@bookends-inc.com
BookEnds submissions page here. Home page here.
Brian Henry has "Writing for Children and Young Adults" workshops coming up on on April 9 in Peterborough (see here), and on April 10 in Kingston (see here).
He will be leading: "From the Horse's Mouth ~ Strategies for Getting Published" at Ryerson University in Toronto on May 7 (see here).
See Brian's full current schedule here, including writing workshops and creative writing courses in Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, London, Peel, Halton, the GTA, Ontario and beyond.
Thursday, March 31, 2011
Love Letters
Hi Brian,
How are you? I hope you and your family are well. It was nice to meet everybody in Owen Sound in the summer.
You may recall June Frost and I and my daughter, Alexandra, were at the workshop there. We were doing an exercise and you asked for ideas. One of the ideas was to write about four boys and a coffin. Alexandra took off with that and wrote a short story then and there.
Later in the fall we heard about the Youth Film Festival in Owen Sound where youth could submit films for the competition. Alexandra rewrote her story into a screenplay, found some actors from her class and then filmed and produced the movie Unbearable Guilt. It was shown last month at the Galaxy Theatre as part of the Owen Sound Youth Film Festival.
Thought you might like to know. It’s interesting how one idea leads to another and another...
Take care,
Carla McLaughlin
Hi, Brian!
Just found out this morning I'm a finalist in the National Romance Writers of America Golden Heart Contest for unpublished writers in the Novel with Strong Romantic Elements category. My feet haven't yet touched the ground!!! And I can't even tell you where my head is at!
Thanks for your continual encouragement, Brian. You're a real blessing in an industry of eternal rejection.
Arlene McFarlane
Note: For those of you who don’t know: the Rita Awards and the Golden Hearts are the Oscars of romance publishing. Winners in the unpublished category seldom stay unpublished for long. - Brian
See my current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
How are you? I hope you and your family are well. It was nice to meet everybody in Owen Sound in the summer.
You may recall June Frost and I and my daughter, Alexandra, were at the workshop there. We were doing an exercise and you asked for ideas. One of the ideas was to write about four boys and a coffin. Alexandra took off with that and wrote a short story then and there.
Later in the fall we heard about the Youth Film Festival in Owen Sound where youth could submit films for the competition. Alexandra rewrote her story into a screenplay, found some actors from her class and then filmed and produced the movie Unbearable Guilt. It was shown last month at the Galaxy Theatre as part of the Owen Sound Youth Film Festival.
Thought you might like to know. It’s interesting how one idea leads to another and another...
Take care,
Carla McLaughlin
Hi, Brian!
Just found out this morning I'm a finalist in the National Romance Writers of America Golden Heart Contest for unpublished writers in the Novel with Strong Romantic Elements category. My feet haven't yet touched the ground!!! And I can't even tell you where my head is at!
Thanks for your continual encouragement, Brian. You're a real blessing in an industry of eternal rejection.
Arlene McFarlane
Note: For those of you who don’t know: the Rita Awards and the Golden Hearts are the Oscars of romance publishing. Winners in the unpublished category seldom stay unpublished for long. - Brian
See my current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Writers' get-together, Tuesday, May 17, at CJ's Cafe in Oakville
Tuesday, April 17
2:00 – 4:30
Free
CJ’s Café, 2416 Lakeshore Rd W, in Bronte
(On the south side of Lakeshore, just east of Bronte Rd, next to Lick’s ice cream – map here.)
Join us for our monthly meet-up at CJ's. Cafe. You’re invited to come and hang out with fellow writers. Bring your laptop or notebook and a piece of writing you’re working on down to CJ’s Cafe to spend a couple hours writing in the company of other writers. Or just come down to chat and find out what your fellow writers have been up to.
This isn’t a class – I won't be giving lectures or crtiquing manuscripts. Some people may read what they've been writing, though. Mostly, it’s an opportunity to network, to talk about writing and getting published, and to write in a convivial atmosphere with other writers doing the same as you’re doing – getting a story on paper while sipping the best lattes in North America and listening to some mellow music.
See you there,
- Brian
P.S. You don’t need to come for the whole time. I teach a class Tuesday afternoon, so I won’t be there myself until shortly after 3 p.m. But you don't need me to get going. On March 29, Jennifer Mook-Sang craftily arrived about 2 p.m. and got a solid hour of writing in before I arrived and blabbed away the rest of the afternoon.
P.P.S. See my current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Gravenhurst, Peterborough, Kingston, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
2:00 – 4:30
Free
CJ’s Café, 2416 Lakeshore Rd W, in Bronte
(On the south side of Lakeshore, just east of Bronte Rd, next to Lick’s ice cream – map here.)
Join us for our monthly meet-up at CJ's. Cafe. You’re invited to come and hang out with fellow writers. Bring your laptop or notebook and a piece of writing you’re working on down to CJ’s Cafe to spend a couple hours writing in the company of other writers. Or just come down to chat and find out what your fellow writers have been up to.
This isn’t a class – I won't be giving lectures or crtiquing manuscripts. Some people may read what they've been writing, though. Mostly, it’s an opportunity to network, to talk about writing and getting published, and to write in a convivial atmosphere with other writers doing the same as you’re doing – getting a story on paper while sipping the best lattes in North America and listening to some mellow music.
See you there,
- Brian
P.S. You don’t need to come for the whole time. I teach a class Tuesday afternoon, so I won’t be there myself until shortly after 3 p.m. But you don't need me to get going. On March 29, Jennifer Mook-Sang craftily arrived about 2 p.m. and got a solid hour of writing in before I arrived and blabbed away the rest of the afternoon.
P.P.S. See my current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Woodstock, London, Orangeville, Gravenhurst, Peterborough, Kingston, Muskoka, Peel, Halton, the GTA, Ontario and beyond.
Wednesday, March 30, 2011
Two new young adult novels by Maureen McGowan
Hi Brian,
I wanted to let you know that my first two young adult novels, Cinderella: Ninja Warrior and Sleeping Beauty: Vampire Slayer will be released on April 1, 2011. They'll be the first two books for the twelve and over age group published by Baker & Taylor Publishing Group's Silver Dolphin Books imprint.
They're part of Silver Dolphin's Twisted Tales series which will provide readers with an unusual twist on some familiar fairy tales. Both books have a choose-your-own adventure element, lots of action, and heroines capable of saving themselves - but who also win the hearts of the handsome princes.
Best,
Maureen McGowan
www.maureenmcgowan.com
P.S. I just signed with InkWell Management literary agency and hope to have more good news soon. Fingers crossed.
For information about submitting to InkWell Management, see here.
If you've had a writing success, such as an article or book published, let me help you blow your horn. Email me at brianhenry@sympatico.ca
See my current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
I wanted to let you know that my first two young adult novels, Cinderella: Ninja Warrior and Sleeping Beauty: Vampire Slayer will be released on April 1, 2011. They'll be the first two books for the twelve and over age group published by Baker & Taylor Publishing Group's Silver Dolphin Books imprint.
They're part of Silver Dolphin's Twisted Tales series which will provide readers with an unusual twist on some familiar fairy tales. Both books have a choose-your-own adventure element, lots of action, and heroines capable of saving themselves - but who also win the hearts of the handsome princes.
Best,
Maureen McGowan
www.maureenmcgowan.com
P.S. I just signed with InkWell Management literary agency and hope to have more good news soon. Fingers crossed.
For information about submitting to InkWell Management, see here.
If you've had a writing success, such as an article or book published, let me help you blow your horn. Email me at brianhenry@sympatico.ca
See my current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Tuesday, March 29, 2011
"Writing Great Characters," Saturday, July 23, Toronto, Ontario
How to find and create great characters
Saturday, July 23
10 a.m. – 3:30 p.m.
The World's Biggest Bookstore, 20 Edward St, Toronto
(A block north of Dundas, just west off Yonge St. Map here.)
Whatever you're writing – fiction or nonfiction – readers will care about your story only if they care about your people. In this workshop, you'll learn techniques for creating fictional characters and depicting real people. You’ll learn how to breathe life into the page so that your characters start telling you how the story should go.
Workshop leader Brian Henry has been a book editor and creative writing instructor for more than 25 years. He teaches at Ryerson University and has led creative writing workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $38.94 + 13% hst = $44 paid in advance
or $42.48 + 13% hst = $48 if you wait to pay at the door
To reserve your spot, email brianhenry@sympatico.ca
See Brian's complete current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
![]() |
| The Girl with a Dragon Tattoo - now there's a character! |
Saturday, July 23
10 a.m. – 3:30 p.m.
The World's Biggest Bookstore, 20 Edward St, Toronto
(A block north of Dundas, just west off Yonge St. Map here.)
Whatever you're writing – fiction or nonfiction – readers will care about your story only if they care about your people. In this workshop, you'll learn techniques for creating fictional characters and depicting real people. You’ll learn how to breathe life into the page so that your characters start telling you how the story should go.
Workshop leader Brian Henry has been a book editor and creative writing instructor for more than 25 years. He teaches at Ryerson University and has led creative writing workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $38.94 + 13% hst = $44 paid in advance
or $42.48 + 13% hst = $48 if you wait to pay at the door
To reserve your spot, email brianhenry@sympatico.ca
See Brian's complete current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Monday, March 28, 2011
Quattro Books presents the Ken Klonsky novella contest
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| Retina Green by Reinhard Filter, winner of Quattro's 2010 contest |
Please take a look at the type of novellas Quattro publishes; we publish literary fiction and do not publish genre fiction (ccience fiction or romances.) You may send your manuscripts anytime between March 01, 2011 and June 01, 2011.
Send your manuscript, along with a $15 reader’s fee and your email address, to Quattro Books Inc, CSI second floor, 720 Bathurst Street, Toronto, ON, M5S 2R4.
Contest rules and general submission guidelines here. Home here.
To keep up to date with all the annual writing contests in Canada, get the 2011 Canadian Writers' Contest Calendar – just $23 including tax and shipping (or $20 at any of Brian Henry's workshops or classes). To order your copy, email brianhenry@sympatico.ca More details here.
See Brian Henry's schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Tomorrow, Tuesday, March 29: Writers' open house ~ a chance to network, to chat, and to write in good company at CJ's Cafe in Oakville
Tuesday, March 29
2:00 – 4:30
Free
CJ’s Café, 2416 Lakeshore Rd W, in Bronte
(On the south side of Lakeshore, just east of Bronte Rd, next to Lick’s ice cream – map here.)
You’re invited to come and hang out with fellow writers. Bring your laptop or notebook and a piece of writing you’re working on down to CJ’s Cafe to spend a couple hours writing in the company of other writers. Or just come down to chat and find out what your fellow writers have been up to.
This isn’t a class – there won’t be any lectures or critiquing. It’s an opportunity to network, to talk about writing and getting published, and to write in a convivial atmosphere with other writers doing the same as you’re doing – getting a story on paper while sipping the best lattes in North America and listening to some mellow music.
See you there,
- Brian
P.S. You don’t need to come for the whole time. I teach a class Tuesday afternoon, so I won’t be there myself until shortly after 3 p.m.
See my current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
2:00 – 4:30
Free
CJ’s Café, 2416 Lakeshore Rd W, in Bronte
(On the south side of Lakeshore, just east of Bronte Rd, next to Lick’s ice cream – map here.)
You’re invited to come and hang out with fellow writers. Bring your laptop or notebook and a piece of writing you’re working on down to CJ’s Cafe to spend a couple hours writing in the company of other writers. Or just come down to chat and find out what your fellow writers have been up to.
This isn’t a class – there won’t be any lectures or critiquing. It’s an opportunity to network, to talk about writing and getting published, and to write in a convivial atmosphere with other writers doing the same as you’re doing – getting a story on paper while sipping the best lattes in North America and listening to some mellow music.
See you there,
- Brian
P.S. You don’t need to come for the whole time. I teach a class Tuesday afternoon, so I won’t be there myself until shortly after 3 p.m.
See my current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Sunday, March 27, 2011
Night Watcher – a crime novel by Chris Longmuir, reviewed by Melanie Robertson-King
Julie Chalmers leaves her home in Edinburgh, Scotland, after a visit from the police telling her that her estranged husband was found dead in Dundee. Knowing that he left for another woman, she pulls up roots, reverts to her maiden name, and moves to the city where he died, planning on exacting her revenge on the other woman, a man-eater named Nicole.
Little does Julie know that the Night Watcher – a disturbed young man – has already arrived in Dundee and his Chosen One is Nicole, the other woman.
Julie rents the flat above the one her husband had in the building where he died and puts her plans of revenge on Nicole into action.
Over the years, Nicole has amassed a number of enemies - Harry, the security guard at the store who she belittles at every opportunity, Ken - her lover who she dumps when it becomes clear he’s not about to leave his wife, Scott - her husband who has his own bit on the side.
When Nicole thinks she’s being stalked and gifts mysteriously arrive for her – dead birds and animals – and just as mysteriously disappear, her husband doesn’t take her seriously. He tries to convince her that it’s her imagination. But does he have an ulterior motive?
When the police are called in, the head detective on the case doesn’t take Nicole’s accounts of recent events seriously. Only when she ends up dead does the detective realize he’s made a grave error.
Things get even more complicated when the detective falls for Julie and they embark on a relationship only to discover that Julie has become the Night Watcher’s next Chosen One.
Even when you think you have it all figured out, Chris throws in one final twist to throw you off. Her descriptive narrative draws you into the story, making the sights, sounds and smells of Dundee come to life. The dialogue is natural and makes the characters seem like normal folk you might meet on the street or in your local. For anyone who enjoys crime fiction, I highly recommend this as an addition to your must read list.
Chris’s first novel, Dead Wood, won the prestigious Dundee International Book prize in 2009. The first prize included £10,000 and publication by Polygon. You can visit her website here. The Kindle version of Night Watcher is available for download from amazon.com for $3.99 US here. Book trailer here.
Melanie King lives in Brockville, Ontario with her family. When not working or speaking, Melanie loves reading and writing, hoping one day to break into the novel-length fiction market.
Quick Brown Fox welcomes book reviews and other book-related articles. Guidelines here.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Little does Julie know that the Night Watcher – a disturbed young man – has already arrived in Dundee and his Chosen One is Nicole, the other woman.
Julie rents the flat above the one her husband had in the building where he died and puts her plans of revenge on Nicole into action.
Over the years, Nicole has amassed a number of enemies - Harry, the security guard at the store who she belittles at every opportunity, Ken - her lover who she dumps when it becomes clear he’s not about to leave his wife, Scott - her husband who has his own bit on the side.
When Nicole thinks she’s being stalked and gifts mysteriously arrive for her – dead birds and animals – and just as mysteriously disappear, her husband doesn’t take her seriously. He tries to convince her that it’s her imagination. But does he have an ulterior motive?
When the police are called in, the head detective on the case doesn’t take Nicole’s accounts of recent events seriously. Only when she ends up dead does the detective realize he’s made a grave error.
Things get even more complicated when the detective falls for Julie and they embark on a relationship only to discover that Julie has become the Night Watcher’s next Chosen One.
Even when you think you have it all figured out, Chris throws in one final twist to throw you off. Her descriptive narrative draws you into the story, making the sights, sounds and smells of Dundee come to life. The dialogue is natural and makes the characters seem like normal folk you might meet on the street or in your local. For anyone who enjoys crime fiction, I highly recommend this as an addition to your must read list.
Chris’s first novel, Dead Wood, won the prestigious Dundee International Book prize in 2009. The first prize included £10,000 and publication by Polygon. You can visit her website here. The Kindle version of Night Watcher is available for download from amazon.com for $3.99 US here. Book trailer here.
Melanie King lives in Brockville, Ontario with her family. When not working or speaking, Melanie loves reading and writing, hoping one day to break into the novel-length fiction market.
Quick Brown Fox welcomes book reviews and other book-related articles. Guidelines here.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Friday, March 25, 2011
Read-in-bed-athon for Caledon Public Library
Hi Brian,
We are hosting a “Read-in-bed-athon” in our bookstore, Forster's Book Garden in Bolton, on Wednesday, May 25, from 10 a.m. to 10 p.m. People will read in our bed (in the store) one at a time for a few minutes for a total of 12 hours. Each reader pays $5 or gets sponsors they will represent. All proceeds go to the Caledon Public Library. There will be refreshments and entertainment for people as they wait their turn. Also, New York Times bestselling author Kelley Armstrong has agreed to come and sign books starting at 2:00 for about an hour.
We hope to see lots of people there.
Donna Kamiel-Forster and Paul Forster
Forster’s Book Garden
55 Healey Road
Bolton, Ontario
forkam@bellnet.ca
See Brian Heny'r current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
We are hosting a “Read-in-bed-athon” in our bookstore, Forster's Book Garden in Bolton, on Wednesday, May 25, from 10 a.m. to 10 p.m. People will read in our bed (in the store) one at a time for a few minutes for a total of 12 hours. Each reader pays $5 or gets sponsors they will represent. All proceeds go to the Caledon Public Library. There will be refreshments and entertainment for people as they wait their turn. Also, New York Times bestselling author Kelley Armstrong has agreed to come and sign books starting at 2:00 for about an hour.
We hope to see lots of people there.
Donna Kamiel-Forster and Paul Forster
Forster’s Book Garden
55 Healey Road
Bolton, Ontario
forkam@bellnet.ca
See Brian Heny'r current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Thursday, March 24, 2011
The Writers' Union of Canada Writing For Children Competition
First place: $1,500
In addition, the winner and all the finalists (usually about 10) will be submitted to three publishers of children's books.
Deadline: Postmarked April 24.
$15 fee per entry.
This contest is open to Canadian citizens or landed immigrants who have not been published in book format, in any genre, and who do not have a contract with a book publisher. Entries must be written in the English language, not previously published, and within the word limit of 1,500. Please do not send illustrations or entries with only a few sentences per page.
How To Submit Entries:
Typed, double-spaced and numbered on 8.5 x 11 paper, not stapled. Submissions on computer disk or faxes won’t be accepted.
Include a separate cover letter with full name, address, phone number, and number of pages of entry. Please type name of entrant and title of entry on each numbered page.
Make cheque or money order payable to The Writers' Union of Canada. Multiple entries can be submitted together and fees can be added and paid with one cheque or money order.
Mail to: WFC Competition, 90 Richmond Street East, Suite 200, Toronto, ON M5C 1P1.
Results will be posted at www.writersunion.ca. Contest web page here.
To keep up to date with all the annual writing contests in Canada, get the 2011 Canadian Writers' Contest Calendar – just $23 including tax and shipping (or $20 at any of Brian Henry's workshops or classes). To order your copy, email brianhenry@sympatico.ca More details here.
Brian has "Writing for Children and Young Adults" workshops coming up on on April 9 in Peterborough (see here), and on April 10 in Kingston (see here).
Full current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
In addition, the winner and all the finalists (usually about 10) will be submitted to three publishers of children's books.
Deadline: Postmarked April 24.
$15 fee per entry.
This contest is open to Canadian citizens or landed immigrants who have not been published in book format, in any genre, and who do not have a contract with a book publisher. Entries must be written in the English language, not previously published, and within the word limit of 1,500. Please do not send illustrations or entries with only a few sentences per page.
How To Submit Entries:
Typed, double-spaced and numbered on 8.5 x 11 paper, not stapled. Submissions on computer disk or faxes won’t be accepted.
Include a separate cover letter with full name, address, phone number, and number of pages of entry. Please type name of entrant and title of entry on each numbered page.
Make cheque or money order payable to The Writers' Union of Canada. Multiple entries can be submitted together and fees can be added and paid with one cheque or money order.
Mail to: WFC Competition, 90 Richmond Street East, Suite 200, Toronto, ON M5C 1P1.
Results will be posted at www.writersunion.ca. Contest web page here.
To keep up to date with all the annual writing contests in Canada, get the 2011 Canadian Writers' Contest Calendar – just $23 including tax and shipping (or $20 at any of Brian Henry's workshops or classes). To order your copy, email brianhenry@sympatico.ca More details here.
Brian has "Writing for Children and Young Adults" workshops coming up on on April 9 in Peterborough (see here), and on April 10 in Kingston (see here).
Full current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Wednesday, March 23, 2011
Maple Tree Press / Owl Books
| "Yikes, Vikings!" by Frieda Wishinsky, Maple Tree Press |
10 Lower Spadina Ave., Suite 400
Toronto, Ontario M5V 2Z2
http://www.mapletreepress.com/
Maple Tree Press has been the publisher of distinctive, award-winning children's books for over 30 years.
Publishing under the banner of Owl Books, our history began in the early 1970s, following the launch of OWL magazine, which was to become Canada's leading children's magazine. The earliest books we published were based on articles and experiments from the magazine, and focused on science and nature.
Over the years, our publishing mandate became broader. We welcome book ideas of all kinds for children aged three to twelve. For the most part we publish nonfiction in the areas of science and nature, and activity and craft books. We also publish a diverse collection of books that celebrate Canada's history and culture.
We publish Canadian writers almost exclusively (including Canadian citizens living abroad).
If you wish to have your manuscript considered for publication, please mail it to our office along with a self-addressed, stamped return envelope. The package should be marked to the attention of the Submissions Editor. The review period is usually twelve to sixteen weeks. Full submission guidelines here.
Brian Henry has "Writing for Children and Young Adults" workshops coming up on on April 9 in Peterborough (see here), and on April 10 in Kingston (see here).
Full current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Tuesday, March 22, 2011
Providence Island by Gregor Robinson, reviewed by Cecilia-Anca Popescu
Dundurn Press, Toronto, March 2011, 216 pages, trade paperback, $21.99
Gregor Robinson’s protagonist, Ray Carry, took me on a fascinating journey to “the last wilderness,” as his father used to call the places up north by Hudson Bay, with “few roads, nothing but the dark forest and shambling beasts, the trickle of water in nameless lakes and muskeg, the sighing of the trees.”
Ray Carry returns to his family cottage for his dad’s funeral, but his trip becomes a troubled journey back in time as he searches for a conclusion to dramatic events that happened during his high school vacations.
Isn’t high school the most memorable time in our life? We all have tons to tell about it. But for Ray there is more, something that has haunted him for his entire adulthood, and the mystery builds with the flip of each page.
As a teen, Ray faced the usual dilemmas of growing up: the difference between true love and fascination, between making love and just having sex, and the question of whether anyone has the right to decide who one falls in love with. But Ray bears more than the usual scars of growing up. Because of his lack of experience, he failed to react in a critical situation, and the label of cowardice became a stigmata on Ray’s heart.
In a wonderful parabola, the narrative shows Ray reaching to his conclusion by gathering the strength to look back at the mutilated face of the legendary Indian spirit who has haunted the northern forests for more than one hundred years.
At the story’s end, tragedies from Ray’s past surface into the present in a powerful emotional arch and Ray realizes that “all three deaths were connected.”
Coincidently, I read this book on the day my daughter turned fifteen. As I devoured the last pages of Providence Island, about twenty teenagers were screaming and dancing to loud music in my basement, their revels reminding me that the arc from teen to adult is travelled endlessly.
Providence Island is available at your local book store or online here.Information about submitting to Dundurn Press here.
Cecilia-Anca Popescu writes about the drama of the expat, about her life experiences, and sometimes about her cats. You can read some of her poetry here and here.
Quick Brown Fox welcomes book reviews and other book-related articles. Guidelines here.
See Brian Heny'r current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Gregor Robinson’s protagonist, Ray Carry, took me on a fascinating journey to “the last wilderness,” as his father used to call the places up north by Hudson Bay, with “few roads, nothing but the dark forest and shambling beasts, the trickle of water in nameless lakes and muskeg, the sighing of the trees.”
Ray Carry returns to his family cottage for his dad’s funeral, but his trip becomes a troubled journey back in time as he searches for a conclusion to dramatic events that happened during his high school vacations.
Isn’t high school the most memorable time in our life? We all have tons to tell about it. But for Ray there is more, something that has haunted him for his entire adulthood, and the mystery builds with the flip of each page.
As a teen, Ray faced the usual dilemmas of growing up: the difference between true love and fascination, between making love and just having sex, and the question of whether anyone has the right to decide who one falls in love with. But Ray bears more than the usual scars of growing up. Because of his lack of experience, he failed to react in a critical situation, and the label of cowardice became a stigmata on Ray’s heart.
In a wonderful parabola, the narrative shows Ray reaching to his conclusion by gathering the strength to look back at the mutilated face of the legendary Indian spirit who has haunted the northern forests for more than one hundred years.
At the story’s end, tragedies from Ray’s past surface into the present in a powerful emotional arch and Ray realizes that “all three deaths were connected.”
Coincidently, I read this book on the day my daughter turned fifteen. As I devoured the last pages of Providence Island, about twenty teenagers were screaming and dancing to loud music in my basement, their revels reminding me that the arc from teen to adult is travelled endlessly.
Providence Island is available at your local book store or online here.Information about submitting to Dundurn Press here.
Cecilia-Anca Popescu writes about the drama of the expat, about her life experiences, and sometimes about her cats. You can read some of her poetry here and here.
Quick Brown Fox welcomes book reviews and other book-related articles. Guidelines here.
See Brian Heny'r current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Monday, March 21, 2011
InkWell Management, a large New York literary agency
InkWell Management
521 Fifth Avenue, 26th Floor
New York, NY 10175
http://www.inkwellmanagement.com/
InkWell Management is a large New York agency. It was formed in 2004 through the merger of Arthur Pine Associates. Carlisle & Company, and Witherspoon Associates. Inkwell handles both fiction and nonfiction, literary and commercial literature, adult and young adult books.
InkWell says: "We offer the all-round service of a large agency, while maintaining the intimacy of a boutique. We work together as a close-knit team, ensuring that each client has every advantage at all stages of the process, from inception to publication and beyond."
Newer agents:

Nathaniel Jacks graduated from Columbia University in 2003 with a BA in literature. He represents a variety of writers and is also InkWell’s contracts manager. He welcomes submissions in most categories, including fiction (literary and commercial, women's, young adult, historical, short story, among others) as well as memoir, narrative nonfiction, biography, travel, religion, entertainment, food & wine, history, humor, current affairs and business. Email: nathaniel@inkwellmanagement.com
Jacqueline Murphy started with InkWell in 2011. She has been engaged in acquiring and shaping important ideas defining the global business culture for nearly two decades, most recently as Editorial Director at Harvard Business Press.She's held senior-level editorial positions at Perseus Books, Bloomberg Press and John Wiley & Sons.
Her interest and expertise is in developing breakthrough concepts for wide impact and broad appeal. She's acquired and edited bestsellers such as The Cluetrain Manifesto by Christopher Locke, et al., Groundswell by Josh Bernoff and Charlene Li, and Iconoclast by Gregory Berns.
Elisa Petrini became a literary agent in 2004 after a twenty-year publishing career, holding major editorial positions at Rolling Stone Press, Macmillan, William Morrow, Bantam, and Dutton. The New York Times bestselling authors she has edited include Tracy Chevalier (Girl With A Pearl Earring), Sadie and Bessie Delany (Having Our Say and The Delany Sisters’ Book Of Everyday Wisdom), Reba McEntire, Ralph Emery, and James van Praagh.
A writer herself, she has ghosted a number of books, including a bestselling novel, and is the credited co-author of Candice DeLong’s memoir, Special Agent: My Life on the Front Lines as a Woman in the FBI and the New York Times bestseller A Paper Life by Tatum O’Neal. Elisa joined Inkwell Management in 2006 in the dual role of agent, developing her own list of clients, and content-development specialist, helping all Inkwell authors to develop book ideas, effective proposals, and strong manuscripts. Email: elisa@inkwellmanagement.com
Charlie Olsen attended Rider University, where he earned a B.A. in Print Journalism. Prior to joining Inkwell, he covered a beat at a newswire in the District of Columbia and wrote for two newspapers in New Jersey. Among others, he represents Andrea Cremer and Maureen McGowan. Email: charlie@inkwellmanagement.com
I've provided emails for these agents, but according to InkWell's website, all queries should be emailed to: submissions@inkwellmanagement.com
Full submission guidelines here.
Brian Henry has "Writing for Children and Young Adults" workshops coming up on on April 9 in Peterborough (see here), and on April 10 in Kingston (see here).
He will also be leading: "From the Horse's Mouth ~ Strategies for Getting Published" at Ryerson University in Toronto on May 7 (see here).
Full current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
| "Swept off her Fee" by Hester Browne, represented by Inkwell Management |
521 Fifth Avenue, 26th Floor
New York, NY 10175
http://www.inkwellmanagement.com/
InkWell Management is a large New York agency. It was formed in 2004 through the merger of Arthur Pine Associates. Carlisle & Company, and Witherspoon Associates. Inkwell handles both fiction and nonfiction, literary and commercial literature, adult and young adult books.
InkWell says: "We offer the all-round service of a large agency, while maintaining the intimacy of a boutique. We work together as a close-knit team, ensuring that each client has every advantage at all stages of the process, from inception to publication and beyond."
Newer agents:
Nathaniel Jacks graduated from Columbia University in 2003 with a BA in literature. He represents a variety of writers and is also InkWell’s contracts manager. He welcomes submissions in most categories, including fiction (literary and commercial, women's, young adult, historical, short story, among others) as well as memoir, narrative nonfiction, biography, travel, religion, entertainment, food & wine, history, humor, current affairs and business. Email: nathaniel@inkwellmanagement.com
Jacqueline Murphy started with InkWell in 2011. She has been engaged in acquiring and shaping important ideas defining the global business culture for nearly two decades, most recently as Editorial Director at Harvard Business Press.She's held senior-level editorial positions at Perseus Books, Bloomberg Press and John Wiley & Sons.
Her interest and expertise is in developing breakthrough concepts for wide impact and broad appeal. She's acquired and edited bestsellers such as The Cluetrain Manifesto by Christopher Locke, et al., Groundswell by Josh Bernoff and Charlene Li, and Iconoclast by Gregory Berns.
Elisa Petrini became a literary agent in 2004 after a twenty-year publishing career, holding major editorial positions at Rolling Stone Press, Macmillan, William Morrow, Bantam, and Dutton. The New York Times bestselling authors she has edited include Tracy Chevalier (Girl With A Pearl Earring), Sadie and Bessie Delany (Having Our Say and The Delany Sisters’ Book Of Everyday Wisdom), Reba McEntire, Ralph Emery, and James van Praagh.
A writer herself, she has ghosted a number of books, including a bestselling novel, and is the credited co-author of Candice DeLong’s memoir, Special Agent: My Life on the Front Lines as a Woman in the FBI and the New York Times bestseller A Paper Life by Tatum O’Neal. Elisa joined Inkwell Management in 2006 in the dual role of agent, developing her own list of clients, and content-development specialist, helping all Inkwell authors to develop book ideas, effective proposals, and strong manuscripts. Email: elisa@inkwellmanagement.com
Charlie Olsen attended Rider University, where he earned a B.A. in Print Journalism. Prior to joining Inkwell, he covered a beat at a newswire in the District of Columbia and wrote for two newspapers in New Jersey. Among others, he represents Andrea Cremer and Maureen McGowan. Email: charlie@inkwellmanagement.com
I've provided emails for these agents, but according to InkWell's website, all queries should be emailed to: submissions@inkwellmanagement.com
Full submission guidelines here.
Brian Henry has "Writing for Children and Young Adults" workshops coming up on on April 9 in Peterborough (see here), and on April 10 in Kingston (see here).
He will also be leading: "From the Horse's Mouth ~ Strategies for Getting Published" at Ryerson University in Toronto on May 7 (see here).
Full current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Saturday, March 19, 2011
Spinetingler magazine reopened for fiction submissions effective February 21, 2011.
At Spinetingler, we want to entertain our audience while we promote and enhance the profile of talented emerging writers using the forum of electronic publishing. We know there are a lot of great stories out there that should have a place where they can be told, so we are providing that venue for them
Spinetingler publishes compelling stories that capture the reader with intriguing characters and quality writing. Spinetingler publishes stories that could, within the broadest definitions of genre possible, be categorized as crime, mystery, thriller, suspense or horror. Stories should be 1500-5000 words in length. You may submit a shorter story, but there is no payment for stories under 1500 words. Contributors will paid $25 USD
Full submision guidelines here. Spinetingler home page here.
For information about Brian Henry's creative writing courses and writing workshops in Toronto, Etobicoke, Brampton, Georgetown, Mississauga, Oakville, Burlington, Peel, Halton, the GTA, Peterborough, Kingston, Ontario and beyond, see here.
Spinetingler publishes compelling stories that capture the reader with intriguing characters and quality writing. Spinetingler publishes stories that could, within the broadest definitions of genre possible, be categorized as crime, mystery, thriller, suspense or horror. Stories should be 1500-5000 words in length. You may submit a shorter story, but there is no payment for stories under 1500 words. Contributors will paid $25 USD
Full submision guidelines here. Spinetingler home page here.
For information about Brian Henry's creative writing courses and writing workshops in Toronto, Etobicoke, Brampton, Georgetown, Mississauga, Oakville, Burlington, Peel, Halton, the GTA, Peterborough, Kingston, Ontario and beyond, see here.
Friday, March 18, 2011
Hey Jude ~ Birth and death in the West Bank
![]() |
| Corporal Levin and baby Jude |
As they do whenever there's a successful attack, terrorists celebrated in the streets of Gaza by passing out sweets. However, Israeli journalist Shlomi Eldar discovered something unusual in the streets of Nablus in the West Bank: ordinary Palestinians expressing disgust and outrage over the murder of the Fogel family.
Shlomi says that in years of reporting from the Palestinian territories this genuinely surprised him; it was the first time Palestinians were volunteering themselves to express such opposition.
One man said: "The feeling is not good. It’s wrong that something like this could happen. No one wants his son or father or brother to die. People who were in their home, sleeping in their place of security. To go in and murder them with a knife. Where is his heart? Where is his mercy? Where is the humanity? Where? Simply put, the man who does this has no heart, he has nothing."
![]() |
| Hadas Fogel, murdered at age 3 months. May her name be a blessing. |
The Palestinian Authority - the people who are supposed to be Israel's peace partners - praise terrorists all the time. They call them heroes and martyrs, and they name streets, schools and summer camps in their honor. I've written about this before here.
Al-Aqsa Martyrs Brigade has claimed responsibility for this latest atrocity in Itamar. They want the glory of it. In fact, they want the glory of a successful terrorist attack so much that the Brigade often claims attacks committed by other terrorist groups (and likely the murders in Itamar were actually committed by Hamas).
But this time it seems many Palestinians aren't seeing this attack as glorious. In slitting the throat of a three-month old baby, the terrorists apparently went a step too far. Indeed, possibly - hopefully - the revulsion in the streets of Nablus signals a sea change, a recognition that terrorism just kills people and does nothing for the Palestinian cause.
Meanwhile, Israel Defence Forces are all over the West Bank looking for the murderers. On Sunday there was some excitement when a taxi raced up to the entrance to Neve Tzuf, the settlement where the Fogels are grieving for their murdered son, daughter-in-law and grandchildren. The taxi driver was seeking help for his passenger - a Palestinian woman in advanced labour and facing life-threatening circumstances: the umbilical cord was wrapped around the baby's neck.
Because of the manhunt for the murderers of the Fogel family, an Israel Defence Forces medic was on hand and went to the woman's aid even before the settlement's own medic could get to her. The IDF medic, Corporal Haim Levin age 19, was able to save both mother and new-born daughter, and an ambulance quickly arrived to transport them to an Israeli hospital.
According to reports, Palestinians from the nearby village of Nabi Salah gathered around the paramedics along with the new grandmother and could not hide their joy.
"They thanked us," said Corporal Levin, "and told us they named the girl Jude."
Shalom, salam, peace to all. - Brian
Thursday, March 17, 2011
The New Quarterly personal essay contest with $1,000 prize is short of entries
It's not every day that a prestigious literary journal like The New Quarterly has to go begging for submissions, but Catherine Muss at TNQ (email below) tells me they're concerned about how few entries they've received for their Edna Staebler personal essay contest.
Of course the contest has a $40 fee (though that does include a one-year subscription) and few writers specialize in the personal essay. On the other hand, few entries means a better chance for everyone who does enter...
The deadline is March 28, 2011. Contest details here.
More about The New Quarterly and their general submission requirements here.
To keep up to date with all the annual writing contests in Canada, get the 2011 Canadian Writers' Contest Calendar – just $23 including tax and shipping (or $20 at any of my workshops or classes). To order your copy, email brianhenry@sympatico.ca More details here.
Dear Brian,
Thank you so much for posting about our contests on Quick Brown Fox. We really appreciate your support. Multiple entrants cited your blog as the source for where they heard about our contests.
The Nick Blatchford Occasional Verse Contest's deadline has passed, but our Edna Staebler Personal Essay Contest's deadline is March 28, 2011, and we are a bit concerned with the amount of entries we have received so far for the essay contest, so I thought I would take a chance and mention it again.
Again, thank you for using your resources to promote the contests.
Sincerely,
Catherine Muss
TNQ Intern
To keep up to date with all the annual writing contests in Canada, get the 2011 Canadian Writers' Contest Calendar – just $23 including tax and shipping (or $20 at any of Brian Henry's workshops or classes). To order your copy, email brianhenry@sympatico.ca More details here.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
Of course the contest has a $40 fee (though that does include a one-year subscription) and few writers specialize in the personal essay. On the other hand, few entries means a better chance for everyone who does enter...
The deadline is March 28, 2011. Contest details here.
More about The New Quarterly and their general submission requirements here.
To keep up to date with all the annual writing contests in Canada, get the 2011 Canadian Writers' Contest Calendar – just $23 including tax and shipping (or $20 at any of my workshops or classes). To order your copy, email brianhenry@sympatico.ca More details here.
Dear Brian,
Thank you so much for posting about our contests on Quick Brown Fox. We really appreciate your support. Multiple entrants cited your blog as the source for where they heard about our contests.
The Nick Blatchford Occasional Verse Contest's deadline has passed, but our Edna Staebler Personal Essay Contest's deadline is March 28, 2011, and we are a bit concerned with the amount of entries we have received so far for the essay contest, so I thought I would take a chance and mention it again.
Again, thank you for using your resources to promote the contests.
Sincerely,
Catherine Muss
TNQ Intern
To keep up to date with all the annual writing contests in Canada, get the 2011 Canadian Writers' Contest Calendar – just $23 including tax and shipping (or $20 at any of Brian Henry's workshops or classes). To order your copy, email brianhenry@sympatico.ca More details here.
See Brian Henry's current schedule here, including writing workshops and creative writing courses in Toronto, Etobicoke, Mississauga, Brampton, Georgetown, Oakville, Burlington, Hamilton, Kitchener, Orangeville, Gravenhurst in Muskoka, Peterborough, Kingston, London, Peel, Halton, the GTA, Ontario and beyond.
"My kids are begging for a pet" a true story by Susan Crossman
Children are sweet creatures but somewhat wily when it comes to pet ownership. When my own kids launched their Puppy Campaign a few years ago, there was only one possible response: No.
“But Mom, we need a dog,” came the anguished rebuttal. And they probably did.
My children’s father had died a few months earlier. We had all been recovering from the demise of our beloved chocolate Lab, Zeppy. And the year before that, we had faced the passing of my own wonderful father. The business of death was weighing on us and the thought of a puppy prancing around our ankles had some appeal ... more
Susan Crossman is a career writer with decades of experience in journalism, government communications, PR and marketing. She currently runs her own freelance writing business through which she produces newsletter and web content, speeches, reports, profile pieces and other custom documentation for clients in the corporate sector. You can read another essay by susan here and an excerpt from her novel in progress here. And check out Susan's website, Crossman Communications, here.
For information about submitting to Facts and Arguments at the Globe & Mail, see here.
For information about all of Brian Henry's creative writing courses and writing workshops in Toronto, Halton, Peel, the GTA, Ontario and beyond, see here.
“But Mom, we need a dog,” came the anguished rebuttal. And they probably did.
My children’s father had died a few months earlier. We had all been recovering from the demise of our beloved chocolate Lab, Zeppy. And the year before that, we had faced the passing of my own wonderful father. The business of death was weighing on us and the thought of a puppy prancing around our ankles had some appeal ... more
Susan Crossman is a career writer with decades of experience in journalism, government communications, PR and marketing. She currently runs her own freelance writing business through which she produces newsletter and web content, speeches, reports, profile pieces and other custom documentation for clients in the corporate sector. You can read another essay by susan here and an excerpt from her novel in progress here. And check out Susan's website, Crossman Communications, here.
For information about submitting to Facts and Arguments at the Globe & Mail, see here.
For information about all of Brian Henry's creative writing courses and writing workshops in Toronto, Halton, Peel, the GTA, Ontario and beyond, see here.
Tuesday, March 15, 2011
Writing memoirs and other true stories, a workshop, Saturday, June 11, Hamilton, Ontario
Writing Your Life
Saturday, June 11
10 a.m. - 4 p.m.
Volunteer Hamilton, 267 King St. E, Hamilton (Downtown Hamilton, just west of Wellington St. N. Map here.)
Have you ever considered writing your memoirs or family history? This workshop will introduce you to the tricks and conventions of telling true stories and will show you how to use the techniques of the novel to recount actual events. Whether you want to write for your family or for a wider public, don't miss this workshop.
Workshop leader Brian Henry has been a book editor and creative writing instructor for more than 25 years. He has helped many of his students get published, including our guest speaker, Ross Pennie.
Dr. Ross Pennie is the author of The Unforgiving Tides, a doctor’s memoir of Papua New Guinea (Manor House Publishing). He has also signed a contract with ECW Press for three medical mystery novels. The first of these, Tainted, came out last April and won Arts Hamilton Literary Award for Fiction. Ross's next novel, Tampered, will be launched May 5. At the workshop, Ross will speak on how to turn ordinary life into dramatic material and will answer questions about how he wrote his memoir and got it published.
Fee: $38.94 + 13% hst = $44 paid in advance
or $42.48 + 13% hst = $48 if you wait to pay at the door
To reserve your spot, email brianhenry@sympatico.ca
For information about all of Brian's creative writing courses and writing workshops in Toronto, Halton, Peel, Hamilton, the GTA, Ontario and beyond, see here.
Saturday, June 11
10 a.m. - 4 p.m.
Volunteer Hamilton, 267 King St. E, Hamilton (Downtown Hamilton, just west of Wellington St. N. Map here.)
Have you ever considered writing your memoirs or family history? This workshop will introduce you to the tricks and conventions of telling true stories and will show you how to use the techniques of the novel to recount actual events. Whether you want to write for your family or for a wider public, don't miss this workshop.
Workshop leader Brian Henry has been a book editor and creative writing instructor for more than 25 years. He has helped many of his students get published, including our guest speaker, Ross Pennie.
Dr. Ross Pennie is the author of The Unforgiving Tides, a doctor’s memoir of Papua New Guinea (Manor House Publishing). He has also signed a contract with ECW Press for three medical mystery novels. The first of these, Tainted, came out last April and won Arts Hamilton Literary Award for Fiction. Ross's next novel, Tampered, will be launched May 5. At the workshop, Ross will speak on how to turn ordinary life into dramatic material and will answer questions about how he wrote his memoir and got it published.
Fee: $38.94 + 13% hst = $44 paid in advance
or $42.48 + 13% hst = $48 if you wait to pay at the door
To reserve your spot, email brianhenry@sympatico.ca
For information about all of Brian's creative writing courses and writing workshops in Toronto, Halton, Peel, Hamilton, the GTA, Ontario and beyond, see here.
Love Letters
Hi Brian:
When I was scrolling through your website, I discovered the newpages and sent a piece to one of the literary magazines that was seeking submissions. A month later, they emailed saying they'd like to run my piece in their 2011 winter issue. The literary journal is called Jelly Bucket. It was a great feeling, and I thought I'd let you know that I found the link on your site. :)
Cheers and thanks,
Annie
For information on submitting to Jelly Bucket, see here.
Hi Brian,
Just wanted to let you know that in the eternal pursuit of publishing creds, I've had my first short story published. You can find the story, "The Seven of Swords," on Jersey Devil Press. Can't say enough good things about Eirik Gumeny and Monica Rodriguez, Jersey Devil Press's Editors, nice folk and funny as heck.
I have another story pending publication in the fall issue of Spinetingler. Will let you know when it's up.
Cheers,
Tanis Mallow
For information on submitting to Jersey Devil Press, see here. Info on submitting to Spinetingler here. And read Tanis’s story here.
For information about Brian Henry's creative writing courses and writing workshops in Toronto, Halton, Peel, the GTA, Ontario and beyond, see here.
| The Seven of Swords |
When I was scrolling through your website, I discovered the newpages and sent a piece to one of the literary magazines that was seeking submissions. A month later, they emailed saying they'd like to run my piece in their 2011 winter issue. The literary journal is called Jelly Bucket. It was a great feeling, and I thought I'd let you know that I found the link on your site. :)
Cheers and thanks,
Annie
For information on submitting to Jelly Bucket, see here.
Hi Brian,
Just wanted to let you know that in the eternal pursuit of publishing creds, I've had my first short story published. You can find the story, "The Seven of Swords," on Jersey Devil Press. Can't say enough good things about Eirik Gumeny and Monica Rodriguez, Jersey Devil Press's Editors, nice folk and funny as heck.
I have another story pending publication in the fall issue of Spinetingler. Will let you know when it's up.
Cheers,
Tanis Mallow
For information on submitting to Jersey Devil Press, see here. Info on submitting to Spinetingler here. And read Tanis’s story here.
For information about Brian Henry's creative writing courses and writing workshops in Toronto, Halton, Peel, the GTA, Ontario and beyond, see here.
Monday, March 14, 2011
Welcome to Creative Writing course, Monday afternoons, May 9 – June 20, Toronto, Ontario
Six weeks of inspiration
Monday afternoons, 12:45 – 2:45 p.m.
May 9 – June 20 (no class on Victoria Day)
Islington United Church
25 Burnhamthorpe Road, Etobicoke, in Toronto.
At the corner of Dundas Street, west of Islington Ave. Map here.
This course will open the door to all kinds of creative writing. We’ll visit short story writing and personal writing, children’s writing, memoir writing, and just for fun writing. You’ll get a shot of inspiration every week and an assignment to keep you going till the next class. Best of all, this class will provide a zero-pressure, totally safe environment, where your words will flow and flower.
Brian Henry has been a book editor and creative writing instructor for more than 25 years. He teaches at Ryerson University and has led writing workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $94.69 plus 13% hst = $107. Advance registration only. Number of attendees strictly limited.
To reserve a spot now, email brianhenry@sympatico.ca
Note: These writing classes tend to fill up, to avoid disappointment, register early.
For information about all of Brian Henry's creative writing courses and writing workshops in Toronto, Halton, Peel, the GTA, Ontario and beyond, see here.
Monday afternoons, 12:45 – 2:45 p.m.
May 9 – June 20 (no class on Victoria Day)
Islington United Church
25 Burnhamthorpe Road, Etobicoke, in Toronto.
At the corner of Dundas Street, west of Islington Ave. Map here.
This course will open the door to all kinds of creative writing. We’ll visit short story writing and personal writing, children’s writing, memoir writing, and just for fun writing. You’ll get a shot of inspiration every week and an assignment to keep you going till the next class. Best of all, this class will provide a zero-pressure, totally safe environment, where your words will flow and flower.
Brian Henry has been a book editor and creative writing instructor for more than 25 years. He teaches at Ryerson University and has led writing workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he's helped many of his students get published.
Fee: $94.69 plus 13% hst = $107. Advance registration only. Number of attendees strictly limited.
To reserve a spot now, email brianhenry@sympatico.ca
Note: These writing classes tend to fill up, to avoid disappointment, register early.
For information about all of Brian Henry's creative writing courses and writing workshops in Toronto, Halton, Peel, the GTA, Ontario and beyond, see here.
Writers' open house ~ a chance to network, to chat, and to write in good company at CJ's Cafe in Oakville, Ontario
Tuesday, March 29
2:00 – 4:30
Free
CJ’s Café, 2416 Lakeshore Rd W, Oakville
(On the south side of Lakeshore, just east of Bronte Rd, next to Lick’s ice cream – map here.)
You’re invited to come and hang out with fellow writers. Bring your laptop or notebook and a piece of writing you’re working on down to CJ’s Cafe to spend a couple hours writing in the company of other writers. Or just come down to chat and find out what your fellow writers have been up to.
This isn’t a class – there won’t be any lectures or critiquing. It’s an opportunity to network, to talk about writing and getting published, and to write in a convivial atmosphere with other writers doing the same as you’re doing – getting a story on paper while sipping the best lattes in North America and listening to some mellow music.
See you there,
- Brian
P.S. You don’t need to come for the whole time. I teach a class Tuesday afternoon, so I won’t be there myself until shortly after 3 p.m.
For information about my creative writing courses and writing workshops in Toronto, Halton, Peel, the GTA, Ontario and beyond, see here.
2:00 – 4:30
Free
CJ’s Café, 2416 Lakeshore Rd W, Oakville
(On the south side of Lakeshore, just east of Bronte Rd, next to Lick’s ice cream – map here.)
You’re invited to come and hang out with fellow writers. Bring your laptop or notebook and a piece of writing you’re working on down to CJ’s Cafe to spend a couple hours writing in the company of other writers. Or just come down to chat and find out what your fellow writers have been up to.
This isn’t a class – there won’t be any lectures or critiquing. It’s an opportunity to network, to talk about writing and getting published, and to write in a convivial atmosphere with other writers doing the same as you’re doing – getting a story on paper while sipping the best lattes in North America and listening to some mellow music.
See you there,
- Brian
P.S. You don’t need to come for the whole time. I teach a class Tuesday afternoon, so I won’t be there myself until shortly after 3 p.m.
For information about my creative writing courses and writing workshops in Toronto, Halton, Peel, the GTA, Ontario and beyond, see here.
Sunday, March 13, 2011
Welcome to Creative Writing course, Monday evenings, May 2 – June 20, Georgetown, Ontario
Seven weeks of inspiration
Monday evenings, 7 – 9 p.m.
May 2 – June 20 (no class on Victoria Day)
Glen Williams Town Hall
1 Prince Street, Georgetown (Map here.)
This course will open the door to all kinds of creative writing. We’ll visit short story writing and personal writing, children’s writing, memoir writing, and just for fun writing. You’ll get a shot of inspiration every week and an assignment to keep you going till the next class. Best of all, this class will provide a zero-pressure, totally safe environment, where your words will flow and flower.
Fee: $101.77 plus 13% hst = $115
Advance registration only. Number of attendees strictly limited.
To reserve a spot now, email brianhenry@sympatico.ca
Note: My writing classes tend to fill up, to avoid disappointment, register early.
For information about all my creative writing courses and writing workshops in Toronto, Etobicoke, Mississauga, Brampton, Oakville, Peel, Halton, Orangeville, the GTA, Ontario and beyond, see here.
Monday evenings, 7 – 9 p.m.
May 2 – June 20 (no class on Victoria Day)
Glen Williams Town Hall
1 Prince Street, Georgetown (Map here.)
This course will open the door to all kinds of creative writing. We’ll visit short story writing and personal writing, children’s writing, memoir writing, and just for fun writing. You’ll get a shot of inspiration every week and an assignment to keep you going till the next class. Best of all, this class will provide a zero-pressure, totally safe environment, where your words will flow and flower.
Fee: $101.77 plus 13% hst = $115
Advance registration only. Number of attendees strictly limited.
To reserve a spot now, email brianhenry@sympatico.ca
Note: My writing classes tend to fill up, to avoid disappointment, register early.
For information about all my creative writing courses and writing workshops in Toronto, Etobicoke, Mississauga, Brampton, Oakville, Peel, Halton, Orangeville, the GTA, Ontario and beyond, see here.
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